Photography – Foxes Den

Canon EOS 1D MkIV

Two late production Canon EOS1D MkIV cameras, both heavily used ex-syndicate sports photographers cameras. Do they work? Can they be repaired?

I’ve been approached by an old colleague who used to be a syndicated sports photographer, he had a number of items he wanted to “get rid off” as they were just taking up space in his new house. “Would you be interested?” You betcha, so as a result I’m now the owner of a complete Bowens lighting system, two Canon EOS 1D MkIV cameras and a Canon EOS 5D MkII camera.

My days of fussing and farting about with lighting rigs has now long passed, so I know a youngster starting out in the business who is a very talented young fellah, I have donated this equipment to him and he will certainly have a use for this lighting setup. He has been approached and accepted the offer, I think he is quite happy with his new acquisition, here’s hoping his talents continue to flourish.

However the cameras are mine as no one wants this old stuff anymore 😂

Having already in the past, repaired a film version of the EOS 1 here: Canon EOS1 N HS I have now become the owner of two Canon EOS 1D MkIV versions, the digital upgrade of this superb camera. This post covers the assessment of the 1D’s the 5D can be found here: Canon EOS 5D MkII

To test these two beauties I’m going to have to invest some money into my equipment store. These cameras take a battery that neither came equipped with, an EP4 battery that currently costs around £19.00GBP per unit. On top of that a charger is required costing approximately £23:00GBP so there will have to be an outlay of approximately £42:00GBP just to get these units tested. Is it worth it? Yes, I think it is, I will then have a spare battery and charger for future use, and if the cameras don’t work? I can then sell them on or use them for spare parts as they have cost me absolutely nothing. When I go through the assessment and repair of these cameras I will refer to them one camera at a time. The camera that has stickers on the top of the camera pentaprism area will be referred to simply as “One” whilst the other will be “Two”. Nice and uncomplicated.

But first here is a little bit of information regarding this camera, the Canon EOS-1D MkIV.

The EOS-1D Mark IV is a professional 16.1 effective megapixels digital single lens reflex camera (DSLR) camera body produced by Canon. The EOS-1D Mark IV is the successor of the Canon EOS-1D Mark III and was announced on 20 October 2009, just four days after Nikon announced the D3s. It used to be the only Canon APS-H format DSLR to feature HD video recording at 1080p resolution.

It was discontinued in mid-2012 with the introduction of the Canon EOS-1D X, which replaced both the EOS-1D Mk IV and the EOS-1Ds Mk III.

It received a Gold Award from Digital Photography Review.

Features:

27.9mm × 18.6mm; 16.1 effective megapixels APS-HCMOS sensor

Dual DIGIC 4 image processors

Canon EF lens mount (excludes EF-S)

New autofocus module (45 AF points with 39 cross-type AF points)

Integrated sensor cleaning system

1.3× crop factor

100–12800 ISO speed equivalent (expandable to L: 50, H1: 25600, H2: 51200 or H3: 102400)

30–1/8000 sec. shutter speed and bulb

Shutter unit tested to 300,000 cycles

Auto Lighting Optimizer

Magnesium Alloy weather sealed body

Eye-level pentaprism viewfinder with approx. 100% coverage at 0.76× magnification

Live preview mode

3.0 in, 920,000 dots Clear View II TFT color, liquid-crystal monitor with 160° viewing angle

10 frames per second continuous shooting (Large JPEG: max. 121 frames, raw: max. 28 frames)

Dimensions (W×H×D): 156 × 156.6 × 89.9 mm

Wikipedia

Assessment:

I’ve had to bite the bullet and purchase a battery and charger to be able to test these cameras. Look at it as an investment. As promised the assessments will include exactly the same checks, but they will be done individually.

I want to check shutter counts and firmware versions, but to carry out these tests I really do need power in the units. Clock backup batteries are installed on these cameras and these will need to be checked to see if they are still effective as I’ve no idea how long ago they were changed.

Camera one:

Here are the pictures:

I can pretty much pinpoint the last time this camera was used, as in the CF card slot there was a 16GB card installed and when downloaded there were six photos on the card, below you can see two of these images.

The photos show a football ground, it’s the Queen’s Park rangers ground in London, and you can see the Stanley Bowles stand just to the right. The photographer is in the usual position where you would find sports photographers attending a football match. The exif data in the photo gives the date as 30th August 2022, and if you check records you will see that QPR were Playing Hull City that evening, and QPR were the winners 3-1. We have a date that informs us this camera was last used almost four years ago. Interesting isn’t it?

So of the two cameras this one seems to have had the hardest life, I very much suspect this one is the older camera (it is I have checked the Canon database and it’s construction date is June 2013, the second camera is October 2014) This date may seem contradictory due to the fact the production run officially ceased in 2012, It is very possible for a Canon EOS-1D Mark IV to have a 2014 manufacturing date, even though the camera was officially withdrawn in late 2012. Professional cameras often have long production runs that continue well after their retirement date. Cosmetically it appears the most beaten up and used, with a number of old press pass stickers in the pentaprism area. There are no signs though of deep gouges or cracked and damaged metal so I’m confident this camera has not been dropped. It has had a tough life. It’s a tough camera though.

The CF card and SD card holders are both in a good condition, both accept cards without having to use any force and all pins are in a good condition, I’m confident there are no issues in the memory card area.

The clock battery is accessible at the point where the main battery fits in to place.

The battery is a CR2025 lithium coin cell. When tested the battery has a value of 3.028V. This is a sufficiently good charge for its purpose and is good seeing that this camera has not been used for the last four years.

Moving on I’m looking in the lens barrel and the pentaprism and both mirror and viewfinder are extremely clean and clear. The rugged, bruised exterior has protected the delicate, clean and tidy interior. It certainly is a very well constructed camera.

The next thing I do is test the actual workings of these cameras, however that can’t be done until later today when the battery and charger that I ordered a couple of days ago arrives.

The battery and charger has arrived:

First thing I have done is to put the battery in its uncharged state, into the cameras just to see if there is life and the news is good with both. This Camera, number one has the following information.

It was the most beat up camera and it does have the highest shutter count at 283,976 actuations, the shutter life cycle of these cameras is 300,000 actuations as tested by Canon, so it is a very high count but still has a bit of life in it before it reaches the potential shutter count ceiling.

The good news is that this actual camera does have the latest firmware update of 1.1.5 so at least that doesn’t have to be downloaded and installed.

Battery now fully charged I have finally been able to put this camera through its paces test wise. And hells bells I’m so impressed. It was already set in quick fire mode so when I pushed the shutter button I was shocked to see just how quick this camera responded. It was rattling off shutter actuations at a breath taking 10 frames per second, wow, the sound was amazing!

10fps mode….impressive

It’s not hard to see why you can get such a high shutter count on these cameras with such shutter activity, it absolutely makes sense why these cameras are used in high speed activities such as sport and wildlife photography.

All displays are working as normal, all button actions and dials are doing exactly what they should be doing. This camera is in a good healthy condition.

As an older camera it is packed to the rafters with settings and possibilities, there is so much to learn around its operation, its capabilities and settings. It’s built like a tank, weighs a ton, makes a lot of camera noise that I relate with the good old days and I just absolutely love it.

Even the shutter bumper foam is in good condition and does not require replacing yet.

Camera two:

Here are the pictures:

Camera two is only 16 months younger than camera one, and you can see that difference in cosmetic condition immediately. The wear and tear on this model is considerably less than that found on its counterpart. This camera had no CF card inside so there was no way of putting a last used date on this one.

As with camera one there are no signs of the camera being dropped, no damage to the metal casing being cracked and no sharp dents visible. The Cf card and Sd card holder both take cards without any force having to be applied, and all pins are in a good order. I’m confident there are no issues in the memory card area.

The clock battery reading is a very low 4.5mV it is very dead. I have therefore replaced this with a CR2025 3V lithium coin battery reading a lot healthier 3.30V.

Again as in camera one, the viewfinder and mirror are both very clear and the lens barrel is very clean, having been protected by the rugged camera exterior.

Weird face in the mirror – it’s clean though

With the new battery that had just arrived installed, it kicks into life and I am then able to get the following information from the camera.

This camera in comparison to Camera one has a really low shutter actuation count of 72,186. The tested shutter count by Canon is 300,000 actuations, so this camera still potentially has a lot of life left in it.

The camera firmware will need to be updated to the latest firmware of 1.1.5 as it currently has a slightly older firmware installed of 1.1.0.

Ok, I’ve downloaded the firmware file and extracted it to the CF card I’m using in the camera. Let’s get it installed.

The camera firmware is now updated.

As in camera one, with the newly charged battery installed the immense high speed of the shutter is highly impressive. All buttons, dials and switches function as they should and all displays are clear and sharp in appearance.

