Tag: repair

Nikon F90x 35mm SLR Film Camera and MB10 battery grip

This camera influenced the partnership between NIkon and Kodak to produce one of the most expensive prosumer cameras of the 1990s. However this one is a lot less expensive but with some issues. Let’s have a look at it:

What the listing stated:

THIS UNIT IS FAULTY
SUTIBLE FOR SPARES / REPAIRS ONLY
SOLD AS SEEN

FAULTS INCLUDE BUT ARE NOT LIMITED TO,
MIRROR STICKS


COMES WITH EVERYTHING SEEN IN IMAGES

NO WARRANTY PROVIDED

EBay

Nikon F90X with MB10 battery grip

Just couldn’t let this one go. Whilst browsing the sites for my next challenge last evening, this little bundle of joy just popped from one of my preferred sellers for a quick sale, it was about 11pm and was just posted at a sale price of £30:00GBP, however with a voucher I had, I was able to secure it at £27:00GBP. Considering this is a good quality camera of the mid 90s it also comes with the added bonus of an MB10 battery grip, superb value in my eyes. A lot of camera for a very low price.

Here’s a little bit about this camera:

The Nikon F90x is a 35mm autofocus SLR using Nikon’s F lens mount. It was targeted toward the advanced amateur or prosumer; its feature set is comparable to that of Nikon’s current D100/200/300 SLRs. The name N90s was used for marketing in the United States; everywhere else, the camera was called the F90x. This camera was also used as the base for the Kodak DCS 400 series of digital SLRs.

The N90s/F90x was introduced in 1994 and discontinued in 2001. The camera’s predecessor, the N90/F90, was introduced in 1992 and discontinued in 1994. The successor to the N90s, the F100, was introduced in 1998.

Features & Specifications

Nikon N90s global naming N90S adapted into Kodak’s DCS460, a 6 Mp Digital SLR

  • Bright viewfinder with 92% coverage, .78x magnification
    • Current settings are displayed at the bottom of the finder; information area is automatically backlit in dark conditions
  • Top LCD displays current settings and facilitates changes
    • Backlit for use in dark conditions; the backlight switch is near the left die of the viewfinder
  • Cross-Type Wide Area AF System
    • Choice of wide-area or spot AF
    • One CAM246 AF sensor
    • Continuous AF mode with release priority in addition to standard AF with focus priority
  • 4.1FPS capable with continuous AF; 4.3FPS with standard AF
    • 2FPS mode available
  • 3D Matrix Meter when used with a D or G-type Nikkor lens
    • Center-weighted and spot metering are also available and usuable with AI lenses
  • 3D Multi-Sensor Balanced Fill-Flash capability (with Nikon Speedlights SB-800/80DX/28DX/28/27)
  • Seven Vari-Programs: Portrait, Portrait with Red-Eye Reduction, Hyperfocal, Landscape, Silhouette, Sports, Closeup
    • Explained in detail in the instruction manual
  • Four exposure modes: Program, Shutter-priority, Aperture-priority, Manual
  • Shutter speeds of 1/8000 – 30 seconds + Bulb
  • Flash sync speed of 1/250
    • Flash sync modes: normal, slow, rear, red-eye, FP high-speed
  • Self-timer: 2-30 seconds
  • ISO/ASA Range 6-6400
  • DX-enabled (automatically reads speed information from film canisters)
  • Eyepiece shutter stops excess light from entering the viewfinder and interfering with metering
  • Overall strong build throughout (comparable to Nikon’s current D100/200/300SLRs)
    • Stainless steel lens mount
  • Requires 4 AA Batteries
  • Extensive system compatibility & accessories; see below

Accessories & Compatibility

F90X with MB-10 grip

The N90s/F90x is compatible with nearly all Nikkor F-mount lenses as well as all Nikon SB series speedlights.

Additional, camera-specific accessories available are:

  • MF-26 Multi-Control Back
    • Long Exposures to 100 hours
    • Freeze Focus: triggers the shutter as soon as a subject comes into focus
    • Custom Reset: customizes which settings are affected by the green-button reset
    • Date Imprinting: can also imprint shutter speed and aperture information
    • World Clock
    • Flash exposure compensation
    • Interval timer: up to 100 hours between pictures for 99 frames
    • Limit frame count in continuous shooting mode
    • Multiple exposures
    • Customize which settings are affected by AE-L and AF-L (auto-exposure lock and autofocus lock)
  • MF-25 Data Imprint Back
  • MB-10 Vertical Grip
    • Takes 4AA batteries or, with the MS-11 battery holder, two CR123 lithium batteries
  • Interchangeable focusing screens
    • E screen provides grid lines in the viewfinder

with 28-80mm, 20mm and 80-200mm

Lens Compatibility

  • All functions, including autofocus, work properly with Nikkor AF, AF-I, AF-D, and AF-S lenses.
  • AI and AI-S lenses are usable, with the loss of these functions:
    • Autofocus
    • Shutter-priority exposure mode
    • Programmed exposure mode
    • Vari-program exposure modes
    • 3D Matrix metering (though center-weighted and spot metering remain functional)
  • The camera does not use VR with any lens.
  • G-type lenses (lenses without aperture rings) can be used with the loss of some functionality: only the lens’ smallest aperture can be used in manual or aperture-priority exposure modes.

Camera-wiki.org

Now my experience with this seller is that unless it is absolutely perfect he will not even entertain it. He doesn’t take the time to check and fettle, if it isn’t working from the start he will just get rid of. This attitude of his has meant I’ve had some right bargains in the past with very little wrong with them. I refer you to a recent purchase Canon EOS D60 that had very little wrong with it, but was also a lot of camera for a very low price.

Now I’ve always wanted a Kodak DCS 400 series camera, especially a 460 version as it takes me back to my days when I was working at Kodak in Harrow, I remember when the DCS 400 series came out and back then they were introducing such a new technology that they were commanding a huge price of around $35,000 at the time. These cameras were basically digital versions of the film camera I have purchased above. So whilst I’m on the lookout for a reasonably priced DCS 400 series camera, I guess I will just have to do with the camera that started it all off. And for £27:00GBP I’m not complaining.

I think I may know why this mirror is sticking, and if it is what I believe it to be it could be quite an easy fix. (Famous last words)

So let’s stop all the reminiscing, and wish list writing and get on with this camera’s assessment.

Assessment:

It’s arrived, and as expected it’s a beautiful looking item in an extremely good condition.

Stunningly good condition

The mirror appears to be in a semi raised position, the battery pack is clean with no signs of contamination and battery leakage, so now seems a good time to put in four AA batteries and slide the battery pack into place and secure it.

Battery pack clean and contamination free

Turn the battery on and the mirror clicks back into its closed position. And here I am, probably 40 or 50 actuations later and I can’t recreate the sellers fault of a sticking mirror. The mode the camera is set in, is indicating long exposure times, maybe this has given the impression of the mirror sticking when in fact it’s just doing what it should relative to the light it is seeing. I need to check in clear daylight, but I’m sure this is part of the issue….if there is one.

With a 28-100 lens added

I have a 28-100 lens mounted that I use for testing, the autofocus is working really well and all seems good.

However, take a look at the picture below. It contains two photos of the LCD screen on the top of the camera. What do you see in the top photo that would make you think there is an error?

Is that an error?

For the un-informed, those who are not familiar with this camera or its operation, you will instantly see the letter “E” that is commonly known as an error indicator, in later models it is shown as “ERR”. I do believe the seller has possibly mistaken this for an error code, but if you refer to the bottom photo where I have now installed a test film, it becomes clear that the “E” on this camera represents the word “empty”. No film installed, a simple and easy to make mistake. The bottom picture indicates a film is installed and that 4 exposures have been taken.

As these cameras have in the past been known to have a mirror sticking issue, I will replace the mirror bumper felt. It is well known that when the felt has deteriorated to such a level, the felt becomes sticky, and the mirror just sticks to the felt when it opens. It’s an age related issue that is easy to repair. Even though I have not experienced it with this unit, I will replace it as it will probably fail at some point. I will also check the light seals and replace them if I deem this necessary.

Repair:

The light seals do not need replacing. In fact there are only two small spots of light seals on this camera and both are in good condition.

The two areas where there is light seal – with no issues

However the bumper seal was showing signs of degradation, so this has been replaced.

Old seal
Removed

The old seal peels out but leaves a sticky residue behind, this has to be removed with some IPA prior to cutting new foam to size and reinstalling. Whilst I was in the lens are I also removed the focussing screen to clean it and remove the old ingrained dust and dirt.

New bumper foam installed
Focus screen removed to clean
Some of the dirt and debris from inside

The area within the mirror area is now clean and dust free after I have used a small air blower to get the last of the debris out of the barrel area. Mirrors have been cleaned and polished and the body cap has been put back on the front of the camera to ensure no further dirt or contamination gets in there whilst I work on the outside.

I’ve printed a hot shoe flash cover purely for aesthetic reasons, I’ve also printed a sync cable cover, for similar reasons, but generally just to ensure any open and exposed areas are covered up. It does make it look a lot nicer.

Hotshoe connector
Hotshoe cover in place

The sync cable cover also helps keep the exterior tidy as well as protecting the connector.

