Tag: retro

Minolta 110 zoom Mk1 SLR

The world’s first SLR 110 format film camera. A strange creation that has its issues, from 1976-79. Can it be resurrected and put back to use?

What the listing stated:

The Untested MK1 1970s Minolta 110 Zoom SLR is a vintage film camera that comes with a case and strap, making it easy to transport and store. This compact camera from Minolta features manual focus and is designed for 110 film in a 13x17mm format. The black-coloured body gives it a classic and timeless look, perfect for film photography enthusiasts looking to experiment with older technology.

With its retro charm and unique capabilities, this Minolta 110 Zoom SLR offers a glimpse into the photographic world of the 1970s. Untested

EBay

Yes you did read right, this is a 110 format camera with SLR. Now, I have had this camera sitting amongst my backlog for a few months now, it was purchased towards the end of 2025. I believe I paid the sum of £14:00GBP for it, and considering current prices on the sales sites it’s quite the bargain I think.

Minolta 110 zoom Mk1

The reason I’m looking at this one is because I have been approached by someone to repair their one, now before I look at their issue (a stuck mirror) that seems to be a standard issue with this model, I want to look at my own one that I believe may well have the same issue. It’s best to learn how to deal with the issue on your own unit, before being let loose on someone else’s.

However, saying that, the listing was a little vague with only the standard “Untested” EBay catch all quote meaning it could be anything between a total wreck, to working perfectly.

Here’s some information regarding this camera:

The Minolta 110 Zoom SLR is a 110 format single-lens reflex (SLR) camera produced by Minolta of Japan between 1976 and 1979. It was the first SLR in 110 format. It has an unusual, flattened shape. Other 110 SLRs were shaped like SLRs in larger formats, but the 110 Zoom SLR took the flat format of the typical 110 pocket camera and added a larger lens and prism hump to it. 1979’s replacement, the Minolta 110 Zoom SLR Mark II, has a more conventional shape.

The 110 Zoom SLR provides aperture priority autoexposure; fully manual exposure is not available.  Light metering is with a CdS meter mounted on the front of the camera. An exposure compensation dial allows the photographer to compensate for unusual lighting situations; it also allows the use of film speeds other than the ISO 100 and 400 auto-selected by the cartridge tab, by applying the appropriate compensation factor.

The lens is a fixed 25–50 mm f/4.5-16 manual focus zoom with macro focusing down to 11 in (280 mm). This gives a field of view range approximately equivalent to a 50–100 mm zoom lens on a 35 mmformat camera. There is a built-in, pop out lens shade. The filter thread diameter is 40.5 mm. Minolta sold UV, yellow and 1B filters.

Available shutter speeds are 1/1000 second through 10 seconds, with a 1/150 second X-sync speed and support for bulb exposure. There is no built-in flash, but a hot shoe on the top allows an external flash to be attached. A tripod socket is provided.

Wikipedia

Let’s get the assessment out of the way.

Assessment:

The camera has arrived. And the most annoying thing about it, is that it appears to be working just fine. I have been through every possible combination of settings available, hoping to get the mirror to stick up (as is common with these cameras) but to no avail. Everything appears to be working just fine. Damn that’s annoying as the “untested” EBay get out clause used so often by questionable sellers, has on this occasion gone in my favour. If you refer to the opening paragraphs, you will see I wanted to work on this one to diagnose an issue that a potential customer has asked me about. I may well just send him this working one in exchange for his knackered one, how’s that for service!

Anyway, here is what I received, in a black Minolta case, it has been well looked after and is just a bit dirty and in need of a clean.

All in a good, just dirty/dusty condition

Lovers of lomography really rate these cameras, the 110 film cartridge is quite an expensive outlay these days and from what I can see with film costing about £9:00GBP for a roll and then about £18:00GBP for developing and scans only, you are looking at quite an outlay of almost £30:00GBP for the results. I don’t think I will be attempting this unless I come across a less expensive option, as I’m sure there will be one out there….somewhere.

So, with not much more to tell, let’s move on to getting it repaired….or should that be cleaned?

Repair:

Closer inspection of the lens when I’m cleaning shows me that there is a small area on the outer optic of the lens that has a solitary spore of fungus. It’s nothing too much, however a quick clean of the exterior of the optic, confirms the issue is inside. I’ve now got to dismantle the lens barrel to get to it.

Exterior of barrel dismantled
Fungus under the lens in the 11pm area

The fungus is on the rear, not the front of the outer optic.

Viewed from outer
Viewed inner
Light dust off
The fungus spore magnified

The bad news is that on close inspection and using a soft plastic pick, a tiny indentation at the point of the fungus can be felt, this shows that the fungus has eaten into the optic coating and no amount of cleaning will ever eradicate it. Two options here are a new optic, or to get the optic ground down, both totally beyond the value of the camera and to be honest totally unnecessary. The good news is that there is no fungus on the inner optics, and luckily this needs no cleaning or attention.

