Tag: photographic

Fujifilm Finepix S2 Pro

What the listing stated:

ALL ITEMS IN THIS LISTING ARE FAULTY 
FAULTS MAY VARY BETWEENS ITEMS

SOLD AS IS 

NO RETURNS

EBay

The Finepix S2 Pro

I’ve purchased three cameras as a job lot in an auction. All of them have issues but the issues have not been clarified. This is very much a “Suck it and see” auction where I get what I’m given. I’ve paid £24:22GBP for all three and that includes free postage. I’ve purchased from this seller before who is a bonafide Camera business based in South Wales. He has no time for faulty items though, quick in and out is his way of working, no time to fix stuff. I’ve got three good cameras in this bundle and this works out at just about £8:00GBP per camera. And where can you get cameras like this for those prices nowadays.

I’ve just read a blog where a guy had one of these cameras from new, and in 2002 he had paid £1550.00GBP for this camera. Wow, and here i am 23 years later paying the grand total of £8:00GBP for one. Even if I don’t get it working, I’m happy with that.

Now this particular camera had two issues in its lifetime that caused concern, and one of them meant it was pretty much game over, and that one was the CCD issue that used to plague this range of cameras. Fuji released a whole bunch of these cameras with a faulty CCD that had to be fixed under a recall. They built sufficient replacement CCDs to cover the recall and that was about it. There were no remaining CCDs left and at that point what was left had become as rare as hens teeth. If you suddenly developed that faulty a later date, then tough…you were stuffed.

Serial numbers affecting CCD problems are listed below:

Model Serial Number Range 

FinePix S2 Pro 31A127**~31A143** 

32A000**~32A039** 

33A000**~33A007** 

34A000**~34A004**

Fujifilm

The second issue was with a batch of these models that had a “bad” resistor in the power circuit that prevented lock up if there was a power spike, if this failed then the camera just stopped and you were stuck. There was another recall on the second issue but there is probably a lot of cameras out there that again weren’t part of this recall. And I guess owners were pretty fed up of recalls at this point and were off loading their equipment as quick as they could.

The serial numbers regarding the lock up problem are listed below:

Between serial numbers 24L00441 and 24L00680
Between serial numbers 24L01057 and 24L01256
Between serial numbers 24L01553 and 24L01863
Between serial numbers 24L10257 and 24L10608

Fujifilm

My camera serial number

Above you can see the serial number for my camera. Thankfully my number falls outside the range of any of the cameras inflicted with either problem, so it’s fair to say (Fingers crossed 🤞) that I shouldn’t suffer with any of the known issues with this unit. In layman’s terms I think i may well have dodged a bullet here.

I did speak to the seller regarding the fault on this camera and he stated it was just a general error code on the top screen. There is a general error that arises occasionally regarding certain lenses where they have to be locked on their minimum aperture for the camera to work properly, however I’ve not attached a lens yet so this cannot be confirmed.

Here’s some history:

The Fujifilm FinePix S2 Pro is an interchangeable lens digital single-lens reflex camera introduced in January 2002. It is based on a Nikon F80 (N80 in the U.S.) film camera body that was modified by Fujifilm to include its own proprietary image sensor and electronics. Because of the Nikon body, it has a Nikon AF lens mount and so can use most lenses made for Nikon 35 mm cameras. It is autofocusing, with an electronically controlled focal plane shutter with speeds from 30 sec. to 1/4000 sec., built-in exposure metering and pop-up flash. Its ISO film speed equivalents range from 100 – 1600. The S2 Pro also has sound recording capability. The camera is no longer in production, having been superseded by the Fujifilm FinePix S3 Pro in February 2004.

Aside from the Nikon lens mount, the camera’s principal distinction is its 6.17 megapixel photo sensor. Known as the Super CCD, it is unique in having its photodiodes oriented diagonally rather than horizontally and vertically as in all other DSLR cameras. This allows the use of a sophisticated interpolation system that produces an output image equivalent to 12.1 megapixels. The apparent resolution of images in this interpolated mode lies somewhere between 6.17 megapixels and the 12.1 megapixel interpolated output.

A huge number of these cameras were built using a Sony sourced defective CCD that was subject to a recall by Fuji. The recall ended when the stock of these replacement CCD’s was depleted. There is word that no other stockpiles exist of this Super HAD CCD, making these cameras that are found with the purple or black tinted image problems extinct, only usable for parts. The Fuji F700 used a similar defective HAD CCD, but in 3.1/6.2Mp size. That camera has met a similar fate.

Wikipedia

So let’s hope that we can get some pictures out of this unit. We just have to wait and see what arrives.

Assessment:

Well the camera has now arrived, and I must say it is in an absolutely beautiful condition. Cosmetically there isn’t a scrape or scratch, all screens are scuff free and it looks as if this unit has been well cared for. It just needs a wipe over to clean. The package is just the camera body with no extras such as a body aperture cover or neck strap, but who’s worried about that, they can be procured at a later date.

Front view
Rear view
Flash open
Nikon type F mount

These units are quite power hungry requiring a total of six batteries. 4 AA cells go in the base and two Lithium CR123A batteries go in the grip. These batteries work in unison, one set handling the basic camera functions whilst the other deals with the capture and processing of images. It’s a strange affair, loosely based around the same setup that was originally on their film based camera counterparts.

AA batteries
CR123A batteries

I’ve had to order the lithium batteries, however I can still get displays and Information using just the AA batteries in the base, basically it is semi functional in this situation.

The lens mount is a standard Nikon F mount, I’m going to have to search through my equipment to see if I have such a lens, I suspect I don’t, so I may well have to purchase a small lens purely for test purposes. I have some other Nikon repairs in the queue, so a lens to have for test purposes wouldn’t really go amiss.

The unit takes either a CF card type II or a Smart-media card (Max size of 2Gb on both) that is located behind a hinged section on the rear of the camera, these work fine and have no bent pins.

Media card ports at the rear

With batteries in place I get the full range of menus, and nothing comes across as suspect at all at this stage in the assessment.

The top menu – no lens attached to test

The top menu by the exposure button is the only “F” indication showing, I have no lens attached so this might be the reasoning for that, but if I do put the menu into manual mode I get the full range of shutter speeds and can even operate the shutter, the shutter seems to be working at all selected speeds with no issues as far as I can see.

Some of the shutter speeds available in manual mode

All other menus are available and I’m even able to format the CF card via the cameras menu. The picture you see on the screen was taken on another camera. It wiped fine so no issues here.

Various menus and the screen after a format was completed through the cameras menu controls

The camera seems to be working with no apparent communication issues as yet. When you try to use the flash it even informs you that you need to insert the correct batteries to test. As I’m awaiting the CR123A batteries I won’t be able to test the flash functionality until they arrive.