Without
With

All I need to do now is clean the exterior of the camera where there is some light dust and dirt. When this is done I will use my usual car cockpit polish to finish the camera off.

When that’s done I will do a quick fly through of all the settings to check if they are all functioning as they should.

Result:

The camera has cleaned up very well and looks glorious. All settings are functioning as expected, and there have been no issues with a sticky mirror or any other issues. The camera is just working well and doing exactly what it should be doing.

A lovely looking, fully functional camera

I’m using a G type lens so I’m restricted on the type of photography I can do, it stays on its lowest aperture (F:32) but that’s perfectly fine In bright sunlight conditions. I need to purchase myself another lens for testing to allow me the use of the full spectrum of apertures on this unit. That said, my lens has performed perfectly on this unit.

As I’ve stated before, this seller is one of my favourite suppliers as his cameras are always in a good condition, he doesn’t like anything unless it’s absolutely A1 perfect, so this is where i benefit as every unit I have purchased from him is perfect in my eyes, and in many cases need very little doing to them to bring them back into a working condition. This is one such unit.

So, I have yet another lovely piece of 90s “Big” tech restored and working perfectly. The next thing I need to do is to put some film through it. I’ll let you all know when I’ve done that.

Thank you for passing by, have a wonderful weekend, I really appreciate your being here.

Take care.

Sometimes, but very rarely, “AI” may just work in your favour.

I’m fixing this lens and came across this broken part. But what is it called? Does Chat GPT know the answer? It seems it does.

Please do not for one minute consider this an endorsement for AI, it’s not. I very rarely ever use it, and to be totally honest I keep as far away from it, as i possibly can. The only issue is, is that it gradually sneaks through the back door unannounced in pretty much any application or program that you now use. There is no escaping it really, even here on WP this week I received an invite to start using AI to write my posts and to control their content and SEO compatibility, whatever that is. Straight in the bin it went, no thanks, not interested.

I know my grammar and punctuation leaves a lot to be desired, and sometimes it is very poor, but hey! That’s me and I don’t want to suddenly appear to be a fully functioning and academic genius, as that’s just not me. I’m a Comprehensive educated drop out, that has managed ok thank you, and I don’t need some computer to portray me as something I’m not, or am likely never going to be.

Rant aside, let’s get back to the story that is based around the item in this picture.

What’s that then?

I’m currently carrying out a repair on a Canon EF 28-200 lens from around the year 2000. Whilst dismantling this lens, the above part became the item of interest as this is a piece that controls the zoom of the lens, hence this lens never really worked due to it’s inability to focus or zoom, and the item above appears to be the guilty party.

It’s broken, that is clearly obvious to see, it’s made of an alloy, possibly aluminium, and is not repairable by soldering due to the immense high temperatures that would be required. I can’t achieve such temperatures as I don’t have the equipment available to do such work. I could try forming something from scratch, that is an option but I don’t really have the time or patience to be honest to spend such time on such a tiny piece of metal. The whole piece is no bigger than 2cms long at its longest point. It really is tiny but essential for the smooth operation of this lens.

This is where the AI help comes in.

Having looked at many repair manuals belonging to Canon, I have an immense list of code numbers but nothing at all explaining what this item is or if there are any still available. I’m kind of lost and at odds as to what I should do.

In desperation, I type something similar to this request into Chat GPT:

“Long angular aluminium piece, working the telephoto element of a Canon EF 28-200 lens”

And this came back as an option:

Bingo – Courtest of Barrell Y Store – Ali express

Wow. That looks familiar!

And it is in-fact the part I am looking for, on the Ali Express site, our friends in China have one left in stock – “Click” that’s purchased and is now on its way to me.

I am now also fully aware of what it actually is, apparently it is called a “Zoom guide pillar, zoom lever, electric brush lever for a Canon 28-200 zoom lens”

Well there you go, it appears AI is good at deciphering the ramblings of a frustrated and confused 60 something. And in this case it did very well. When this arrives I’m going to give it to one of the tool makers at work to get him to make a few copies, I’m even going to see if I can get a few printed out 3D wise to see how the plastic version holds out under the demands of the lens. I don’t foresee any real issues as long as the lens isn’t mistreated in any way.

Well. That’s my major frustration of the week, and my first real face to face involvement with AI.

It can only get better, or can it?

Have a super day. Stay real.

Rollei XF 35 35mm Rangefinder Film Camera 

I’ve just purchased an old Rollei 35 XF rangefinder from around 1974. It doesn’t work, so let’s see if we can get it working again.

What the listing stated:

The Rollei XF 35 is a compact vintage 35mm rangefinder film camera made in Germany, known for its classic design and portability.

This camera is being sold as spares or repairs and does not power on. It has not been tested with film and is not in working condition; functionality of the shutter, meter, and other features has not been confirmed.

Cosmetically, the camera shows typical signs of age and use, but no major damage is visible. Please note this item is intended for parts or restoration and is not guaranteed to function.

Accessories included: wrist strap and lens cap.

EBay

Rollei XF35

I like these little point and shoots. I’ve always wanted one, and ideally I would like an original 35, but in the meantime I’ll settle for this one. Not working, only £17:00GBP, this was a bargain price for an old camera with a lens that has a superb reputation for having good optics. It’s a bargain basement price for a camera that has a lot of potential if I can get it working again. I have purchased from this supplier before and they are a good bunch of guys and girls, so I don’t believe I am being ripped off in any way. This camera dates from from around 1974.

Here’s a little bit about this camera:

The Rollei XF35 is a small 35mm full frame Rangefinder camera released by Rollei in 1974. The same camera can be rarely found under the brand Voigtlander: in this case it’s called VF135. 

This camera provides only a programmed exposition, with a CDS cell powered by a small 1,35v PX 625 mercury battery. A ring around the lens must be set to the right ASA/DIN value.

The shutter is a small Copal central type one, that also works on relative aperture.

The lens is a Carl Zeiss Sonnar-derivation, built under license by Rollei. It’s a 40mm f2.3, with focus from 1 meter of distance. The viewfinder has a small frame that indicates the f-stop and the speed of the shutter that the program will use. At the center, two small yellow and red circles must overly to obtain focus on the subject.

Shutter speeds go from 1/30 to 1/650s, including bulb mode (only at f2.3). Copal shutter closes up to f16, so Rollei reccomends max 400 ISO/ASA films.

There’s a hot-shoe flash slot and the camera also includes a self-timer (circa 10s of delay). Under bulb mode, this timer can fire the shutter to a speed of circa 5 seconds.

Camerapedia

I’m expecting the camera shortly, so in the meantime I’m off to read the manual and to also look for replacement batteries that replace the now defunct PX625 batteries this camera used to have to maintain a sufficient power supply. When it arrives we can carry out a full assessment.

Assessment:

On arrival it’s a nice tidy little camera, with slight signs of use and that slight mustiness of being in storage for a few years, though I have smelt worse.

It needs a little clean, the strap buckle is a little rusted however that is easily replaced.

Inside, the camera is clean, the winder works and the exposure button works, however the shutter doesn’t fire. This could be one of a couple of issues, the battery inside that appears to be an original PX625 Mercury battery could be below power, and if it is an original this could well be the case. However the light meter is working and this is a welcome bonus, so there is a little life still in the battery that should be 1.35v when at full power.

Light meter is functioning

Let’s check this with the multimeter, before purchasing a new battery, and I can confirm the battery power sits at 1.53v?

A fully charged 625A battery

I was mistaken, it’s not an original PX625 it’s actually a 625A alkaline replacement. These alkaline batteries are 1.5v rated against the original that was 1.35v. These batteries are commonly used with these older cameras as a suitable alternative to the original battery. The only issues that are sometimes reported are that the metering can sometimes be off by about +2stops, however some people report no issues at all so it is all a little bit and miss to be honest. I guess it’s all down to trial and error with your own film stock and the camera, B&W film would probably be more forgiving. So, in this case it is not a power issue. We need to then move on to another option.

The other related issue could be sticky blades on the shutter mechanism, and that is more than possible if the camera hasn’t been used in quite a while, the old lubricants dry out over time and the shutter blades get stuck, this means I would have to carry out a service of the shutter mechanism, not a major issue just quite time consuming.

Repair:

I have liberally coated the shutter blades from inside with some isopropyl alcohol as that’s all I had available at the time. This has removed some old black gunk that appears to be old oils of some kind, however the shutter still does not operate when activated, even though all the noises are there to suggest the mechanism is actually working.

I have used a compatible tool to tempt the shutter blades open, this initially worked but they did not fall back into place with any urgency. I suspect there is residue on the opposite side of the shutter blades, so it looks as if this will have to be a full CLA – Clean, lubricate and adjust, requiring a partial disassembly of the camera.

Boy I wasn’t wrong, this is probably the deepest I have gone into a camera for quite a while, this camera really does have to be dismantled. These cameras have always been renowned for having issues deep into the cameras workings, it’s probably what has gained them a poor reputation, somewhat unfairly, but not everyone is prepared to dismantle a camera at these prices, when they can just chuck it and get a new one. However that’s not what I do here.

Let’s stop the chat and get on with it.

So we need to get inside, and the best plan of attack is from the front through the lens turret, so first thing we do is remove a retaining ring on the lens. This allows us access to the insert that controls the ASA, and where the CDS cell is located. Remove with caution as there are small wires present.