All serviceable parts remain in a good condition, even the mirror bumper foam is in a good state and does not require attention yet.

Repair:

I’m now going to condense this section into a mix of both cameras. It’s a bit of an anti climax for anyone wanting to see a meaty repair post as that’s just not going to happen here. Both these cameras, though used and in one case extremely highly used, have both been maintained and looked after during their life. So for me my job has been easy, and going forward I will just maintain them in a similar manner.

I see absolutely no point in tampering with them now, they are working just fine and are in a perfectly good condition. Their construction is so solid with their metal weather sealed bodies, that the last thing I want to do is compromise that construction and security just to fill space in a post..

All I’m going to do at this point is polish both cameras. Camera one with its beaten up body and press pass stickers is just going to stay like that, I want that to remain as a constant reminder of its use, and its purpose as a high usage press photographers camera, it’s a work of art in itself and that’s how it will stay. Camera two, again will jut be polished, it’s the more acceptably presentable “Cosmetically” camera and with its lower shutter count and will probably be the unit i will concentrate on using myself.

A few pics from the two of them:

I’m only using very basic test lenses on these units and I must admit, even with basic optics the visual returns are quite impressive. The colours are so rich, and I love that there is also the setting to do some pure black and white shots if you so wish.

This is my new (Old) favourite camera. Why do I just fall in love so easily ❤️

When these cameras first came out they were commanding a price of around £4,000.00GBP and people were more than happy to pay that cost.

Here I am a few years later and I have been gifted two of them for the grand old price of…..Nothing.

I’m a lucky old fellah I’d say.

Result:

I present to you, two wonderfully heavy, cumbersome, noisy and beautifully constructed pieces of photographic history, and both are an absolute joy to behold.

My new long term relationship has just begun (Don’t tell the wife 😂) and I am so looking forward to getting these cameras out to a sports or wildlife watching event. To many, I know they will say, why do you want to carry one of those around, why not go mirrorless? Well, I’ve got that gear as well but I hardly use it. I’m an old 80s-2000s guy who loves the old technology, just like I love old noisy aircraft, I love to hear a camera working, it puts a smile on my face. And the chances of me owning one of these beauties when they first came out was an absolute zero. Now I have two, and I have some serious catching up to do.

Thanks for passing by, as always it’s very much appreciated.

Stay safe.

Minolta 110 zoom Mk1 SLR

The world’s first SLR 110 format film camera. A strange creation that has its issues, from 1976-79. Can it be resurrected and put back to use?

What the listing stated:

The Untested MK1 1970s Minolta 110 Zoom SLR is a vintage film camera that comes with a case and strap, making it easy to transport and store. This compact camera from Minolta features manual focus and is designed for 110 film in a 13x17mm format. The black-coloured body gives it a classic and timeless look, perfect for film photography enthusiasts looking to experiment with older technology.

With its retro charm and unique capabilities, this Minolta 110 Zoom SLR offers a glimpse into the photographic world of the 1970s. Untested

EBay

Yes you did read right, this is a 110 format camera with SLR. Now, I have had this camera sitting amongst my backlog for a few months now, it was purchased towards the end of 2025. I believe I paid the sum of £14:00GBP for it, and considering current prices on the sales sites it’s quite the bargain I think.

The reason I’m looking at this one is because I have been approached by someone to repair their one, now before I look at their issue (a stuck mirror) that seems to be a standard issue with this model, I want to look at my own one that I believe may well have the same issue. It’s best to learn how to deal with the issue on your own unit, before being let loose on someone else’s.

However, saying that, the listing was a little vague with only the standard “Untested” EBay catch all quote meaning it could be anything between a total wreck, to working perfectly.

Here’s some information regarding this camera:

The Minolta 110 Zoom SLR is a 110 format single-lens reflex (SLR) camera produced by Minolta of Japan between 1976 and 1979. It was the first SLR in 110 format. It has an unusual, flattened shape. Other 110 SLRs were shaped like SLRs in larger formats, but the 110 Zoom SLR took the flat format of the typical 110 pocket camera and added a larger lens and prism hump to it. 1979’s replacement, the Minolta 110 Zoom SLR Mark II, has a more conventional shape.

The 110 Zoom SLR provides aperture priority autoexposure; fully manual exposure is not available. Light metering is with a CdS meter mounted on the front of the camera. An exposure compensation dial allows the photographer to compensate for unusual lighting situations; it also allows the use of film speeds other than the ISO 100 and 400 auto-selected by the cartridge tab, by applying the appropriate compensation factor.

The lens is a fixed 25–50 mm f/4.5-16 manual focus zoom with macro focusing down to 11 in (280 mm). This gives a field of view range approximately equivalent to a 50–100 mm zoom lens on a 35 mmformat camera. There is a built-in, pop out lens shade. The filter thread diameter is 40.5 mm. Minolta sold UV, yellow and 1B filters.

Available shutter speeds are 1/1000 second through 10 seconds, with a 1/150 second X-sync speed and support for bulb exposure. There is no built-in flash, but a hot shoe on the top allows an external flash to be attached. A tripod socket is provided.

Wikipedia

Let’s get the assessment out of the way.

Assessment:

The camera has arrived. And the most annoying thing about it, is that it appears to be working just fine. I have been through every possible combination of settings available, hoping to get the mirror to stick up (as is common with these cameras) but to no avail. Everything appears to be working just fine. Damn that’s annoying as the “untested” EBay get out clause used so often by questionable sellers, has on this occasion gone in my favour. If you refer to the opening paragraphs, you will see I wanted to work on this one to diagnose an issue that a potential customer has asked me about. I may well just send him this working one in exchange for his knackered one, how’s that for service!

Anyway, here is what I received, in a black Minolta case, it has been well looked after and is just a bit dirty and in need of a clean.

All in a good, just dirty/dusty condition

Lovers of lomography really rate these cameras, the 110 film cartridge is quite an expensive outlay these days and from what I can see with film costing about £9:00GBP for a roll and then about £18:00GBP for developing and scans only, you are looking at quite an outlay of almost £30:00GBP for the results. I don’t think I will be attempting this unless I come across a less expensive option, as I’m sure there will be one out there….somewhere.

So, with not much more to tell, let’s move on to getting it repaired….or should that be cleaned?

Repair:

Closer inspection of the lens when I’m cleaning shows me that there is a small area on the outer optic of the lens that has a solitary spore of fungus. It’s nothing too much, however a quick clean of the exterior of the optic, confirms the issue is inside. I’ve now got to dismantle the lens barrel to get to it.

The fungus is on the rear, not the front of the outer optic.

The bad news is that on close inspection and using a soft plastic pick, a tiny indentation at the point of the fungus can be felt, this shows that the fungus has eaten into the optic coating and no amount of cleaning will ever eradicate it. Two options here are a new optic, or to get the optic ground down, both totally beyond the value of the camera and to be honest totally unnecessary. The good news is that there is no fungus on the inner optics, and luckily this needs no cleaning or attention.

To be totally honest, the negatives in these cameras are so small, and the outer lens magnification is probably sufficient enough to make this aberration appear as nothing more than a slight blur, if it even shows up at all! I’ll give it a good clean to prevent any further growth, and just put it back together again. There is a good possibility that a film will never be run through this camera again, even so I would like it to look as good as possible, and operate as it should, if there is even the remotest chance of a film being used in it, sometime in the distant future.

Result:

The camera has been reassembled and is looking quite nice. It’s a really weird camera. So weird that someone has offered to take it off my hands, as they believe it’s quite a novel item, so as soon as I’ve posted this report it will be winging its way to its new owner.

It’s probably best that I pass this on to someone who will either use it, or at least make a use of it should it become a display item.

A nice little camera, but to be honest it’s more than likely more of a display piece rather than a working camera. It is fully operational though and has been nice to work on. I’m pleased someone else will eventually benefit from it.

Thanks for passing by, always appreciated.

Canon EOS 5D MkII

My second chance at reviving a DSLR from 2008, the Canon EOS 5D MkII. Will I have a little more success with this one?

My days of fussing and farting about with lighting rigs has now long passed, so I know a youngster starting out in the world who is a very talented young fellah, I have donated this equipment to him and he will certainly have a use for this lighting setup. He has been approached and accepted the offer, I think he is quite happy with his new acquisition, here’s hoping his talents continue to flourish.

However the cameras are mine as no one wants this old stuff anymore 😂

This post focuses on the repair of the Canon 5D MKII, the repair of the EOS 1D MKIVs can be found here: Canon EOS 1D MkIV There is also a link to my first attempt at a Canon EOS 5D Mk2 and here is the actual assessment of that camera and the issues experienced with it Canon EOS 5D MK2 assessment and repair, I failed with this repair due to it having sensor issues, so sold it on at a small profit, i’m hopeful that this new attempt at the 5D will bring better results.