Inner optics clean and clear

To be totally honest, the negatives in these cameras are so small, and the outer lens magnification is probably sufficient enough to make this aberration appear as nothing more than a slight blur, if it even shows up at all! I’ll give it a good clean to prevent any further growth, and just put it back together again. There is a good possibility that a film will never be run through this camera again, even so I would like it to look as good as possible, and operate as it should, if there is even the remotest chance of a film being used in it, sometime in the distant future.

Result:

The camera has been reassembled and is looking quite nice. It’s a really weird camera. So weird that someone has offered to take it off my hands, as they believe it’s quite a novel item, so as soon as I’ve posted this report it will be winging its way to its new owner.

It’s probably best that I pass this on to someone who will either use it, or at least make a use of it should it become a display item.

Minolta 110 zoom

A nice little camera, but to be honest it’s more than likely more of a display piece rather than a working camera. It is fully operational though and has been nice to work on. I’m pleased someone else will eventually benefit from it.

Thanks for passing by, always appreciated.

Rollei XF 35 35mm Rangefinder Film Camera 

I’ve just purchased an old Rollei 35 XF rangefinder from around 1974. It doesn’t work, so let’s see if we can get it working again.

What the listing stated:

The Rollei XF 35 is a compact vintage 35mm rangefinder film camera made in Germany, known for its classic design and portability.

This camera is being sold as spares or repairs and does not power on. It has not been tested with film and is not in working condition; functionality of the shutter, meter, and other features has not been confirmed.

Cosmetically, the camera shows typical signs of age and use, but no major damage is visible. Please note this item is intended for parts or restoration and is not guaranteed to function.

Accessories included: wrist strap and lens cap.

EBay

Rollei XF35

I like these little point and shoots. I’ve always wanted one, and ideally I would like an original 35, but in the meantime I’ll settle for this one. Not working, only £17:00GBP, this was a bargain price for an old camera with a lens that has a superb reputation for having good optics. It’s a bargain basement price for a camera that has a lot of potential if I can get it working again. I have purchased from this supplier before and they are a good bunch of guys and girls, so I don’t believe I am being ripped off in any way. This camera dates from from around 1974.

Here’s a little bit about this camera:

The Rollei XF35 is a small 35mm full frame Rangefinder camera released by Rollei in 1974. The same camera can be rarely found under the brand Voigtlander: in this case it’s called VF135. 

This camera provides only a programmed exposition, with a CDS cell powered by a small 1,35v PX 625 mercury battery. A ring around the lens must be set to the right ASA/DIN value.

The shutter is a small Copal central type one, that also works on relative aperture.

The lens is a Carl Zeiss Sonnar-derivation, built under license by Rollei. It’s a 40mm f2.3, with focus from 1 meter of distance. The viewfinder has a small frame that indicates the f-stop and the speed of the shutter that the program will use. At the center, two small yellow and red circles must overly to obtain focus on the subject.

Shutter speeds go from 1/30 to 1/650s, including bulb mode (only at f2.3). Copal shutter closes up to f16, so Rollei reccomends max 400 ISO/ASA films.

There’s a hot-shoe flash slot and the camera also includes a self-timer (circa 10s of delay). Under bulb mode, this timer can fire the shutter to a speed of circa 5 seconds.

Camerapedia

I’m expecting the camera shortly, so in the meantime I’m off to read the manual and to also look for replacement batteries that replace the now defunct PX625 batteries this camera used to have to maintain a sufficient power supply. When it arrives we can carry out a full assessment.

Assessment:

On arrival it’s a nice tidy little camera, with slight signs of use and that slight mustiness of being in storage for a few years, though I have smelt worse.

It needs a little clean, the strap buckle is a little rusted however that is easily replaced.

Inside, the camera is clean, the winder works and the exposure button works, however the shutter doesn’t fire. This could be one of a couple of issues, the battery inside that appears to be an original PX625 Mercury battery could be below power, and if it is an original this could well be the case. However the light meter is working and this is a welcome bonus, so there is a little life still in the battery that should be 1.35v when at full power.

Light meter is functioning

Let’s check this with the multimeter, before purchasing a new battery, and I can confirm the battery power sits at 1.53v?

A fully charged 625A battery

I was mistaken, it’s not an original PX625 it’s actually a 625A alkaline replacement. These alkaline batteries are 1.5v rated against the original that was 1.35v. These batteries are commonly used with these older cameras as a suitable alternative to the original battery. The only issues that are sometimes reported are that the metering can sometimes be off by about +2stops, however some people report no issues at all so it is all a little bit and miss to be honest. I guess it’s all down to trial and error with your own film stock and the camera, B&W film would probably be more forgiving. So, in this case it is not a power issue. We need to then move on to another option.