No CR123A batteries installed? – You can’t use the flash

As I have stated the testing can only go so far until I have the missing items in my possession, for me that is the two missing batteries and a suitable lens. I’m currently in the process of procuring both. Physically there is nothing wrong with this camera after spending a good couple of hours going over it. I’m quite comfortable with it and believe it could be a lens communication error or just a failure to read the instructions properly by the previous owner. All I need now is that lens. I’ll let you know what occurs in the repair section.

Repair:

To be quite honest it’s not really been a repair, it’s been more of a “pre flight check” to collar a phrase, going through all of the cameras capabilities and ensuring that they are all functioning correctly. As the camera was listed as faulty, and the fault was not identified, I have had to do many hours of testing and Investigation to get to this point.

I’ve done a bit of shopping and managed to buy a nice little lens from the Southern hospice group. Always happy to help a charity and secured this at a good price of £15:50GBP, and that includes the postage, for a Sigma 28-200 f/3.8-5.6 Ø72 Zoom Lens Nikon F Mount. There looks like a bit of fungus on the outermost optic, however I can always clean this if it’s too bad. If not I’ll just leave as is for the moment and keep it vacuum bagged between uses, I can always do a separate post on cleaning up fungus in a lens at a later date. (I have done a basic fungus clean in the past : Canon EF lens 35-80mm)

My new – old test lens

I wasn’t looking at spending too much here, as I only wanted a lens to test a number of Nikon repairs I have upcoming as well as this S2 Pro. This lens will fit that role perfectly, and be added to my collection of other lenses that I have that allows me to test a range of different camera products. I have also purchased an “F” mount body cover for the camera to protect the unit when there isn’t a lens attached to it.

The two CR123A batteries have arrived and have been placed in the handle grip. The warning that was there before the batteries were installed (see picture above) has disappeared and when placed in manual mode the flash fires just perfectly, no issues here.

The Lens has arrived. Good point is that it fits fine and looks good, and all electrical contacts are good. Bad point is it has severe fungus throughout, and is just like looking through a fog.

Severe fungus in the lens

I will do a separate post on cleaning this problem up in a later post. However I’m not overly worried at this point, I paid a very low price so it was to be expected, I’m not complaining to the seller who was a Hospice, they need the money and I can fix it so there really is no problem.

That lovely looking lens hides a problem

The excellent news is that the lens does exactly what it should. The camera indications are good, all working exactly as expected . However the pictures via the screen are extremely hazy due to the fungus infection on the lens. There are no black or purple casts on the pictures so I am quite happy that we haven’t inherited the dreaded CCD issue discussed earlier in this post.

Hazy days – Lens fungus

If I use the lens wide open and pop the camera into auto mode I do get an “ERR33” code and that is a communication issue between the lens and the camera. As I have stated earlier in this post, you have to have the lens set at its lowest aperture and locked for the error code to go. Fortunately this lens allows you to lock the aperture and once this is done the camera takes over the exposure when it is working in automatic mode. So as I also stated earlier, it appears the seller was probably not aware of this requirement/issue.

Result:

We have a fantastic working camera, it does all it was produced to do, it has its little quirks and oddities, but being familiar with these cameras and at least having some knowledge and awareness of how they operate is always a wise thing. Read the instructions and don’t just throw them in the drawer until you eventually sell the camera on as a damaged item, when in fact you were just lacking the knowledge on how it operates in the first place. Instruction manuals are good, they serve a purpose. Knowledge is king.

The complete camera with lens

This camera cost me £8:00GBP. That is a superb price for a camera of this quality even though it is now 23 years old. It has a lot of life left in it, and I can’t wait to get it out and give it a real test.

It’s a little beauty – And the lens that needs attention

So in theory I’m confident and happy that this camera is now in a fully operational order, it’s needed a clean, it’s needed a lot of research to find out how it works, and I’ve also downloaded the operating instructions and repair pack should they be required.

It’s taking pictures and storing them. It’s just the lens at the moment isn’t performing at its best due to its fungus on the optics issue. I’m keeping the pictures stored on the card to compare them with the new pictures that will be taken once I have another lens to use.

Once the lens clean up is complete, if I ever get around to it, I will link it through this post.

Edit:

As 12/7/25 I have purchased a newer higher quality lens without any of the above issues to be able to get some instantaneous results, and as I have about seven other Nikon cameras requiring testing, some with sensor issues, it was wise to invest in a better quality lens. I have purchased a Nikon 28-100mm AF Zoom Nikkor Lens G AF-d, in perfect condition and the post regarding it can be found here: Nikon 28-100mm AF Zoom Nikkor Lens G AF-D

A newer – old lens, much superior quality

As previously stated I will add photos in this post once the new lens arrives, to show the difference from the fungus infected lens to a decent lens. The old lens is still a work in progress and I will post about it again as a separate post once the clean up is complete. It will probably be a job completed once the long winter nights are back in situ.

Below are comparison photos between the old lens with fungal issues and this new lens:

It’s just typical for me to manage to make another post from an issue that has arisen from fixing a different item. But isn’t that life? Continuous improvement is a factor we come across on an almost daily basis, and if you deal with old items as much as I do, then there is always something else that needs repairing, something that requires your attention and I just love that. The ability to improve or make something better, gives such a feeling of achievement and accomplishment, and total satisfaction. And that’s why I write this drivel. It’s for me, it’s what this blog was originally set up for. It’s my journal of what I do.

Many thanks for following this post. You know it is always very much appreciated.

Kodak printomatic digital instant camera

I’ve just purchased three of these cameras for a total of £24:98GBP. All non working of course but when healthy they normally command a price around £35:00GBP each. Here is what the listing said for each one:

Camera one:

Camera one

Kodak Printomatic Digital Instant Print Camera

Camera does not print 

Can be repaired or used for parts 

EBay

Camera two:

Camera two

Camera is in good cosmetic condition.

Camera doesn’t charge. Battery charging light flashes but it doesn’t hold battery.

It hasn’t been tested further.

EBay

Camera three:

Camera three

Please look at the photos carefully, as they make up the majority of the description. 

It has two faults 

The springs on the back are broken, meaning the rear metal plate is bent , and it often doesn’t push photo paper through correctly.

The shutter button is also depressed.

EBay

This third one might be a longer term repair as I’ve never known a quick fix for a depressed button, that requires a psychiatrist… (That’s me just trying to be humorous, I’ll grab my coat and leave now 😂🤦‍♂️)

To be honest the issue with the third camera seems to be a regular problem based around the design of this camera. Too much pressure on the button normally results in the switch inside detaching from the main board, it’s poorly positioned at an angle and usually not soldered in place too well. The springs should be an easy fix.

I’ve brought these cameras from three different sellers. if I’m lucky I’ll be able to get all three up and running, worst case scenario is that I use one for spares and have two good working examples.

Anyway I’ll just have to wait for their arrival to assess them all, and decide what repairs are required. In the meantime here’s a little bit about these cameras that are again very similar to the Polaroid “Snap” camera range, that also use zink paper. And seeing what is quoted below, the Polaroid “Snap” and this Kodak Printomatic are in all aspects one and the same camera.