Let’s hope this camera acquisition comes with a better outcome. Whereas the other two 1D cameras i received in this package have required me to to purchase a new battery and charger, I do already have a number of LP-E6 batteries and a charger in my possession, so there is no initial outlay required to test this camera. We are off to a good start here and should be easily able to diagnose any issues fairly quickly.

Anyway, before we assess the camera, here is a little bit about the Canon EOS 5D MkII.

The Canon EOS 5D Mark II is a 21.0 effective megapixel full-frame CMOS digital single-lens reflex camera made by Canon, the first Canon EOS camera to have video recording capabilities. It succeeds the EOS 5D and was announced on 17 September 2008.

On 2 March 2012, Canon announced the camera’s successor, the Canon EOS 5D Mark III. On 24 December 2012, Canon Japan moved the camera to their “Old Products” list, effectively discontinuing the camera.

The Canon EOS 5D Mark II is a full-frame camera and requires Canon EF-mount lenses. It is not compatible with EF-S lenses (which are for APS-C crop sensors).

Features:

21.0 megapixels (5,616 × 3,744 pixels), compared to 12.8 megapixels (4,368 × 2,912 pixels).

DIGIC 4 image processor, compared to DIGIC II.

100 to 6400 ISO (expandable to L (50), H1 (12800), H2 (25600)), compared to 100 to 1600 (expandable to L (50), H (3200)).

3.9 frames per second continuous shooting (78 JPEG or 13 Raw in a single burst), compared to 3 frame/s (60 JPEG or 17 Raw).

Small Raw modes: sRAW1 mode (10 megapixel/3861 × 2574 pixels), sRAW2 mode (5.2 megapixel/2784 × 1856 pixels).

98% viewfinder coverage with 0.71× magnification, compared to 96% coverage.

Larger 3.0-inch (76 mm) LCD with 920,000 pixels, compared to 2.5-inch (64 mm).

1800 mAh LP-E6 battery, compared to 1390 mAh BP-511A.

New features

Movie recording full HD at 1920 × 1080 and SDTV at 640 × 480 resolution.

Monaural microphone for audio during video recording, speaker for playback and microphone jack for external stereo microphone

Live preview with ExpSim LV “exposure simulation” live preview (full exposure preview control utilizing ExpSim LV, a first for video in a DSLR)

Live preview with contrast-detect autofocus

HDMI video output for live preview or playing clips and images on an external monitor via Type C MiniHDMI port

Dust reduction system to perform automatic sensor cleaning

Battery management software

Key Lifespan Factors:

Shutter Rating: 150,000, though this is considered conservative by users.

Real-world usage: Many cameras show failure rates increasing closer to the 100,000–150,000 range, but many exceed it significantly.

Longevity: Some, though rare, individual cameras have recorded over 2 million shots.

Repairability: The shutter mechanism can be replaced if it fails, which may extend the camera’s life further.

Component failure: Other parts, such as the power board or rubber grips, may fail before the shutter.

Common Issues:

Rubber grips: Rubber grips can become loose over time.

Button/Dial functionality: Buttons and dials may wear out over long periods of use.

Sensor maintenance: Regular sensor cleaning is needed to maintain performance.

The 5D Mark II is the first camera in the EOS line to provide video recording functions. Still photography during video recording is possible, but the camera suspends recording video until the final still frame is captured.

The lithium-ion battery for the 5D Mark II (LP-E6) has an 1800 mAh capacity. Each battery contains a microchip with a unique identifier for reporting charge status and battery health for display on the camera. The 5D Mark II’s “Battery Info” screen can track battery health and shooting history for up to six LP-E6 batteries.

The camera has native ISO values of 100 multiplied by a power of 2; other ISO values are obtained by a digital exposure push (ISO values that are multiples of 125) or digital exposure pull (ISO values that are multiples of 160). The digital exposure push ISO is 1/3 stop greater than the native ISO, and a digital exposure pull ISO is 1/3 stop less than the native ISO. The digital exposure push ISO settings produce more noise than the native settings with a reduced dynamic range, and the digital exposure pull ISO settings produce less noise than the native settings.

Wikipedia

Assessment:

The camera has arrived and here are my first thoughts. But first some pictures.

Just holding the camera and looking around it, you can see it has been well used over the last eighteen years. There are chips and scuffs, but nothing excessive, and certainly no “hard” dents that would indicate it has been dropped at anytime. The top LCD panel has a scuff on it, but this doesn’t stop any information being read.

The battery contacts are clean and there is just a small rubber cover missing on a connection that is on the base of the camera. All switches and buttons appear to operate as intended, everything is there and the exterior appears to be used, but in a good condition.

The lens barrel appears to be clean, the mirror and focus screen have a little dust and dirt on them however this is an easy clean. The shutter is closed underneath the mirror ensuring the sensor stays isolated from the outside world. I won’t be able to check how this is until I have a battery installed.

Batteries. As I have stated above I do have compatible batteries for this camera. This camera has a battery management system installed that communicates with the original “Canon” batteries that report back on their charge status amongst other information. However my batteries are not Canon originals and are in fact third party ones that don’t have the ability to communicate as original batteries would. That said, they are more than capable and usable. I just know that the very second I put the battery in and turn the camera on, it will show some kind of battery communication error on the rear screen. It’s ok though as we can opt to ignore that warning, click ok, and just get on with things, with no issues to the general operation of the camera.

Let’s do a little digging around. I’ve downloaded a little program that appears to be quite popular, to try and find exactly how many times the camera shutter has been activated in its lifetime, (still photo count – not including video). Here is that count.

I guessed the count would be high as it was the previous camera of a syndicated sports photographer, I just wasn’t quite expecting this high. But who am I to complain when I have received this camera for free. if you read the camera specs in the paragraphs above, the expected lifespan of the shutter is around 150,000 actuations, however the photographic community tends to question this figure. Some cameras have gone into the millions with shutter counts, however this one will plod on with me on much lower figures, if I get it working. I don’t know its service history, it’s a rugged built heavy use camera, that will go on for years if looked after properly. And that’s what I intend to do with it.

Another piece of information that can be obtained from the piece of software above is the firmware version. The current installed version is 2.0.7 and that was installed sometime in 2010. The latest and last version is 2.1.2 that was released in 2012. I will attempt to update this cameras version of firmware to the final updated one.

I think I’ve had a good assessment with this camera, I know what needs looking at so let’s get on with giving it a little TLC to ensure it will go on working for a few thousand more shutter actuations, I’ve got to try and get this camera to the 1/4 million mark at least!

Repair:

The first thing I want to do, is to look into why, when you input a date into the camera, the information disappears as soon as the camera is turned off and turned on again? This is a simple issue, easily located and soon rectified. These cameras normally have an additional battery buried somewhere in the camera that acts like a cmos battery in a computer. It simply supplies a small charge that maintains dates and program settings when the camera is an a sleep mode, instantly reinstating the correct information when the camera is switched on again.

And this camera is no different.

A single coin cell CR1616 battery is what does the job in this camera, its life span is usually around five years. So let’s check this one out as I suspect it has failed. It is located on the bottom of the camera on the opposite side of the main battery chamber, below two rubber accessory panels.

The CR1616 battery is a 3v lithium coin cell. Using a multimeter I was able to confirm that this one was well and truly depleted as it was only holding a charge of 99.3mV. The new battery cell was holding a much more acceptable charge of 3.3V.

With the new coin battery in place, I’ll reset the date values and test that the battery is doing its job, by powering the unit up and down a few times.

As you can see in the picture above, I’ve managed to update the settings, and when the unit is shut down and restarted the information remains. Hence the new clock/cmos battery is working fine.

Next let’s try to update the firmware to the latest release. This small video below shows how easy this task can be. This particular file in the video is for an earlier, older update, however the principle is exactly the same for all camera updates with Canon.

Updating firmware on a Canon Eos5D MkII

Following the recommendations in the video above I have downloaded the latest firmware update file and extracted its content to the freshly formatted CF card for the camera.

The whole process was followed exactly as laid down in the instruction video, and it went as expected. The update was successful.

The camera is now correctly updated to the most recent firmware. I can now progress to doing some final checks in the lens barrel area prior to moving on and checking the functionality of the camera with a lens in place.

The mirror bumper felt is in good condition and does not need replacement. I have blown out the barrel and inspected the sensor and that is clean and needs no attention.

Final touch is that I have printed off a cover for the hotshoe flash holder.