The other related issue could be sticky blades on the shutter mechanism, and that is more than possible if the camera hasn’t been used in quite a while, the old lubricants dry out over time and the shutter blades get stuck, this means I would have to carry out a service of the shutter mechanism, not a major issue just quite time consuming.

Repair:

I have liberally coated the shutter blades from inside with some isopropyl alcohol as that’s all I had available at the time. This has removed some old black gunk that appears to be old oils of some kind, however the shutter still does not operate when activated, even though all the noises are there to suggest the mechanism is actually working.

I have used a compatible tool to tempt the shutter blades open, this initially worked but they did not fall back into place with any urgency. I suspect there is residue on the opposite side of the shutter blades, so it looks as if this will have to be a full CLA – Clean, lubricate and adjust, requiring a partial disassembly of the camera.

Boy I wasn’t wrong, this is probably the deepest I have gone into a camera for quite a while, this camera really does have to be dismantled. These cameras have always been renowned for having issues deep into the cameras workings, it’s probably what has gained them a poor reputation, somewhat unfairly, but not everyone is prepared to dismantle a camera at these prices, when they can just chuck it and get a new one. However that’s not what I do here.

Let’s stop the chat and get on with it.

So we need to get inside, and the best plan of attack is from the front through the lens turret, so first thing we do is remove a retaining ring on the lens. This allows us access to the insert that controls the ASA, and where the CDS cell is located. Remove with caution as there are small wires present.

ASA and CDS module removed
Then the focus ring

Three screws under the ASA/CDS module then allow you to remove the focus ring where there is a small brass plate. This is removed and then the rest of the barrel loosens, but cannot be removed….strange.

At this point I had to do a little research and source the maintenance manual and refer to it to see what I had to do next.

Maintenance manual courtesy of Rollei

After reviewing the manual it appears there are another four screws requiring removal before we can access any deeper, however these are situated under the camera “Skin” and this needs to be peeled back slightly to access.

Those four extra screws under the camera “Skin”

With these four screws removed, you now have to remove both the top and bottom parts of the camera, five more screws to allow the front plate and lens to be removed.

Base of camera removed exposing winder workings
Shutter mechanism
A bit deeper with aperture plate removed

With the lens plate now movable, again I carefully move it aside being wary that there are also wires here, and not a lot of room for manoeuvring. A slight twist of the brass aperture control plate and it can then be removed. The plate below this, with the three brass dots, just clips out and exposes the thin shutter blades below.

Shutter blades only one link visible
Bottom plate removed

Just looking at the shutter blades I can see there is a small link missing, this was sitting loosely to one side, it could have come off as I was dismantling the blades, who knows. Carefully put to one side the blades are placed individually in preparation for a clean. Lastly the bottom plate of the shutter mechanism, lifts out and beyond this point is the camera back, we have just a hole as the whole shutter and lens mechanism has now been removed.

All parts removed have now been cleaned with an IPA solution to remove any grease and dirt, and there was quite a lot of both. These have all been put to one side and will be cleaned once more prior to reassembly.

A period of time was spent just watching and observing whilst I continued to prime the camera and fire the mechanism to see if I could see anything obvious that was of concern. After a while I could see the issue, there is a small flywheel that was not moving, and as a result the connected shutter mechanism could not move.

Flywheel and aperture pin highlighted
Flywheel and shutter blade actuator

The flywheel controls two parts of this mechanism. Firstly the shutter mechanism to move and work the shutter blades, and secondly there is a small brass pin at the top that also moves relative to the aperture setting, if this is in the wrong position, the shutter fires but will not close, this wheel is where the issue lies.

Using some IPA I get into the gearing from the base area, and give all the gears that I can access a good clean, I activate the camera numerous times to get as much grease and dirt away from the workings as possible.

Then using a very fine camera oil, very sparingly, literally a drop on top of a needle applicator, I place oil onto the cogs paying special attention to the offending fly wheel.

Oil applied with a needle applicator
Oiling the offending flywheel

I have three shutter blades that are super thin and delicate that need a final clean, dry and a dry wipe prior to reinstalling. I get this done and then put both links in place, after installing the blades in the correct order.