Well, since Kodak doesn’t really make its own consumer cameras anymore, the Printomatic is actually being produced by a company called C+A Global, which is just licensing the Kodak name and branding. C+A also licenses Polaroid, and was behind the two-year-old Snap. Both cameras were designed by Silicon Valley firm Ammunition Group, which confirmed to The Verge that the Printomatic is basically the same camera as the Snap, though simplified and rebadged. (The cherry on top of this corporate synergy sundae is that C+A also works with Zink.)

Released 2017

The PRINTOMATIC camera instantly and automatically prints high-quality, full color photos with point-and-shoot ease. It uses KODAK ZINK Photo Paper, so no ink cartridges or toners are needed. The photo prints are durable, water resistant, and adhesive backed for extra fun. The camera’s speed allows you to shoot a new photo while printing the previous shot. The KODAK PRINTOMATIC is fast, fun, and easy to use.

Features

  • 5MP image sensor
  • Prints automatically when image is captured
  • Vibrant 2″ x 3″ photo prints are durable, water resistant, and adhesive backed
  • Built-in flash
  • Optical viewfinder
  • microSD™ card slot

Kodak Ltd & The Verge

The reviews all vary, from very good to downright diabolical, I’m not really surprised since Kodak “Hoared” out its brand name to the lowest bidder many years ago. Am I bitter? A little, as I used to work for Kodak in the days when they were a world leader, the mistakes they made, the decisions and leadership were absolutely awful. And the fact that their demise has lowered my pension pot by about 40% due to their financial mismanagement is another axe that I regularly grind. Yes I am bitter, and since I’ve recently repaired and reviewed their competitors cameras I thought I’d give these a try. Will I be impressed or disappointed? Who knows but I do have an inkling on which way this may swing. But for what I’ve paid for three cameras I’m not really that fussed, it’s just pocket money.

Assessment:

Camera one:

Apparently doesn’t print. Well I’ve put a couple of sheets of Zink paper inside and two pictures were produced. The sd card slot is fine, the charging port is in good condition. Transport is working perfectly. It certainly does print. Just needs a bit of a clean. To be totally honest there is nothing wrong with this camera and for an outlay of £8:00GBP in total I have a working bargain. Kerching – a rare EBay win.

Printer works, camera works
Charges fine
Looking nice after a light clean – no marking

Nothing more to do on this one. So on to camera two.

Camera two:

It’s a bit grubby cosmetically but nothing that a light clean wouldn’t sort. This particular one cost £8:99GBP all in. It was dead on arrival so I’ve checked that the charging port was ok, and then put it straight on charge.

On charge

I’ve also given it a light clean whilst charging and the overall appearance has greatly improved. I must just be patient and wait and see if the unit does take a charge, or the original fault appears.

Initial red indication
Now a rapid flashing white indication

Whilst on charge the originally mentioned fault appears. The charging light was showing a steady red, it is now a rapidly flashing white light with the occasional steady red indication for all of a few seconds and then it’s back to the rapid white indication and it then all repeats. I’ll leave it for a while to see if there is an improvement, the battery just might be so dead that the inbuilt battery management system may just well be refusing to cooperate.the on/off button on the front doesn’t work as well, this might be also related to the battery issue.

Camera three:

Looking very nice and cosmetically very clean.

Nice camera

This one cost £7:99GBP all in. This one is reported to have two issues, a damaged paper pressure pad and a button stuck in the depressed position.

Paper pressure pad is bent and missing two springs
Exposure button stuck in, white light flashing as a result

But first I’ve put it on charge to see that it charges, I’m pleased to report that everything is alright in that aspect, and I’m pleased to say it charged fully with the correct lights illuminated. The white light on the top by the exposure button is flashing as a result of the button being stuck in the depressed position, I believe.

Camera has charged fine

This one will need the paper pressure pad repairing as well as the button that is stuck in the depressed position.

Repair:

Camera one:

See above. No repair required. Just a light clean and some TLC. Why did they sell it as damaged? Who knows just what goes on, in the mind of an EBay seller.

Camera two:

This will need to be opened to get near the battery. We may well be able to get the battery to accept a small charge and this may be just enough to fool the battery management system in the camera to take over and continue charging.

Cover off and the confusing lights

Cover off I’ve checked the battery readings and it’s reading a healthy 6.5v and as it’s a 7.5v rated battery I believe this to be healthy, it holds a steady charge the battery is fine. Looking at the led lights they are capable of two indications, red or white and that’s it. I believe the charging light flashes when it’s charged as it cannot possibly show a green light as there isn’t one. This is confusing as normally a flashing white/red light normally indicates that the battery needs charging. Everything that is happening goes against what the producer has published regarding the led indications. But I am convinced the battery is good despite it not turning on. Hold on, I think I’ve found out the problem here…..

Cable disconnected
Cable now connected

On off button ribbon connector was not in place

It appears that someone has been here before me or that the on/off button ribbon connector has disconnected itself over time. Either way it’s not where it should be. I’ve put the connector back in place and secured it. I now have power and control of the camera.

All lights working, transport whirring away let’s put some paper in to give it a try.

Printing
Dirty print roller

Well it prints ok, all pictures appear to have a “blue tint” to them, however there are big tramlines across the print as you can see, this indicates a dirty roller. What I’m going to do here is peel half the backing of a sheet of Zink paper as the back is adhesive allowing you to stick photos on whatever takes your fancy. By running a half sheet of exposed adhesive, upside down through the camera with the adhesive being the trailing edge, it should allow any debris and dirt to be collected on its way through. I will do this three or four times and even though I will no doubt get error lights appear I can just reset the camera with no further issues.

Zink adhesive exposed

And that worked. The tramlines have gone.

Tramlines on bottom left picture as a reference. All other pictures now clear.

I’ve also tried the black and white mode as you can see above. I’m very confident, in fact I am positive this camera is now working as it should. I have also put an sd card in the base and all pictures are being recorded as expected. A quick clean and we now have a perfectly good working example of this camera. Let’s move on to camera three.

Camera three:

We have to open up the camera to get to the issue with the button.

The paper pressure pad needs to be dismantled, straightened up and two compatible springs need to be found to keep the required pressure in place on the paper pad. I’ve dismantled the pressure pad and straightened it out, just needs a couple of springs to complete, I’ll sort these out later.

Bent up
Straightened out
Back in place just awaiting new springs

On opening the camera it was as clear as day that the depressed button was as I first thought, the three solder points below it had come loose, no longer making contact.

The working switch
The faulty switch that looks like it’s smiling

It’s plain to see in the pictures above that the button that is damaged has all three points of contact broken. these need re soldering to strengthen them. You can see this issue in the microscope pictures I took below.

Top: Before, Bottom: after

The switch has been tested and it clicks and operates as expected, this is a known weak point with these cameras and a design fault as well, although the manufacturer would probably deny this. It’s a given fact that the manufacturer wants to sell as many as these units cheaply to the throw away consumer, you only have to look at the main board below to see this…

Says it all really….