Time to get the battery installed in the camera, along with a formatted CF card, and I’ve also put a stock 28-80 EF lens on the front to test. And here are some of those pictures taken to test, just around my garden.

And I am so damned impressed. It’s only a basic lens but the tonal quality, sharpness and colour has really shone through. The camera has worked perfectly, I’ve used it in auto mode, shutter priority and aperture priority and all works fine. When I use the video mode, all is fine but the basic lens when you telescope, can be heard throughout the video, not really an issue just an observation, hence why people invest in the higher end optics. For testing purposes though, this lens has performed perfectly. I’d be more than happy to venture out for a picture session with this setup.

Every setting on this camera has been tested and it has passed with flying colours. My job here is done.

Result:

A far better result than my last attempt on this specific type of camera. This time around the sensor has performed perfectly and remains in good order, hopefully for quite a time yet. It would be good to see it go through the 250,000 exposures count, and seeing that it’s only about 6,600 exposures away I don’t foresee it being a hard to achieve target. I’m going to get some good use out of this camera, I’m currently looking at taking it to a local nature reserve to see what can be photographed. I’m quite looking forward to that.

The finished camera in all its loveliness

A final polish and this project can now be put to bed. Onto the next one.

Many thanks for passing by, it’s always very much appreciated.

Nikon F90x 35mm SLR Film Camera and MB10 battery grip

This camera influenced the partnership between NIkon and Kodak to produce one of the most expensive prosumer cameras of the 1990s. However this one is a lot less expensive but with some issues. Let’s have a look at it:

What the listing stated:

THIS UNIT IS FAULTY
SUTIBLE FOR SPARES / REPAIRS ONLY
SOLD AS SEEN

FAULTS INCLUDE BUT ARE NOT LIMITED TO,
MIRROR STICKS

COMES WITH EVERYTHING SEEN IN IMAGES

NO WARRANTY PROVIDED

EBay

Just couldn’t let this one go. Whilst browsing the sites for my next challenge last evening, this little bundle of joy just popped from one of my preferred sellers for a quick sale, it was about 11pm and was just posted at a sale price of £30:00GBP, however with a voucher I had, I was able to secure it at £27:00GBP. Considering this is a good quality camera of the mid 90s it also comes with the added bonus of an MB10 battery grip, superb value in my eyes. A lot of camera for a very low price.

Here’s a little bit about this camera:

The Nikon F90x is a 35mm autofocus SLR using Nikon’s F lens mount. It was targeted toward the advanced amateur or prosumer; its feature set is comparable to that of Nikon’s current D100/200/300 SLRs. The name N90s was used for marketing in the United States; everywhere else, the camera was called the F90x. This camera was also used as the base for the Kodak DCS 400 series of digital SLRs.

The N90s/F90x was introduced in 1994 and discontinued in 2001. The camera’s predecessor, the N90/F90, was introduced in 1992 and discontinued in 1994. The successor to the N90s, the F100, was introduced in 1998.

Features & Specifications

Nikon N90s global naming N90S adapted into Kodak’s DCS460, a 6 Mp Digital SLR

Bright viewfinder with 92% coverage, .78x magnification

Current settings are displayed at the bottom of the finder; information area is automatically backlit in dark conditions

Top LCD displays current settings and facilitates changes

Backlit for use in dark conditions; the backlight switch is near the left die of the viewfinder

Cross-Type Wide Area AF System

Choice of wide-area or spot AF

One CAM246 AF sensor

Continuous AF mode with release priority in addition to standard AF with focus priority

4.1FPS capable with continuous AF; 4.3FPS with standard AF

2FPS mode available

3D Matrix Meter when used with a D or G-type Nikkor lens

Center-weighted and spot metering are also available and usuable with AI lenses

3D Multi-Sensor Balanced Fill-Flash capability (with Nikon Speedlights SB-800/80DX/28DX/28/27)

Seven Vari-Programs: Portrait, Portrait with Red-Eye Reduction, Hyperfocal, Landscape, Silhouette, Sports, Closeup

Explained in detail in the instruction manual

Four exposure modes: Program, Shutter-priority, Aperture-priority, Manual

Shutter speeds of 1/8000 – 30 seconds + Bulb

Flash sync speed of 1/250

Flash sync modes: normal, slow, rear, red-eye, FP high-speed

Self-timer: 2-30 seconds

ISO/ASA Range 6-6400

DX-enabled (automatically reads speed information from film canisters)

Eyepiece shutter stops excess light from entering the viewfinder and interfering with metering

Overall strong build throughout (comparable to Nikon’s current D100/200/300SLRs)

Stainless steel lens mount

Requires 4 AA Batteries

Extensive system compatibility & accessories; see below

Accessories & Compatibility

F90X with MB-10 grip

The N90s/F90x is compatible with nearly all Nikkor F-mount lenses as well as all Nikon SB series speedlights.

Additional, camera-specific accessories available are:

MF-26 Multi-Control Back

Long Exposures to 100 hours

Freeze Focus: triggers the shutter as soon as a subject comes into focus

Custom Reset: customizes which settings are affected by the green-button reset

Date Imprinting: can also imprint shutter speed and aperture information

World Clock

Flash exposure compensation

Interval timer: up to 100 hours between pictures for 99 frames

Limit frame count in continuous shooting mode

Multiple exposures

Customize which settings are affected by AE-L and AF-L (auto-exposure lock and autofocus lock)

MF-25 Data Imprint Back

MB-10 Vertical Grip

Takes 4AA batteries or, with the MS-11 battery holder, two CR123 lithium batteries

Interchangeable focusing screens

E screen provides grid lines in the viewfinder

with 28-80mm, 20mm and 80-200mm

Lens Compatibility

All functions, including autofocus, work properly with Nikkor AF, AF-I, AF-D, and AF-S lenses.

AI and AI-S lenses are usable, with the loss of these functions:

Autofocus

Shutter-priority exposure mode

Programmed exposure mode

Vari-program exposure modes

3D Matrix metering (though center-weighted and spot metering remain functional)

The camera does not use VR with any lens.

G-type lenses (lenses without aperture rings) can be used with the loss of some functionality: only the lens’ smallest aperture can be used in manual or aperture-priority exposure modes.

Camera-wiki.org

Now my experience with this seller is that unless it is absolutely perfect he will not even entertain it. He doesn’t take the time to check and fettle, if it isn’t working from the start he will just get rid of. This attitude of his has meant I’ve had some right bargains in the past with very little wrong with them. I refer you to a recent purchase Canon EOS D60 that had very little wrong with it, but was also a lot of camera for a very low price.

Now I’ve always wanted a Kodak DCS 400 series camera, especially a 460 version as it takes me back to my days when I was working at Kodak in Harrow, I remember when the DCS 400 series came out and back then they were introducing such a new technology that they were commanding a huge price of around $35,000 at the time. These cameras were basically digital versions of the film camera I have purchased above. So whilst I’m on the lookout for a reasonably priced DCS 400 series camera, I guess I will just have to do with the camera that started it all off. And for £27:00GBP I’m not complaining.

I think I may know why this mirror is sticking, and if it is what I believe it to be it could be quite an easy fix. (Famous last words)

So let’s stop all the reminiscing, and wish list writing and get on with this camera’s assessment.

Assessment:

It’s arrived, and as expected it’s a beautiful looking item in an extremely good condition.

The mirror appears to be in a semi raised position, the battery pack is clean with no signs of contamination and battery leakage, so now seems a good time to put in four AA batteries and slide the battery pack into place and secure it.

Battery pack clean and contamination free

Turn the battery on and the mirror clicks back into its closed position. And here I am, probably 40 or 50 actuations later and I can’t recreate the sellers fault of a sticking mirror. The mode the camera is set in, is indicating long exposure times, maybe this has given the impression of the mirror sticking when in fact it’s just doing what it should relative to the light it is seeing. I need to check in clear daylight, but I’m sure this is part of the issue….if there is one.

I have a 28-100 lens mounted that I use for testing, the autofocus is working really well and all seems good.

However, take a look at the picture below. It contains two photos of the LCD screen on the top of the camera. What do you see in the top photo that would make you think there is an error?

For the un-informed, those who are not familiar with this camera or its operation, you will instantly see the letter “E” that is commonly known as an error indicator, in later models it is shown as “ERR”. I do believe the seller has possibly mistaken this for an error code, but if you refer to the bottom photo where I have now installed a test film, it becomes clear that the “E” on this camera represents the word “empty”. No film installed, a simple and easy to make mistake. The bottom picture indicates a film is installed and that 4 exposures have been taken.

As these cameras have in the past been known to have a mirror sticking issue, I will replace the mirror bumper felt. It is well known that when the felt has deteriorated to such a level, the felt becomes sticky, and the mirror just sticks to the felt when it opens. It’s an age related issue that is easy to repair. Even though I have not experienced it with this unit, I will replace it as it will probably fail at some point. I will also check the light seals and replace them if I deem this necessary.