ASA and CDS module removed
Then the focus ring

Three screws under the ASA/CDS module then allow you to remove the focus ring where there is a small brass plate. This is removed and then the rest of the barrel loosens, but cannot be removed….strange.

At this point I had to do a little research and source the maintenance manual and refer to it to see what I had to do next.

Maintenance manual courtesy of Rollei

After reviewing the manual it appears there are another four screws requiring removal before we can access any deeper, however these are situated under the camera “Skin” and this needs to be peeled back slightly to access.

Those four extra screws under the camera “Skin”

With these four screws removed, you now have to remove both the top and bottom parts of the camera, five more screws to allow the front plate and lens to be removed.

Base of camera removed exposing winder workings
Shutter mechanism
A bit deeper with aperture plate removed

With the lens plate now movable, again I carefully move it aside being wary that there are also wires here, and not a lot of room for manoeuvring. A slight twist of the brass aperture control plate and it can then be removed. The plate below this, with the three brass dots, just clips out and exposes the thin shutter blades below.

Shutter blades only one link visible
Bottom plate removed

Just looking at the shutter blades I can see there is a small link missing, this was sitting loosely to one side, it could have come off as I was dismantling the blades, who knows. Carefully put to one side the blades are placed individually in preparation for a clean. Lastly the bottom plate of the shutter mechanism, lifts out and beyond this point is the camera back, we have just a hole as the whole shutter and lens mechanism has now been removed.

All parts removed have now been cleaned with an IPA solution to remove any grease and dirt, and there was quite a lot of both. These have all been put to one side and will be cleaned once more prior to reassembly.

A period of time was spent just watching and observing whilst I continued to prime the camera and fire the mechanism to see if I could see anything obvious that was of concern. After a while I could see the issue, there is a small flywheel that was not moving, and as a result the connected shutter mechanism could not move.

Flywheel and aperture pin highlighted
Flywheel and shutter blade actuator

The flywheel controls two parts of this mechanism. Firstly the shutter mechanism to move and work the shutter blades, and secondly there is a small brass pin at the top that also moves relative to the aperture setting, if this is in the wrong position, the shutter fires but will not close, this wheel is where the issue lies.

Using some IPA I get into the gearing from the base area, and give all the gears that I can access a good clean, I activate the camera numerous times to get as much grease and dirt away from the workings as possible.

Then using a very fine camera oil, very sparingly, literally a drop on top of a needle applicator, I place oil onto the cogs paying special attention to the offending fly wheel.

Oil applied with a needle applicator
Oiling the offending flywheel

I have three shutter blades that are super thin and delicate that need a final clean, dry and a dry wipe prior to reinstalling. I get this done and then put both links in place, after installing the blades in the correct order.

Shutter blade reinstalled, with both links
A small video showing the shutter working

The re installation of all other parts is just a reverse action of how they were taken out, each part was cleaned as it was put back, so in theory the camera is an awful lot cleaner and free of contamination than it was a while ago. Before I put the lens plate back on the camera I check the shutter’s operation and it is all fine. Just a final calibration of the aperture settings, a check of the focus range, and just ensuring all wires are routed sufficiently, and the lens plate is ready to attach to the rest of the camera. This done, the base and top fascia plates are attached after first cleaning the focus window and light meter window. The camera is now fully assembled, it now just needs the camera “Skin” to be re glued where it was earlier removed for access.

Reassembled and just needs gluing

The skin is now glued into place.

Skins re stuck

Now I’m outside the camera I’m just going to touch up some of the scuffed areas with some permanent marker, it’s not worth stripping down, priming and repainting, to be honest I’m quite happy just doing a touch up of the scuffed areas and that is what I have done. Once it gets a clean and polish it will appear much improved, compared to when the pen is first applied, it will blend in.

Before and after pen applications

I’ve taken the old strap buckle off as that was rusted, I’ve just used the original strap ring to connect to the camera lug, I think it looks good. I’ve also added a cover for the hot shoe connector that I’ve printed off on the 3D printer.

Original ring

And that completes the repair, the last thing to do is get this camera cleaned and polished.

Result:

With a good clean and polish, this little handheld has come up looking superb.

The finished clean Rollei XF 35

With all the extra touches, we now have a superb working, resurrected camera that was heading for landfill. This has taken a lot of time and patience, something I don’t have a great deal of if I’m honest, but I was determined to get this project finished. And it is. It looks good, works good and has years of life left in it. Currently sitting at 52 years old, it has a long life ahead of it.

This camera probably rates as one of the most fulfilling and pleasing projects I have ever started upon and completed. It’s been a very delicate and time consuming job, and that I will not deny. It’s only a cheap low cost camera but it’s taught me a great deal. It’s the first complex project I have undertaken, in my new workspace, I don’t think I would have been able to complete it with my old set up. It’s been an achievement, one I am considerably proud of, an occasion when once again, it doesn’t matter how old you are, you can still learn a lot. A big positive for me.

Anyway, enough about me.

Thank you most sincerely for passing by and giving me your time. It really is, very much appreciated.

Ilford Sportsman 35mm camera

I’ve been asked to give a little service to a friends old 35mm camera that he’s inherited. Mainly cleaning and making good. An old camera that deserves to maintain its originality.

I received this text message tonight from my nephew:

Hi, my mate “T”, has got an old camera from his sister, from a old antique store, he dunno a lot about it and was wondering if you did and if you’d have a look at it and see if it was in working order as he can’t figure much out about it, no worries if not tho 👍

Family

Now, I love these random out of the blue messages, to me it just says people have a trust in what I do, and I like that. And how can I turn down a request such as this. I’ve jumped on to it and said I’d give it a service and get it checked over and up and running, no cost, I just want to feature it within my blog site. The owner is also a youngster, just starting out in photography and has a thirst for knowledge of the traditional side of business, and wants to find out more about the old ways and how the trade used to operate. He wants to shoot film, and process it, and produce his own prints. I can help him do that. And I look forward to passing that knowledge on. In the meantime, this is the camera we are looking at, and wouldn’t it be just great to get it working and use it to get those results under tuition, that he wants to achieve.

This camera is really a rebadged Dacora Dignette produced in Western Germany for Ilford Uk.

Here’s a little history regarding the Ilford Sportsman camera range:

As the desire to own a 35mm camera blossomed within popular amateur photography during the latter 1950s, in part prompted by the more economical production of projectable colour transparencies on 35mm instead of roll film, Ilford Ltd must have been concerned that they did not have their own range of such cameras.

Kodak was importing their 35mm Retina/Retinette range from Kodak A.G. in Stuttgart, a factory they purchased in 1931, (originally the Nagel Camerawerks).

To provide a suitable ‘popularly priced’ 35mm camera, Ilford entered into an agreement with Herr Dangelmaier of the Dacora Kamerawerk, Reutlingen, near Stuttgart, (West) Germany. Dacora produced a simple 35mm camera, the Dacora Dignette, but rebadged it as an Ilford Sportsman for sale in the UK.

Ilford’s Sportsman cameras were a range of viewfinder- and rangefinder-cameras, made for Ilford in Germany by Dacora; the first was introduced in 1957. They were a cheaper alternative to the Kodak Retina and Retinette series for the newly-popular 35mm format at the time. The Sportsman cameras were rebadged versions of Dacora models, including the Dacora Dignette. There were a variety of shutters fitted, including Vario and Prontor mechanisms, housing a selection of lenses such as the Dacora Dignar, Steinheil Cassar and Isco Color-Isconar. The range included basic models, with the Vario shutter and Dacora lens, through fitted meters to sophisticated rangefinder cameras with light meter, Prontor 500LK shutter and Cassar lens.

There were five body styles; the last (Mk.5) introduced c.1967.

Wikipedia/photomemorabilia.co.uk

Ilford Sportsman Mk1 version – This is the actual camera coming to me for a service

This version dates from 1957 and is one of the later issued Mk1 versions of that year. It has the Vario shutter mechanism and the Dacora-Dignar lens. The badging indicates that this is a latter 1957 produced variant. The very early versions had the “Ilford” badge printed on the camera leatherette and I suspect this would have rubbed off due to hand positioning whilst photos were being taken. This is probably why the white badge on this variant was then applied. This camera retailed in 1957 at the princely sum of £13.87GBP.

I am now in possession of the original instructions that I will download and pass on to the owner, they are extremely basic instructions, befitting of the year of production.

Front page of instruction manual

Assessment:

The camera is in an overall good condition in an original Ilford leather case and I think this alone has helped keep the camera in good cosmetic condition. It winds fine, it shoots with a little bit of stickiness, but I believe this is on the exposure button only. The aperture leaves stick a little and respond slowly when you leave the shutter on a time exposure and move it through the whole range from f:3.5 to f:16. The focus ring seems to operate smoothly, and shutter speeds of B, 25, 50 and 200 seem to work, but occasionally stick. I suspect the shutter and its aperture leafs are dirty and are sticking, they probably need a clean.

Nice original case
Inside back
Lens view from rear
Embossed back
Worn neck strap

Now I’m not going to do too much to this camera and want it to retain its old character. The leatherette on a couple of parts of the body has lifted, I will probably leave this as it is, I will dismantle the lens turret as there is a general fog in the lens that I suspect may be fungus. I will give the whole unit a good clean and polish. There is a slight break in the leather strap, I shall repair this so as it doesn’t break. There really is nothing of concern that I can see that should be of detriment to the working of this camera. It just needs a clean, and that’s what it will get as I really want to maintain the character of this camera.

