Tag: camera

Chinon CE-5 35mm SLR and power winder

A heavily damaged Camera from 1981/2 needs some serious care and attention. A Chinon CE-5 35mm SLR.

Here’s what the listing stated:

Please review all photographs carefully as the images form part of the item description and provide the best representation of the items cosmetic condition & any included accessories Any significant flaws or relevant information will be shown below if applicable. Camera, lens and power winder are tested and working. Body and power winder show scuffs, scratches and paint wear to edges and base. Film rewind crank is damaged/loose and sits high on its spindle at a angle Light seal foam around the film door shows ageing and residue. Lens glass is clear with light dust only. Supplied as camera body with fitted 50mm f/1.7 lens and PW-545 power winder only; no caps, strap, batteries, film or manuals included. 

Brand: Chinon

Model: Chinon CE-5 35mm SLR film camera.

Colour: Black metal and plastic body with black leatherette grip panels and matching black power winder.

Type: Manual focus 35mm SLR film camera with pentaprism viewfinder and built-in light meter.

Format: Uses standard 35mm/135 film cartridges loaded via the rear-opening film door.

Lens: Auto Chinon Multi-Coated 50mm f/1.7 prime lens with aperture and focusing rings plus 49mm filter thread.

Focus: Manual focus operation through-the-lens optical viewfinder with focusing aids.

Exposure: Auto exposure and manual exposure modes with selectable shutter speeds and aperture control.

Features: Built-in light meter, hot shoe for external flash, self-timer, ISO/ASA speed dial and compatibility with electric drive units.

Power: Designed to be powered by batteries for the camera electronics and PW-545 power winder (batteries not included).

Included: Chinon CE-5 35mm SLR camera body, Auto Chinon 50mm f/1.7 multi-coated lens and Chinon PW-545 Power Winder S motor drive only; no caps, strap, batteries, film, case or manuals are included.

Country of origin: Camera and lens marked Japan.

Keywords: Chinon CE-5, 35mm SLR film camera, Auto Chinon 50mm f/1.7, PW-545 Power Winder S, manual focus, auto exposure, Japan

EBay

Probably one of the most descriptive listings I’ve encountered on EBay. This alone gave me some confidence in making this purchase, as rather than the standard “Not working” non descriptive listing, I actually have a good idea as to what the problems are here, and they can also be seen in the photos in the listing.

Front
Lens
Scuffs and loose covering
Wonky capstan
The camera I have purchased, showing peeling vinyl and a faulty rewind capstan

These units were on sale between 1981-82 in the Uk via the electrical goods store – Dixons. As a result, sales of this camera were probably not as good as if Chinon had gone out on a limb and promoted their own product. There was a lot of snobbery in the photo trade, and cameras from electrical good stores were looked on as “cheap” alternatives. However, they couldn’t have been more wrong as the quality was very high, maybe just a bit more plastic than some would like, and the lenses were equal or more advanced than a number of other lens brands available at the time.

I was just starting out in photography, I had my first job in 1982 at a colour laboratory in Bushey, Hertfordshire Uk at this time, and saving my money meant I was able to purchase this very combo I have purchased today for a total of £28:00GBP with free postage, after negotiating down the sellers original asking price of £39:00GBP.

Back in 1981-82, i believe the package for the lens and camera was about £110:00GBP with the winder coming in at about £40:00GBP. A total outlay of about £150:00GBP at the time. Considering I was probably only earning about £300:00GBP per month back then, it was closer to the end of 1982 that I purchased my combo, and by that time it was near to the end of its production run in the UK. There were AF lenses that were available as options that were so big they actually dwarfed the camera. The lens in this combo is the standard 50mm lens that it used to ship with. That said I loved the camera, it was easy to use, no fuss and the auto focus on the camera was way ahead of its time, even though I didn’t have the AF lenses to use. So far ahead of its time that it actually beat all the big players to the finish line. The big names caught on though and very soon they were flooding the market, the snobs were happy once again.

I had to offload that camera after I’d given it some good usage. Computers were appearing on the scene and the money I made from selling it went towards my first computer purchase, a Sinclair ZX81.

I wish I’d kept the camera…..

No panic though as I now have another one to revisit those heady days of 1981-82. It just needs some attention.

Here’s some info about the CE-5:

The Chinon CE-5 was a 35mm SLR camera produced by Chinon, that was one of the first cameras to have autofocus-capable lenses produced for it. It was produced for about 12 months between 1981-1982.

Specifications

The camera had a Pentax K mount (addressed to in the specifications as the Chinon “universal mount”) with which its lenses were mounted. 3 autofocus pins were present upon the top-left of the mount, which the autofocus lenses interfaced with. These autofocus lenses were rather heavy and depended upon their own large, lens-mounted motors.

The camera had two modes: aperture-priority and full manual. The shutter speeds ranged from 4 to 1/2000 seconds (stepless) in aperture priority mode and 2 to 1/2000 seconds in manual mode, in addition to a “bulb” mode. The shutter was controlled electronically in both modes; and was a Seiko electromagnetic metal focal plane shutter. A multiple exposure switch was also incorporated into the camera, alongside a 5 or 10 second self-timer. 

The CE-5 was shipped with a full ground glass screen along with a split image range finder and a microprism collar to aid focusing. Other screens were made available.

An “X sync” flash hotshoe was incorporated, with contacts especially for the Chinon range of dedicated flashes.

The camera had the dimensions 135.5mm width x 88mm height x 50.5mm depth and weighed approximately 490 grams without batteries and lens.

Wikipedia

I very much suspect that this camera has been dropped at sometime. Just looking at the sale photos tells me this. It appears the corner where the rewind capstan is situated has a cracked body top, the capstan pin is also bent, the ASA counter also appears to have some damage, its fair to say this camera has suffered impact damage to that very part of the camera.

Ok so I need to now wait for the item to arrive to carry out a full assessment. The good thing is that I do already have a non working donor available in my spares box to carry out a little bit of a Frankenstein operation if I need to, and i think that operation may well be required.

Assessment:

The camera arrived and I must admit I’d forgotten just what a hefty lump it is. It is quite a weighty beast. The camera is pretty much as described apart from missing one major issue. There is an issue with the shutter mechanism timing, but I’ll come back to that later.

The camera received

The top of the rewind crank is out of alignment and there is slight damage to the ASA ring beneath it. There are scuffs and scratches all over as described but in general it is not too bad cosmetically.

Crank and ASA ring damage

When I load two LR44 batteries into the camera base everything appears to work ok, the self timer works in the 5 second and 10 second mode, all indications work through the viewfinder and the shutter fires. However even though it fires it is at a slower, probably 100th of a second speed no matter what setting you have it in, Auto, 1/2000, or B setting it’s all the same. The B setting does not work at all, when the shutter is depressed the shutter springs open as it should, however it doesn’t shut when pushed again as it should, it remains open and you have to move the shutter speed ring to another setting for it to close again. There is a definite shutter speed fault that I suspect is as a result of this camera being dropped on one edge. Hence the damage to the area around the rewind capstan.

The lens is in a fantastic condition, showing no damage, it’s clean and free from mist and fungus.

The power winder is dead. It’s in a good cosmetic condition, but a quick look inside the battery chamber shows signs of battery contamination, hopefully I can resurrect this item.

The top case is cracked.

Repair:

First. I’ll print off a body cap to protect the lens barrel when cleaning, I’ll also print caps for the front and rear of the lens as well, that way everything is protected from any further disturbance.

Lens cap, body cap and rear lens cap printed

I’m going to start with the power winder as I now have it separated from the camera. There is a cartridge that inserts into the winder base that holds 4×1.5v AA batteries. The output therefore should be 6v but when the multimeter is used there is no voltage making its way through the cartridge. One of the cartridge contacts is tarnished and requires a clean. A quick buzz with my grinding tool cleans the contact and then a wipe over with a cotton bud soaked in IPA finished that clean. Batteries re installed and we now have continuity with a healthy 5.97v being supplied at the terminal ends.

Before (top) and after contacts are cleaned

However when installed in the chamber the winder is still non operational. A look into the battery chamber reveals further contamination on the contact inside that would mate with the contact I have just cleaned on the battery cartridge.

Further contamination

The power winder has to be dismantled quite considerably to access the contacts inside. You could probably do a clean without dismantling, however you will never know if any of the contaminants have gone beyond the contact. I tend to get into the machinery of things for piece of mind, and today I’m pleased I did as I was able to confirm that the contamination was only on the battery contacts.

Power winder dismantled
Contacts before and after
All gearing lightly oiled

I cleaned the contamination with a grinding pen and then cleaned the contacts with some IPA. A blow through with an air gun removed some old dust and debris from the handle area, and whilst in here I lightly oiled all the cogs and gears in the handle area.

We have life

I’ve partially reassembled the winder and put the battery back in place and we have power lights when switched on. I connect the winder to the camera and it works just fine. There are two settings (S) single shot and (C) continuous shot that fires a frame every two seconds approximately. All are functioning well and working as they should. I now clean the outer of the winder of old glue and adhesive, re glue and put all skins and label back into place. This repair is now complete. Onto the camera now.

With the camera the first thing I am doing is checking the rewind capstan. When unscrewed the screw and spindle are straight, the actual damage is with the plastic cap that is bent out of shape and split on one side. As I stated earlier I do have an old donor camera so I have taken the ASA dial and the rewind capstan off of that to replace the damaged items on this side of the camera. I will also replace the cracked top as well. I must admit it looks good and appears to be functioning at this point. I’ll have to have it all off again when I investigate the shutter speed issues. But for the meantime it’s a needed job completed.

How it now looks (left) and how it did look (right)

Now we need to look at the shutter timing issue.

It took a time to get the top off due to there not being a lot of information available about breaking these units down. However I now know how to, and this took the best part of an hour for me to achieve, I’ve replaced the cracked top with the one from the donor camera.

As soon as the top was off there were three issues that welcomed me, I suspect these all occurred as a result of that drop that damaged the ASA dial and the rewind capstan.

Firstly above the prism area there were what appeared to be three detached wires.