Repair:

The light seals do not need replacing. In fact there are only two small spots of light seals on this camera and both are in good condition.

The two areas where there is light seal – with no issues

However the bumper seal was showing signs of degradation, so this has been replaced.

The old seal peels out but leaves a sticky residue behind, this has to be removed with some IPA prior to cutting new foam to size and reinstalling. Whilst I was in the lens are I also removed the focussing screen to clean it and remove the old ingrained dust and dirt.

The area within the mirror area is now clean and dust free after I have used a small air blower to get the last of the debris out of the barrel area. Mirrors have been cleaned and polished and the body cap has been put back on the front of the camera to ensure no further dirt or contamination gets in there whilst I work on the outside.

I’ve printed a hot shoe flash cover purely for aesthetic reasons, I’ve also printed a sync cable cover, for similar reasons, but generally just to ensure any open and exposed areas are covered up. It does make it look a lot nicer.

The sync cable cover also helps keep the exterior tidy as well as protecting the connector.

All I need to do now is clean the exterior of the camera where there is some light dust and dirt. When this is done I will use my usual car cockpit polish to finish the camera off.

When that’s done I will do a quick fly through of all the settings to check if they are all functioning as they should.

Result:

The camera has cleaned up very well and looks glorious. All settings are functioning as expected, and there have been no issues with a sticky mirror or any other issues. The camera is just working well and doing exactly what it should be doing.

A lovely looking, fully functional camera

I’m using a G type lens so I’m restricted on the type of photography I can do, it stays on its lowest aperture (F:32) but that’s perfectly fine In bright sunlight conditions. I need to purchase myself another lens for testing to allow me the use of the full spectrum of apertures on this unit. That said, my lens has performed perfectly on this unit.

As I’ve stated before, this seller is one of my favourite suppliers as his cameras are always in a good condition, he doesn’t like anything unless it’s absolutely A1 perfect, so this is where i benefit as every unit I have purchased from him is perfect in my eyes, and in many cases need very little doing to them to bring them back into a working condition. This is one such unit.

So, I have yet another lovely piece of 90s “Big” tech restored and working perfectly. The next thing I need to do is to put some film through it. I’ll let you all know when I’ve done that.

Thank you for passing by, have a wonderful weekend, I really appreciate your being here.

Take care.

TTS IT00617 digital camcorder/camera

I purchased these three damaged Camcorder/Cameras for a very low price. Will they be fixable or just good for spare parts. Let’s see…

What the listing stated:

TTS IT00617 Digital Camcorder Camera

Full HD pocket camcorder that records in 1080P and can take 5 megapixel photos.

2″ TFT colour screen. Charges via in-built flip-up USB plug.

Cameras appear to be faulty. One has a corrupt screen, the others boot and show the camera feed but give a “card error” no matter what SD card I install.

EBay

The seller wanted £10:00GBP for these three camcorder/cameras but I was not prepared to pay that, for what potentially could be three pieces of junk, only good for parts. So I cheekily put in a £4:00GBP bid that was accepted straight away, the seller really wanted rid of these, I suspect they are junk, we’ll just have to wait and see.

TTS IT00617 digital camcorders – displaying their faults

From the information I can find that is available online, these units are handed out to children partaking in key skills programs within schools, to use when recording project work they are completing as part of the school’s curriculum. From what information I can gather, it appears these units were introduced around 2014, as that’s when the instruction manual is dated. They may only be around 12 years old but I suspect they have had a very hard life in those few short years. Hence they are very probably knackered, mistreated, and may well be just junk. My expectations for these units are now very low. The company that produces these units – TTS appear to be based in Nottinghamshire, near me in the East Midlands, and specialise in supplying ICT equipment to primary schools. Here is all the information I could find regarding these units.

The TTS IT00617 is a 1080p Full HD digital camcorder and camera specifically designed for educational and outdoor use by TTS Group. It is often marketed for use in primary schools due to its rugged design and simple interface.

Core Specifications

Video Resolution: 1080p Full High Definition.

Still Image Quality: 5.0 Megapixel sensor.

Display: 2-inch TFT colour screen.

Zoom: 4x Digital Zoom.

Storage: Uses removable SD cards.

Connectivity: Includes HDMI and USB ports for connecting to computers or displays.

Power: Powered by a rechargeable Li-ion battery, which is user-replaceable.

Key Features

Rugged Design: Built to be resistant and ideal for outdoor photography and video capture.

User-Friendly Interface: Often includes a built-in microphone and a touchscreen for easy navigation.

Educational Accessories: Retail packages typically include an installation CD, user manual, and necessary cables.

Google

I have managed to get hold of a user manual electronically, so I will download this and just go through the motions step by step when the units arrive. You never know one or two of them may just spring back into life if treated correctly. I doubt it, but it doesn’t hurt to have a little bit of optimism.

Let’s get an assessment done.

Assessment:

The cameras have arrived. I’ve carried out a very quick inspection and all three are dead to the world, so first things first, let’s try and get some power into them and then we can do a proper assessment. I must admit though, all three cameras are cosmetically in a very good condition.

All three cameras – two charging with red light visible

A switch on the side allows the USB charge port (also a data transfer port) to pop up and you just plug the unit into the socket of your choice, either a hub as I have, or into a port on your chosen computer device. When charging a red light shows on the rear of the camera at the side of the lens. This extinguishes once a full charge has been reached.

Two have reached a stage of full charge, one, the unit with the corrupted screen issue has not, and to check the battery, i have put this into one of the units that charged ok, to check if it is a battery issue or a unit issue.

It’s not a battery issue, in fact the faulty unit is charging its battery, so at least I know the charge circuit is working. It’s working in all units as I have removed all batteries and checked their voltages with the multimeter. The battery rating is 3.7v and they all currently hold a charge between 4.16v and 4.19v and that shows that they are all quite healthy.

All testing done, and now with an idea of the issues, let’s move into repair mode.

Repair:

The original posting stated that two of these units had “Card error” faults no matter what SD card was used, and one had a corrupted display screen.

I can definitely confirm that one unit does have a corrupted screen, and this is the same unit that was having the charging issues mentioned above.

You will see in the pictures above, that I believe the screen is actually ok, yes the output is corrupted, however the start up screen or the waiting screen show no such display errors. I suspect there is an issue with the actual camera module, so I will have to open this one up to investigate further. The on off button allows you to turn this unit on, however you can’t power off. You have to remove the battery to close the unit down. This is obviously another issue that requires further investigation.

The other two units with the “Card error” fault have each had a 1Gb SD card installed and no such error occurs. Well, to be honest, it actually only happened once, briefly on one unit, when I inserted a fresh card. It then asked me to format, which I did and then it was all normal, that’s all it required. I don’t know what type of card the seller was using, maybe they just did not format the SD cards, but as it stands the stated problem is non existent in these two units.

With the two working units I am able to video, and take still photographs, they are working fine, there are no issues and I will display a small video and some pictures below in the result section. Don’t expect quality, it really is quite a basic system. I need to do nothing to these two units now, as they are working fine.

We now need to turn our attention the one failed unit with the corrupted screen, and power on and off issues. I’ve opened the unit up and had to use my microscope on this one as there was nothing obvious on inspection.

I detached the ribbon cable and removed the screen, I then repositioned it and again turned it on with the same result. I’m confident the screen is ok, it now looks like it could be an issue on the board.

I’ve now started to inspect the components at a magnified level, as some of these components are honestly a quarter the size of a grain of rice, they really are minuscule. The on/off button appears to be ok, it is covered in a dollop of rubber gunk that they use during production to protect parts of the circuitry, it’s all over this board. Having located the camera, I’ve now started to do some testing on the components surrounding it, and there is a short circuit detected on a small capacitor, and the four or five other capacitors surrounding it. I removed two of these capacitors and the short still remained, and that’s when I noticed the chipset sitting directly above it.

On the screen I was now looking at an SPCA1628A-HL141 integrated circuit. This circuit is heavily used in cameras, digital video devices, and image processing equipment due to its image processing capabilities. And with the amount of failed components around it, I very much suspect this component is carrying the fault, it needs replacement, however as this entire unit has only cost me around £1:30, I don’t believe it’s financially viable to pay around £5:00 for a replacement chip, costing more than the combined three units. It’s just not worth it, and the gain from its repair would not match the outlay, it’s just not worth repairing.

Therefore this unit is going to be dismantled for spare parts, I have a battery, a battery control unit, a camera, an SD card holder, an LED screen and numerous other parts and screws that are far more valuable to me for future use. Very little will be wasted. What is disposed of will be recycled.

