If you like large scale modelling you really need to spend 30 minutes of your time watching this guy at work. His name is Parma, he is a Brazilian chap who has a channel dedicated to large scale modelling and the thing is, he does it all from a small room in his apartment that he has converted into a workshop. He wants to prove that you don’t need a massive work space to create these masterpieces.
I love model making but you look at guys like this and feel totally inadequate. He is a true master of his trade.
In my first foray into this art medium, i chose what were to be two of my first templates. That post can be found here: Faux stained glass painting. This post covers what I will be doing with the second template and a slightly different approach to what I hope to achieve.
I have already traced an outline onto my glass and this time instead of using paint and glue for the lead effect I have used a Pentel permanent marker. I will do the painting on the opposite side of the outline as this will allow me to make amendments to either the outline or the paint without interfering with each other. Because the paint is mixed with glue this can easily be peeled off and re painted. The outline can be amended by using a cotton bud and some IPA. Making changes with the outline and the paint on the same side would require cleaning the whole glass and starting again from scratch. I want to avoid that, so that’s why I’m experimenting.
My second template, drawn with permanent marker
I’ve brought some new Acrylic paints, and will be using slightly more glue in the mix to try and achieve a slightly more translucent effect, to assist with the effect I’m trying to achieve.
As you can see I will be using a box frame for this piece. What I want to do in this example is to put some lights in the frame, but to ensure the light is not too harsh I want to put some opaque tissue immediately behind the glass to act as a diffuser. I’ll get around to this later in this post.
Let’s get painting.
Today i’m using a small light box under the glass so i can get a good idea of how the paint is going down. It also saves me from constantly having to lift the glass to the light to see how it is looking. The glass is very thin and the less it is handled the better.
My light box
Time to paint
Time to dry
When dry I just flip the glass over and go over the out lines once again, this time I’m going to add a small sting of lights into the box for display at night.
Mounted in a box frame. I have hot glued some lights into the inside of the frame
Box frame Better at night
I’m a tad unsure about the lights but I’ll have to wait until it’s dark before I make my mind up about this one. Been fun, I’ve enjoyed it but I’m sitting on the fence regarding the lights, but you never know what’s liable to happen unless you give it a try. I may try the foil trick on this one as I think it may be more effective.
My original three frames i purchased, to use as templates for this particular Art medium
I’m new to this art medium, I don’t really know what I’m doing, but like everything I do on this site, I’m willing to give it a go, always willing to learn. So here we go.
I was watching a program on TV a week or so back and was watching a stained glass window being repaired. I was fascinated with the expertise and commitment these guys put into repairing these pieces of art. I thought to myself that this is something I would love to try but obviously I just don’t have the expertise, space or ability these guys have.
So I had a look around for simpler alternatives and that’s where I found out about Faux stained glass painting. It’s a whole lot easier, less expensive, and I have most of the tools required already.
I’ve attached a video of the technique that I’m interested in, this video has kind of sold the process to me.
I’m going to give this a go now, let’s get started.
My Subject:
I’ve chosen two simple potential templates that were free to download from the internet. As this is my first attempt I’ve chosen a couple of design templates that will be good for a first attempt at this type of art. I’ve chosen a bird and a simple flower.
The two templates I will be choosing from for my first attempt at this medium
What do I need?
Not a lot to be honest, below is the minimal requirements.
Craft PVA glue
Craft clear glue
Paints – I use acrylic, you can use pretty much whatever paint you have around.
An old cheap frame, with glass
Brushes, or sponge applicators, some tape and cleaning materials
And that’s basically all you need.
Ive been out and purchased some supplies including some shadow box frames that were on offer. These will be my guinea pigs for the purpose of this post.
Supplies
I’ve chosen the flower template for my first attempt as it is slightly less involved. I’ve mixed some black acrylic paint in with some PVA as this is what you use to form the black “Lead” type outline. I’ve done some samples on plain A4 paper to perfect the technique as it was coming out all blobby and runny, I think I’ve now perfected how much the nozzle needs opening and now I’m quite happy with the outcome.
Let’s go:
Next i tape the template to the rear of the frames glass, i then clean the front of the glass getting rid of finger prints and anything greasy that might stop the ink bonding to the glass.
Paint/glue applied a bit blobby
Using a steady hand you then just add the glue/paint to the top of the glass following the template underneath. Don’t worry too much if you get some blobs and bubbles, the bubbles can be burst by using a needle and the blobs can be dealt with when the solution dries, because the glue can be easily cut or peeled back. Don’t worry too much about little mistakes, just go with it. Don’t worry about making straight lines perfect as the irregularities just add to the authenticity of the piece. You don’t see perfect lines on old stained glass windows, so don’t worry. I use some small paper tortillons just to remove some small smudges and they work fine.
Glue and black paint mixUsing a Tortillon to clean it up a little
Now we just need to wait for the outline to dry and I’d suggest leaving this for a good eight hours or so.
Whilst I’m waiting for this one to dry I’ve done another small one with just some random geometric shapes. I love the way this one has just spread out and gained a great scruffy edged look. Can’t wait to paint it.
Just the glass, and dried outlinePlaced in its frame to see how it might look.Second trial piece ready to paint
There are many ways to do this technique and the video at the top of the page gives yet another two ways to obtain this outcome. These are my first two attempts and I’m going to try the techniques in Emily Seilhamers videos at a later date. Meanwhile back to my two attempts.