Repair:

To get to the lens and shutter area we have to start dismantling the lens turret, that starts with removing four of the tiniest screws you will ever find.

Four of the tiniest screws you will find

We now unscrew the first element, the outer one, and it’s clear to see that there is fungal scarring of the element.

Fungal scarring evident

Next we unscrew the next part of the lens barrel that gives me access to the inner lens element.

The inner of the lens turret

We can now reach in and delicately remove the inner element

Removal of the inner element

We now expose the shutter blades and underneath these we find the aperture blades.

Shutter blades
Aperture blades

I start by giving these sections a clean with a a little “lighter fuel” to remove the old grease and oily deposits. With the shutter blades I clean them very carefully, let them dry a little and then fire the shutter a few times, I blow off any build up and do the process again until I’m satisfied they are free from any contaminants. Now putting the shutter on “B” setting, I open the lens and do the same with the aperture blades opening and closing them manually using the same process as with the shutter blades. Happy with how this has gone I now head onto the elements.

Using a mix of pure water and peroxide I use a small bud to coat both sides of the inner element to give it a clean, it is very dirty, no fungus on this element though, just years of dirt and grime.

Inner element was very dirty

The outer element was a different story, it had such bad fungus that the edges of the element had been etched by the fungus, as it had been there so long. I don’t think it will be too much of an issue through as a lot of it was removed. Below are two photos before and after, the after looks quite a bit better and when it was dried and polished it did look considerably better.

Before
After, before rinsing and drying

Once cleaned I rinsed the elements off and dried them using a lint free cloth. A good blow with some air dispersed any loose dust or fluff, prior to reassembly.

Reassembly was simple and without issue, I cleaned as I went along replacing any grease and oil with fresh lubricant (sparingly of course).

Reassembled and ready for cleaning

Cleaning wise I’ve used IPA, detailing polish, cocktail sticks (to get into the nooks and crannies) and good old elbow grease. It’s looking good.

Leather strap repair

I’ve repaired the broken strap by just removing the damaged part and creating a new strap loop, it looks ok, but I’m working with a strap that’s almost 69 years old, very thin, and has seen better days, but it looks okay. There are loose bits on the case where the leather stitching has deteriorated, however leather work is not my forte, so I will be leaving this alone, letting it maintain its old appearance and patina if you like.

Result:

The result is that I have been able to maintain the original appearance of this camera, only carrying out a sympathetic maintenance regime, allowing the camera to be used as it should, but maintaining its age and individual characteristics.

That case with repaired strap
Must admit, it does look lovely

It’s been nice to just tidy up a camera and give it some attention, TLC if you like. These cameras are remarkably easy to maintain and operate, I’m sure a roll of film through it will give some superb results. The viewfinder is so clear now, the lens is clean and the shutter, aperture, and all buttons and levers are working just fine. It’s been a pleasure to work on this camera, and I sincerely hope that my friend is happy with the outcome. One thing you really struggle with though is the old musty smells these cameras carry with them. If I had a solution I could use to negate these aromas I’d probably be a rich man, or at least my wife would probably forgive for once, for bringing these aromas into the house.

Oh well, you can’t win them all.

Thank you for passing by, it’s always very much appreciated.

PS5 DualSense controllers

When the youngsters of the clan, drop surprise repairs on you at family gatherings.

It’s great when one of the youngsters of the clan come up to you at a family gathering and greet you thus, “Oi, uncle Dave, have a look at this for us will you?” and then they just disappear into the crowd as I’m now holding a couple of items I’ve never been exposed to before, in this instance a pair of Playstation 5 Dual sense controllers. (I had to google to find out what they were!)

Here you go “Uncle Dave”

Apparently they don’t work, or are having difficulties, and it’s now down to me to find out what’s wrong.

Now I’m not a gamer in the true sense of the word. I like, and have repaired and own a good few hand held devices that have been featured within these blog pages, but I do not own a console, I never have. However I’m lucky in that I know a few people who do have these consoles, who I can go to and test how they are behaving, but the good thing is that these controllers can also be tested without a games console and just require a computer with a USB port, and I do have one of them, a clever move by the manufacturer me thinks.

First thing I did here was to plug them in to a USB supply to charge the onboard battery. Each one has a 3.7v rechargeable battery that should give between 6-12 hrs of activity depending on how vigorously the unit is being used. When charging it glows on and off orange until it is charged and then the glowing just stops. Both these units took about 2.5 hrs to fully charge, and they seem to both be holding a good charge seeing one of them, the black version has not been used for some time.

Let’s get them connected up to a PC.

A simple good quality USB cable is the communication method between the controller and the PC. Next, you go to the address: https://dualshock-tools.github.io and here is where you will be doing those checks on the controller that sits in your hand. Seeing I don’t really know what’s wrong with the controllers I have been trusted with, I think this is the best place for me to start my investigation as the site does do some good, and thorough testing.

I have two controllers to check so I start by plugging in the Black controller, clicking connect on the screen gets access into the memory of your controller and all the firmware detail and build date is displayed in front of you. Cool!

Just under where this information is displayed we enter the first series of tests, a bank of 8 basic function tests that check all bells and whistles (as such) are operating as they should. This Black controller passed all these tests with flying colours.

All 8 checks passed
Light checks all passed
All buttons and switches working

The checks are thus:

  • USB controller: here the connection is tested a simple pass or fail
  • Buttons: all buttons have to be continually pressed until they turn green on the screen, a simple pass or fail
  • Adaptive trigger: the system puts a resistance on the two triggers representing various triggers on guns and switches experienced in various games, if there is suitable resistance here the result is a pass.
  • Haptic Vibration: this tests the vibration motors in the controller, if it’s working then it’s a pass
  • Lights: all lights on the controller are cycled through displaying the whole range. Simple pass or fail
  • Speaker: a tone is played through the built in speaker, a simple pass or fail.
  • Headphone jack: a simple test of the plugin headphone jack – pass or fail
  • Microphone: a simple test by blowing in the on board microphone checks if it’s working, a simple pass or fail.

And as stated the first controller, the black one has passed all of these tests. Impressive. The next tests are all centred around the two thumb pads, their return to centre position and their all around circular motion and their calibration.

Left pad off centre
Calibrated
Before and after calibration

The left pad was showing slightly off centre and I was able to make some minor adjustments via the program interface to correct this issue. The good news was that it is not a constant stick drift, and the mechanism does not require replacement, it is easily adjusted. With settings saved, disconnect the controller, reinstall it and re check the calibration and it should all be good. And it was. With minor adjustments made to this controller I am pleased to say it is working as it should, it is now repaired and will be heading back to its owner.

Now onto the second item, the white controller. I put this controller through the exact same testing protocol as the first one, all was going well until we got to the buttons section where this one failed. The down button on the left hand side of the controller is unresponsive, you can see this in the photos below

Failed test in the button section
Failed button highlighted on Controller and screen

All other tests on this controller were fine. Again there was a little drift on the sticks that I was able to adjust and they are now both as central as they can be, operating well through their whole range. I will go through the repair and retesting of this pad in the section below the YouTube video that I have highlighted below.

A while ago, if your game pad was playing up, there wasn’t really a great deal you could do apart from replace the thumb controllers if you were experiencing issues such as a little stick drift (when a controller is moving on its own accord). A bad case of stick drift would require you to change the controller mechanism. However, some very intelligent people within the gaming community have put together a number of packages to test your game controllers, but the one mentioned in the video below has been a game changer as such, as it also allows adjustments to be made and saved and thus extending the life span of the components within, thus reducing the need to replace and dispose of those components prematurely. Have a look, it explains the testing protocols and checks them against other programs.

The whole testing procedure checked and compared with other testing programs

Repair and retest

It’s a simple enough activity to get inside of the controller, some clips, and four screws get you inside the package, getting beyond this though to the controller buttons where we need to be is a little bit more in depth. So here we go…

I’ve dismantled the controller as I said I would, initially the process requires four screws removing, after you first gently prise off the black decorative plastic surround as in the pictures below.

Black surround
Screw on each handle
Screw under each button

When you remove these screws the next task is to gently prise the two shells apart that then reveal the base of the controller

Shell successfully removed

At this point the battery needs to be removed and that is a simple plug disconnection, the battery plate has a single screw in it that needs removing. Before you remove the battery plate there are four ribbon cables that need removing, if you don’t do these then you will probably tear them and need to replace them. Believe me, I have done this in the past and ruined the tiny microphone ribbon at the very front. It’s not expensive to repair, just an unnecessary expense. Don’t rush it. Another 3 screws removed and we can now take off the top cover and get to where we need to be.

Top removed exposing fault pad area to the left

As soon as the top was removed I could see the potential issue with the controller direction pads. The pads are a rubber base with a carbon pad that makes contact with the circuit board below. Sometimes a simple clean of these pads can be sufficient to regain a connection between the two, but in this case it was plain to see that the pads on both sides were both well worn and to be honest they both required replacement.