So we have one failure but we have two perfectly good working units. Two out of three ain’t bad. (I’m sure that’s a song!) – it is, Meatloaf – I believe, good tune!

Result:

So here’s a few pictures and a couple of small videos taken with the two working units.

Photos taken with the units, one in top left was taken with the phone of the two units

Small video of the two units playing back videos

The overall quality is between atrocious and very poor, but I guess for the purpose of school kids documenting activities it suits just fine. The video is on par with what you would have seen on phones of the Nokia era, maybe early to mid 2000s. The pictures in the right light settings are not too bad, but you do get more bad than good.

What can I use this for? God knows, it would be ok for doing a basic journal with, something to film a rehearsal situation with prior to using the good gear and doing it properly.

To be honest, I’ve a couple of young relations under the age of ten in Devon who might like these just to fool about with when they are out playing. At £1:30 per unit they couldn’t buy a decent pack of sweets for that, and this would cause less dental decay 😂

Anyway, it’s a good fix, more saved from landfill, so in my eyes the job is a good one👍

Thanks for passing by. It’s very much appreciated.

It’s a Puzzle..

Ever had a jigsaw puzzle take five years to complete? I have.

For anyone who knows me, they will know only too well my fixation and fanboy devotion to the 90s music of R.E.M

I’ve been a fan from the early days, I’ve seen them live on many occasions, god I even have a tattoo of one of their album covers that I’m actually having touched up next week as it happens.

Around Christmas 2020 they released a 1000 piece jigsaw puzzle in conjunction with the ALA (American library association) of an original poster that was released in 1990 to promote reading. This poster was quite collectible at the time and still sits in many fan’s collections around the globe. For those that did not possess the original poster, this jigsaw became the next best thing.

The original advert from the Very Good Puzzle company

The puzzle sold through the groups own website and was produced by the Very Good Puzzle Company. In the UK the puzzle retailed for about £25:00GBP. I think it was purchased for me as a Christmas present from a relative.

I started the jigsaw in January 2021.

The intention from this day forward was to take a picture daily, as I set myself a target to dedicate an hour at a time towards its completion.

Beyond day four, which in itself had spanned a couple of months, time being spent on the puzzle when other commitments would allow. The puzzle became ever more difficult and confusing, as there are a number of areas within this puzzle where the areas are dark, or of just one colour and it just became a pain in the ass. So this was 2021 now, and very soon after this last picture, the jigsaw, on its base board just got put on the top of a cupboard in the spare bedroom, and there it stayed until early 2026.

For those who occasionally delve into my ramblings, you will be aware that in January 2026, after protracted selling shenanigans, we eventually moved to our new home. At this point we had packed and shifted almost everything, and the jigsaw was reluctantly broken up and put back into its original box. I guess I’d admitted defeat at this stage.

Step forward my Sister in law – Liz.

Now Liz loves Jigsaws, it’s her hobby and she heard of the ongoing issues with the R.E.M jigsaw. She has absolutely no interest in the group as such, and would probably, in her own way be quite opinionated in her views of their music, that’s her right and I respect that. She asked if she could take on the challenge to build it, and who was I to say no. So in March of 2026 I handed the box over to her.

Good luck with that Liz!

Just a few days ago Liz and her husband Terry came to visit as we were all heading out for a day. And as they came in they had a large object in a black plastic cover.

“Sit down Dave and open this” I was told, you might like it. I did what I was told and to my immense surprise, not only had Liz completed the puzzle, but her husband Terry had also framed it for me. I now have the completed puzzle, and the way it is presented looks absolutely fantastic.

Liz had spent a lot of time on the puzzle, and also shared her frustrations on the dark areas that were problematic. But the thing with Liz is once she gets her teeth into something she will never give up. And for that I am forever grateful, for she has done a fantastic job, and this will be a welcome addition to my work room, as the wife won’t let me hang it anywhere else.

So after 5 years, the puzzle is complete. And I think it looks superb. I now have my own personal copy of that poster that was so popular back in 1990.

Thanks Liz. You are a star 🌟

A peaceful day to you all.

Vintage Kodak No. 1 Pocket Folding Camera

A genuine antique, for a ridiculously low cost. But will it work? At 100 years old, can this old camera still do what it was designed to do? Let’s have a closer look.

An antique. A genuine antique. For a ridiculously low cost of £7:90GBP. And this little beauty was purchased for me by an elderly friend as an Easter present. Yep, for the price of an Easter egg in the Uk I’ve been brought an antique piece of photographic memorabilia, how good is that?

Here’s what the listing stated:

Kodak No:1 folding pocket camera

EBay

The listing leaves a lot to be desired, but as these cameras were produced between 1926-29 they are now reaching the 100 year old stage, a real antique, and to be honest at this age, just like most of us approaching a pensionable age, you would be expecting some wear and tear and a little bit of misbehaving. (I speak from experience even though i currently reside at the lower end of the antique spectrum). Around 800,000 of these cameras are estimated to have been produced, so there are a good number still available on the markets, I suspect this is what governs the low cost.

Yep, to be honest I do expect there to be issues, but at first look this camera appears to be in a very good condition, with a couple of parts to it that normally go missing over time, still present, and at the measly price I paid for it, I’m not complaining. The leather appears to be fine, and well looked after, it looks remarkably clean, but we’ll just have to wait and see.

This is an autographic version, this was a system introduced on these early cameras that would allow you to write with a small metal stylus (Stored alongside the lens) through a small aperture in the rear of the camera, allowing you to put picture details onto the specialised, unexposed film below. A really early form of EXIF data if you like. There is also a metallic kick stand bearing the “Kodak” logo, this allows the camera to be stood upright, and this piece is sometimes missing off of these old cameras. Fortunately this example seems to have all these features still in place.

Here’s some info regarding Autographic film and cameras:

Autographic film and cameras, Eastman Kodak products from 1914 onward, allowed the photographer to enter his or her own notes onto the negative, rather like an early data back. Comments are written with a stylus in a window in the camera back, onto the paper backing of the film, which incorporates a carbon-paper. This leaves the backing slightly translucent where the stylus passed. The writing window is then exposed to the daylight and the inscription burned onto the negative.

The method was invented by Henry Jacques Gaisman, who patented it in several forms, perhaps to prevent similar designs being patented by rivals (see the various patents below), over several years. In the various designs, the inscription is made on the film in several ways:

Carbon powder from a carbon paper is transferred to the emulsion side of the film, and casts a shadow when the film is exposed through the lens; the lettering should be dark-on-light, in the finished print, and appear in the picture area.

The emulsion itself is compressed against a textured surface, and this changes its response when exposed; the lettering should appear as stippling, either in or outside the picture area, according to different designs.

Carbon is transferred to a translucent backing paper, and the writing casts a shadow on the film when exposed to light from behind (after the carbon paper is removed); The lettering should be dark-on-light, and appear outside the picture area.

The carbon layer of the carbon paper is disrupted by writing on it, and so allows more light through (the film is exposed from behind, with the carbon paper in place); this is the form of the invention actually made. The lettering is light-on-dark in the finished print (dark-on-light in the negative), and appears outside the picture area.

Camera-Wiki.org

And here is some information regarding the camera itself:

The No. 1 Pocket Kodak was made in USA from 1926 to 1932 (in UK from 1929-1933) and took 6×9cm exposures on 120 roll film.

In the USA in 1929-31, as well as black it came in four colors: blue, brown, grey and green. These have the Kodar f7.9 111mm lens in a Kodex shutter. All have the Autographic feature. Other lenses were the Kodak Anastigmat f6.3 and Kodak Anastigmat f7.7.

Technical Specifications (1926 Version)

Lens: Often an f/6.3 or f/7.9 Kodar/Anastigmat lens.

Shutter: Kodex shutter with speeds of 1/25, 1/50, Bulb (B), and Time (T).

Focusing: Accomplished via a worm screw or sliding the lens standard on a track, with a distance scale in feet or meters.

Viewfinder: A rotating “brilliant” waist-level finder for both portrait and landscape shots.

Using the Camera Today

Film Compatibility: The 1920s No. 1 model is highly desirable because it takes standard 120 roll film, which is still manufactured today. Older models designed for 105 film can often use 120 film with minor modifications or original 105 spools.

Autographic Feature: Many models have a small door on the back and a metal stylus. This was originally used with special “Autographic” film (discontinued in 1932) to “write” notes directly onto the negative. Warning: Opening this door with modern film will ruin your photos.

Light Leaks: Due to their age, old bellows are prone to pinhole light leaks. Many users tape the red window or the autographic door with black electrical tape to prevent fogging.