Shutter blade reinstalled, with both links
A small video showing the shutter working

The re installation of all other parts is just a reverse action of how they were taken out, each part was cleaned as it was put back, so in theory the camera is an awful lot cleaner and free of contamination than it was a while ago. Before I put the lens plate back on the camera I check the shutter’s operation and it is all fine. Just a final calibration of the aperture settings, a check of the focus range, and just ensuring all wires are routed sufficiently, and the lens plate is ready to attach to the rest of the camera. This done, the base and top fascia plates are attached after first cleaning the focus window and light meter window. The camera is now fully assembled, it now just needs the camera “Skin” to be re glued where it was earlier removed for access.

Reassembled and just needs gluing

The skin is now glued into place.

Skins re stuck

Now I’m outside the camera I’m just going to touch up some of the scuffed areas with some permanent marker, it’s not worth stripping down, priming and repainting, to be honest I’m quite happy just doing a touch up of the scuffed areas and that is what I have done. Once it gets a clean and polish it will appear much improved, compared to when the pen is first applied, it will blend in.

Before and after pen applications

I’ve taken the old strap buckle off as that was rusted, I’ve just used the original strap ring to connect to the camera lug, I think it looks good. I’ve also added a cover for the hot shoe connector that I’ve printed off on the 3D printer.

Original ring

And that completes the repair, the last thing to do is get this camera cleaned and polished.

Result:

With a good clean and polish, this little handheld has come up looking superb.

The finished clean Rollei XF 35

With all the extra touches, we now have a superb working, resurrected camera that was heading for landfill. This has taken a lot of time and patience, something I don’t have a great deal of if I’m honest, but I was determined to get this project finished. And it is. It looks good, works good and has years of life left in it. Currently sitting at 52 years old, it has a long life ahead of it.

This camera probably rates as one of the most fulfilling and pleasing projects I have ever started upon and completed. It’s been a very delicate and time consuming job, and that I will not deny. It’s only a cheap low cost camera but it’s taught me a great deal. It’s the first complex project I have undertaken, in my new workspace, I don’t think I would have been able to complete it with my old set up. It’s been an achievement, one I am considerably proud of, an occasion when once again, it doesn’t matter how old you are, you can still learn a lot. A big positive for me.

Anyway, enough about me.

Thank you most sincerely for passing by and giving me your time. It really is, very much appreciated.

Ilford Sportsman 35mm camera

I’ve been asked to give a little service to a friends old 35mm camera that he’s inherited. Mainly cleaning and making good. An old camera that deserves to maintain its originality.

I received this text message tonight from my nephew:

Hi, my mate “T”, has got an old camera from his sister, from a old antique store, he dunno a lot about it and was wondering if you did and if you’d have a look at it and see if it was in working order as he can’t figure much out about it, no worries if not tho 👍

Family

Now, I love these random out of the blue messages, to me it just says people have a trust in what I do, and I like that. And how can I turn down a request such as this. I’ve jumped on to it and said I’d give it a service and get it checked over and up and running, no cost, I just want to feature it within my blog site. The owner is also a youngster, just starting out in photography and has a thirst for knowledge of the traditional side of business, and wants to find out more about the old ways and how the trade used to operate. He wants to shoot film, and process it, and produce his own prints. I can help him do that. And I look forward to passing that knowledge on. In the meantime, this is the camera we are looking at, and wouldn’t it be just great to get it working and use it to get those results under tuition, that he wants to achieve.

This camera is really a rebadged Dacora Dignette produced in Western Germany for Ilford Uk.

Here’s a little history regarding the Ilford Sportsman camera range:

As the desire to own a 35mm camera blossomed within popular amateur photography during the latter 1950s, in part prompted by the more economical production of projectable colour transparencies on 35mm instead of roll film, Ilford Ltd must have been concerned that they did not have their own range of such cameras.

Kodak was importing their 35mm Retina/Retinette range from Kodak A.G. in Stuttgart, a factory they purchased in 1931, (originally the Nagel Camerawerks).

To provide a suitable ‘popularly priced’ 35mm camera, Ilford entered into an agreement with Herr Dangelmaier of the Dacora Kamerawerk, Reutlingen, near Stuttgart, (West) Germany. Dacora produced a simple 35mm camera, the Dacora Dignette, but rebadged it as an Ilford Sportsman for sale in the UK.

Ilford’s Sportsman cameras were a range of viewfinder- and rangefinder-cameras, made for Ilford in Germany by Dacora; the first was introduced in 1957. They were a cheaper alternative to the Kodak Retina and Retinette series for the newly-popular 35mm format at the time. The Sportsman cameras were rebadged versions of Dacora models, including the Dacora Dignette. There were a variety of shutters fitted, including Vario and Prontor mechanisms, housing a selection of lenses such as the Dacora Dignar, Steinheil Cassar and Isco Color-Isconar. The range included basic models, with the Vario shutter and Dacora lens, through fitted meters to sophisticated rangefinder cameras with light meter, Prontor 500LK shutter and Cassar lens.

There were five body styles; the last (Mk.5) introduced c.1967.

Wikipedia/photomemorabilia.co.uk

Ilford Sportsman Mk1 version – This is the actual camera coming to me for a service

This version dates from 1957 and is one of the later issued Mk1 versions of that year. It has the Vario shutter mechanism and the Dacora-Dignar lens. The badging indicates that this is a latter 1957 produced variant. The very early versions had the “Ilford” badge printed on the camera leatherette and I suspect this would have rubbed off due to hand positioning whilst photos were being taken. This is probably why the white badge on this variant was then applied. This camera retailed in 1957 at the princely sum of £13.87GBP.

I am now in possession of the original instructions that I will download and pass on to the owner, they are extremely basic instructions, befitting of the year of production.

Front page of instruction manual

Assessment:

The camera is in an overall good condition in an original Ilford leather case and I think this alone has helped keep the camera in good cosmetic condition. It winds fine, it shoots with a little bit of stickiness, but I believe this is on the exposure button only. The aperture leaves stick a little and respond slowly when you leave the shutter on a time exposure and move it through the whole range from f:3.5 to f:16. The focus ring seems to operate smoothly, and shutter speeds of B, 25, 50 and 200 seem to work, but occasionally stick. I suspect the shutter and its aperture leafs are dirty and are sticking, they probably need a clean.

Nice original case
Inside back
Lens view from rear
Embossed back
Worn neck strap

Now I’m not going to do too much to this camera and want it to retain its old character. The leatherette on a couple of parts of the body has lifted, I will probably leave this as it is, I will dismantle the lens turret as there is a general fog in the lens that I suspect may be fungus. I will give the whole unit a good clean and polish. There is a slight break in the leather strap, I shall repair this so as it doesn’t break. There really is nothing of concern that I can see that should be of detriment to the working of this camera. It just needs a clean, and that’s what it will get as I really want to maintain the character of this camera.

Repair:

To get to the lens and shutter area we have to start dismantling the lens turret, that starts with removing four of the tiniest screws you will ever find.

Four of the tiniest screws you will find

We now unscrew the first element, the outer one, and it’s clear to see that there is fungal scarring of the element.

Fungal scarring evident

Next we unscrew the next part of the lens barrel that gives me access to the inner lens element.

The inner of the lens turret

We can now reach in and delicately remove the inner element

Removal of the inner element

We now expose the shutter blades and underneath these we find the aperture blades.

Shutter blades
Aperture blades

I start by giving these sections a clean with a a little “lighter fuel” to remove the old grease and oily deposits. With the shutter blades I clean them very carefully, let them dry a little and then fire the shutter a few times, I blow off any build up and do the process again until I’m satisfied they are free from any contaminants. Now putting the shutter on “B” setting, I open the lens and do the same with the aperture blades opening and closing them manually using the same process as with the shutter blades. Happy with how this has gone I now head onto the elements.

Using a mix of pure water and peroxide I use a small bud to coat both sides of the inner element to give it a clean, it is very dirty, no fungus on this element though, just years of dirt and grime.

Inner element was very dirty

The outer element was a different story, it had such bad fungus that the edges of the element had been etched by the fungus, as it had been there so long. I don’t think it will be too much of an issue through as a lot of it was removed. Below are two photos before and after, the after looks quite a bit better and when it was dried and polished it did look considerably better.

Before
After, before rinsing and drying

Once cleaned I rinsed the elements off and dried them using a lint free cloth. A good blow with some air dispersed any loose dust or fluff, prior to reassembly.

Reassembly was simple and without issue, I cleaned as I went along replacing any grease and oil with fresh lubricant (sparingly of course).

Reassembled and ready for cleaning

Cleaning wise I’ve used IPA, detailing polish, cocktail sticks (to get into the nooks and crannies) and good old elbow grease. It’s looking good.

Leather strap repair

I’ve repaired the broken strap by just removing the damaged part and creating a new strap loop, it looks ok, but I’m working with a strap that’s almost 69 years old, very thin, and has seen better days, but it looks okay. There are loose bits on the case where the leather stitching has deteriorated, however leather work is not my forte, so I will be leaving this alone, letting it maintain its old appearance and patina if you like.

Result:

The result is that I have been able to maintain the original appearance of this camera, only carrying out a sympathetic maintenance regime, allowing the camera to be used as it should, but maintaining its age and individual characteristics.

That case with repaired strap
Must admit, it does look lovely

It’s been nice to just tidy up a camera and give it some attention, TLC if you like. These cameras are remarkably easy to maintain and operate, I’m sure a roll of film through it will give some superb results. The viewfinder is so clear now, the lens is clean and the shutter, aperture, and all buttons and levers are working just fine. It’s been a pleasure to work on this camera, and I sincerely hope that my friend is happy with the outcome. One thing you really struggle with though is the old musty smells these cameras carry with them. If I had a solution I could use to negate these aromas I’d probably be a rich man, or at least my wife would probably forgive for once, for bringing these aromas into the house.

Oh well, you can’t win them all.

Thank you for passing by, it’s always very much appreciated.

Canon Snappy 50 automatic 35mm camera

A compact Canon 35mm camera from 1982. It doesn’t work, so let’s make it work!

What the listing stated:

In generally good condition but does not power up
Sold as spares or repair

EBay

Canon snappy 50

I came across one of these a few weeks back and was just taken by the shape and aesthetics of it. However i wasn’t going to pay a high price demanded by the seller, so i just hung around and waited for others to come on the market. I have just purchased this camera with free postage for a total of £1:13GBP. I’m confused, the seller will basically be paying me to take it off his hands as postage will be at least twice the value of what I have paid today. Let’s wait and see if this sale gets suddenly cancelled, as I suspect it may well do.

Anyway here’s a little bit of its history:

Released in July 1982 and based on a new concept, this is a fully automatic 35mm Lens-Shutter compact camera.

The camera height was reduced by about 30 percent, giving the camera an oblong and unique form.

The camera uses active autofocus with a solid-state near-infrared beam. EE and the aperture are controlled electronically with a program. Metering range is EV 8.6 (f/3.5 at 1/30 sec.) to EV 15 (f/9.5 at 1/350 sec.). The shutter speed is set within a range of 1/20 sec. to 1/500 sec. to suit the film speed.

There is only two film speed settings. ISO/ASA of 100 or 400.

The built-in flash (Guide No. 11 at ISO 100 in m) must be turned on manually with a switch when the camera-shake warning lamp lights in the viewfinder.

Canon

I’ll just wait now to see if it turns up. I don’t know what the problem with it is, it’s just listed as a power up problem.

Well I’m shocked, I’ve received a postage notification so it is definitely on its way. Next stop…Assessment.

Assessment:

Well, it arrived, I’m shocked. It’s got to be one of the best packaged items I’ve ever received, never have I seen so much bubble wrap protecting an item that cost just £1:13GBP.

My Canon snappy 50

On top of that the sender has spent £3:45GBP on postage and charged me nothing. God I feel guilty now, least I can do is give him some glowing feedback.

Wow – And I paid nothing

Right, back to the camera. For a 44 year old camera it really is in beautiful cosmetic condition and needs nothing but a slight dusting to finish it off. But first I put in two AA batteries and can confirm it is dead. No life at all. Also, the film door is flapping about (So there was another issue!). I’m going to have to get inside this unit to see what is wrong. To be honest the unit is such a basic one, I suspect there isn’t a lot that can go wrong with it.

Repair:

The film door issue is a simple one, and if I didn’t have a ton of spare parts spread around the place, I’d be quite annoyed to say the least. It would have been either a case of making a new catch for the door or building some Heath Robinson contraption to secure the door, looking completely out of place. However, I just so happen to have a complete rear door for one of these cameras so hopefully it should be a simple swap out of parts.

Broken door catch
Replacement door with catch

But before I do this simple replacement, I need to get the top and bottom off of the camera to check where the electrical issues lie.

Taking the bottom off of the camera, the problem presents itself quite clearly. At the bottom of the battery chamber the negative wire has detached and needs soldering back into place.

Negative wore detached from battery chamber

I put the base back on and put two batteries into the chamber and the rewind motor instantly kicks in. We now have power. The shutter works and the winder motor operates as it should. When the rewind button is depressed the rewind motor kicks in as well, all seems to be good…..until!

The live supply to the flash was detached

I try the flash, and nothing. Not even the usual sound of the flash capacitor charging. Damn, I hope that capacitor isn’t dead! So now I have the top off of the camera and another problem presents itself just as clearly as the first. Not a problem here as I need the top off to replace the rear door.

Rear door hinge removed and replaced

The live supply to the flash had broken loose and this also needed re soldering, in fact I re soldered about eight wires in total as it seemed that the solder joints in these critical areas could possibly be fairly. They may not be failing, but whilst I’m inside why not just do this simple task to prevent anymore premature failings?

Batteries back in, flash turned on (it’s manual on this camera) and the check light illuminates. This camera is now fully operational.

Flash check light now illuminates

Result:

I’ve had a fairly simple repair here with some soldering and luckily, some spare parts available. These cameras are quite tricky to repair due to their compact build. Normally when you detach one part you have tiny springs and other parts that fly out, leaving you with a head scratching puzzle to add to your issues. However having dealt with these cameras in the past and having learned my lesson previously, I was very careful and took my time ensuring nothing occurred that would cause me any issues further along in this fix. I also open these cameras in a box, so if anything does fly out, it doesn’t fall onto a carpet disappearing into the pile, it just falls into the box, saving me the embarrassment of looking for a tiny piece of camera, that could be just about anywhere on the floor of that room. You learn from previous mistakes, I have, and i now have procedures in place to prevent such issues happening again.

All cleaned up and working
And neatly cased

We now have a lovely example of compact 35mm photography, rejuvenated, repaired and ready to get back to doing what it was designed for, creating memories.

And long may that last, another one saved from landfill, repaired, recycled and now with many more years of purpose.

Many thanks for passing by 🙏

Packard Bell DB128 personal organiser

Another personal organiser / PDA from 1992. The Packard Bell DB128. Does it work? Is it just needing new batteries? Who knows? Let’s have a look.

What the listing stated:

The Vintage Packard Bell DB128 Deluxe PDA Personal Organiser from 1992 is a charming piece of retro computing history. Manufactured by Packard Bell in China, this personal organiser is a single unit that serves as a reminder of the technology of the early 90s. With its vintage appeal, this item is ideal for collectors of vintage computing devices or those who appreciate the nostalgia of older electronics. The Packard Bell DB128 Deluxe PDA is a unique and rare find for those curious about the evolution of personal digital assistants. Needs new batteries at the very least. For repair or spares only

EBay

Packed Bell DB128 personal organiser

I love these postings on the selling sites, no actual real description of the state and condition of the unit you are purchasing, only a potted history of the item with the standard EBay get out excuse of “For repairs or spares only” I know, I can hear you saying, “ Well don’t buy it then – fool” and I agree with you wholeheartedly, I am a fool and I’ve brought it. But, it only cost me £3:30GBP so I’m happy with that, a good price for a bit of retro tech from 1992.

There is a good chance that this unit does only need some power, wouldn’t that be good? However it wouldn’t make very good copy on a site that looks at fixing other peoples castoffs, but I can happily go with the odd quick fix once in a while.

I love these old PDA devices from the 90s, and lots of people do, I guess some of us are still stuck in a period where technology was so wonderfully new and interestingly different. Whereas today everything is pretty much the same and controlled by a few massive organisations, when back in the 90s there were lots of different companies for you to choose your wears from.

I’ve certainly worked on a few on this site, just check the links on the home page to see what I have worked with.

If you are interested in the 90s PDA technology, may I suggest you look at this guys YouTube site. His name is Hugh and his channel is called Handheld Computing and he is a very interesting chap, and the technology is superb. Give him a visit.

Ok. Let’s read a little bit more about this unit:

The Packard Bell DB128 (also known as the DB-128 or DB 1280 IR) is a vintage handheld personal organiser released in 1992. Also known as the Oregon Scientific DB-388P. It was designed as a compact digital databank to store contacts, manage schedules, and perform basic calculations. 

Technical Specifications

The device features the following hardware details:

  • Memory: 128 KB total memory, with a user-available area of 131,070 bytes.
  • Display: An 8-line by 32-character dot-matrix screen.
  • Power: Operates on two or three CR-2025 or CR2032 button cell batteries, often with an additional battery for memory backup.
  • Physical Dimensions: Approximately 15.8 x 8.2 x 2.3 cm, weighing about 252g.
  • Connectivity: Data can be synchronised with a PC via a serial cable or infrared (IR) LEDs. 

Core Functions

The DB128 includes several built-in applications for daily organisation: 

  • Phone Book: Stores multiple contact categories including names, fax, mobile, and email addresses.
  • Scheduler: Features a calendar and appointment system with start/end times and audible or silent alarms.
  • Utility Tools: Includes a 12-digit calculator, home and world clocks, currency/metric converters, and a memo/expense tracker.
  • Security: Offers a password protection feature for sensitive data. 

Google

I just have to wait for its arrival now and I’m looking forward to that, I won’t speculate anymore about what might be, I best just wait for its arrival to carry out a suitable assessment.

Assessment:

It’s arrived and good god, it looks as if it’s been stored in a vacuum cleaner bag 🤦‍♂️ it’s utterly filthy, funny how none of the original photos showed this isn’t it? I don’t believe this is the same unit as was in the original posting.

If I’d have taken this into the house with the wife present, i think she’d have murdered me, or at least severely injured me one way or another… So that is why you will see that these pictures were taken at the kitchen sink, the first thing this unit received was a clean with a cloth and warm water. After that it’s had a good polish and it is now nice and clean. Now it can come further into the house, into my domain!