For painting you need some clear school glue and whatever your preferred paints are. I’m using some acrylic paints as I have plenty of them around. Using a tiny spot of paint you then add some glue at a slightly greater ratio than the paint, the thinner it goes on the more translucent it will be, if thicker it will be more opaque. Don’t t worry about paint strokes, it will happen as you are painting with glue. The good thing is if you are not happy with the outcome you a can always use a craft knife and just peel the offending colour off. It’s easy.
Here I’m painting, probably a little to thickly, and I’d probably be better with some glass or enamel paint. Lesson learned.
The good thing is that this paint dries really quick and in a warm room it’s probably dry in just over one hour.
I’ve placed my two attempts in box frames. I’ve got one final thing I want to do before they are finished.
I’m quite happy with my first attempts, there are little mistakes and many things I have learned from trying this medium. I’m not going to make any changes to what I have done as I want to display them as battle scars. You know, a snapshot of what I did at the time and how I have learned from it. The next examples will be better, I have a third one of these box frames and that will incorporate all I have learned from doing these little prints. It will be just like a journey into Faux stained glass in three parts, and they will all be on display.
This project isn’t quite finished yet though, there is one other thing to do. The perfect place to display these items of course is right up against a window just the bare glass, allowing the sun to come through and show off all those lovely colours. However you can also display these pictures within frames and this finishing touch courtesy of Emily Seilhamer, completes that look.
You just need some kitchen foil. Yes you heard correctly. Kitchen foil.
Cut a piece of foil just slightly bigger than the backing cover of your frame. Now scrunch it all up but not too tightly. Just move it around in your hands until it appears to have an even amount of creasing as this is to be come your light refracting layer.
Scrunched up tin foil
Attach this to the frame back and then secure it back in the frame against the glass you have painted, trim and tidy the foil using tape at the rear of the frame.
Now turn it over
Look at the difference with the foil effect
Attempt No:1Attempt No:2
See how that tin foil now reflects all the available light and makes your picture look totally different. The refraction appears to help cover up the brush strokes we discussed earlier, and you can now display your pictures in any area of the house, and any available light will be reflected on to and will enhance your pictures.
On the fire place
I hope you have enjoyed this post, as much as I have putting it together. Thanks as always for passing by. It’s always very much appreciated.
Another production on an iPad from my 2012 era. God knows what I was on at the time as I was doing some right old tripe. But hey ho, it’s done and it covers a particular time of my life so it has to go out there. Not just showing the good stuff (not that I do any good stuff….). I guess if I had a name such as Picasso or Banksy it would be worth an absolute fortune. But I don’t, and it’s not. Enjoy, laugh, critique, slap your forehead. At least it’s got a reaction 👍
Back in September 2024 I wrote this post about pinch Pottery: Pinch pottery
It’s been a few months and I’ve just decided to finish it off and give it some bright colouring and a sealant coat or two. I want it to represent a bright sun if I can, but when I get to actually paint it, it could well turn out looking totally different. Here we go.
This is one of those things I think my wife dislikes but she knows it means a lot to me, even though it is a poor quality and there are probably kids of 5 or 6 years of age that could produce something a lot better. But I made it, it was made at a time when I was grieving and gave me a lot of pleasure. It still does and this will probably remain in my workshop when I eventually get it up and running. It makes me smile when I look at it and i love it. It’s simple, it’s how life should be.
This is how it originally looked:
AlfReminder
I started painting the base Yellow, and the inside Orange, with the dog done in white with a black outline. This is what I have so far.
Just started to paint.
I’m using acrylic paints here. I’m going to put a line of vine type effects around where the yellow joins the orange. At the moment I’m letting the piece dry for the next 24hrs and then I will try some touching up and repainting what I have already done. The yellow coat is quite dull as it is being absorbed quite literally into the clay base. I’m kind of hoping that the next coat will not be absorbed so much, fingers crossed.
Multicoloured madness
I’ve gone with a yellow scheme for the underneath and a red – orange on the inside. I’ve tried the same type of painting that you find on narrowboats on Uk Canals, when they paint the buckets and metalwork with flowers. I’ve used this effect around the rim and from one angle it looks like he is looking over a hedgerow. It’s exceptionally basic, but it’s brightened up a piece of pottery that would otherwise sit in the corner unnoticed, discarded and unloved. You can’t miss this now, it just stands out.
First coat of lacquerFast drying enamel clear coat lacquer
The final task is to give a nice coat of lacquer to protect the acrylic paint. I’m going to use some fast drying lacquer that I have sitting in the shed at home. About two coats will be sufficient.
Before and after
Side decorations
I’m pleased with the outcome, it’s made me happy, and I smile whenever I see it. It’s kept me occupied and busy, It’s special to me and that is all that matters. It’s adult pottering and nonsense at its best. But it’s my nonsense.
Jan 2021, Covid in full effect and I’ve been brought a new set or art stuff for the previous Christmas. Using pencil and pastels I attempt a picture of our dear late family member, Alfie, familiarly known throughout the family as “Alfie Moon”.
This was another iPad piece I did in 2023. I was experimenting with a new art app at the time and just produced this mess that I titled “Firework night”
Another iPad painting from 2012 when I must have been losing it. I just thought it would be good to do a play on words with “Sunspot” hence the Sun was drawn with a pimple on the surface.
This picture was painted on an iPad. I did this one back in 2012, I’d just received notification that my pension pot with Kodak had almost halved due to them declaring bankruptcy and moving production back to the USA. Sod everyone else who worked for them worldwide.
We lost out big time and that’s why I had a rant in this obscure painting I did at the time.
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