It really saddens me to see the levels the Kodak name has sunk to, these units are just replicas of the Polaroid touch/snap range, but even at this stage in the repair the Polaroid versions are far superior. Quality control and the cheap design of these Kodak units is borderline awful.

This unit is proving to be a right pain in the ass. The original fault with the exposure button has been repaired and the paper pressure pad is all but repaired, but it seems that being hidden by these two faults is a totally different issue. I have had this camera completely dismantled and have also separated the printer from the motherboard, but this issue of the permanently flashing white light still exists, so the fault is definitely only being carried on the motherboard.

Motherboard under microscope
Lens ribbon cable insecure
Motherboard separated from printer unit

I’ve checked the motherboard thoroughly using my microscope and there is nothing glaringly obvious at fault. I have checked for shorts on the board of which there are none. The only issue I found was that the lens ribbon cable was sitting off centre, however I corrected this but the flashing light issue still remains.

There are two faults that are connected with this flashing white light. One is that the light occurs whilst printing, this is not the case with this unit as it even occurs as stated with the printer disconnected. The other possibility is that it flashes when doing a firmware update, I have attempted to update with the latest firmware and the only difference is that I cannot turn the lights or camera off at all, I have to crash it by removing the battery.

It’s looking as if this could be the issue. The previous owner has probably bricked the unit by interrupting a firmware update and it has corrupted the system. I’m going to have one more attempt at updating the camera with a clean unused sd card to see if there is any possibility of recovery. If this cannot be done then this unit will become a spares unit that to be honest I’d rather not have as I don’t really want to purchase any more of these cameras. But you never know, someone may want one repairing.

Result:

Well in the wise old words of Meatloaf, I guess “Two out of three ain’t bad”. The grey one is bricked, as after numerous attempts of updating the firmware it just isn’t having it. It is just a brick. However there are numerous spare parts that can be used including a good battery, lens mechanism and a number of other pieces. I just didn’t want that though as i don’t really see myself going out of the way to obtain another one, they are as cheap and nasty as you could possibly find. The Polaroid versions are of a far better quality in my opinion, and they are hardly high class.

2 out of 3 ain’t bad

The positive here is that 3 cameras, quite obviously built for the throwaway generation have been saved from landfill and can be used again. What I’m going to do with the two I have is probably put them both back on to eBay to recover my out goings. If not, I will pass them onto our local hospice to sell on.

Been an interesting fix, but I’m not venturing back to these Kodak models anytime soon.

Thanks for passing by. Always appreciated.

Just a few snapshots

No words or trying to speak “Proper” here. 13 of us have just arrived back from four most beautiful days on the east coast at Norfolk. Temperatures up into the high twenties, a phenomenon not often experienced on this coast in the UK. It made for a wonderful break away, and this family bond remains as strong as ever as a result. Here are some photos to chew on, all taken with my trusty iPhone 14.

All taken in and around Gorleston and Hopton on sea- Norfolk

Have a super day, stay safe and enjoy this wonderful weather.

Bronica SQ-A / The Frankenstein project Pt:4

To find out what I am trying to accomplish with this project please refer to my initial post: Bronica SQ-A Medium format camera

Task:

To build a usable, basic issue, medium format camera (Bronica SQ-A) from damaged items and spare parts, for as little outlay as possible and shoot one black and white, and one colour roll of film as proof of its successful completion.

Getting started:

Building a camera from damaged parts is no easy task when the name happens to be a high end brand and any parts that are available, are being snapped up by others to service their own stock or to break up for sellable parts. I’m going to keep a running total to try and build this as cheaply as possible, and to keep track of this total I’m going to use my trusty Psion Organiser II LZ from 1989 to keep a tally.

How the project currently looks.

Fourth purchases:

Now we have the bulk of the camera, we just need those annoying little bits to finish off. I’m calling them annoying, because if I was just to pay out for the 5 or 6 little finishing touches I need they would cost more than the total amount I have paid so far for the camera itself. I would be paying a premium for items that will in the end have no effect on the result I require to complete this project, that being two properly exposed rolls of film.

So here we go.

Battery:

Probably the cheapest item you will buy for this camera. The camera requires a single 6v alkaline battery and is quite important. Without it the mechanical shutter still works but at only 1/500 second. To obtain all the other available shutter speeds you need the battery to work the system electronically. This has cost me only £3:50GBP. After testing I can confirm that the battery works fine and all shutter speeds are as expected. Perfect.

Winding handle/Crank:

For some reason sellers always remove the crank prior to selling. That’s because the original Bronica crank is currently being sold at between £70-£80GBP and it really isn’t worth it. Everyone is after a quick buck and some people are willing to pay it. I’m not however, and my handle here is a special strength 3D printed version that I have paid the grand total of £11:20GBP for. It will need a couple of small “O” rings just to pad the handle on the spindle as it’s a tiny bit narrower than the original over priced one. It’s more than capable for the job in hand though, looks absolutely fine and has saved me around £65:00GBP of money.

The focussing glass:

This is another item that the sellers withold for individual sale. I wonder why? Yes a standard focussing glass is going to set you back anything up to £150:00GBP and again it’s not worth it. However my one is a “damaged” one in that it has handling and pen marks on it. It looks as if some has sadistically drawn their own frame on the glass, the fool! I’m hoping this will clean up a bit but as long as I can see the focussed image I’m not all that fussed. I only paid £11:75GBP for this so yet again a further saving of around £140:00. See, savings can be made, if you are happy to make the trade for a lower quality item.

Camera aperture covers:

Not really essential at this point, but to be honest you need to protect the fragile equipment you now have so it is really worth investing. I’m not purchasing these just yet, that’s a later purchase, I have a lens cover and hood cover now, so that is all I really need to start the real testing.

Waist level viewfinder:

Now this is a real bone of contention for me. Individually it is probably the most overpriced single item you could buy. It’s basically just a flip up hood that acts as a cover for the focussing glass, that affords a bit of light protection, as has been common on old twin lens cameras over the last century. But because the sellers again sell these as “additional items” they control the price and at an average of £150:00GBP (Recent eBay sales data) again the consumer is being ripped off. I’m currently monitoring some damaged ones for repair on the sale sites.

And as of the 4th May 2025 I am now the proud owner of one of these items. I’ve paid a total including postage of £39:75GBP and that’s a very fair price. I’ve been searching the sale sites for quite a time before coming across this one. There is one caveat though, it has some slight damage, but that’s what this site is all about and it ties in nicely with the Frankenstein aspect of this post.

Assessment:

I’m going to be very brief with the assessment, as you will see this project is made from a selection of parts that at time of purchase all had their own faults. Each part that has required repair has been highlighted in the relevant posts associated with this series. Links to those posts can be found in the link supplied in the first paragraph of this post. There are five parts in total. I’m generally pleased that the parts I have obtained have combined to make a very nice “Frankenstein” camera from a brand of camera that is becoming increasingly expensive as an “Antiquity”. Not that it was ever a cheap option for a camera in the first instance. Let’s move on to cover some repairs that have occurred for some of the pieces covered in this particular post.