Red wires should be one and have been broken. Green wire is a rogue hot-shoe earth

In the photo above, you will see two red arrows. These wires they point to were once upon a time a single wire, somehow this wire has snapped. The wire that is indicated by a green arrow is a rogue earth wire that should be connected to the hot-shoe in the prism roof.

There was no way I was going to be able to route a new wire as it originated deep inside the body, and I just didn’t fancy going there today. Instead I melted the two ends slightly to expose some wire, I then used some multi core solder to tip the ends and as I had some room to move the wire slightly I joined the two ends back together with a solder joint. Once soldered I used some conformal coating to stabilise the joint, then covering it with a small piece of Kapton tape to ensure it was secure and not interfering with any other metal/components.

Soldered together, then conformal coating was used prior to being sealed with Kapton tape.

The rogue earth wire was then soldered back into place in the roof of the prism housing.

The issue with the speed settings appears to be as a result of disturbance, again related to that drop that caused the other issues. When the speed dial is removed you are left with a set of tracks with very fine copper contacts. One of these contacts is specifically for the “B” setting, it should sit shy of a contact point until it is required however from what I could see it was permanently activated, it didn’t look right so I adjusted it to sit properly, now when the dial is operated it switches in and out as it should. I don’t know how this affected the earlier tests that showed we only had one available speed, I can only presume the issue is a culmination of all the issues so far experienced.

At the top permanently on. At the bottom adjusted so it will switch in and out with operation of the dial

I have now commenced reassembly after giving a good blow through and a light clean of the contacts.

Batteries have now been installed and I’m reluctant to switch the camera on. But I have to, so I do. So far so good. I rewind the lever all good. I set the shutter to 2s and activate the shutter, it opens and then it shuts again about 2 seconds later, I move through the shutter settings and all appear to be reacting to their relative speeds, 125 sounds right, 2000 sounds very quick, they all are giving different speeds which is superb. And the “B” setting is now operational. This is fantastic. All indications in the viewfinder are as expected, and with the winder attached all systems are go. I think I’ve fixed it. Wow. I’m shocked.

Let’s get the light seals and bumper felt replaced now.

Bumper and light seals have now been replaced, an awful lot of felt came out of those grooves, I thought it would never stop coming

Shutter curtain covered
A lot of dirt came out after felt removed

I always apply light seals slightly dampened on the adhesive side as this gives you a few minutes to reposition the felt, prior to it setting and drying. I’ve got it down to a fairly quick process now, I’m not perfect but I’m improving with each new set of seals.

So this camera is now complete.

Result:

We now have a perfectly good operating camera and power winder with a nice clean 50mm stock lens for a reasonable layout of £28:00GBP. It had an awful lot wrong with it, but thankfully having a spare unit to harvest parts off has helped with this repair immensely.

The camera and power winder now working

A lovely camera, much maligned from the early 80s now working as good as it did from the box. I just can’t wait to get a roll of film through it to show just how good a camera this was and still is.

It weighs a ton, but that’s how I love and remember my old cameras, they are such beasts but have immense character and original design appeal that modern cameras just don’t have today.

Another camera saved from landfill. A good result.

Many thanks for passing by, you know it is always very much appreciated.

Nikon F-401 35mm SLR Film Camera

A nice little starter camera from 1987 sold as faulty when actually its operation was just misunderstood. Not so much a fix, just a lesson in why you should read instruction manuals.

What the listing stated:

Nikon F-401 35mm SLR Film Camera Body Only – Spares or Repairs. Unsure why it won’t work, I bought brand new batteries and it doesn’t want to power on. No exterior damage or scratches to suggest it’s been dropped. Battery compartment is nice and clean. Any further queries feel free to ask. Thank you for browsing.

EBay

The camera I have purchased

Known pretty much as a dollar camera, it’s a Nikon but aimed at the entry level, and is of a plastic construction. The dollar tag is generally used to say just how cheaply available it is. I paid a bit more than a dollar, I paid £4:00GBP, after knocking the seller down from the £12:00GBP he was originally requesting. Still a bargain I believe, will be a nice little starter camera for someone if I can get it working.

Here’s a little about this camera:

The Nikon F-401 (N4004 in North America) was a beginner’s level, autofocus, 35mm, single-lens reflex (SLR) film camera built by Nikon and introduced in 1987. The camera represented one of Nikon’s first endeavours into consumer-based autofocus, as a follow-up to their first autofocus SLR in 1986, the Nikon F-501 (known as the N2020 in North America). The camera lacked many of the advanced features that more seasoned amateurs and professionals required, but it was a harbinger of the future as it included a pronounced, built-in grip as well as an integrated TTL Flash that is now commonplace on all but the most high-end SLR cameras.

The F-401 introduced the now common-place feature of using a thumbwheel instead of lens aperture ring to adjust the aperture. Furthermore, the camera’s lack of support for AI lenses meant that while all previous Nikon lenses could be mounted to the camera, none supported automatic exposure TTL metering. 

An upgraded version the F-401S (also known as the N4004S) was released in April 1989. The F-401X (also known as the N5005) followed in September 1991.

By the 1990s, the F-401 was part of a lineup of autofocus consumer SLRs that included the more expensive Nikon F-601 and Nikon F-801.

Wikipedia

Looking on line at other F-401s that are for sale seems to highlight that power issues are a regular point of failure for these cameras. Let’s await its arrival so we can carry out a full assessment of this unit.

Assessment:

Here’s what has arrived today with the postman

The camera that arrived today

I’ve just sat at the kitchen table looking this camera over, and for £4:00GBP it’s a bargain. It’s very clean despite not having a body cap, there is only a tiny bit of paint damage near one of the strap connectors, apart from that this camera is in a very good (cosmetically) condition. A bit of a clean will take it to another level, however we will look at that once the fix has been done.

Fresh batteries installed

I have put 4 x AA batteries into the base of the camera and there appears to be no life in the camera. Contacts appear clean, the batteries are good, let’s take a deeper look into what the issue may be.

Repair:

As I always do with any camera I purchase, I like to ensure the lens barrel, mirror and curtain are protected. In this case I will therefore 3D print a suitable body cap, and a hot shoe cover. If I then have to start any in depth cleaning at least I won’t have to worry about any excess debris intruding into this area.

New body cap and hotshoe cover

The next thing I really study with any new camera that I obtain is the instruction manual. If some of the sellers actually did the same then they’d quickly realise, that sometimes there are no issues with the unit, it can really just be down to the quirkiness of the camera and how its controls work. Each camera brand differs slightly, so if you have no experience with a specific brand, it can quickly come across as the camera is not working. In a lot of cameras I deal with this is not the case. Knowledge really is king here.

And I suspect that this very camera may just well be a case of the sellers lack of operational knowledge.

I really feel like a fraud here, there is a button on the rear of the camera directly behind the shutter button. Here there is also a small slide switch. This combination of slide switch and button allows you to rewind the film when finished. The button appeared depressed, and when pushed a number of times along with moving the switch side to side the button then popped up and the camera kicked in to life.

Rewind slide and button. This was stuck down

A little contact cleaner placed behind the slide and down the side of the button ensured a free and easy operation. When the rewind procedure was used at least six times it has worked perfectly without issue.

When the rear of the camera is opened, the exposure counter resets as it should. When it is closed again and the shutter button is depressed, three quick fire actuations occur forwarding the film to its first exposure. All is working well.

Self timer operational
All indications working

A Nikkor 28-100 lens on the front confirms all indications are working in the viewfinder, and auto focus appears to be just fine. All aspects of operation on the camera have been tested and everything is doing exactly what it should be doing. This camera was never broken. Its operation was just mis-understood.

Result:

£4:00GBP is a very good price to pay for a fully operational camera, even though it was purchased as a faulty item. Every camera i purchase, I always download a .pdf instruction manual file to store on my server. Nine times out of ten a brief read of just the setup information can sort out a myriad of issues, and if the seller had done the same they would have been able to up their sales prices accordingly. I’m not complaining though as I’m able to bag a bargain on many occasions.

Here’s how this little unloved piece of camera looks after I have sorted it out, cleaned it and paired it up with a suitable lens:

Looking fine and in full working order

To think if this camera had not been purchased it would have just been chucked in the waste. Instruction manuals are supplied for a reason, and it’s always wise to refer to one when things start to go wrong, nine times out of ten there isn’t a problem, just a minor misunderstanding.

Take it from me, instruction manuals are good. I have hundreds stored electronically referencing cameras I have had, through my hands over the past years.

Thanks for passing by, and as always it is very much appreciated.

Pentax P30 35mm SLR

Another “K” mount camera, this time it’s a Pentax P30. A “Plastic fantastic” from 1985. Can I fixit? Should i fix it?

What the listing stated:

Pentax P30 35mm SLR Film Camera Body – Spares/ Repairs

The camera appears to be unresponsive upon testing.

EBay

Pentax P30

Here’s a little bit about this camera:

The Pentax P3 (US), P30 elsewhere, is a 35mm film SLR released by Pentax in 1985. The plastic body was a departure of the lineage that produced the ME and Super A; with a more amateurish camera. The P3 was a departure of the P5/50 as it returned to a speed dial instead of buttons.

It uses the KA-mount bayonet to convey aperture information and have P mode (Av when M or K series lenses are used) and can use any manual focus lens up to the FA series. 

  • Viewfinder covers 92% of image with 0.82x magnification. Split-image matte focusing screen (horizontal)
  • The P3/30 uses a classic manual film advance lever with 130° throw.
  • It has program, manual, X and B exposure modes on a dial with speeds of 1 to 1/1000 sec. However on P mode exposures up to 8s have been observed. The X mode provides automation with some Pentax flashes. No exposure compensation is available, but the camera has an Exposure Lock button.
  • The meter is a center-weighted type with a range of 1 to 18 EV. A scale of speeds is shown in the viewfinder and LEDs show the selected and recommended (blinking) speeds.
  • Film speeds can’t be set manually, the P3/30 uses DX Encoding film with a ISOrange of 25 to 1600. There is a plastic window in the film door.
  • Self timer is in the main power switch for ~12s.
  • DOF Preview lever is located above the bayonet lock.
  • It uses two 1.5v SR44 or LR44 button batteries.
  • The US version is all black, while in the rest of the world it was dark gray

There are two revisions of the body, early versions can’t use a cable remote release, while late versions can. 