The two contact points ringed in red that were sufficiently worn
Normally a good clean with IPA will work

As stated I did give a clean to all contact points with a solution of IPA, reassembled and tested again with no change in performance, the fault remained. I will now need to purchase a new pad assembly and replace the film circuit board below them. Fortunately these are freely available and will cost no more than £6:60GBP to replace. And considering a new controller would cost at least £60:00GBP it’s worth the small investment to restore it.

My shopping list of spares

I now just have to wait to receive these items and get them installed.

The items arrived just as in the photos above, and following the previous instructions to dismantle the unit, I have removed the old conductive film sheet and replaced this with the new one. I have also removed the silicone pads with the carbon inserts and these have also been replaced.

New conductive film
Now reinstalled

Now all I have to do once I have connected the ribbon cables is to get the outer shell back on the controller. Once this is done, I can log in and start the testing process once again, connect the controller to it and then commence a full test of its functionality.

Before repair
After repair

And as you can see in the above photographs, this has been a successful outcome. Where the left hand side lower button had failed, the new conductive film has addressed the issue and this handset now has full functionality and is working as it should be.

Next I’m just going to do a re-calibration, to check that the sticks haven’t drifted in anyway. If we are in a good position, we can then class this repair as successful and then it can then be passed back to my nephew to carry on shooting aliens, and he can then continue his mission to save the world.

Result:

Two controllers have now been serviced and are both working well and within tolerance. They are about to be returned their owner so he can get them back into use, killing aliens and saving the world from a zombie apocalypse (or whatever he does with them)

Not having a lot of experience prior to receiving these two controllers, I was a little doubtful about where to start and what to check. However after reading up on them, and their operation, I was able to pick up a lot of advice and information regarding their manufacture and serviceability. I like to think that I’m well clued up on these items now as I can disassemble one in minutes, replace parts and reassemble without having any screws or parts left over ( Always a good sign 👍)

And to round things off I have now been given one of his friends controllers to repair as well, so I must be doing something right!

Thanks for passing by, as always it’s always very much appreciated.

Canon EOS D60

Who would have thought a button the size of a grain of rice could declare this camera defunct and dead. Let’s have a look at it and see if we can get it working again.

What the listing stated:

The Canon EOS D60 DSLR is a digital SLR camera body offered here for parts or repair, ideal for those seeking components or a restoration project.

This digital camera has been tested and does not power on. It is being sold as faulty, for parts or repair only.

Cosmetically, the camera body and battery grip show typical signs of use, such as surface marks and wear. Functionality has not been restored, and no further testing has been performed beyond confirming it does not power up. The battery grip (BG-ED3) is included but requires two batteries for operation; only one battery is supplied. No charger, lens, or additional accessories are included.

Accessories Included: BG-ED3 battery grip, 1x battery (no charger).

EBay

My Canon D60

I’ve purchased this camera kit for the princely sum of £14:24GBP. An absolute bargain, even if it doesn’t work. It’s worth more than that to me, even for spare parts if I can’t get it working, however let’s not go down that route just yet. This camera also comes with a BG-ED3 battery grip that on its own currently retails on the auction platforms for around £20-£30 so before we start I’m on to a winner.

Here’s a little bit about this camera that was released in 2002, don’t get it mixed up with the later EOS 60D that was released in 2010…a different camera entirely:

The Canon EOS D60 is a discontinued 6.3 megapixel digital single lens reflex (DSLR) camera body, announced by Canon on February 22, 2002. It is part of the Canon EOS range, and accepts Canon EF, TS-E and MP-E lenses, but not Canon’s later digital-only EF-S lens range.

The EOS D60 sits in the prosumer (professional-consumer) line of digital SLR cameras. It succeeded the three megapixel EOS D30 and was replaced by the improved, six megapixel EOS 10D.

The EOS D60 features:

  • 22.7 x 15.1 mm CMOS sensor (APS-C)
  • 6.3 megapixel effective (6.3 megapixel total)
  • Max resolution 3072 x 2048
  • FOV crop (1.6x)
  • Canon EF lens mount (excludes EF-S)
  • 3-point auto focus
  • 100, 200, 400, 800, 1000 ISO speed equivalent
  • 30 to 1/4000 s shutter speed and bulb
  • TTL 35 zone SPC metering: evaluative, center weighted, partial
  • Exposure compensation -2 EV to +2 EV in 1/3 EV or 1/2 EV steps
  • Auto White Balance (plus 5 positions & manual preset)
  • Eye-level pentaprism viewfinder
  • 1.8 in (46 mm) color TFT liquid-crystal monitor
  • E-TTL flash mode
  • 3 frames per second continuous shooting (max. 8 frames)
  • Dimensions (WxHxD): 150 x 107 x 75 mm (6.0 x 4.4 x 2.9 in)
  • Weight (body only): 780 gm

Wikipedia

So, as usual let’s await its arrival so we can carry out a full assessment of the camera and related equipment.

Assessment:

The package has arrived, and wow, this is a lot of camera for a very small price.

A lot of camera for little cost

The condition cosmetically is fantastic, I’d call it almost mint but the seller thinks otherwise, he certainly has some high standards, I’m pleased I know him if it means I can purchase items such as this. The only thing that is missing is a small rubber cap that covers the digital and video out ports, not an issue for me, and definitely not detrimental to the operation of the camera, this can be replaced but it really isn’t worth the bother or the extra expense.

The missing rubber port cover

The camera has come attached to the power winder and has a Canon dust cap over the lens mount/body aperture. There is a single battery and this does have some life still in it.

No damage to the CF card reader pins

There is a good quality camera strap attached, and when the battery grip is taken from the body and checked, all battery connections are clean and free of any contaminants. There is no damage to the CF card reader pins within the CF card port. An added bonus is that the body battery cover is tucked away on the power grip handle, and all connections are good, these little battery cover doors normally end up being thrown away so that you end up paying some pirate on the internet an absolute fortune to replace a battery cover door, that in theory is only worth a few pounds. Yes there are many robbing bandits out there! (That’s the polite, non sweary word version)

Battery chamber minus door
Door storage on battery grip
Battery door
Door and chamber reunited

The camera listing stated that the camera grip needs two batteries for operation, this is not technically true as one battery will still operate the camera whilst using the grip. The option for two batteries just extends the usage of the camera, hence saving you the aggro of changing out batteries when you have a longer camera session planned.

And that one battery does have life in it as I stated earlier.

I know this, because I plugged it into the camera grip, I turned the operating switch on and hey presto, there is life

It’s alive!

So to further test I have removed the grip, and gone back to using the camera with its original battery cover, and then…it doesn’t operate. How strange!

So I then go back to the power grip and everything works fine!

Back to the original battery cover. Nothing again.

I won’t ruin your reading at this point, as to be totally honest if I tell you what was wrong here, I will have nothing to put in the repair section below. Just read on, I can assure you that you will not be impressed. It really is that mundane and boring, you will probably just roll your eyes and question why I have even called it a repair. But a repair is a repair, no matter how insignificant and minuscule it may be, and if it gets the camera working then we are on to a winner.

Repair:

Thanks for staying with me.

Have a look at the three pictures below.

A lever on the battery cover….
Activates a tiny blue button (Circled in red)
That tiny blue button (enlarged photo)

The issue was with the tiniest of buttons. It wasn’t working.

A small tab on the inside of the battery door presses this button when you lock the door. If that tab is broken, or if the switch itself is damaged, the camera may act like the battery is dead or not installed.

The tiny blue button (or sometimes black/white) located inside the battery chamber of a Canon EOS camera is a safety micro-switch that detects whether the battery door is properly closed. It ensures the camera has a solid connection to the battery and that the door is closed to prevent damage. It acts as an instant cut-off switch to prevent data corruption (e.g., if the door opens while the camera is writing to the CF card).

If this switch is not engaged, the camera will not turn on.

And this appears to be the problem. The battery cover was not putting enough pressure upon the little blue switch, the switch also appeared to be a little stiff but soon loosened up when it was cleaned with some IPA and activated a number of times using plastic tweezers. It appears that when the grip was installed and fastened into place there was sufficient pressure to operate the switch, hence the issues I experienced when changing from one battery mode to the other, earlier in this post. Now, when either the original battery cover or the power grip is used, power continuity is restored, and the cameras screen and activities all appear to be working as they should be.

However, we need to now install fully charged batteries, a CF card, and need to get a compatible lens on the front to ensure all the dials, and buttons function and do as they should be doing. I know the flash is definitely working, as this popped up and fired when I was testing the battery earlier, I’m fairly confident we have located and dealt with the underlying issue, though it doesn’t hurt to do a full test of the system just to confirm our findings and to ensure that there is nothing else lingering around, just waiting to be found out.

CF card and new battery installed

I’ve now installed a charged battery and a CF card into the camera, no issue here and all systems seem to be operating ok, no error codes or faults showing. I’ve put on one of my test lenses, a Canon EF 28-80 1:3.5 -5.6, and again everything is good, auto focus and manual focus, all works fine and all settings on the function dial are working just as they should. This camera is doing just what it should be. And appears to be working extremely well in all aspects of operation.

Result:

I’ve taken a few pictures in and around the house and everything appears to be working and functioning as expected. I can confidently state that this camera is working perfectly. It’s not the greatest of lenses as it’s just a test one I use for my cameras, but it proves the point though, that the unit is working and communicating well with all points of the camera.