Repairs:

The focussing glass as you will see above was in quite a poor state on its arrival. This one had some scars and it looks as if someone has used pen to draw their own frame in the glass, to be quite fair it was in quite a state, but it was purchased for a really low price and i believe it can be made to look a lot better. Listen to anyone who is,”in the know” and you will always be told to not handle these screens. A load of tosh, I’ve been handling these ground plane glass screens for years and sometimes you just need to get hands on and this is one of those cases. Yes, if it’s in a pristine condition then cotton gloves would be the order of the day, but this example bypassed pristine conditions many years ago.

Before: How the glass was received with scratches and ingrained ink

I started off with a good clean using IPA and cotton buds, I used about six cotton buds in this process using a new one every time the cotton was overrun with dirt.

Dirt from the IPA clean

Once the IPA clean had been done I then soaked the glass in a detergent solution and then again used cotton buds to get the solution into the scratched areas of the glass.

Detergent bath

I’ve finished the clean with a rinse of hot water to remove all the solutions, and left the glass to dry on some paper roll. A light polish with a lint free cloth finishes the job.

After: all ink and dirt removed, only deep scratch remains but does not cause any issue with use

And this is how it all looks in the camera.

All looking fine in position in the camera

I’m extremely happy with the outcome with the glass, it does its job and works really well. With no distractions on the screen apart from a couple of scratches this item has been transformed. Just a little TLC and patience was all that was required.

The Winding handle crank doesn’t really have any issues, it just needs some aesthetic teasing. This crank was 3D printed for the ETRS version of the camera and as such the actual base of the crank shaft is slightly slimmer than that of the SQ model here. It works fine. I’m just being a bit of an OCD freak and want it to look better.

Before and after. “O” rings in place in the winder

Not a problem though as I only have to pack out about 4mm of space and I have just the thing to use. Two perfectly fitting minuscule “O”rings. Job done, let’s move on.

The Waist level viewfinder has one particular issue in that the folding action is slightly affected by an issue with the spring. Again it is fully usable and does not cause any issues operating wise, it is purely an aesthetic issue that I will get around to sorting once the camera has been tested.

Age related wear and tear
The spring “issue”
My waist level finder just showing signs of age

This is one of those parts that has signs of age with small signs of wear and tear, however that adds to it’s character and shows it was once a very much loved item that saw some good usage.

I think, we are now ready to get the entire unit assembled and ready for the testing phase of this build.

Total Outlay:

So just how much has this little project actually cost? Over to my trusty Psion Organiser 2 LZ for a final update.

Running total of £236.16 GBP

So the total cost of this project is £236.16GBP and I’m very pleased with that considering that sales for fully working similar cameras command prices similar to those seen in the picture below.

Recent sale prices

So taking this evidence into consideration, the route I have taken of building from damaged stock has saved me between £100-£350GBP. And as it is now a fully operational camera, I could probably command a price that would make a quite nice profit. But I’m not selling. This stays in my collection.

Outcome:

I want to take some pictures with both colour and Black and white film, to prove this camera is capable of this function considering it was constructed with broken or discarded parts.

Now complete, I have restored a beautiful piece of camera history

I will post some sample photos of the tests, and will also produce a couple of galleries to link to within this site. First I will try my luck with the Black and white film, as I have one here currently, though out of date it should suffice as it has been kept refrigerated during my ownership. I also have the chemicals and ability to develop film at home, so this should not be an altogether time consuming process.

This has been a satisfying build making a working piece of camera history entirely with damaged and alternative parts logged throughout all of these posts.

Look out for part 5 of this project that will cover the final testing and the results gained from these tests. Hopefully we will have some good photos and will then be able to wrap this project up.

Bronica SQ-A / The Frankenstein project Pt:1

To find out what I am trying to accomplish with this project please refer to my initial post: Bronica SQ-A Medium format camera

Task:

To build a usable, basic issue, medium format camera (Bronica SQ/SQ-A) from damaged items and spare parts, for as little outlay as possible and shoot one black and white, and one colour roll of film as proof of its successful completion.

Getting started:

Building a camera from damaged parts is no easy task when the name happens to be a high end brand and any parts that are available, are being snapped up by others to service their own stock or to break up for sellable parts. I’m going to keep a running total to try and build this as cheaply as possible, and to keep track of this total I’m going to use my trusty Psion Organiser II LZ from 1989 to keep a tally.

First purchase:

The first purchase has been made and it is for a 6×6 120 roll film back unit with dark slide. I think I’ve paid quite a good price for this item. This is the back piece that fits on the rear of the camera. Here is what the listing stated:

ZENZA BRONICA SQ 6X6 120 ROLL FILM BACK WITH DARK SLIDE Signs of wear, untested.
Uk Buyers Only Please

EBay

First purchase, the film back.

And the total paid including all postage is £20:94GBP. Let’s now start the running total in the Psion II LZ.

Running total

All I can really check at the moment is cosmetic condition and this looks a little beat up, however I don’t really care how it looks externally, as long as it’s light tight, that is all that matters and I won’t even be able to check that until later on in the build. Cosmetically I will attend to it, if I feel so inclined at the end of the project, for now it’s ability to be light tight will be my major concern.

Assessment:

The unit has arrived and yes it has seen use, but not in a few years I suspect. The old smell hit me the second the package was opened, it’s kind of a reminiscent pong from the past, however I’ve got to see beyond this.

The light slide seems fine, however the surrounding frame has been bashed and a small bit of frame has gone missing. There is also a screw missing and I suspect the area that is missing the screw may well have been glued down. there are some slight rust spots on the exterior framework, however everything inside appears to be fine apart from some light seals that will probably need replacing. The rollers inside are grubby so a good overall clean is in order.

Annoyingly the ASA markings on the dial atop of the roll holder are missing. I will make something basic up to remedy this issue. Again it’s an exterior issue and I’m not too fussed at the moment.

Yes there is some work required, but there is no rush. And thankfully I don’t see anything that really scares me about it. I won’t really know how it stands mechanically until I find a suitable body to attach it to. I have that to look forward to in a future post.

Repairs:

The ASA dial. Simple solution here, until one becomes available sometime in the distant future, is to use some very small dymo labels I have printed. I will cut these down to size and put them in place where they should be on the dial. Quick and temporary solution a’la Frankenstein. No need to over manufacture things, this will do fine.

Size 9 dymo labels
How it should look
How mine currently looks
After I’ve added some ASA numbers- temporarily

The old asa wheel has been cleaned to remove the original glue, and temporary stickers have now been applied. This completes this fix for the ASA dial, for now.

Two items to make one good unit

Edit: I’ve managed to obtain a damaged roll back for a grand total of £5:76GBP, absolute bargain and it also has a working ASA dial. So I’m hoping I’ll be able to use this donor to help in the repair of this item. I’ve used a combination of parts from this and the earlier roll back and I’m happy I have a good working unit. We now have a proper ASA dial off of the spare unit transplanted onto the old unit.