A similar improved Pentax P30n/P3n/P30t became available three years later. This camera incorporated Aperture Priority exposure, and a diagonal focusing screen (P30t)

Camera-wiki.org

Another camera from the 80s – this one was 1985 when the manufacturers went plastic and the styling of the earlier cameras was starting to decline. Cameras were starting to look decidedly cheap and nasty, and this is probably the one that single-handedly punished Pentax, with a totally amateur looking camera, horrendous feedback at the time, and previously happy photographers were deserting Pentax for other manufacturers, who were offering better packages and capabilities at the time.

However this camera did have its fan base, and a lot of amateurs learnt their trade on these units due to their cost, and relatively low price for associated add ons such as lenses and flashes.

I never had one until now. I suspect the guy I usually buy from threw this in my direction, due to knowing he’d probably have issues selling it on. I’ve paid a total of £3:75GBP for this one. I think it’s worth it.

It’s the second “K” mount camera I’ve brought in two days. And guess what? I don’t have one of those lenses. Looks like I’m going to have to purchase one for my collection and for testing purposes.

Anyway, let’s await its arrival so we can assess its issues.

Assessment:

First things first, I’ve printed out a body cap on the 3D printer for when i complete the clean, allowing me to protect the mirror, shutter and lens chamber area.

A new body cap printed to protect the lens chamber

Overall the camera looks used, it’s in one piece meaning that everything is there that needs to be there but it does show signs of being a little bruised, battered and dirty.

Damaged around eye piece
Paint chips
Bumper is ok
Dirty around lens ring
Everything is there
Dirt

All seals appear ok, the mirror bumper felt is in a good condition as well, and the film chamber is clean. Shutter appears to be operating just as it should.

The only real issue I can see is a build up of dust and dirt behind the viewing lens, though this won’t affect any pictures being taken, a clean would help the photographer get a clearer view of what they are focusing on.

Repair:

The description has stated that the camera is unresponsive. Well I’ve put batteries in place, switched the camera on and it is dead. But I can see an issue. The battery cap appears tarnished. A quick attack of the tarnishing with the grinding pen and a good wipe over with a cotton bud soaked in IPA soon sees to the tarnished battery cap. Hey presto, life is restored when batteries are put back into place. The meter inside is fine, and showing lights and indicating as it should, the light that flashes when the self timer operates is also ok. To me everything is indicating just fine. That’s all that was causing the unresponsiveness, the dirty contacts.

The next step didn’t really need to be done, however me being me I just couldn’t let it go. There is quite a bit of build up of dirt behind the viewing glass and I will have to get into the camera to access this. There is no other way.

Removal of the top of the camera requires the removal of six screws, the winder handle and a couple of securing bolts, you can then carefully lift the top clear being careful not to damage the two hot-shoe cables in the prism area.

Top off
Look at the dirt build up

With the top off, a couple of more screws holding the viewer in place require removing to detach the viewer from the prism area. This then reveals a very dirty filtered triangular prism that has collected over forty years of airborne detritus. A simple clean with a swab is sufficient, followed by a good air blast to finish off. The small viewing lens has a similar clean and then the camera can be reassembled.

All electrics good and working

I’ve printed an eye cup to cover up that damages around the eyepiece, again it’s not really needed but just tidies the area up a bit.

New eyepiece printed

Just print a hotshoe cover for the top and that’s it all done.

Hot shoe cover

Finally it’s time for a good cleanup.

Result:

For an outlay of £3:75GBP this is a period and usable camera. Will I use it though? Probably not, I’ll probably pass this on to the hospice to get some money from, as to be quite honest I doubt I’ll be able to sell it on.

Looking tidy, and working

It’s a nice little learning camera, looks smart after a clean up, and has now had its life expectancy extended due to the easiest of repairs. I’ve said it before, how many similar units have just been disposed of due to only requiring a quick clean? Scandalous really.

Anyway, this one lives on. Someone will have a nice little camera what with the resurgence of film stock currently enjoying a second coming.

One more saved from landfill, small goals, small results.

Thanks for passing by, as always it is always very much appreciated.

Chinon CE-4 35mm SLR

I was a snob back in my teenage years and wouldn’t buy anything without a Canon or Nikon name tag. How wrong was I? I now have one needing some TLC, so let’s get it working again.

What the listing stated:

Chinon CE-4 35mm SLR Film Camera Body – Faulty – See Details

I tried testing the camera with batteries and initially it seemed to function and the camera fired at accurate speeds but after a couple of times firing it, it stopped responding and now I can’t get it to function at all.

Please note batteries aren’t included.

EBay

Chinon CE-4

Here’s a little bit about this camera:

The Chinon CE-4 was the model which transitioned away from the 42mm screw mount used in the Chinon CE-3 to the Pentax K-mount. It’s an automatic 35mm SLR compact camera with aperture priority exposure system (AE).

Maker: Chinon

Dates: circa. 1980

Variants: black, CE-4s

Camera Type: 35mm SLR

Focusing: manual

Lens mount: Chinon Universal Bayonet Mount (Pentax K-mount)

Shutter: Seiko MFC electromagnetic focal plane, vertical, metal 
from 8s to 1/1000

Exposure meter: TTL, open aperture,
center weighted by two silicon blue photo cells. EV -2-19

Exposure modes: aperture priority, manual, Bulb

ASA/ISO range: 25 to 3200 ISO

Finder screen: fixed split-screen

Flash shoe: fixed hot shoe, contact for dedicated flash

Flash speed: 1/60

TTL Flash: no

Motor drive: Chinon Power Winder S

Battery: 3 ×1.5V Alkaline (LR44, A76) or 
3 ×1.5V silver oxide (SR44, S76, G-13)

Dimensions: 135.5x85x50.5 mm

Weight: 485g

Camera- wiki.org

A previous seller approached me offering this camera and we settled for a price of £5:00GBP. A fair price for a camera born around 1980 and readily available at nationwide electronic stores around the time. I always avoided them, because as a teenager I had been infected by the snobbery of people around me, if it wasn’t Canon or Nikon it was crap.

I was a snob back then. Now I’ll buy anything, and I like the look of this so I brought it.

My reasoning in a nutshell. If it takes photographs, it’s good. Buy it. Sold!

Let’s await its arrival, and get it assessed.

Assessment:

Cosmetically this camera looks fine, apart from the name plate being detached from the fascia. This is easily remedied with some superglue to hold it in place.

The camera that arrived

As an addition i’ve printed out a body cap on the 3D printer for when i complete the clean, allowing me to protect the mirror, shutter and lens chamber area.

Body cap printed to protect lens chamber

This camera takes three LR44 batteries and with these installed the camera is dead. There is no life, and no indication from the exposure meter in the viewfinder.

The battery holder with its three batteries

The bumper felt in the camera barrel is in excellent condition and does not need replacing. It’s a similar situation with the light proofing around the film chamber, they don’t need replacing just yet.

Mirror bumper felt
Light proofing

All buttons, dials and levers appear to be working just fine. There is no meter reading in the viewfinder due to the electrical issue. Let’s get onto that now, as it looks as if there is not really much else wrong with this camera.

Repair:

So generally with electrical issues it’s always best to start with the simple things first before diving in and opening up the camera for dissection.

First things first, are the batteries any good, yep they have all tested as working fine, let’s move on. Is the power getting through to the camera via the battery holder. No it’s not. Let’s check the battery holder.

Severely tarnished
Tarnished here also

The battery holder showed no continuity when I used the multimeter probes on it, the whole inside of the holder had bad tarnish, preventing power getting through to where it was needed. A quick clean of the area with a grinding pen and some IPA to clean up, and you can now see your face in it. A quick check with the multimeter and continuity is restored. Whilst I’m in the mood for this kind of cleaning I also clean the contacts in the camera base. These weren’t so bad, however a quick blast with the grinding pen and a clean up does not go amiss.

The three batteries are reinstalled and hey presto, the light meter and all functions now appear. All this camera required was a five minute clean to resurrect it.

Lights working
Shutter and light working
Light meter operating ok

To test the camera fully I now need a K mount lens to check its functions. I’m looking for a basic one just to use for testing, just as well really as I also have some other K mount cameras coming up shortly. However, I am supremely confident this camera is working fine, so a lens is not the probity at this stage. I will probably move this on to the local hospice that I have dealings with.

A good clean is all that is now needed. I have cleaned the internals and sealed them by putting the body cap in place. Now I need to give attention to the exterior.

Result:

Sorry It’s a boring one, but hey it’s a win. Following a plan of attack starting with the most basic of checks, can be boring and repetitive, but also extremely beneficial as it’s not always the big issues inside the camera, nine times out of ten the issues are a lot more basic.

It just goes to prove that a lot of the items out there deemed as broken, are just in need of a little maintenance. If only people would just take a little time to look after their stuff, there would be less equipment thrown in to landfill.

Here is the camera after a good clean.

Looking beautiful

A little £5:00GBP camera has been given a reprieve and can live on for a few more years yet. As long as there is film being produced, this camera has a purpose. It’s a basic, but superbly capable camera that will keep its new owner happy for a good few years yet.

Let’s hope they have many happy moments capturing wonderful memories for many years to come.

Thanks for passing by. Always very much appreciated.

Canon EOS 1D MkIV

Two late production Canon EOS1D MkIV cameras, both heavily used ex-syndicate sports photographers cameras. Do they work? Can they be repaired?

I’ve been approached by an old colleague who used to be a syndicated sports photographer, he had a number of items he wanted to “get rid off” as they were just taking up space in his new house. “Would you be interested?” You betcha, so as a result I’m now the owner of a complete Bowens lighting system, two Canon EOS 1D MkIV cameras and a Canon EOS 5D MkII camera.

Lighting
Lighting
Cameras
Lights, cameras – now need some action!

My days of fussing and farting about with lighting rigs has now long passed, so I know a youngster starting out in the business who is a very talented young fellah, I have donated this equipment to him and he will certainly have a use for this lighting setup. He has been approached and accepted the offer, I think he is quite happy with his new acquisition, here’s hoping his talents continue to flourish.