Looking good and now in a working order

This is a fantastic camera, I only paid £14:24 for a lot of camera dating from 2002, less than the cost of a couple of pints of beer or three coffees, and from my point of view it is an absolute bargain. And it was all down to a little button comparative in size to a grain of rice.

Just a few random pics around the house to quickly test

So I am super pleased with how well this repair has gone, such a simple issue that totally killed the functionality of this unit, easily repaired, all it took was a good bit of investigation, probably taking no more than 20 minutes of my time. I must admit it helps to know a little about how these units function. It always amazes me though, that these sellers could make a bigger return on their items if only they had someone to give these units the once over before declaring them dead and fit for spares and repairs only.

However I’m not complaining as i get to add a superb item to my collection for a very reasonable price. Just browsing the sales sites shows that the basic version of this camera without the power grip is commanding a price of between £140-£150.00GBP, I only paid £14:24. I think I’m the winner here.

There are bargains to be struck out there, if you are willing to give a little time and patience into getting them back up and running. Recycling works.

Many thanks for passing by, it is always very much appreciated.

Yashica 35 ME

An old Yashica camera from 1972 with a non functioning light meter. Time to get it back into a working condition.

I purchased two vintage point and shoot cameras, and this post is related to the Yashica 35 ME. Both cameras were purchased for the princely sum of £4:99GBP and that equates to roughly £2:50GBP each. Both cameras were sold with the following sales statement:

This bundle includes a Yashica 35 ME and Ricoh Auto 35, two vintage 35mm film cameras ideal for collectors or those seeking parts for repair projects.

These cameras are being sold as faulty and for parts or repair only. They have not been tested for functionality and may have issues with their mechanical or electronic components.

Cosmetically, both cameras may show signs of wear consistent with age and previous use, such as scuffs, scratches, or dust. No accessories, batteries, or additional items are included, €”only the two cameras as pictured.

EBay

Having purchased from this seller before, I suspect the cameras themselves are in perfect working order mechanically, but as one camera – the Ricoh, is from 1960 and now in its 66th year of existence, I very much suspect the issue would be with it’s Selenium light cell that is more than likely now very dead. The Yashica however is from 1972 and has a CdS light cell that could also be an issue, more than likely related to the old Mercury 1.3v battery that used to supply it. Either way, even without the light sensors both cameras are very capable of doing what they were built for, however you’d just have to use a separate light meter or use the “Sunny 16” rule. Let’s wait their arrival so we can asses the issue. You can read more regarding the types of light metering used on these two cameras by reading a recent post of mine regarding their differences Photographic light sensors in older point and shoot cameras

Both cameras
Yashica 35 ME

Some more photos from the seller:

Yashica 35 ME

Whilst we await their arrival here is a little bit about the Yashica 35 ME:

The Yashica 35-ME is a small, compact 35mm viewfinder camerawith auto exposure, made in Japan by Yashica, introduced c. March 1972. 

It uses a 38mm f/2.8 lens made of 4 elements in 3 groups with a screw-in filter size of 46mm. The film speedis set using a ring around the lens, with the setting window on the bottom face of the lens. The metering system uses a CdS sensor with a sensitivity of 8 to 17 EV. The viewfinder has bright line frames with parallax correction marks for focus distance of 1.5 meters or closer. The shutter display scale is on the right of the finder has speed markings 1/30, 1/60, 1/125, 1/250 and 1/650 of second. Aperture scale is also displayed at 2.8, 4, 5.6, 8 and 14. The setting for the meter uses a pointer type indicator. Correct exposure is assured when the pointer is in the yellow areas of the scales. Also in the finder scale is over exposure, under exposure zones along with symbols of the selected zone focusing settings. The top plate carries the shutter release, hot shoe and frame counter.

Specifications

  • Lens: Yashica 38mm f2.8; zone and feet/metres scales
  • Shutter: Copal auto, speed set by metering, 1/30-1/650 sec.
  • Meter: CdS sensor
  • Film speed: 25 to 400 ASA
  • Flash: hot shoe, flash sync 1/25 of a sec.
  • Power: 1.3v mercury

Camera-wiki.org

It’s arrived, it has that familiar aroma of age old mustiness, but looks a nice item, in good condition for a camera that is now 50+ years old.

Assessment:

The case is quite tatty, but it does the job. The body is dusty but free of any dinks dents or scars. Inside the rear of the camera all is good, it’s clean and the light seals are ok. They will need replacing at some point, but currently they appear to be ok.

Camera looks nice

The winder works fine, the shutter fires and there is no sticking of the shutter leafs.

When you look through the viewfinder it’s a fairly clear view, however the exposure reading needle on the right is sitting firmly on the bottom of the scale. Moving the camera from light to dark makes no difference, the meter is not responsive. Let’s check the battery.

Meter reading does not move

Repair:

The battery that was used is an LR44 cell rather than the old Mercury 1.3v cells that used to be installed on these cameras. They are hard to come by nowadays and people tend to go with the more modern LR44 cells that have a slightly higher voltage of 1.5v. They work, however some have stated that they notice a slight overexposure of about one stop, personally I haven’t really had issues when I have made these battery changes in the past. Each to their own as they say.

The battery currently in place was dead so I tried a new battery to no avail. When I opened the battery chamber again I then noticed some oxidation of the contacts, so a quick clean with some contact cleaner and they looked a lot different.

Before and after battery contacts

A new battery back in place, and hey presto the light meter is now working.

Light meter now working

I’ve given a good disinfectant clean. Buffed up the case to make the best of a bad thing, and it all looks good. The only thing I can do now is run some film through it to give it a final test. I have some old out of date colour film at home, so I will use one of these to run a test roll. As I stated at the beginning there is not really a lot that can go wrong with these point and shoots, and I’m confident that the only issue was with the exposure meter as everything else seems to be fine. let’s get that film run through the camera to check things out.

I’ve taken the film out of the fridge. It’s a roll of Kodak Gold 200ASA film, and it’s only 20 years out of date. I’ve tested a roll of this before, you can see that post here: 20yr old Kodak Gold.

Expired in December……2004

The results won’t be anything spectacular, it will be grainy, it will have a colour cast and in fact might not even work at all. After this period of time the sensitively Will have dropped so I’m going to over expose this roll by one stop to attempt to compensate a bit. This 200ASA film will be exposed on this occasion at 100ASA. When I’ve exposed this it will be off to a local film developer- Classic photo supplies – for them to do the developing and scanning. Read this post regarding my rationale behind using this film: 3..2..1 – 20yrs out of date.

Result:

Well, the scans of the developed film have arrived back and it has proven a couple of things, one that the camera does actually work and two, that the film has definitely reached its limits, as the negatives show immense grain, and a colour cast due to the chemical structure of the film breaking down. I’m glad I only overexposed by one stop, I know that the recommended +2 stops would have been too much for this film. Below I have displayed a selection of pictures from this film, you can see the age related “colour cast” along with grain size if you zoom in. These aren’t the high quality pictures as the originals came back at about 30mpx each, and that would be far too high a resolution to show on this site, and I’d probably use up all of my photo allowance as well. So here are the greatly reduced results of those scans.

Back gate
Forklift
A house view
Driveway
Train passing
Football shelter
But if double exposure
Broken fence
Refreshments
Chat
Graffiti
Storage

To be totally honest if you switch to B/W in editing mode, all the pictures come out fine and are completely presentable and maybe that’s the way to go with the next batch, don’t bother trying to get a good colour balance as that will never be achievable, just display in good old black and white, you can’t go wrong.

So the camera works, and this one will now be put aside until I decide how I’m going to move it on. It’s such a basic camera, the distance selections are questionable, but that’s just a remnant of the 70s technology behind it. It’s a good little point and shoot, but I do believe the likes of the Olympus trip totally outshone all other competitors in the point and shoot category.

Job done. Another old camera saved from the scrap heap, and given a new lease of life, and it probably took no more than 10 minutes to get it back in working order.

Thanks for passing by, it’s very much appreciated.

3..2..1 – 20yrs out of date.

Soon, I will
Post a report I have done of a repair on an old 1972 camera. But first I want to test it with some film that expired 22 years ago.

I recently purchased a 1972 Yashica 35ME. It’s an old point and shoot, from back in the day, similar in looks to an Olympus trip, but an Olympus trip it is not. A very basic 35mm camera, with a CdS light meter that was not working, it is now.

Yashica 35ME

I shall have a post out soon about the camera but the final testing involves running a roll of film through it to test. And all I currently have is a few rolls of old Kodak film that all expired about 22 years ago in 2004. You may recall this post I wrote regarding my last involvement with this film stock a few months ago –20yr old Kodak Gold

As a result of that test you will understand why I am over exposing this film by only 1 stop, even though I’m being told by “Professional dudes” it must be at least 2 stops. I understand their reasoning, but I’ve tested this batch previously and they haven’t, so i’m sticking to my guns on this one. If I’m wrong I’m wrong, but I will have learned. Let me do things my way ok?

I’ve loaded up with Kodak Gold 200ASA that I will be overexposing at 100ASA, it expired in December 2004.

Old Gold…..literally

I’ve locked and loaded a roll into the camera today, but I’m just waiting for some good light. So I can get out and give the camera a real test taking random pictures, in various locations to give the camera a fair test.