Front frame:

I’m taking this off to give the whole area underneath it a good clean. There are some film guides under this frame that are contaminated and that could cause a scratch on the film, I’m going to clean this whole area under the frame and will then reassemble. The cartridge slide is in a good condition and has just required a polish. Apparently this front frame is prone to breaking and the screw holes splitting, as it gets quite brittle. This has happened to this unit, and I’ve found a guy that 3D print’s replacement front frames and I have ordered one of these to ensure that the whole frame is secure and light tight, as currently one corner can be lifted and this could cause a fogging issue. At a cost include postage of £12:75GBP it’s a small price to pay seeing the only way to get one nowadays is by purchasing a donor unit at cost far exceeding what I have paid here.

The new frame, will be black
The old frame with broken corner and damaged screw holes
Damaged area of frame in situ on the roll back

There are a couple of screws missing of which I have plenty of spares so these will be simply replaced. I’m happy now that this portion of the camera is in a good condition and will soon be ready to be put to use.

Before
After
Dirty seals
Damaged framework
Removal of the frame presented years of debris and filth that needed cleaning as well as a requirement for some replacement parts

There was a lot of contamination under the plate when it was removed, I was quite amazed just how bad it was. This has since been cleaned prior to the new frame and seals being put back into place. When everything is re assembled there will be another clean, I will also be using compressed air to finally clear any remaining debris from the roll back. Edit: the 3D printed frame has arrived and to be totally truthful it’s not much good. The part where the slide goes in is not usable and I’m not confident this will be as light tight as first thought.

Good front frame from the donor spare unit

However the spare unit I purchased has a good front frame that just needed a tiny bit of adjustment to work, I’m now confident the roll unit will work as it should.

Light seals:

To be honest there are only two immediate areas of concern that I can see. All other light seals seem to be sufficient. I already have plenty of light seals material from where I fix other cameras so this should be simple enough to replace.

New and old light seals replaced

There were only two pieces that needed replacing, these were both on the roll film back. All other light seals were fine.

Rust spots:

These are purely external and there are no issues inside the cartridge. However I may just give them a very fine rub down and a quick spray with a black gloss to just make them look better. Then again I may not, and then I’ll attend to the cosmetics once I have completed the project. Edit: I’ve decided to leave this for the moment and will attend to this sometime in the future as it is not affecting anything at this stage.

Film cartridge:

Again this has just been cleaned and some contamination has been removed from all rollers and guides within. I have adjusted the back plate pressure pad for the film and also given this a good clean to remove any contaminants. I’m happy the internal cartridge is in a good condition and only requires a light clean. This cartridge is superior to the one I have obtained as a spare so this will be the one i work with. I have replaced all the exterior screws to replace the original ones as they were all a little crusty and contaminated.

New screws. I will touch the heads up with black dye

The whole roll section has been cleaned with tack cloths and compressed air to ensure all contaminants have been removed.

I’m going to store the whole roll film back, in a sealed plastic bag with some Silica gel packs to try and remedy the mustiness that I mentioned at the beginning of this post, though I must admit after all the cleaning and replacement of parts, the issue has reduced immensely. Some exposure to sunlight on a window seal usually helps immensely. That’s where it’s sitting for the moment. It’ll go in the bag with some silica gel, during the more inclement weather.

Outcome:

This part has been the most demanding part of this project so far. I’ve looked into the possibility of using 3D made parts, but I must admit defeat here. The items are about 80% ok, there are holes missing that should be there and as it’s a two piece fix you are then introducing glues, and potentially increasing the chances of light accessing the one area you want dark. Maybe in time they may perfect it. I was exceptionally lucky to obtain a spares unit for literally one pence. Yes one whole pence. It cost £5:75 to post making a total of £5:76GBP, but in many aspects some of its parts were far superior to what I already had. I am happy that this part of the build is now complete.

All good to go. Please keep an eye on the other blog posts that are coming regarding this project.

Bronica SQ-A / The Frankenstein project Pt:3

To find out what I am trying to accomplish with this project please refer to my initial post: Bronica SQ-A Medium format camera

Task:

To build a usable, basic issue, medium format camera (Bronica SQ-A) from damaged items and spare parts, for as little outlay as possible and shoot one black and white, and one colour roll of film as proof of its successful completion.

Getting started:

Building a camera from damaged parts is no easy task when the name happens to be a high end brand and any parts that are available, are being snapped up by others to service their own stock or to break up for sellable parts. I’m going to keep a running total to try and build this as cheaply as possible, and to keep track of this total I’m going to use my trusty Psion Organiser II LZ from 1989 to keep a tally.

This may be a strange situation where Pt:2 and Pt:3 of this project gets published before Pt:1, quite simply Pt:1, the film back. needs a fair bit of work still doing to it.

Third purchase:

And the third purchase is for an SQ body. This appears to be well used, but appears to be in a working condition. Here’s what the listing stated:

Zenza Bronica SQ Body Only / Medium Format 6×6 Camera

Condition:

Used but still in good usable condition with usual signs of use – see photos for details please. Fully tested and in perfect working order.
Supplied with: Camera body as pictured.

EBay

Now I’m happy with this purchase as well. Not quite the SQ-A I wanted but to be honest the only difference is mirror lock up and metering that I don’t really need so I can live with that, we all managed prior to the metering being done for us, I’m sure we will all survive now . (Oh how we have been pandered over the years)

The Bronica SQ body I have purchased

I’ve paid the grand total if £73:75GBP for this body including the postage. There are some bits I will require to complete the body, namely a focus screen and waist level finder that could be a bit pricey, and a winder for the body. Now, the winders are pathetically expensive at around £60 for a bit of plastic. I know a guy who 3D prints a good alternative for a fraction of the price. And that will be the route that I take.

So over to my trusty old Psion II LZ for the running total for these first three items.

Current running total

So the total for these three items comes in at a total of £150:94GBP, and in Bronica terms this is extremely reasonable!

Assessment:

The parcel has arrived and yet again I’m really happy with this purchase. Very well packaged, a very faint age related mustiness that I guess should only be expected on an item that is now 45 years old. It seems to work just fine. I have connected the lens and that seems to be working ok, I just need to verify the shutter speeds are all correct. There is no battery in the base and this needs replacing as this is what controls the shutter speeds. Without the battery the mechanical shutter works, but only at a speed of 1/500 of a second. (Edit: the battery has arrived and after testing i can confirm that all speeds are operating as expected). The film back fits fine but I still have some work to do on that before I can say that this part is working ok. Overall I’m satisfied with what I have for the price I have paid.

No battery
No winder
A selection of covers for the sides, top and bottom are required

Repairs:

Not so much repairs but additions that are required, such as a crank winder arm and a focus screen, a new battery and a selection of covers to protect the central unit in transport. All horrendously over priced and i will deal with these items in Pt:4 of this project.

Outcome:

Current situation, looking good, smelling old. Not me, the camera 😂

We are almost there. The lens is fine, the main body is fine and just needs some final testing. The film cartridge is the item that needs the most attention and this will hopefully be finished when I have the new front plate that is being 3D printed. The next instalment will be just a tidy up with all the little bits I need to complete the build. These small pieces in Bronica terms are so bloody expensive, or should I say extortionate, can be obtained at a fraction of the cost elsewhere, you just need to shop around, if you are happy to have a non named spare part as a stand in. I’m happy with that as these parts have absolutely no effect on how the camera performs, and what we want to achieve at the end of this project, that being a well exposed two rolls of negatives that will produce a number of well presented photographs.

All good to go. Please keep an eye on the other blog posts that are coming regarding this project.

Bronica SQ-A / The Frankenstein project Pt:2

To find out what I am trying to accomplish with this project please refer to my initial post: Bronica SQ-A Medium format camera

Task:

To build a usable, basic issue, medium format camera (Bronica SQ-A) from damaged items and spare parts, for as little outlay as possible and shoot one black and white, and one colour roll of film as proof of its successful completion.

Getting started:

Building a camera from damaged parts is no easy task when the name happens to be a high end brand and any parts that are available, are being snapped up by others to service their own stock or to break up for sellable parts. I’m going to keep a running total to try and build this as cheaply as possible, and to keep track of this total I’m going to use my trusty Psion Organiser II LZ from 1989 to keep a tally.

This may be a strange situation where Pt:2 and Pt:3 of this project gets published before Pt:1, quite simply Pt:1 needs a fair bit of work still doing to it.

Second purchase:

The lens. Probably the most important purchase of this project. Looking for a “cheap” lens is normally not the thing to do when exploring lenses as you do really get what you pay for. You want good clarity? You need a good lens. However this lens came on offer and what sold it to me was that there were no scratches and fungus in the lens, and that was music to my ears. It is a duplicate of a lens the owner already has and was surplus to his requirements. He has also supplied recent proof of photos taken on this lens and i believe he has sold me a little diamond to be honest. Everything about it seems good. There is nothing really to do to it, so no maintenance apart from maybe a light external clean and that will be it until everything else comes together.

Here is what the listing stated:

This is the S version of the 80mm lens and although there’s a slight difference in the lens design on the PS version, I’ve compared the two and couldn’t see any real difference other than a slightly more modern colour rendering. The T mode is also working without issue. This lens has been my main user lens and has never let me down. Glass is clear of fungus, haze and scratches. Aperture and shutter blades are snappy and clear of any oil. Shutter speeds are accurate and the lens produces just delightful images and is massively underrated. I’ve included several shots taken recently with this lens mounted on an SQ-A as per the examples. Focusing is smooth, apertures have a nice smooth click and the lens focuses just fine all the way through the range. I will include the origin box as well as the front and rear lens cap with the lens

EBay

Lens and box
Front of lens no fungus
Rear of lens no fungus
Two pictures shot on the sellers SQ-A with this lens (pics: pooface76)

I’ve paid the total cost including postage of £56:25GBP and I think that this is an absolute bargain for what I am getting. It’s an 80mm f2:8 Zenzanon-S lens in its box with two end caps. I’m really pleased with this purchase and there is not a lot else I can say.

So here we have the scores after two purchases, the 120 roll film back and this lens. Over to my old mate the Psion II LZ for the running total.

Running total

So the total for two items currently sits at a comfy total of £77:19GBP so far, with an average per item price of £38:60GBP. And in Bronica terms that is quite reasonable!

Assessment:

The lens has arrived and to be honest it has surpassed anything I could ask for, for the price I have paid. For this project it is in perfect condition with nothing required regarding any repairs. It’s good to go.

Boxed
Original inserts
Both end caps

And out of the box the lens is lovely and clear. Just a few bits of dust but that is nothing at all.

Original end cap
Nice and clear
No fungus

Repairs:

None: I know this is boring on a repair front, but for this project it is the perfect result.

Outcome:

All good to go. Please keep an eye on the other blog posts that are coming regarding this project.

Bronica SQ-A Medium format camera

First a little history.

This will be post No:1 of a series, where I attempt to buy parts of a damaged camera system to repair, reassemble and get back into working order.

I have chosen this particular camera as it was one that featured prominently in my career when leaving school and starting in the Photographic world. I’m going to buy this camera in bits, as it is modular. I’m going to try and buy parts that are for spares and repair for me to fix, to see if I can get a half decent working example. So expect a bit of a Frankenstein project here.

Bronica SQ-A

Just like my post on the Canon A1 that I previously published, this was another loan camera in my early years of photography back in the 80s. When money was sparse, colleagues usually allowed the loan of their equipment under certain conditions, one of those being,”Don’t break it”. I used this camera when I did my first studio session when a friend of a friend was setting up a business selling Teddy bears. She wanted good quality portrait photos of her work and this camera enabled me to do that. This was the first medium format camera I had ever used, and for that reason alone it will always sit as my favourite. Many people favour later models and other equipment, but this is my personal favourite. It has its flaws as some do, however this camera was significant in me learning a profession, as well as it triggering many treasured memories for me personally.

Now I want one of my own. 41 years after I first used one. But I don’t want to pay a premium price for it. In fact i wish to pay as little as possible, and that’s where it’s going to be difficult.

You can read more about the camera here: Bronica SQ-A

Requirements

As this is modular camera unit, I will need these parts to form the most basic camera, no bells and whistles as they say, just the basic version:

  • Lens – obviously
  • Main body – got to be the SQ family
  • Viewfinder – a few to choose from
  • Film back – I’m after the standard 120 roll film back

I’m looking at this being a medium term project so these items will be purchased over a currently undefined period of time, I’m hoping to buy items that require attention so I can keep the costs down, something that needs attention and repair would suit, as I can create a post regarding its repair. Individual spare parts do command some high prices so I’ll look at maybe purchasing some beat up stock that I can use as spares. I’ll keep a running total of the spend, I know I could buy a working complete unit for around £6-800GBP second hand, but that’s damned expensive in my eyes, I believe it was only £400Gbp (Minus lens) back in the mid 80s. I want to prove that a good usable unit can be built with just a little attention at a much lower and more realistic price. On the cheap if you like, as good quality photography does not need to be expensive. It might not look pretty, but it will be practical, and it will work. Most working cameras look beaten up. Most of the ones I used whilst working for a photo agency were total wrecks but took great photographs. I want to run a roll of colour and one of Black and white through it to prove i have made a working practical camera. It’s probably going to be a lengthy project, it’s going to be hellishly tough, but one I’m very much looking forward to.

From now on it will be known as….

The Frankenstein project.

And more posts will appear as the parts start to arrive and are assessed. Each part will have its own post dedicated to its purpose and repair, and a final post where it will be finally assembled and tested.

Thanks for passing by, please be sure to check back as this exciting project comes together, using the links below:

Part 1

Part 2

Part 3

Part 4

Part 5

Werra 1 stripdown and rebuild

I recently purchased this camera and wrote about it in a previous blog entry Werra 1

I’ve commenced taking the Werra to pieces. The winder was not working and the shutter was not firing. Before starting this work I’ve viewed this page at Everything Vintage where they have recently carried out a full strip down of the Werra and you can view the page HERE, it’s all great advice.

Getting below the top plate was relatively easy exposing the mechanics from 58 years ago, I don’t think it’s ever been opened in all this time. I always love to see the ingenuity that went into these old cameras in years gone by.

Werra 1 stripdown

The internals look dirty in the photo but to be truthful I don’t think the lighting is doing it any justice, yep there is a fine oxidation coating but it’s at a very acceptable level considering its age. When I get to the point of dismantling as much as I can, I will start to clean and lubricate these pieces. But at the moment my goal is getting to the shutter.

Werra winding system – shutter not working

In the video above I’ve managed to get the shutter cocking using the lens ring, however the shutter actuator does work intermittently, but there is no movement of the shutter (Or is there…)

The only reason I ask the question above is that after reading the “Everything Vintage” link in the first paragraph it appears there is a second shutter that closes the light path to the film back when you wind on. When you are ready to expose the film this shutter opens and then there is a second shutter that controls the exposure. if you watch the small video above I think it is this shutter you can hear when I wind the camera on. Hopefully this one is working, I just need to get the one on the rear working, and for this I need to remove the lens from the housing. To do this I need a tool I don’t currently have but have now ordered. More to follow when the lens ring removal tool arrives.

Lens ring spanner

The lens ring spanner has arrived, the ring is being right stubborn at the moment and Im struggling to release it from its 58 years of rigidity. I’m tired as well and don’t want to cause any damage to the shutter so I’ll come back to this later.

18 hrs later, I’m rested and have another go at releasing that lens ring, this time I’m successful and I manage to release it. Sometimes it’s better to sleep on a problem and approach it with fresh eyes rather than continuing whilst tired and prone to making mistakes.

Werra Lens ring removed

With the lens off the body, the shutter cassette can now be removed. It amazes me just how intricate this cassette is and the workmanship that must have gone into it. I’d estimate at least 10 small cogs and a number of tiny springs with levers and pivot points, amazing really considering it’s about 60 years old. It’s amazing how modern technology has advanced.

Werra lens breakdown
Werra shutter module
Werra lens – another shutter on the rear

It takes some time getting into the shutter cassette as there are springs and things flying off everywhere, you really do have to photograph everything you do just to be able to check what goes where and how.

Inside mechanism – where is that spring from?
Complexity of the shutter mechanism

The shutter itself is rather clean apart from some fingerprints on the shutter leaves that must have been from years ago. I have cleaned this down with IPA and then used some finely ground carbon (pencil lead) as a dry lubricant and this has got the shutter moving just fine.

Werra shutter after being lubricated with carbon

I’m now starting to reassemble the lens and shutter as I’m happy that there is nothing else restricting the shutter and it is now moving quite freely. I will clean the camera as I progress and put some watch lubricant on the mechanics that are external to the lens and shutter assembly.

Werra 1 rear
Werra 1 base
Werra 1 top
Werra 1 front

Well it’s all been reassembled and is now back in one piece. It looks good, the shutter works fine and I’ve now vacuum packed it to go back into storage. I won’t be firing up a roll of film on it yet as I don’t have the time to did so at the moment. I’ll probably save that until the summertime when the weather is more favourable. I’ve really enjoyed this restoration even though at times it was very frustrating. This rebuild has taught me patience, or at least that I need to have more patience and just take my time. Intricate jobs on such old equipment need a clear head and a lot of concentration. I’ve learned my lesson and will endeavour to remedy that situation in my future dealings with such equipment.

1986

What were your parents doing at your age?

When my parents were at my current age it would have been 1986. They were probably doing their best to just get by, and they both had multiple jobs. I remember a few details from this period as there were some significant goings on around this time.

My mother would have been a shop worker in a local store as well as a cleaner at the company i worked for. I would have been in the photographic industry about four years at this time, i would have had a darkroom in the spare bedroom and would have probably been on my third computer at this point. I’d have ditched the Sinclair ZX81 and the Commodore Vic 20 and I’d probably be trying to master the Amstrad CPC464. I loved the start of the computer era, as did a lot of my friends at the time.

I had my first SLR camera around this time and that would have probably been a Praktika. I was saving as much as i could, to try and purchase my all time favourite camera at the time, and in fact it is still my favourite of all time to this very day. A jet black Canon A1.

I know that i was heavily into photography at This time, as i took one of the most iconic photos i have ever taken in my family history, of my father. I have it to this day. He was leaning on a coal bunker in the garden, it was a beautiful sunny day and i took it, and processed the film and enlarged the photos in my little darkroom in the spare bedroom, on a Gnome enlarger. It was a black and white photo and it represented a turning point in all of our lives.

He had just had a heart attack, and he suffered a deep immersive depression that he never really came out of. Please don’t misunderstand me he lived for another 21 years with no other medical issues, however he had changed and became highly abusive to my mum, my little sister and me. He was heavily into alcohol at this stage, and we were paying the price. I had to grow up quick as i became the protector of my Mother and sister, it was hard and i was not prepared. We were the only ones at home at the time as my two elder brothers and elder sister had all left at that point, and boy how we suffered big time. Our lives were changed the very day his heart attack occurred.

He was a very good electrician, he had been an aircraft electrician but was now working for a local building company, he was also a part time baker.

In the next few years my mother would lose all her brothers and sisters as time took its toll. Father would lose his mother and sister and the family began to dwindle in size.

But thats enough of the bad as its all in the past and though i never forget what happened, i have to move on with my own life for purposes of maintaining sanity.

I loved the 80”s as the world was opening up and starting to develop technologically, however i do believe the older generations did struggle. It’s strange really as it is a mirror image for us older generations today, with some of the things that are going on around us currently. Perhaps all generations have their own Groundhog Day periods.

Here are some points of interest that also occurred back in 1986

  • Plans were announced between the UK and France to build the channel tunnel
  • The space shuttle Challenger exploded just after its launch
  • Halley’s Comet makes a show
  • The Soviet Mir space station is launched
  • Microsoft goes on the stock market
  • The Chernobyl nuclear plant explodes
  • Argentina wins the World Cup
  • The M25 motorway – The UK’s biggest car park opens officially

A lot happened that year and these are just a small selection of them. However the dynamics of my family changed that year and what occurred from that point on will never be forgotten . WordPress really couldn’t have chosen a worse time line to talk about for me than this one I’m afraid, but then, it’s good to get it out there.

However, time moves on, wounds heal and we all learn. This is why it is important that we don’t erase our past, otherwise how will we ever learn to be better people and treat others with the mutual respect and belonging they all so rightly deserve.

Have a lovely day, everyone.