However the cameras are mine as no one wants this old stuff anymore 😂

Having already in the past, repaired a film version of the EOS 1 here: Canon EOS1 N HS I have now become the owner of two Canon EOS 1D MkIV versions, the digital upgrade of this superb camera. This post covers the assessment of the 1D’s the 5D can be found here: Canon EOS 5D MkII

The two Canon EOS 1D MkIVs

To test these two beauties I’m going to have to invest some money into my equipment store. These cameras take a battery that neither came equipped with, an EP4 battery that currently costs around £19.00GBP per unit. On top of that a charger is required costing approximately £23:00GBP so there will have to be an outlay of approximately £42:00GBP just to get these units tested. Is it worth it? Yes, I think it is, I will then have a spare battery and charger for future use, and if the cameras don’t work? I can then sell them on or use them for spare parts as they have cost me absolutely nothing. When I go through the assessment and repair of these cameras I will refer to them one camera at a time. The camera that has stickers on the top of the camera pentaprism area will be referred to simply as “One” whilst the other will be “Two”. Nice and uncomplicated.

But first here is a little bit of information regarding this camera, the Canon EOS-1D MkIV.

The EOS-1D Mark IV is a professional 16.1 effective megapixels digital single lens reflex camera (DSLR) camera body produced by Canon. The EOS-1D Mark IV is the successor of the Canon EOS-1D Mark III and was announced on 20 October 2009, just four days after Nikon announced the D3s. It used to be the only Canon APS-H format DSLR to feature HD video recording at 1080p resolution.

It was discontinued in mid-2012 with the introduction of the Canon EOS-1D X, which replaced both the EOS-1D Mk IV and the EOS-1Ds Mk III.

It received a Gold Award from Digital Photography Review.

Features:

  • 27.9mm × 18.6mm; 16.1 effective megapixels APS-HCMOS sensor
  • Dual DIGIC 4 image processors
  • Canon EF lens mount (excludes EF-S)
  • New autofocus module (45 AF points with 39 cross-type AF points)
  • Integrated sensor cleaning system
  • 1.3× crop factor
  • 100–12800 ISO speed equivalent (expandable to L: 50, H1: 25600, H2: 51200 or H3: 102400)
  • 30–1/8000 sec. shutter speed and bulb
  • Shutter unit tested to 300,000 cycles
  • Auto Lighting Optimizer
  • Magnesium Alloy weather sealed body
  • Eye-level pentaprism viewfinder with approx. 100% coverage at 0.76× magnification
  • Live preview mode
  • 3.0 in, 920,000 dots Clear View II TFT color, liquid-crystal monitor with 160° viewing angle
  • 10 frames per second continuous shooting (Large JPEG: max. 121 frames, raw: max. 28 frames)
  • Dimensions (W×H×D): 156 × 156.6 × 89.9 mm

Wikipedia

Assessment:

I’ve had to bite the bullet and purchase a battery and charger to be able to test these cameras. Look at it as an investment. As promised the assessments will include exactly the same checks, but they will be done individually.

I want to check shutter counts and firmware versions, but to carry out these tests I really do need power in the units. Clock backup batteries are installed on these cameras and these will need to be checked to see if they are still effective as I’ve no idea how long ago they were changed.

Camera one:

Here are the pictures:

Camera One construction date June 2013

I can pretty much pinpoint the last time this camera was used, as in the CF card slot there was a 16GB card installed and when downloaded there were six photos on the card, below you can see two of these images.

Two of the photos dating the last use

The photos show a football ground, it’s the Queen’s Park rangers ground in London, and you can see the Stanley Bowles stand just to the right. The photographer is in the usual position where you would find sports photographers attending a football match. The exif data in the photo gives the date as 30th August 2022, and if you check records you will see that QPR were Playing Hull City that evening, and QPR were the winners 3-1. We have a date that informs us this camera was last used almost four years ago. Interesting isn’t it?

So of the two cameras this one seems to have had the hardest life, I very much suspect this one is the older camera (it is I have checked the Canon database and it’s construction date is June 2013, the second camera is October 2014) This date may seem contradictory due to the fact the production run officially ceased in 2012, It is very possible for a Canon EOS-1D Mark IV to have a 2014 manufacturing date, even though the camera was officially withdrawn in late 2012. Professional cameras often have long production runs that continue well after their retirement date. Cosmetically it appears the most beaten up and used, with a number of old press pass stickers in the pentaprism area. There are no signs though of deep gouges or cracked and damaged metal so I’m confident this camera has not been dropped. It has had a tough life. It’s a tough camera though.

The CF card and SD card holders are both in a good condition, both accept cards without having to use any force and all pins are in a good condition, I’m confident there are no issues in the memory card area.

The clock battery is accessible at the point where the main battery fits in to place.

The clock battery and access

The battery is a CR2025 lithium coin cell. When tested the battery has a value of 3.028V. This is a sufficiently good charge for its purpose and is good seeing that this camera has not been used for the last four years.

Holding a good charge

Moving on I’m looking in the lens barrel and the pentaprism and both mirror and viewfinder are extremely clean and clear. The rugged, bruised exterior has protected the delicate, clean and tidy interior. It certainly is a very well constructed camera.

All lovely and clean inside

The next thing I do is test the actual workings of these cameras, however that can’t be done until later today when the battery and charger that I ordered a couple of days ago arrives.

The battery and charger has arrived:

It’s here!

First thing I have done is to put the battery in its uncharged state, into the cameras just to see if there is life and the news is good with both. This Camera, number one has the following information.

Camera one information

It was the most beat up camera and it does have the highest shutter count at 283,976 actuations, the shutter life cycle of these cameras is 300,000 actuations as tested by Canon, so it is a very high count but still has a bit of life in it before it reaches the potential shutter count ceiling.

The good news is that this actual camera does have the latest firmware update of 1.1.5 so at least that doesn’t have to be downloaded and installed.

Battery now fully charged I have finally been able to put this camera through its paces test wise. And hells bells I’m so impressed. It was already set in quick fire mode so when I pushed the shutter button I was shocked to see just how quick this camera responded. It was rattling off shutter actuations at a breath taking 10 frames per second, wow, the sound was amazing!

10fps mode….impressive

It’s not hard to see why you can get such a high shutter count on these cameras with such shutter activity, it absolutely makes sense why these cameras are used in high speed activities such as sport and wildlife photography.

All displays are working as normal, all button actions and dials are doing exactly what they should be doing. This camera is in a good healthy condition.

All displays and controls working well

As an older camera it is packed to the rafters with settings and possibilities, there is so much to learn around its operation, its capabilities and settings. It’s built like a tank, weighs a ton, makes a lot of camera noise that I relate with the good old days and I just absolutely love it.

Even the shutter bumper foam is in good condition and does not require replacing yet.

Camera two:

Here are the pictures:

Camera Two construction date October 2014

Camera two is only 16 months younger than camera one, and you can see that difference in cosmetic condition immediately. The wear and tear on this model is considerably less than that found on its counterpart. This camera had no CF card inside so there was no way of putting a last used date on this one.

As with camera one there are no signs of the camera being dropped, no damage to the metal casing being cracked and no sharp dents visible. The Cf card and Sd card holder both take cards without any force having to be applied, and all pins are in a good order. I’m confident there are no issues in the memory card area.

The clock battery reading is a very low 4.5mV it is very dead. I have therefore replaced this with a CR2025 3V lithium coin battery reading a lot healthier 3.30V.

Clock battery reading, before and after

Again as in camera one, the viewfinder and mirror are both very clear and the lens barrel is very clean, having been protected by the rugged camera exterior.

Weird face in the mirror – it’s clean though

With the new battery that had just arrived installed, it kicks into life and I am then able to get the following information from the camera.

Camera two information

This camera in comparison to Camera one has a really low shutter actuation count of 72,186. The tested shutter count by Canon is 300,000 actuations, so this camera still potentially has a lot of life left in it.

The camera firmware will need to be updated to the latest firmware of 1.1.5 as it currently has a slightly older firmware installed of 1.1.0.

Ok, I’ve downloaded the firmware file and extracted it to the CF card I’m using in the camera. Let’s get it installed.

Firmware updated to version 1.1.5

The camera firmware is now updated.

As in camera one, with the newly charged battery installed the immense high speed of the shutter is highly impressive. All buttons, dials and switches function as they should and all displays are clear and sharp in appearance.

All displays and controls working well

All serviceable parts remain in a good condition, even the mirror bumper foam is in a good state and does not require attention yet.

Repair:

I’m now going to condense this section into a mix of both cameras. It’s a bit of an anti climax for anyone wanting to see a meaty repair post as that’s just not going to happen here. Both these cameras, though used and in one case extremely highly used, have both been maintained and looked after during their life. So for me my job has been easy, and going forward I will just maintain them in a similar manner.

A quickly shot image indoors

I see absolutely no point in tampering with them now, they are working just fine and are in a perfectly good condition. Their construction is so solid with their metal weather sealed bodies, that the last thing I want to do is compromise that construction and security just to fill space in a post..

A quickly shot image outdoors

All I’m going to do at this point is polish both cameras. Camera one with its beaten up body and press pass stickers is just going to stay like that, I want that to remain as a constant reminder of its use, and its purpose as a high usage press photographers camera, it’s a work of art in itself and that’s how it will stay. Camera two, again will jut be polished, it’s the more acceptably presentable “Cosmetically” camera and with its lower shutter count and will probably be the unit i will concentrate on using myself.

A few pics from the two of them:

I’m only using very basic test lenses on these units and I must admit, even with basic optics the visual returns are quite impressive. The colours are so rich, and I love that there is also the setting to do some pure black and white shots if you so wish.

This is my new (Old) favourite camera. Why do I just fall in love so easily ❤️

When these cameras first came out they were commanding a price of around £4,000.00GBP and people were more than happy to pay that cost.

Here I am a few years later and I have been gifted two of them for the grand old price of…..Nothing.

I’m a lucky old fellah I’d say.

Result:

I present to you, two wonderfully heavy, cumbersome, noisy and beautifully constructed pieces of photographic history, and both are an absolute joy to behold.