Just awaiting some decent light.

I’ll post the repair on here shortly, hopefully with some pictures once the negatives have been processed and scanned.

But as we are waiting some nice conditions, and this is the East Midlands of the Uk, we could be waiting a little while yet.

The repair and photo results can be found here: Yashica 35 ME

Take care, stay safe. Thanks for looking in. 🙏

Toshiba Camileo X400 Camcorder

Let’s have a look at a non functional Camcorder from 2011 that appears to have bathed in molasses as it’s so sticky. Can I get it working once more? Why not?

What the listing stated:

It has not been tested but outside case is sticky. 
Would recommend for spares and repairs only

EBay

Toshiba Camileo X400 Camcorder

Not one of the finest quality camcorder cameras out there, but for £7.00GBP, I’m not really complaining. This camera appears to have a battery included, it has no charging equipment or anything else included, but I’m hopeful there’s not too much badly wrong with it. However as this is a platform for repairing old knackered equipment, hopeful there is something that we can get our teeth into that is sufficiently suited to this platform. All I can currently gather from the listing is that this a bit sticky, and those of you who follow this site will know that stickiness, especially on cameras is not an issue that has caused me any problems previously. Hopefully the issue is a little more than just stickiness, and as this listing has the classic EBay “Get out of jail free – seller not tested” claim, then there could be absolutely anything and everything wrong with it, we will just have to wait and see.

Here’s a little bit of background for this camcorder.

Toshiba’s CAMILEO X400 Full HD camcorder offers 1920 x 1080p video capabilities, 23X optical zoom, and other great features for taking great video and making great memories.

No matter what you’re looking at, the CAMILEO X400 Full HD camcorder takes jaw-dropping video in 1920 x 1080p resolution. You’ll be able to capture all the color and clamor of that Fourth of July parade, or your daughter’s first soccer goal. And with the 23X optical zoom, you’ll see the big smile on her face, too.

Want to follow your baby as she takes her first steps? Follow your friends as they head up that mountain trail? Record your Jeep ride across Africa’s Serengeti plain? Go for it. The image stabilization capabilities on the CAMILEO X400 Full HD camcorder ensure your ensuing creation will be hunky-dory, not herky-jerky.

Video trimming on the CAMILEO X400 Full HD camcorder makes editing easier by letting you cut out a section of the video from the front, back or both–plus start and end the video at any point you wish. What’s more, with a built-in pause button, you can stop wasting storage space and reduce file clutter by recording multiple scenes into a single file.

Your son just learned to surf and caught a nice point break for a good long ride. Want to freeze the frame for pictures you can share in an album, email or hand out to friends? Do it without interrupting the video. Simply press the Photo button* on your CAMILEO X400 Full HD camcorder and your surf dude will be immortalized forever.

Features:

  • 1920x1080p Full HD resolution video
  • 23x Optical zoom
  • 3″ swiveling LCD monitor
  • 5MP CMOS sensor
  • 4.7 x 2.1 x 2.4 inches
  • Weight 300g

Toshiba

Well, to be honest that has to be one of the worst background write ups I’ve read, and in reality the tone of it doesn’t fill me with confidence, all that talk of “Dudes” and “Hunky dory and Herky Jerky” my god, who do they let write this stuff? This camera didn’t stand a chance to be honest right from its release date in late 2011.

So, let’s forget the awful promotional write up, and just like true “Dudes” try to find out what is actually wrong with the damned thing.

Assessment:

It’s arrived and to be totally honest, it’s in a right poor condition cosmetically. Very poorly packaged, I suspect the seller couldn’t wait to get it out of the door. Here are two of the better looking pictures.

The good…

As soon as you pick the unit up, the stickiness the seller wrote about becomes obvious. It’s as if this camera has been immersed in a vat of molasses, it’s super sticky and if you review the close up pictures below you will see this unit has obviously been involved in some sticky situation, in places it is still wet, with liquid clearly visible, however that liquid is in a super sticky state of suspension.

Sticky Liquid
Wet, with protective film still in place
Dirt and stickiness
Just plain filth

…The bad, and the very ugly

The battery is in place, I suspect it is dead but it will need to be tested, thankfully the battery contacts are clean and luckily it appears that no liquid has managed to reach these areas.

Battery – possibly dead
Battery contacts all clean
Somewhere clean..hallelujah!

Before I even start to look at anything with this camcorder, a very thorough clean is the order of the day. It’s not going anywhere, and I’m not doing anything with it, until it is in a more presentable and workable condition.

I like to use a disinfectant spray when taking on a job like this, in fact I use it on most of my old cameras especially those that have an old musty aroma. The disinfectant has cleaned this unit up very well removing all of the old stickiness and residue. I finish off with some polish and a cloth and the beast has now been cleaned and is now in a much better condition to start looking at where the problem may lie.

A good clean and it looks like a different unit

Well, to be totally honest the unit is kind of dead. There is a minimal voltage in the battery and when I find a suitable charging cable and install it, there is not a great deal else occurring. There are some lights, but they are not doing what they should be doing, I’m expecting lights to flash whilst charging, and a solid light when charged. However this isn’t happening, so let’s move on to what we are going to do to try and resolve this issue.

Repair:

For the moment I’m going to focus on the battery. We need power, so we do really have to start here, we can’t diagnose or do anything without some power. It’s a 3.7v Li-ion cell, and the camera can charge via a 5v USB supply. I’ve managed to locate a suitable charging cable from that drawer of collected cables that “may come in useful one day”, that we all seem to have stashed in our homes. When the cable is plugged in you should get some intro music from the camera, and I do. This should then be followed by a flashing light that should remain lit until the battery has sufficiently charged. However I manage to get about two flashes from an amber light and then that’s it… nothing else. So far it’s positive that we have seen some life, however we need to see if we can encourage this battery to take a little more charge.

These batteries though rated at 3.7v usually charge up to 4.2v at full capacity. I’ve just measured this one with a multimeter and it currently sits at 2.64v. In the world of batteries this is severely depleted and to be totally honest looks as if this battery is dead.

A fully charged 3.7V nominal battery typically reads 4.2V, with 3.7V-3.8V being the average voltage during discharge. A 3.7V Li-ion battery is considered “dead” or fully discharged when its voltage drops to 3.0V to 3.2V.

While many protection circuits cut off at 2.5V to 2.75V to prevent damage, discharging below 3.OV frequently will significantly reduce the battery’s lifespan.

2.64v This battery is more than likely dead

And it looks as if this may have occurred here. It’s looking as if the battery is a dead one.

However, I’m going to see if I can rejuvenate this battery by putting a trickle charge through it, just charging it in the camera from a USB 5v power supply. I will monitor regularly for changes in temperature or other issues. I don’t have a spare around at the moment so if I want to do some basic checks on the unit I’ll just have to give it a try.

Dead at 2.6v
After an hour we have 3.5v
After 2 hrs it’s now 3.56v
After 3 hrs it’s now 3.6v
Slow work

So after 3 hrs we’ve only been able to get about another 1v of energy into this battery, and as you can see we are only just into the battery depletion range. We have sufficient power to start the unit up and see a welcome screen, the zoom works. It’s clearly visible that there is a low battery indication on the screen and then it all shuts down again.

Welcome screen
Battery indicators all red

There is just not enough life in this battery to sustain a 30 second video, the battery is just so worn down that I believe it is beyond resurrection. I may have to purchase a new battery to finish off this section of the post. It’s good though that we have tried, rather than just give up, and this has also allowed us to review what we have found out about the process, and the good news is that at this point it, is looking as if it is purely an issue with this battery.

The camera has cleaned up lovely and really looks like a nice piece of kit. For the moment I will put this post on pause whilst I await a replacement battery.

But…. Me being me, and not wanting to spend too much money at this point, I have persisted with leaving this battery on trickle charge. It has been consistently monitored to keep an eye on it, and I must admit neither the battery itself or the charger has been hot or even warm throughout this entire process, that is good.

Four green lights – Fully charged?

Seeing that about 4 hrs ago the battery indicator on the screen was only showing two green bars, it is now showing four bars and that indicates it is now fully charged. Let’s get the multimeter back on, and check to see what the current battery charge is and see if that gives us an indicator to show if the nominal charge has now been achieved, I’m quite excited at this – I’m easily pleased and excitable in equal proportions – I have a feeling that with patience and persistence we may have well just cracked the issue. So what is the current voltage of this battery? Well, here it is….

4.14v

Full charge achieved

Well, I’m very pleased with that, not only has it charged fully it appears to have reached pretty much full charge beyond the nominal charge. I’ve probably saved this battery from the trash heap, but I guess it will be more of a backup battery for me as I will probably purchase a new one, for my main battery, now though, there is no rush as it looks as if this one has been rejuvenated.

I’ve put a 32Gb SD card in and the screen is indicating 5 hours and 54 minutes of recording time, however on a full battery and using the minimum of activity (Not using Zoom and other effects) you can normally squeeze two hours of recording from the battery. But I’m never going to be filming war and peace, and I’m probably never going to get that kind of usage from this battery. My best bet with this battery is to not let it deplete totally, and try to keep it in a charge cycle were it doesn’t dip below about 25% of its capacity if I can help it.