Camera-wiki.org / Google

So let’s do a full assessment on this camera.

Assessment:

Here’s just what arrived, and for a one hundred year old camera it is pretty much perfect.

For a camera of this age I expected a number of issues.

Aroma – due to old age, cameras normally carry a mustiness due to the way they have been stored. This example has no such aroma and appears to have been stored well, and cared for, it just has an acceptable, leathery aroma.
Rust – again due to storage I was expecting some damage here. However this example has no rust issues, again this points to the camera being stored with care.
Fungus – to be expected on such an old example, on inspection there appears to be nothing more than some light specks of dust. Unbelievable. The viewfinder is a little misty and dusty but this should clean up quite easily.
Bellows holes – due to the construction of these cameras, time and usage usually causes the bellows to wear and small pinholes to appear. I’m yet to fully test the bellows section, but first inspection in a bright light is extremely positive and there appears to be nothing of concern that is noticeable. However I do need to test this properly prior to putting film in the back. From what I have witnessed so far, this camera appears to have been very well looked after, and I very much suspect it has been very lightly used.

Personally, this antique camera is in a far better condition than many that I have, that are a great deal younger than this camera. I’m very optimistic that I will be able to run a roll of 120 film through this camera before too long.

If you look at the pictures above you will see that the camera came with a “wooden” film take up spool. These features were typical in pre war cameras. What is really annoying me at the moment though, is the ridiculous prices some on line sites are charging for this small wooden roll on its own. Who the heck is silly enough to pay these prices? It’s almost 6x the price I paid for the actual camera 🤦‍♂️

On Etsy. Sellers name blacked out to preserve dignity….if they have any in the first place?

The fools.

Anyway, back to reality and this camera. Repair wise there will not be a great deal to do apart from some cleaning and minor adjustments. I’m not going to tamper to be honest, how does the saying go? If it ain’t broke, don’t try to fix it. And that will be the mantra for this camera. A sympathetic restoration is the order of the day with minimal tampering.

Repair:

Let’s start at the front and work our way back. First the bellows.

Both inside and out the bellows have no signs of dryness or bad cracking. With a powerful light both inside and out no light leakage or intrusion can be found, this does not however rule out that there may be a pin prick leak somewhere, however on close inspection of all the bellows and its folds all seems well.

Next the bright viewfinder. Just two screws give access to the glass lenses, both are a bit dirty and clean up quite well, however there are a couple of spots of old age pitting on the glass, this is not bad, considering the age.

The brilliant viewfinder cleaned and working

The viewfinder cleaned up well, it’s just a reference and not an accurate representation of the view that will be on the negative.

I haven’t touched the lens or leaf aperture as they both appear to be working fine.

Next we move to the inside workings and the rear of the camera, to just give a general clean.

I certainly removed some dirt from the interior area

And after all this cleaning has been done, a final clean with some polish and a good buff up completes the repair.

Result:

So what’s that I’ve found lurking at the back of my little stock of films in the fridge tray? it’s a roll of Rollei RPX 100 B/W, only a couple of years out of date, so this will be the perfect film candidate to test this camera with.

There wasn’t a great deal needing to be done to this camera as I previously stated. For an antiquity it is in a superb condition, and to be quite blunt, you don’t mess too much with such an item. Make it work yes, but keep it real. This is a hundred years old and represents times gone by, it’s aged perfectly and doesn’t need to be tampered with.

After the clean, I now present a number of photos to show what a wonderful piece of photographic history this is.

The finished item. With the first roll of film that will have passed through it for many years.

I have a roll of 120 film that will be shortly used to test it out. It’s been an absolute pleasure to work on such an old camera, and just to appreciate the skill and dedication that went into making such a beautiful hand made work of art. I am proud to own such an item and I’m hoping it will still be used for many years to come.

This is now a very important part of my personal collection, and I hope it will still be around a good time after I have taken my last breath.

Low cost, high personal value and an historic photographic legacy that I hope to pass on.

Thank you all for passing by, it’s always very much appreciated. I will post the pictures taken with this roll shortly.

A bit of Black and white

Just a few black and white pictures, taken whilst testing various cameras I’ve been working on recently. Just snaps, don’t get too excited.

Just a few pictures taken recently on various cameras I’m testing out. Nothing special, just mooching around and taking snaps.

All around the Leicester / Melton Mowbray area.

Have a great day.

Sometimes, but very rarely, “AI” may just work in your favour.

I’m fixing this lens and came across this broken part. But what is it called? Does Chat GPT know the answer? It seems it does.

Please do not for one minute consider this an endorsement for AI, it’s not. I very rarely ever use it, and to be totally honest I keep as far away from it, as i possibly can. The only issue is, is that it gradually sneaks through the back door unannounced in pretty much any application or program that you now use. There is no escaping it really, even here on WP this week I received an invite to start using AI to write my posts and to control their content and SEO compatibility, whatever that is. Straight in the bin it went, no thanks, not interested.

I know my grammar and punctuation leaves a lot to be desired, and sometimes it is very poor, but hey! That’s me and I don’t want to suddenly appear to be a fully functioning and academic genius, as that’s just not me. I’m a Comprehensive educated drop out, that has managed ok thank you, and I don’t need some computer to portray me as something I’m not, or am likely never going to be.

Rant aside, let’s get back to the story that is based around the item in this picture.

I’m currently carrying out a repair on a Canon EF 28-200 lens from around the year 2000. Whilst dismantling this lens, the above part became the item of interest as this is a piece that controls the zoom of the lens, hence this lens never really worked due to it’s inability to focus or zoom, and the item above appears to be the guilty party.

It’s broken, that is clearly obvious to see, it’s made of an alloy, possibly aluminium, and is not repairable by soldering due to the immense high temperatures that would be required. I can’t achieve such temperatures as I don’t have the equipment available to do such work. I could try forming something from scratch, that is an option but I don’t really have the time or patience to be honest to spend such time on such a tiny piece of metal. The whole piece is no bigger than 2cms long at its longest point. It really is tiny but essential for the smooth operation of this lens.

This is where the AI help comes in.

Having looked at many repair manuals belonging to Canon, I have an immense list of code numbers but nothing at all explaining what this item is or if there are any still available. I’m kind of lost and at odds as to what I should do.

In desperation, I type something similar to this request into Chat GPT:

“Long angular aluminium piece, working the telephoto element of a Canon EF 28-200 lens”

And this came back as an option:

Bingo – Courtest of Barrell Y Store – Ali express

Wow. That looks familiar!

And it is in-fact the part I am looking for, on the Ali Express site, our friends in China have one left in stock – “Click” that’s purchased and is now on its way to me.

I am now also fully aware of what it actually is, apparently it is called a “Zoom guide pillar, zoom lever, electric brush lever for a Canon 28-200 zoom lens”

Well there you go, it appears AI is good at deciphering the ramblings of a frustrated and confused 60 something. And in this case it did very well. When this arrives I’m going to give it to one of the tool makers at work to get him to make a few copies, I’m even going to see if I can get a few printed out 3D wise to see how the plastic version holds out under the demands of the lens. I don’t foresee any real issues as long as the lens isn’t mistreated in any way.

Well. That’s my major frustration of the week, and my first real face to face involvement with AI.

It can only get better, or can it?

Have a super day. Stay real.

Rollei XF 35 35mm Rangefinder Film Camera

I’ve just purchased an old Rollei 35 XF rangefinder from around 1974. It doesn’t work, so let’s see if we can get it working again.

What the listing stated:

The Rollei XF 35 is a compact vintage 35mm rangefinder film camera made in Germany, known for its classic design and portability.

This camera is being sold as spares or repairs and does not power on. It has not been tested with film and is not in working condition; functionality of the shutter, meter, and other features has not been confirmed.

Cosmetically, the camera shows typical signs of age and use, but no major damage is visible. Please note this item is intended for parts or restoration and is not guaranteed to function.

Accessories included: wrist strap and lens cap.

EBay

I like these little point and shoots. I’ve always wanted one, and ideally I would like an original 35, but in the meantime I’ll settle for this one. Not working, only £17:00GBP, this was a bargain price for an old camera with a lens that has a superb reputation for having good optics. It’s a bargain basement price for a camera that has a lot of potential if I can get it working again. I have purchased from this supplier before and they are a good bunch of guys and girls, so I don’t believe I am being ripped off in any way. This camera dates from from around 1974.

Here’s a little bit about this camera:

The Rollei XF35 is a small 35mm full frame Rangefinder camera released by Rollei in 1974. The same camera can be rarely found under the brand Voigtlander: in this case it’s called VF135.

This camera provides only a programmed exposition, with a CDS cell powered by a small 1,35v PX 625 mercury battery. A ring around the lens must be set to the right ASA/DIN value.