The two, Canon 1D MkIV cameras

My new long term relationship has just begun (Don’t tell the wife 😂) and I am so looking forward to getting these cameras out to a sports or wildlife watching event. To many, I know they will say, why do you want to carry one of those around, why not go mirrorless? Well, I’ve got that gear as well but I hardly use it. I’m an old 80s-2000s guy who loves the old technology, just like I love old noisy aircraft, I love to hear a camera working, it puts a smile on my face. And the chances of me owning one of these beauties when they first came out was an absolute zero. Now I have two, and I have some serious catching up to do.

Thanks for passing by, as always it’s very much appreciated.

Stay safe.

Minolta 110 zoom Mk1 SLR

The world’s first SLR 110 format film camera. A strange creation that has its issues, from 1976-79. Can it be resurrected and put back to use?

What the listing stated:

The Untested MK1 1970s Minolta 110 Zoom SLR is a vintage film camera that comes with a case and strap, making it easy to transport and store. This compact camera from Minolta features manual focus and is designed for 110 film in a 13x17mm format. The black-coloured body gives it a classic and timeless look, perfect for film photography enthusiasts looking to experiment with older technology.

With its retro charm and unique capabilities, this Minolta 110 Zoom SLR offers a glimpse into the photographic world of the 1970s. Untested

EBay

Yes you did read right, this is a 110 format camera with SLR. Now, I have had this camera sitting amongst my backlog for a few months now, it was purchased towards the end of 2025. I believe I paid the sum of £14:00GBP for it, and considering current prices on the sales sites it’s quite the bargain I think.

Minolta 110 zoom Mk1

The reason I’m looking at this one is because I have been approached by someone to repair their one, now before I look at their issue (a stuck mirror) that seems to be a standard issue with this model, I want to look at my own one that I believe may well have the same issue. It’s best to learn how to deal with the issue on your own unit, before being let loose on someone else’s.

However, saying that, the listing was a little vague with only the standard “Untested” EBay catch all quote meaning it could be anything between a total wreck, to working perfectly.

Here’s some information regarding this camera:

The Minolta 110 Zoom SLR is a 110 format single-lens reflex (SLR) camera produced by Minolta of Japan between 1976 and 1979. It was the first SLR in 110 format. It has an unusual, flattened shape. Other 110 SLRs were shaped like SLRs in larger formats, but the 110 Zoom SLR took the flat format of the typical 110 pocket camera and added a larger lens and prism hump to it. 1979’s replacement, the Minolta 110 Zoom SLR Mark II, has a more conventional shape.

The 110 Zoom SLR provides aperture priority autoexposure; fully manual exposure is not available.  Light metering is with a CdS meter mounted on the front of the camera. An exposure compensation dial allows the photographer to compensate for unusual lighting situations; it also allows the use of film speeds other than the ISO 100 and 400 auto-selected by the cartridge tab, by applying the appropriate compensation factor.

The lens is a fixed 25–50 mm f/4.5-16 manual focus zoom with macro focusing down to 11 in (280 mm). This gives a field of view range approximately equivalent to a 50–100 mm zoom lens on a 35 mmformat camera. There is a built-in, pop out lens shade. The filter thread diameter is 40.5 mm. Minolta sold UV, yellow and 1B filters.

Available shutter speeds are 1/1000 second through 10 seconds, with a 1/150 second X-sync speed and support for bulb exposure. There is no built-in flash, but a hot shoe on the top allows an external flash to be attached. A tripod socket is provided.

Wikipedia

Let’s get the assessment out of the way.

Assessment:

The camera has arrived. And the most annoying thing about it, is that it appears to be working just fine. I have been through every possible combination of settings available, hoping to get the mirror to stick up (as is common with these cameras) but to no avail. Everything appears to be working just fine. Damn that’s annoying as the “untested” EBay get out clause used so often by questionable sellers, has on this occasion gone in my favour. If you refer to the opening paragraphs, you will see I wanted to work on this one to diagnose an issue that a potential customer has asked me about. I may well just send him this working one in exchange for his knackered one, how’s that for service!

Anyway, here is what I received, in a black Minolta case, it has been well looked after and is just a bit dirty and in need of a clean.

All in a good, just dirty/dusty condition

Lovers of lomography really rate these cameras, the 110 film cartridge is quite an expensive outlay these days and from what I can see with film costing about £9:00GBP for a roll and then about £18:00GBP for developing and scans only, you are looking at quite an outlay of almost £30:00GBP for the results. I don’t think I will be attempting this unless I come across a less expensive option, as I’m sure there will be one out there….somewhere.

So, with not much more to tell, let’s move on to getting it repaired….or should that be cleaned?

Repair:

Closer inspection of the lens when I’m cleaning shows me that there is a small area on the outer optic of the lens that has a solitary spore of fungus. It’s nothing too much, however a quick clean of the exterior of the optic, confirms the issue is inside. I’ve now got to dismantle the lens barrel to get to it.

Exterior of barrel dismantled
Fungus under the lens in the 11pm area

The fungus is on the rear, not the front of the outer optic.

Viewed from outer
Viewed inner
Light dust off
The fungus spore magnified

The bad news is that on close inspection and using a soft plastic pick, a tiny indentation at the point of the fungus can be felt, this shows that the fungus has eaten into the optic coating and no amount of cleaning will ever eradicate it. Two options here are a new optic, or to get the optic ground down, both totally beyond the value of the camera and to be honest totally unnecessary. The good news is that there is no fungus on the inner optics, and luckily this needs no cleaning or attention.

Inner optics clean and clear

To be totally honest, the negatives in these cameras are so small, and the outer lens magnification is probably sufficient enough to make this aberration appear as nothing more than a slight blur, if it even shows up at all! I’ll give it a good clean to prevent any further growth, and just put it back together again. There is a good possibility that a film will never be run through this camera again, even so I would like it to look as good as possible, and operate as it should, if there is even the remotest chance of a film being used in it, sometime in the distant future.

Result:

The camera has been reassembled and is looking quite nice. It’s a really weird camera. So weird that someone has offered to take it off my hands, as they believe it’s quite a novel item, so as soon as I’ve posted this report it will be winging its way to its new owner.

It’s probably best that I pass this on to someone who will either use it, or at least make a use of it should it become a display item.

Minolta 110 zoom

A nice little camera, but to be honest it’s more than likely more of a display piece rather than a working camera. It is fully operational though and has been nice to work on. I’m pleased someone else will eventually benefit from it.

Thanks for passing by, always appreciated.

Canon EOS 5D MkII

My second chance at reviving a DSLR from 2008, the Canon EOS 5D MkII. Will I have a little more success with this one?

I’ve been approached by an old colleague who used to be a syndicated sports photographer, he had a number of items he wanted to “get rid off” as they were just taking up space in his new house. “Would you be interested?” You betcha, so as a result I’m now the owner of a complete Bowens lighting system, two Canon EOS 1D MkIV cameras and a Canon EOS 5D MkII camera.

Lighting
Lighting
Cameras
Lights, cameras – now need some action!

My days of fussing and farting about with lighting rigs has now long passed, so I know a youngster starting out in the world who is a very talented young fellah, I have donated this equipment to him and he will certainly have a use for this lighting setup. He has been approached and accepted the offer, I think he is quite happy with his new acquisition, here’s hoping his talents continue to flourish.

However the cameras are mine as no one wants this old stuff anymore 😂

This post focuses on the repair of the Canon 5D MKII, the repair of the EOS 1D MKIVs can be found here: Canon EOS 1D MkIV There is also a link to my first attempt at a Canon EOS 5D Mk2 and here is the actual assessment of that camera and the issues experienced with it Canon EOS 5D MK2 assessment and repair, I failed with this repair due to it having sensor issues, so sold it on at a small profit, i’m hopeful that this new attempt at the 5D will bring better results.

The Canon EOS 5D MkII

Let’s hope this camera acquisition comes with a better outcome. Whereas the other two 1D cameras i received in this package have required me to to purchase a new battery and charger, I do already have a number of LP-E6 batteries and a charger in my possession, so there is no initial outlay required to test this camera. We are off to a good start here and should be easily able to diagnose any issues fairly quickly.

Anyway, before we assess the camera, here is a little bit about the Canon EOS 5D MkII.

The Canon EOS 5D Mark II is a 21.0 effective megapixel full-frame CMOS digital single-lens reflex camera made by Canon, the first Canon EOS camera to have video recording capabilities. It succeeds the EOS 5D and was announced on 17 September 2008.

On 2 March 2012, Canon announced the camera’s successor, the Canon EOS 5D Mark III. On 24 December 2012, Canon Japan moved the camera to their “Old Products” list, effectively discontinuing the camera.

The Canon EOS 5D Mark II is a full-frame camera and requires Canon EF-mount lenses. It is not compatible with EF-S lenses (which are for APS-C crop sensors).

Features:

  • 21.0 megapixels (5,616 × 3,744 pixels), compared to 12.8 megapixels (4,368 × 2,912 pixels).
  • DIGIC 4 image processor, compared to DIGIC II.
  • 100 to 6400 ISO (expandable to L (50), H1 (12800), H2 (25600)), compared to 100 to 1600 (expandable to L (50), H (3200)).
  • 3.9 frames per second continuous shooting (78 JPEG or 13 Raw in a single burst), compared to 3 frame/s (60 JPEG or 17 Raw).
  • Small Raw modes: sRAW1 mode (10 megapixel/3861 × 2574 pixels), sRAW2 mode (5.2 megapixel/2784 × 1856 pixels).
  • 98% viewfinder coverage with 0.71× magnification, compared to 96% coverage.
  • Larger 3.0-inch (76 mm) LCD with 920,000 pixels, compared to 2.5-inch (64 mm).
  • 1800 mAh LP-E6 battery, compared to 1390 mAh BP-511A.

New features

  • Movie recording full HD at 1920 × 1080 and SDTV at 640 × 480 resolution.
  • Monaural microphone for audio during video recording, speaker for playback and microphone jack for external stereo microphone
  • Live preview with ExpSim LV “exposure simulation” live preview (full exposure preview control utilizing ExpSim LV, a first for video in a DSLR)
  • Live preview with contrast-detect autofocus
  • HDMI video output for live preview or playing clips and images on an external monitor via Type C MiniHDMI port
  • Dust reduction system to perform automatic sensor cleaning
  • Battery management software

Key Lifespan Factors:

  • Shutter Rating: 150,000, though this is considered conservative by users.
  • Real-world usage: Many cameras show failure rates increasing closer to the 100,000–150,000 range, but many exceed it significantly.
  • Longevity: Some, though rare, individual cameras have recorded over 2 million shots.
  • Repairability: The shutter mechanism can be replaced if it fails, which may extend the camera’s life further.
  • Component failure: Other parts, such as the power board or rubber grips, may fail before the shutter. 

Common Issues:

  • Rubber grips: Rubber grips can become loose over time.
  • Button/Dial functionality: Buttons and dials may wear out over long periods of use.
  • Sensor maintenance: Regular sensor cleaning is needed to maintain performance. 

The 5D Mark II is the first camera in the EOS line to provide video recording functions. Still photography during video recording is possible, but the camera suspends recording video until the final still frame is captured.

The lithium-ion battery for the 5D Mark II (LP-E6) has an 1800 mAh capacity. Each battery contains a microchip with a unique identifier for reporting charge status and battery health for display on the camera. The 5D Mark II’s “Battery Info” screen can track battery health and shooting history for up to six LP-E6 batteries.

The camera has native ISO values of 100 multiplied by a power of 2; other ISO values are obtained by a digital exposure push (ISO values that are multiples of 125) or digital exposure pull (ISO values that are multiples of 160). The digital exposure push ISO is 1/3 stop greater than the native ISO, and a digital exposure pull ISO is 1/3 stop less than the native ISO. The digital exposure push ISO settings produce more noise than the native settings with a reduced dynamic range, and the digital exposure pull ISO settings produce less noise than the native settings.

Wikipedia

Assessment:

The camera has arrived and here are my first thoughts. But first some pictures.

Canon Eos 5D MkII

Just holding the camera and looking around it, you can see it has been well used over the last eighteen years. There are chips and scuffs, but nothing excessive, and certainly no “hard” dents that would indicate it has been dropped at anytime. The top LCD panel has a scuff on it, but this doesn’t stop any information being read.

Scuff on top screen
Scuffing on pentaprism
Scuffing on battery housing
Scuffing on base under lens mount
Battery contacts clean
Rubber cover missing on base

The battery contacts are clean and there is just a small rubber cover missing on a connection that is on the base of the camera. All switches and buttons appear to operate as intended, everything is there and the exterior appears to be used, but in a good condition.

The lens barrel appears to be clean, the mirror and focus screen have a little dust and dirt on them however this is an easy clean. The shutter is closed underneath the mirror ensuring the sensor stays isolated from the outside world. I won’t be able to check how this is until I have a battery installed.

Lens barrel a bit dusty
Some dust on the focus screen

Batteries. As I have stated above I do have compatible batteries for this camera. This camera has a battery management system installed that communicates with the original “Canon” batteries that report back on their charge status amongst other information. However my batteries are not Canon originals and are in fact third party ones that don’t have the ability to communicate as original batteries would. That said, they are more than capable and usable. I just know that the very second I put the battery in and turn the camera on, it will show some kind of battery communication error on the rear screen. It’s ok though as we can opt to ignore that warning, click ok, and just get on with things, with no issues to the general operation of the camera.

As expected
No issues

Let’s do a little digging around. I’ve downloaded a little program that appears to be quite popular, to try and find exactly how many times the camera shutter has been activated in its lifetime, (still photo count – not including video). Here is that count.

243,487 shutter activations…wow!

I guessed the count would be high as it was the previous camera of a syndicated sports photographer, I just wasn’t quite expecting this high. But who am I to complain when I have received this camera for free. if you read the camera specs in the paragraphs above, the expected lifespan of the shutter is around 150,000 actuations, however the photographic community tends to question this figure. Some cameras have gone into the millions with shutter counts, however this one will plod on with me on much lower figures, if I get it working. I don’t know its service history, it’s a rugged built heavy use camera, that will go on for years if looked after properly. And that’s what I intend to do with it.

Another piece of information that can be obtained from the piece of software above is the firmware version. The current installed version is 2.0.7 and that was installed sometime in 2010. The latest and last version is 2.1.2 that was released in 2012. I will attempt to update this cameras version of firmware to the final updated one.

I think I’ve had a good assessment with this camera, I know what needs looking at so let’s get on with giving it a little TLC to ensure it will go on working for a few thousand more shutter actuations, I’ve got to try and get this camera to the 1/4 million mark at least!

Repair:

The first thing I want to do, is to look into why, when you input a date into the camera, the information disappears as soon as the camera is turned off and turned on again? This is a simple issue, easily located and soon rectified. These cameras normally have an additional battery buried somewhere in the camera that acts like a cmos battery in a computer. It simply supplies a small charge that maintains dates and program settings when the camera is an a sleep mode, instantly reinstating the correct information when the camera is switched on again.

And this camera is no different.

A single coin cell CR1616 battery is what does the job in this camera, its life span is usually around five years. So let’s check this one out as I suspect it has failed. It is located on the bottom of the camera on the opposite side of the main battery chamber, below two rubber accessory panels.

Coin battery access
Remove one screw, the coin holder can then be removed
The coin cell holder

The CR1616 battery is a 3v lithium coin cell. Using a multimeter I was able to confirm that this one was well and truly depleted as it was only holding a charge of 99.3mV. The new battery cell was holding a much more acceptable charge of 3.3V.

Old and new battery voltages

With the new coin battery in place, I’ll reset the date values and test that the battery is doing its job, by powering the unit up and down a few times.

That appears to have worked

As you can see in the picture above, I’ve managed to update the settings, and when the unit is shut down and restarted the information remains. Hence the new clock/cmos battery is working fine.

Next let’s try to update the firmware to the latest release. This small video below shows how easy this task can be. This particular file in the video is for an earlier, older update, however the principle is exactly the same for all camera updates with Canon.

Updating firmware on a Canon Eos5D MkII

Following the recommendations in the video above I have downloaded the latest firmware update file and extracted its content to the freshly formatted CF card for the camera.

It’s thinking about it….

The whole process was followed exactly as laid down in the instruction video, and it went as expected. The update was successful.

Firmware update, before and after

The camera is now correctly updated to the most recent firmware. I can now progress to doing some final checks in the lens barrel area prior to moving on and checking the functionality of the camera with a lens in place.

The mirror bumper felt is in good condition and does not need replacement. I have blown out the barrel and inspected the sensor and that is clean and needs no attention.

Final touch is that I have printed off a cover for the hotshoe flash holder.

Printed hotshoe cover

Time to get the battery installed in the camera, along with a formatted CF card, and I’ve also put a stock 28-80 EF lens on the front to test. And here are some of those pictures taken to test, just around my garden.

Rhododendron
Venus fly trap
Back porch
Garden ornament
The wife’s solar houses
A dying magnolia

And I am so damned impressed. It’s only a basic lens but the tonal quality, sharpness and colour has really shone through. The camera has worked perfectly, I’ve used it in auto mode, shutter priority and aperture priority and all works fine. When I use the video mode, all is fine but the basic lens when you telescope, can be heard throughout the video, not really an issue just an observation, hence why people invest in the higher end optics. For testing purposes though, this lens has performed perfectly. I’d be more than happy to venture out for a picture session with this setup.

Every setting on this camera has been tested and it has passed with flying colours. My job here is done.

Result:

A far better result than my last attempt on this specific type of camera. This time around the sensor has performed perfectly and remains in good order, hopefully for quite a time yet. It would be good to see it go through the 250,000 exposures count, and seeing that it’s only about 6,600 exposures away I don’t foresee it being a hard to achieve target. I’m going to get some good use out of this camera, I’m currently looking at taking it to a local nature reserve to see what can be photographed. I’m quite looking forward to that.

The finished camera in all its loveliness

A final polish and this project can now be put to bed. Onto the next one.

Many thanks for passing by, it’s always very much appreciated.

TTS IT00617 digital camcorder/camera

I purchased these three damaged Camcorder/Cameras for a very low price. Will they be fixable or just good for spare parts. Let’s see…

What the listing stated:

TTS IT00617 Digital Camcorder Camera 

Full HD pocket camcorder that records in 1080P and can take 5 megapixel photos.

2″ TFT colour screen. Charges via in-built flip-up USB plug.  

Cameras appear to be faulty. One has a corrupt screen, the others boot and show the camera feed but give a “card error” no matter what SD card I install. 

EBay

The seller wanted £10:00GBP for these three camcorder/cameras but I was not prepared to pay that, for what potentially could be three pieces of junk, only good for parts. So I cheekily put in a £4:00GBP bid that was accepted straight away, the seller really wanted rid of these, I suspect they are junk, we’ll just have to wait and see.

TTS IT00617 digital camcorders – displaying their faults

From the information I can find that is available online, these units are handed out to children partaking in key skills programs within schools, to use when recording project work they are completing as part of the school’s curriculum. From what information I can gather, it appears these units were introduced around 2014, as that’s when the instruction manual is dated. They may only be around 12 years old but I suspect they have had a very hard life in those few short years. Hence they are very probably knackered, mistreated, and may well be just junk. My expectations for these units are now very low. The company that produces these units – TTS appear to be based in Nottinghamshire, near me in the East Midlands, and specialise in supplying ICT equipment to primary schools. Here is all the information I could find regarding these units.

The TTS IT00617 is a 1080p Full HD digital camcorder and camera specifically designed for educational and outdoor use by TTS Group. It is often marketed for use in primary schools due to its rugged design and simple interface. 

Core Specifications

  • Video Resolution: 1080p Full High Definition.
  • Still Image Quality: 5.0 Megapixel sensor.
  • Display: 2-inch TFT colour screen.
  • Zoom: 4x Digital Zoom.
  • Storage: Uses removable SD cards.
  • Connectivity: Includes HDMI and USB ports for connecting to computers or displays.
  • Power: Powered by a rechargeable Li-ion battery, which is user-replaceable. 

Key Features

  • Rugged Design: Built to be resistant and ideal for outdoor photography and video capture.
  • User-Friendly Interface: Often includes a built-in microphone and a touchscreen for easy navigation.
  • Educational Accessories: Retail packages typically include an installation CD, user manual, and necessary cables.

Google

I have managed to get hold of a user manual electronically, so I will download this and just go through the motions step by step when the units arrive. You never know one or two of them may just spring back into life if treated correctly. I doubt it, but it doesn’t hurt to have a little bit of optimism.

Let’s get an assessment done.

Assessment:

The cameras have arrived. I’ve carried out a very quick inspection and all three are dead to the world, so first things first, let’s try and get some power into them and then we can do a proper assessment. I must admit though, all three cameras are cosmetically in a very good condition.

All three cameras – two charging with red light visible

A switch on the side allows the USB charge port (also a data transfer port) to pop up and you just plug the unit into the socket of your choice, either a hub as I have, or into a port on your chosen computer device. When charging a red light shows on the rear of the camera at the side of the lens. This extinguishes once a full charge has been reached.

Two have reached a stage of full charge, one, the unit with the corrupted screen issue has not, and to check the battery, i have put this into one of the units that charged ok, to check if it is a battery issue or a unit issue.

It’s not a battery issue, in fact the faulty unit is charging its battery, so at least I know the charge circuit is working. It’s working in all units as I have removed all batteries and checked their voltages with the multimeter. The battery rating is 3.7v and they all currently hold a charge between 4.16v and 4.19v and that shows that they are all quite healthy.

Battery charge indication

All testing done, and now with an idea of the issues, let’s move into repair mode.

Repair:

The original posting stated that two of these units had “Card error” faults no matter what SD card was used, and one had a corrupted display screen.

I can definitely confirm that one unit does have a corrupted screen, and this is the same unit that was having the charging issues mentioned above.

Start up
Waiting
Corrupted screen

You will see in the pictures above, that I believe the screen is actually ok, yes the output is corrupted, however the start up screen or the waiting screen show no such display errors. I suspect there is an issue with the actual camera module, so I will have to open this one up to investigate further. The on off button allows you to turn this unit on, however you can’t power off. You have to remove the battery to close the unit down. This is obviously another issue that requires further investigation.

The other two units with the “Card error” fault have each had a 1Gb SD card installed and no such error occurs. Well, to be honest, it actually only happened once, briefly on one unit, when I inserted a fresh card. It then asked me to format, which I did and then it was all normal, that’s all it required. I don’t know what type of card the seller was using, maybe they just did not format the SD cards, but as it stands the stated problem is non existent in these two units.

Two units, no issues working fine

With the two working units I am able to video, and take still photographs, they are working fine, there are no issues and I will display a small video and some pictures below in the result section. Don’t expect quality, it really is quite a basic system. I need to do nothing to these two units now, as they are working fine.

We now need to turn our attention the one failed unit with the corrupted screen, and power on and off issues. I’ve opened the unit up and had to use my microscope on this one as there was nothing obvious on inspection.

Led ribbon cable
I removed the screen ribbon cable
The camera was situated under the circuit board

I detached the ribbon cable and removed the screen, I then repositioned it and again turned it on with the same result. I’m confident the screen is ok, it now looks like it could be an issue on the board.

Using the scope to inspect the board
The on/off button covered in gunk

I’ve now started to inspect the components at a magnified level, as some of these components are honestly a quarter the size of a grain of rice, they really are minuscule. The on/off button appears to be ok, it is covered in a dollop of rubber gunk that they use during production to protect parts of the circuitry, it’s all over this board. Having located the camera, I’ve now started to do some testing on the components surrounding it, and there is a short circuit detected on a small capacitor, and the four or five other capacitors surrounding it. I removed two of these capacitors and the short still remained, and that’s when I noticed the chipset sitting directly above it.

AN SPCA1628A-HL141 integrated circuit

On the screen I was now looking at an SPCA1628A-HL141 integrated circuit. This circuit is heavily used in cameras, digital video devices, and image processing equipment due to its image processing capabilities. And with the amount of failed components around it, I very much suspect this component is carrying the fault, it needs replacement, however as this entire unit has only cost me around £1:30, I don’t believe it’s financially viable to pay around £5:00 for a replacement chip, costing more than the combined three units. It’s just not worth it, and the gain from its repair would not match the outlay, it’s just not worth repairing.

Therefore this unit is going to be dismantled for spare parts, I have a battery, a battery control unit, a camera, an SD card holder, an LED screen and numerous other parts and screws that are far more valuable to me for future use. Very little will be wasted. What is disposed of will be recycled.

So we have one failure but we have two perfectly good working units. Two out of three ain’t bad. (I’m sure that’s a song!) – it is, Meatloaf – I believe, good tune!

Result:

So here’s a few pictures and a couple of small videos taken with the two working units.

Photos taken with the units, one in top left was taken with the phone of the two units
Small video of the two units playing back videos

The overall quality is between atrocious and very poor, but I guess for the purpose of school kids documenting activities it suits just fine. The video is on par with what you would have seen on phones of the Nokia era, maybe early to mid 2000s. The pictures in the right light settings are not too bad, but you do get more bad than good.

What can I use this for? God knows, it would be ok for doing a basic journal with, something to film a rehearsal situation with prior to using the good gear and doing it properly.

To be honest, I’ve a couple of young relations under the age of ten in Devon who might like these just to fool about with when they are out playing. At £1:30 per unit they couldn’t buy a decent pack of sweets for that, and this would cause less dental decay 😂

Anyway, it’s a good fix, more saved from landfill, so in my eyes the job is a good one👍

Thanks for passing by. It’s very much appreciated.

Ilford Sportsman 35mm camera

I’ve been asked to give a little service to a friends old 35mm camera that he’s inherited. Mainly cleaning and making good. An old camera that deserves to maintain its originality.

I received this text message tonight from my nephew:

Hi, my mate “T”, has got an old camera from his sister, from a old antique store, he dunno a lot about it and was wondering if you did and if you’d have a look at it and see if it was in working order as he can’t figure much out about it, no worries if not tho 👍

Family

Now, I love these random out of the blue messages, to me it just says people have a trust in what I do, and I like that. And how can I turn down a request such as this. I’ve jumped on to it and said I’d give it a service and get it checked over and up and running, no cost, I just want to feature it within my blog site. The owner is also a youngster, just starting out in photography and has a thirst for knowledge of the traditional side of business, and wants to find out more about the old ways and how the trade used to operate. He wants to shoot film, and process it, and produce his own prints. I can help him do that. And I look forward to passing that knowledge on. In the meantime, this is the camera we are looking at, and wouldn’t it be just great to get it working and use it to get those results under tuition, that he wants to achieve.

This camera is really a rebadged Dacora Dignette produced in Western Germany for Ilford Uk.

Here’s a little history regarding the Ilford Sportsman camera range:

As the desire to own a 35mm camera blossomed within popular amateur photography during the latter 1950s, in part prompted by the more economical production of projectable colour transparencies on 35mm instead of roll film, Ilford Ltd must have been concerned that they did not have their own range of such cameras.

Kodak was importing their 35mm Retina/Retinette range from Kodak A.G. in Stuttgart, a factory they purchased in 1931, (originally the Nagel Camerawerks).

To provide a suitable ‘popularly priced’ 35mm camera, Ilford entered into an agreement with Herr Dangelmaier of the Dacora Kamerawerk, Reutlingen, near Stuttgart, (West) Germany. Dacora produced a simple 35mm camera, the Dacora Dignette, but rebadged it as an Ilford Sportsman for sale in the UK.

Ilford’s Sportsman cameras were a range of viewfinder- and rangefinder-cameras, made for Ilford in Germany by Dacora; the first was introduced in 1957. They were a cheaper alternative to the Kodak Retina and Retinette series for the newly-popular 35mm format at the time. The Sportsman cameras were rebadged versions of Dacora models, including the Dacora Dignette. There were a variety of shutters fitted, including Vario and Prontor mechanisms, housing a selection of lenses such as the Dacora Dignar, Steinheil Cassar and Isco Color-Isconar. The range included basic models, with the Vario shutter and Dacora lens, through fitted meters to sophisticated rangefinder cameras with light meter, Prontor 500LK shutter and Cassar lens.

There were five body styles; the last (Mk.5) introduced c.1967.

Wikipedia/photomemorabilia.co.uk

Ilford Sportsman Mk1 version – This is the actual camera coming to me for a service

This version dates from 1957 and is one of the later issued Mk1 versions of that year. It has the Vario shutter mechanism and the Dacora-Dignar lens. The badging indicates that this is a latter 1957 produced variant. The very early versions had the “Ilford” badge printed on the camera leatherette and I suspect this would have rubbed off due to hand positioning whilst photos were being taken. This is probably why the white badge on this variant was then applied. This camera retailed in 1957 at the princely sum of £13.87GBP.

I am now in possession of the original instructions that I will download and pass on to the owner, they are extremely basic instructions, befitting of the year of production.

Front page of instruction manual

Assessment:

The camera is in an overall good condition in an original Ilford leather case and I think this alone has helped keep the camera in good cosmetic condition. It winds fine, it shoots with a little bit of stickiness, but I believe this is on the exposure button only. The aperture leaves stick a little and respond slowly when you leave the shutter on a time exposure and move it through the whole range from f:3.5 to f:16. The focus ring seems to operate smoothly, and shutter speeds of B, 25, 50 and 200 seem to work, but occasionally stick. I suspect the shutter and its aperture leafs are dirty and are sticking, they probably need a clean.

Nice original case
Inside back
Lens view from rear
Embossed back
Worn neck strap

Now I’m not going to do too much to this camera and want it to retain its old character. The leatherette on a couple of parts of the body has lifted, I will probably leave this as it is, I will dismantle the lens turret as there is a general fog in the lens that I suspect may be fungus. I will give the whole unit a good clean and polish. There is a slight break in the leather strap, I shall repair this so as it doesn’t break. There really is nothing of concern that I can see that should be of detriment to the working of this camera. It just needs a clean, and that’s what it will get as I really want to maintain the character of this camera.

Repair:

To get to the lens and shutter area we have to start dismantling the lens turret, that starts with removing four of the tiniest screws you will ever find.

Four of the tiniest screws you will find

We now unscrew the first element, the outer one, and it’s clear to see that there is fungal scarring of the element.

Fungal scarring evident

Next we unscrew the next part of the lens barrel that gives me access to the inner lens element.

The inner of the lens turret

We can now reach in and delicately remove the inner element

Removal of the inner element

We now expose the shutter blades and underneath these we find the aperture blades.

Shutter blades
Aperture blades

I start by giving these sections a clean with a a little “lighter fuel” to remove the old grease and oily deposits. With the shutter blades I clean them very carefully, let them dry a little and then fire the shutter a few times, I blow off any build up and do the process again until I’m satisfied they are free from any contaminants. Now putting the shutter on “B” setting, I open the lens and do the same with the aperture blades opening and closing them manually using the same process as with the shutter blades. Happy with how this has gone I now head onto the elements.

Using a mix of pure water and peroxide I use a small bud to coat both sides of the inner element to give it a clean, it is very dirty, no fungus on this element though, just years of dirt and grime.

Inner element was very dirty

The outer element was a different story, it had such bad fungus that the edges of the element had been etched by the fungus, as it had been there so long. I don’t think it will be too much of an issue through as a lot of it was removed. Below are two photos before and after, the after looks quite a bit better and when it was dried and polished it did look considerably better.

Before
After, before rinsing and drying

Once cleaned I rinsed the elements off and dried them using a lint free cloth. A good blow with some air dispersed any loose dust or fluff, prior to reassembly.

Reassembly was simple and without issue, I cleaned as I went along replacing any grease and oil with fresh lubricant (sparingly of course).

Reassembled and ready for cleaning

Cleaning wise I’ve used IPA, detailing polish, cocktail sticks (to get into the nooks and crannies) and good old elbow grease. It’s looking good.

Leather strap repair

I’ve repaired the broken strap by just removing the damaged part and creating a new strap loop, it looks ok, but I’m working with a strap that’s almost 69 years old, very thin, and has seen better days, but it looks okay. There are loose bits on the case where the leather stitching has deteriorated, however leather work is not my forte, so I will be leaving this alone, letting it maintain its old appearance and patina if you like.

Result:

The result is that I have been able to maintain the original appearance of this camera, only carrying out a sympathetic maintenance regime, allowing the camera to be used as it should, but maintaining its age and individual characteristics.

That case with repaired strap
Must admit, it does look lovely

It’s been nice to just tidy up a camera and give it some attention, TLC if you like. These cameras are remarkably easy to maintain and operate, I’m sure a roll of film through it will give some superb results. The viewfinder is so clear now, the lens is clean and the shutter, aperture, and all buttons and levers are working just fine. It’s been a pleasure to work on this camera, and I sincerely hope that my friend is happy with the outcome. One thing you really struggle with though is the old musty smells these cameras carry with them. If I had a solution I could use to negate these aromas I’d probably be a rich man, or at least my wife would probably forgive for once, for bringing these aromas into the house.

Oh well, you can’t win them all.

Thank you for passing by, it’s always very much appreciated.

Yashica 35 ME

An old Yashica camera from 1972 with a non functioning light meter. Time to get it back into a working condition.

I purchased two vintage point and shoot cameras, and this post is related to the Yashica 35 ME. Both cameras were purchased for the princely sum of £4:99GBP and that equates to roughly £2:50GBP each. Both cameras were sold with the following sales statement:

This bundle includes a Yashica 35 ME and Ricoh Auto 35, two vintage 35mm film cameras ideal for collectors or those seeking parts for repair projects.

These cameras are being sold as faulty and for parts or repair only. They have not been tested for functionality and may have issues with their mechanical or electronic components.

Cosmetically, both cameras may show signs of wear consistent with age and previous use, such as scuffs, scratches, or dust. No accessories, batteries, or additional items are included, €”only the two cameras as pictured.

EBay

Having purchased from this seller before, I suspect the cameras themselves are in perfect working order mechanically, but as one camera – the Ricoh, is from 1960 and now in its 66th year of existence, I very much suspect the issue would be with it’s Selenium light cell that is more than likely now very dead. The Yashica however is from 1972 and has a CdS light cell that could also be an issue, more than likely related to the old Mercury 1.3v battery that used to supply it. Either way, even without the light sensors both cameras are very capable of doing what they were built for, however you’d just have to use a separate light meter or use the “Sunny 16” rule. Let’s wait their arrival so we can asses the issue. You can read more regarding the types of light metering used on these two cameras by reading a recent post of mine regarding their differences Photographic light sensors in older point and shoot cameras

Both cameras
Yashica 35 ME

Some more photos from the seller:

Yashica 35 ME

Whilst we await their arrival here is a little bit about the Yashica 35 ME:

The Yashica 35-ME is a small, compact 35mm viewfinder camerawith auto exposure, made in Japan by Yashica, introduced c. March 1972. 

It uses a 38mm f/2.8 lens made of 4 elements in 3 groups with a screw-in filter size of 46mm. The film speedis set using a ring around the lens, with the setting window on the bottom face of the lens. The metering system uses a CdS sensor with a sensitivity of 8 to 17 EV. The viewfinder has bright line frames with parallax correction marks for focus distance of 1.5 meters or closer. The shutter display scale is on the right of the finder has speed markings 1/30, 1/60, 1/125, 1/250 and 1/650 of second. Aperture scale is also displayed at 2.8, 4, 5.6, 8 and 14. The setting for the meter uses a pointer type indicator. Correct exposure is assured when the pointer is in the yellow areas of the scales. Also in the finder scale is over exposure, under exposure zones along with symbols of the selected zone focusing settings. The top plate carries the shutter release, hot shoe and frame counter.

Specifications

  • Lens: Yashica 38mm f2.8; zone and feet/metres scales
  • Shutter: Copal auto, speed set by metering, 1/30-1/650 sec.
  • Meter: CdS sensor
  • Film speed: 25 to 400 ASA
  • Flash: hot shoe, flash sync 1/25 of a sec.
  • Power: 1.3v mercury

Camera-wiki.org

It’s arrived, it has that familiar aroma of age old mustiness, but looks a nice item, in good condition for a camera that is now 50+ years old.

Assessment:

The case is quite tatty, but it does the job. The body is dusty but free of any dinks dents or scars. Inside the rear of the camera all is good, it’s clean and the light seals are ok. They will need replacing at some point, but currently they appear to be ok.

Camera looks nice

The winder works fine, the shutter fires and there is no sticking of the shutter leafs.

When you look through the viewfinder it’s a fairly clear view, however the exposure reading needle on the right is sitting firmly on the bottom of the scale. Moving the camera from light to dark makes no difference, the meter is not responsive. Let’s check the battery.

Meter reading does not move

Repair:

The battery that was used is an LR44 cell rather than the old Mercury 1.3v cells that used to be installed on these cameras. They are hard to come by nowadays and people tend to go with the more modern LR44 cells that have a slightly higher voltage of 1.5v. They work, however some have stated that they notice a slight overexposure of about one stop, personally I haven’t really had issues when I have made these battery changes in the past. Each to their own as they say.

The battery currently in place was dead so I tried a new battery to no avail. When I opened the battery chamber again I then noticed some oxidation of the contacts, so a quick clean with some contact cleaner and they looked a lot different.

Before and after battery contacts

A new battery back in place, and hey presto the light meter is now working.

Light meter now working

I’ve given a good disinfectant clean. Buffed up the case to make the best of a bad thing, and it all looks good. The only thing I can do now is run some film through it to give it a final test. I have some old out of date colour film at home, so I will use one of these to run a test roll. As I stated at the beginning there is not really a lot that can go wrong with these point and shoots, and I’m confident that the only issue was with the exposure meter as everything else seems to be fine. let’s get that film run through the camera to check things out.

I’ve taken the film out of the fridge. It’s a roll of Kodak Gold 200ASA film, and it’s only 20 years out of date. I’ve tested a roll of this before, you can see that post here: 20yr old Kodak Gold.

Expired in December……2004

The results won’t be anything spectacular, it will be grainy, it will have a colour cast and in fact might not even work at all. After this period of time the sensitively Will have dropped so I’m going to over expose this roll by one stop to attempt to compensate a bit. This 200ASA film will be exposed on this occasion at 100ASA. When I’ve exposed this it will be off to a local film developer- Classic photo supplies – for them to do the developing and scanning. Read this post regarding my rationale behind using this film: 3..2..1 – 20yrs out of date.

Result:

Well, the scans of the developed film have arrived back and it has proven a couple of things, one that the camera does actually work and two, that the film has definitely reached its limits, as the negatives show immense grain, and a colour cast due to the chemical structure of the film breaking down. I’m glad I only overexposed by one stop, I know that the recommended +2 stops would have been too much for this film. Below I have displayed a selection of pictures from this film, you can see the age related “colour cast” along with grain size if you zoom in. These aren’t the high quality pictures as the originals came back at about 30mpx each, and that would be far too high a resolution to show on this site, and I’d probably use up all of my photo allowance as well. So here are the greatly reduced results of those scans.

Back gate
Forklift
A house view
Driveway
Train passing
Football shelter
But if double exposure
Broken fence
Refreshments
Chat
Graffiti
Storage

To be totally honest if you switch to B/W in editing mode, all the pictures come out fine and are completely presentable and maybe that’s the way to go with the next batch, don’t bother trying to get a good colour balance as that will never be achievable, just display in good old black and white, you can’t go wrong.

So the camera works, and this one will now be put aside until I decide how I’m going to move it on. It’s such a basic camera, the distance selections are questionable, but that’s just a remnant of the 70s technology behind it. It’s a good little point and shoot, but I do believe the likes of the Olympus trip totally outshone all other competitors in the point and shoot category.

Job done. Another old camera saved from the scrap heap, and given a new lease of life, and it probably took no more than 10 minutes to get it back in working order.

Thanks for passing by, it’s very much appreciated.