I’ve tested all settings and everything is just fine. The touch screen is responsive and all setting and special effects can be easily accessed. There is nothing else wrong with this camcorder.

Available recording capacity
Touch screen working well

At this point I am now happy that this camcorder is a fully working and very capable little unit, that should serve me well as I use it to make videos for my YouTube channel and WordPress site. Repair is complete and successful.

Result:

This little camera cost me £7.00GBP and it’s been a fantastic restoration as such as it has not cost me a penny more than what I have paid for it. All I have done is invest time, done a lot of reading up about the intricacies of Li-ion power supplies, and done an awful lot of cleaning as this unit was probably one of the filthiest pieces of kit I think I’ve ever worked on.

A video, of me, videoing a video of me videoing

The camcorder is now a totally different looking camera from that which I received in such a sorry state just a few days back.

A nice camcorder, clean and restored

I’m going to use this camera myself for little items that I will be publishing here as well as on YouTube. It is so wonderful to see old unused and unloved items, repurposed and given a new lease of life.

Another one saved from landfill.

Thanks for passing by, as always it is very much appreciated.

Canon power winder “A”

A very corroded Canon power winder “A” from the 70s

This is what it looks like externally, looks fine, but as this post goes on, you will notice a very marked deterioration in quality. It’s a horror story of battery acid contamination.

Looks nice

This unit is part of a bundle that was donated to me by my good friend Jon, see here: Cameras…i need more!

It was part of a Canon AE1 combo, the Camera i have previously posted about here: Canon AE1 35mm SLR, however the batteries within it had been left for such a long time that they had started to dissolve into the unit, leaving quite a restoration project behind. Here’s some history about this unit:

The Canon Power Winder A was originally introduced with the Canon AE-1 camera in 1975 but it also can be used with all the A series models (in fact, it is applicable to use the Winder A with the professional class Canon F-1(n) system SLR camera but without power rewind feature). It is an automatic film winder which greatly increases the automation and mobility of these manual focus cameras. Its exceptional versatility, due to its compact design provided by the principal control circuit built into the electronic circuitry with most of the electronic models such as AE-1, A-1 or AE-1 Program etc, and allows it to be attached to any models mentioned earlier and provides for its use without any special adjustments. 

Winding Speed: Approximately 0.5 seconds.
Operation: When the shutter button on the AE-1 is pressed, the winder will function. 
Shutter Speed Coupling Range: 1/50 to 1/1000 second for continuous photography. “B”, or 2 to 1/1000 second for single frame photography. (When the winder is set at “B”, AE photography cannot be performed).
Film Counting: Is performed by the frame counter on the AE-1.
Automatic Cut off Circuit: When the film roll is completely wound up or if the batteries should run out, the winder will automatically stop and the warning lamp (LED) will light up.
Power Source: Use 4 size AA batteries. (In normal temperatures they can take more than twenty rolls of 36-exposure film).
Attachment: Take off the winder coupler cover on the bottom of the camera, and mount the power winder using the tripod socket.
Size: 141 x 42 x 34mm (5-9/16″ x 1-5/8″ x 1-5/16″) 
Weight: 3009 (including batteries) (10.9/16 ozs.)

Mir.com

I already have one of these winders on my A1 that I am currently repairing, however that’s away in storage at the moment until I get get my workspace back up and running when we eventually move home.

Im aware that these winders can take a max of two exposures per second if the lighting and conditions are right, meaning you could crack out a 36 exposure roll of film in under 20 seconds! They don’t do auto rewind either, you still have to do it manually, it would be a couple of years yet before that option became available. The red light on the case indicates one of two things, the battery is low, or the end of the roll has been reached, time to rewind!

They are quite reasonably priced if I wanted to buy one, but why would I do that? The purpose of this site is to repair and recycle, so that’s what I will attempt to do. It will be quite a task with this one I think.

Assessment:

As stated above, and from the outside, all looks well.

Outside, cosmetically, no signs of a problem

However there are a couple of giveaways that alert you to the immediate issue. Firstly there is an aroma, a kind of metallic musty smell that instantly alerts you to “Corrosion”. Secondly near the switch there are some “blue” granular stains that confirm corrosion.

We start to open up and find signs that all is not well
The old corroded batteries
The contacts, and the battery bay

It’s pointless even putting batteries in here yet as they will not work, the damage is too extensive for the batteries to work. To be honest we now need to do a good clean and decontamination before we can even start to look at the extent of the contamination.

Repair:

First we have no choice but to get rid of the corrosion, this will involve brushes, a pencil grinder, and copious amounts of isopropyl alcohol. Let’s get started.

Using a sonic brush and IPA

I attack the contact end of the winder with a sonic brush and some IPA. After about 10 minutes and multiple applications, using a small scraping tool i was able to remove the corrosion that had started to eat away at the chrome on the contacts, a small rub with some fine sanding paper restored the metal as best I could. I’m not going too over the top here as the corrosion could have well gone past this point into the internal workings, I’ll tidy up once I can get it working as it should.

Before
After
The battery compartment

The battery compartment was cleaned using a similar process. However the contact end that used to have springs mounted for the batteries, have all rotted and the springs have had to be removed. I will replace the springs later, it’s not required for testing purposes just yet. All this contamination and blue staining has to be removed completely, if you leave contamination behind, it can start to attack the unit again at a later date, take your time and ensure you get as much off as you can. Clean, clean and clean again. It’s a boring part of the process but essential for long term results.

With everything cleaned and left to dry, I put some power across the winder power contacts and nothing happens. No noise, not any sign of clicking or of any movement at all. Just as previously feared i think the corrosion has gone further. Let’s get it opened.

Leatherette removed to access internally
Corrosion has made it inside

And as expected the corrosion has made its way inside, the picture above shows a wire at the contact point rotted due to corrosion, in fact the second wire fell off just after removal, the contamination has eaten the cables and is rotting the connections. The good news is that it seems that the issue hasn’t gone beyond these contacts.

I’ve now cleaned and polished the contacts at the rear in preparation for being re soldered, the issue here is that I may have to extend the cables slightly as they are quite short. This may aid my testing of the unit prior to reassembly, let’s wait and see.

I have now soldered both contacts back into position, without any extra wire, hell, it was really fiddly and I doubt it would be able to be opened again without these wires being extended a bit further. I have also thoroughly cleaned throughout the internal workings removing all signs of contamination. I have reassembled the unit and it now sits in one piece. I have taken a dentist tool to further scrape down the contact point within the battery barrel area.

Further cleaning of the contact in the battery barrel area

Using a little wire wool and IPA to clean the area I now have two good points of contact. Using the multimeter confirms we have continuity over the contacts that we didn’t have previously.

Reading the section above, you will remember that I had to remove the two springs on the battery case as they had totally corroded and broken away. I have some new ones but they are in storage, so for now I will just have to compromise until I can get to the new ones and solder them in place. Here I just obtained an old spring from a waste metal box, split it in two, added a small washer one end for the positive contact and just left the other as it was. Both springs were put in place, just being held there by the four AA batteries. As I stated this is purely for testing purposes and will be corrected once I have confirmed the unit works.

Temporary springs
Held in place by batteries

The battery holder was attached and then switched on. Nothing. Then I remembered I have to simulate the signal from the camera and this can be done by putting a metal short across the two raised pins at the power switch end. This worked, and the motor did its quick burst as expected. See the small video below.

The winder, now working. And shorting the pins to simulate the cameras signal

I’m pleased with this, as all the work I have done has been worthwhile. I just need to get the new springs soldered in place, give the whole unit a thorough final clean, ensure the leatherette that was removed is stuck back down and that the on off indicator is stuck back into place. And then we can put it onto the Canon AE1 to see if it works as it should.

Leatherette now glued back in to place
On / Off switch plate glued back in place

Today I have taken out the battery spring connector and I am about to put the new spring contacts in place. I’ve found even more corrosion behind this plate so this will need to be cleaned before reassembly.

More corrosion found behind the battery spring contact plate

I’ve now fixed the new permanent springs in place, they wouldn’t solder so I’ve had to use a combination of using the old clips that were originally there and weaving the spring though the holes where some clips used to be but had corroded away. Either way it has worked well and both springs are quite solid, and don’t look out of place at all, they probably look better than the originals.

New springs attached to a clean plate

With the battery pack contamination removed I can now reinstall the battery contact back into place.

All cleaned
Reinstalled
Batteries in place

I know that the pack works, and now the final touches have been added, this winder is now back into a good working order, and fit to go back to work doing what it was originally designed to do.

Result:

This is an item you can readily buy on the auction sites at a very reasonable, some would say even very cheap price.

The complete, cleaned and reassembled, working winder

Is it worth the repair you say? Well yes, it is. The trouble is, it is so easy to throw stuff away these days, that in reality, can be given an extended life and purpose for pretty much no cost apart from your time and patience. On top of that, getting these items apart and reassembling them is a great learning circle, and you can never stop Learning. You are preserving the past, and that’s always a good thing.

A very brief video showing it working

As you can see above in this small video I have taken today, here I have my Canon AT-1 with the winder attached, doing what it is meant to do and sounding so retro with that motorised winding sound. Don’t you just love it? I most certainly do.

Thanks for passing by. It’s always very much appreciated.