The shutter is a small Copal central type one, that also works on relative aperture.

The lens is a Carl Zeiss Sonnar-derivation, built under license by Rollei. It’s a 40mm f2.3, with focus from 1 meter of distance. The viewfinder has a small frame that indicates the f-stop and the speed of the shutter that the program will use. At the center, two small yellow and red circles must overly to obtain focus on the subject.

Shutter speeds go from 1/30 to 1/650s, including bulb mode (only at f2.3). Copal shutter closes up to f16, so Rollei reccomends max 400 ISO/ASA films.

There’s a hot-shoe flash slot and the camera also includes a self-timer (circa 10s of delay). Under bulb mode, this timer can fire the shutter to a speed of circa 5 seconds.

Camerapedia

I’m expecting the camera shortly, so in the meantime I’m off to read the manual and to also look for replacement batteries that replace the now defunct PX625 batteries this camera used to have to maintain a sufficient power supply. When it arrives we can carry out a full assessment.

Assessment:

On arrival it’s a nice tidy little camera, with slight signs of use and that slight mustiness of being in storage for a few years, though I have smelt worse.

It needs a little clean, the strap buckle is a little rusted however that is easily replaced.

Inside, the camera is clean, the winder works and the exposure button works, however the shutter doesn’t fire. This could be one of a couple of issues, the battery inside that appears to be an original PX625 Mercury battery could be below power, and if it is an original this could well be the case. However the light meter is working and this is a welcome bonus, so there is a little life still in the battery that should be 1.35v when at full power.

Let’s check this with the multimeter, before purchasing a new battery, and I can confirm the battery power sits at 1.53v?

I was mistaken, it’s not an original PX625 it’s actually a 625A alkaline replacement. These alkaline batteries are 1.5v rated against the original that was 1.35v. These batteries are commonly used with these older cameras as a suitable alternative to the original battery. The only issues that are sometimes reported are that the metering can sometimes be off by about +2stops, however some people report no issues at all so it is all a little bit and miss to be honest. I guess it’s all down to trial and error with your own film stock and the camera, B&W film would probably be more forgiving. So, in this case it is not a power issue. We need to then move on to another option.

The other related issue could be sticky blades on the shutter mechanism, and that is more than possible if the camera hasn’t been used in quite a while, the old lubricants dry out over time and the shutter blades get stuck, this means I would have to carry out a service of the shutter mechanism, not a major issue just quite time consuming.

Repair:

I have liberally coated the shutter blades from inside with some isopropyl alcohol as that’s all I had available at the time. This has removed some old black gunk that appears to be old oils of some kind, however the shutter still does not operate when activated, even though all the noises are there to suggest the mechanism is actually working.

I have used a compatible tool to tempt the shutter blades open, this initially worked but they did not fall back into place with any urgency. I suspect there is residue on the opposite side of the shutter blades, so it looks as if this will have to be a full CLA – Clean, lubricate and adjust, requiring a partial disassembly of the camera.

Boy I wasn’t wrong, this is probably the deepest I have gone into a camera for quite a while, this camera really does have to be dismantled. These cameras have always been renowned for having issues deep into the cameras workings, it’s probably what has gained them a poor reputation, somewhat unfairly, but not everyone is prepared to dismantle a camera at these prices, when they can just chuck it and get a new one. However that’s not what I do here.

Let’s stop the chat and get on with it.

So we need to get inside, and the best plan of attack is from the front through the lens turret, so first thing we do is remove a retaining ring on the lens. This allows us access to the insert that controls the ASA, and where the CDS cell is located. Remove with caution as there are small wires present.

Three screws under the ASA/CDS module then allow you to remove the focus ring where there is a small brass plate. This is removed and then the rest of the barrel loosens, but cannot be removed….strange.

At this point I had to do a little research and source the maintenance manual and refer to it to see what I had to do next.

After reviewing the manual it appears there are another four screws requiring removal before we can access any deeper, however these are situated under the camera “Skin” and this needs to be peeled back slightly to access.

Those four extra screws under the camera “Skin”

With these four screws removed, you now have to remove both the top and bottom parts of the camera, five more screws to allow the front plate and lens to be removed.

Base of camera removed exposing winder workings

With the lens plate now movable, again I carefully move it aside being wary that there are also wires here, and not a lot of room for manoeuvring. A slight twist of the brass aperture control plate and it can then be removed. The plate below this, with the three brass dots, just clips out and exposes the thin shutter blades below.

Just looking at the shutter blades I can see there is a small link missing, this was sitting loosely to one side, it could have come off as I was dismantling the blades, who knows. Carefully put to one side the blades are placed individually in preparation for a clean. Lastly the bottom plate of the shutter mechanism, lifts out and beyond this point is the camera back, we have just a hole as the whole shutter and lens mechanism has now been removed.

All parts removed have now been cleaned with an IPA solution to remove any grease and dirt, and there was quite a lot of both. These have all been put to one side and will be cleaned once more prior to reassembly.

A period of time was spent just watching and observing whilst I continued to prime the camera and fire the mechanism to see if I could see anything obvious that was of concern. After a while I could see the issue, there is a small flywheel that was not moving, and as a result the connected shutter mechanism could not move.

The flywheel controls two parts of this mechanism. Firstly the shutter mechanism to move and work the shutter blades, and secondly there is a small brass pin at the top that also moves relative to the aperture setting, if this is in the wrong position, the shutter fires but will not close, this wheel is where the issue lies.

Using some IPA I get into the gearing from the base area, and give all the gears that I can access a good clean, I activate the camera numerous times to get as much grease and dirt away from the workings as possible.

Then using a very fine camera oil, very sparingly, literally a drop on top of a needle applicator, I place oil onto the cogs paying special attention to the offending fly wheel.

I have three shutter blades that are super thin and delicate that need a final clean, dry and a dry wipe prior to reinstalling. I get this done and then put both links in place, after installing the blades in the correct order.

Shutter blade reinstalled, with both links

A small video showing the shutter working

The re installation of all other parts is just a reverse action of how they were taken out, each part was cleaned as it was put back, so in theory the camera is an awful lot cleaner and free of contamination than it was a while ago. Before I put the lens plate back on the camera I check the shutter’s operation and it is all fine. Just a final calibration of the aperture settings, a check of the focus range, and just ensuring all wires are routed sufficiently, and the lens plate is ready to attach to the rest of the camera. This done, the base and top fascia plates are attached after first cleaning the focus window and light meter window. The camera is now fully assembled, it now just needs the camera “Skin” to be re glued where it was earlier removed for access.

The skin is now glued into place.

Now I’m outside the camera I’m just going to touch up some of the scuffed areas with some permanent marker, it’s not worth stripping down, priming and repainting, to be honest I’m quite happy just doing a touch up of the scuffed areas and that is what I have done. Once it gets a clean and polish it will appear much improved, compared to when the pen is first applied, it will blend in.

I’ve taken the old strap buckle off as that was rusted, I’ve just used the original strap ring to connect to the camera lug, I think it looks good. I’ve also added a cover for the hot shoe connector that I’ve printed off on the 3D printer.

And that completes the repair, the last thing to do is get this camera cleaned and polished.

Result:

With a good clean and polish, this little handheld has come up looking superb.

With all the extra touches, we now have a superb working, resurrected camera that was heading for landfill. This has taken a lot of time and patience, something I don’t have a great deal of if I’m honest, but I was determined to get this project finished. And it is. It looks good, works good and has years of life left in it. Currently sitting at 52 years old, it has a long life ahead of it.

This camera probably rates as one of the most fulfilling and pleasing projects I have ever started upon and completed. It’s been a very delicate and time consuming job, and that I will not deny. It’s only a cheap low cost camera but it’s taught me a great deal. It’s the first complex project I have undertaken, in my new workspace, I don’t think I would have been able to complete it with my old set up. It’s been an achievement, one I am considerably proud of, an occasion when once again, it doesn’t matter how old you are, you can still learn a lot. A big positive for me.

Anyway, enough about me.

Thank you most sincerely for passing by and giving me your time. It really is, very much appreciated.

Assessment:

Repair:

Result:

Rate this:

Share this:

Assessment:

Repair:

Result:

Rate this:

Share this:

New features

Assessment:

Repair:

Result:

Rate this:

Share this:

Features & Specifications

Accessories & Compatibility

Lens Compatibility

Assessment:

Repair:

Result:

Rate this:

Share this:

Assessment:

Repair:

Result:

Rate this:

Share this:

Rate this:

Share this:

Assessment:

Repair:

Result:

Rate this:

Share this:

Rate this:

Share this:

Rate this:

Share this:

Assessment:

Repair:

Result:

Rate this:

Share this: