Bilora Radix 56 – breakdown

The Bilora Radix 56 camera circa 1950 has arrived today and the condition is for once very close to the original description that I read on line prior to purchase. Makes a pleasant change to be honest. No big surprises this time.

I’ve broken the whole camera down to its smallest parts, I love to do this as it gives a good insight into how the camera was originally put together. It’s lovely to see some good old mechanics instead of a plethora of electronic components. Only one piece of wire on this camera and that’s to the flash synch on the side of the body.

I’m going to clean the winding mechanism, get rid of the old oil deposits and re lubricate. I’ll also do this with the workings on the base of the camera that allow only one of two available exposure settings. That’s a “B” exposure or an auto exposure of 1/50-1/60 of a second. Not much use with the faster films that are available today. Focal length of the lens is 38mm 5.6 – 16.

The shutter works fine, I’ll probably maintain that with some graphite when I’m in there, the lens seems free of fungus but I will dismantle this anyway to clean the optics within.

There is rust on the backplate, and this will need removing, I’m planning on sanding this down priming and repainting and a new skin will be put on the body. There are only 4 small pieces on this camera so this shouldn’t be an issue. Some lubrication, spotting and a good Polish will then hopefully complete this refurbishment.

I’m considering purchasing a second Karat cassette so I can sell this on as a complete camera. I may even try it out myself someday with a small length of black and white film.

Pop on back to see a post for each stage of the refurbishment.

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Bilora Radix 56

In my search for the unusual have come across this fine specimen that I have purchased for less than the price of a fish and chip dinner.

Remember the battle between manufacturers back in the days of Betamax and VHS? Well this is the film makers battle between Agfa and Kodak, with Kodaks 35mm winning out. The Agfa cassette (known as Karat) was 35mm without the spool and you needed two cassettes to use these cameras. I have one here and hope to be able to use it at sometime.

I like this example as the metal is not too pitted. There is rust but I can work on this, the covers are damaged but this can be replaced. I might go for a totally over the top refurbishment or may keep it as close to original as possible. I’ll make that decision once I can check the optics and shutter.

You can find out more about these cameras at the following link: Camera wiki .org

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