Before and after over the kitchen sink

Now the unit is tidy, everything is as it should be, and the screen is in a good condition barring a few minor age related scuffs. It’s dead, and that’s to be expected, I’m just hoping there are no major surprises awaiting me when I get the back off to have a check inside.

Three screws later and the back is off. All three batteries are still in place, all very dead but fortunately there is no corrosion or battery leakage. All that is visible is some age related tarnishing of the battery enclosure, this however has no effect on the board or electronics and will tidy up with a little brush over with some relevant cleaning solution.

Case off
Battery cover removed

With these little database units you were always supposed to change the two main batteries and get them in place before even considering removal of the single back up battery. This was purely to ensure that saved data was not erased from the memory bank, however as all these batteries are dead, it’s no real issue here. The backup battery is protected with a single screw that needs to be removed to allow access. This unit was able to transmit and receive data using infrared technology. If you look at the picture above with the case off, on the left and the right of the chassis you will see a white diode component, these are the infrared transmitter and receiver parts of the data transfer circuit.

Clean battery contacts
Batteries very dead

The batteries needed within this unit are CR2025 mini cell batteries, I currently only have CR2032 batteries, they look the same but just what is the difference? Thanks for asking, i will now explain.

  • The letter “C” refers to the batteries chemical compound, “Lithium” or to be absolutely precise “Lithium Manganese Dioxide”.
  • The letter “R” refers to the battery shape, in this case its “Round”.
  • The numbers “20” refer to its diameter in millimetres in this case “20mm”.
  • The numbers “25 or 32” refer to the “Height or Thickness” of the battery in millimetres “2.5 or 3.2”

And there endeth the lesson for today. So, in all aspects the batteries are exactly the same, 3 volts, but there is just a slight variation of 7/10 of a mm in thickness. In some cases this is not an issue where there might be that slight bit of space for you to use an alternative cell, however in the case where tolerances are tight such as in watch mechanisms, that tiny difference in size may not allow you to reassemble the backplate to the watch. I hope that clears up the difference between the two coin cell letter and number allocations.

I can use CR2032 batteries in this unit as there is the space. I have some CR2025 batteries on order, so I will comply with the original standard when they arrive. But for the purpose of testing further, the CR2032 batteries will suffice.

Repair:

What repair, to be honest it’s been more of a clean, I’ve cleaned the inside circuit board with some IPA and a brush and cleaned all the crevices with a pick and finished off the outer case with a good coat of antiseptic cleaner and polish. I have inserted the three required batteries and switched the unit on.

All working, all features functional

Not a great deal more I can say. It’s clean, in fact it’s very clean, and fully functional.

Result:

It’s 34 years old, it’s been discarded, put aside for disposal, given one last chance in its chequered life and I purchased it for £3:30GBP. It’s now revitalised, cleaned inside and out and been given a new lease of life. One of those very simple clean and repairs that anyone can do. And another item is saved from landfill.

When turned off
When turned on

This will now be added to my ever growing collection of old PDA equipment from the 90s, a collection that is starting to grow at quite a considerable rate. I have a few more little projects similar to this in the pipeline, quite similar to this one but requiring quite a bit more attention. Please keep passing by to keep up to date with these “mini” projects.

Once again, thank you for passing by, it is always very much appreciated.

Olympus OM10

Always liked and wanted an Olympus OM10. 46 years later I now have one. Of course, it needed repair.

Much to the wife’s annoyance, and because I was feeling a little low and in need of some retail therapy, I’ve purchased this lovely little camera from the Barnardos charity. It looks like it’s been stored in a full Hoover bag, it is so dusty. It has a few dents and dinks, this one is going to be a challenge. I like challenges. I’ve paid the grand total of £17:67GBP for the camera and the standard Zuiko 50MM F1.8 Lens. I think that is an excellent price.

These cameras were produced between 1979 and 1987. I’m hoping I’ll be able to date this actual camera more accurately when I receive it.

This is what the original listing stated:

This listing is for a vintage Olympus OM-10 35mm Single-Lens Reflex (SLR) film camera, bundled with a Zuiko 50mm f/1.8 lens and a leather neck strap. This is a single bundle containing the camera body, lens, and strap, ideal for collectors or film photography enthusiasts.

UNTESTED. This sale is for spares/repairs. There are some marks and cosmetic imperfections. Please see images for more detail.

The standard untested post from the auction sites, but I’m not really bothered to be honest. It’s a charity, and I’m happy to pay for these items as the charity always benefits, and that’s all that matters to be honest.

I have some history around this camera and whenever I see one I think of Bruce Springsteen and here’s why.

1984, Bruce released this Album

Born in the USA was released in 1984, so I can kind of pinpoint the first time I’d ever really heard him, courtesy of my friend David K, when I used to live in a small town in Hertfordshire called Bushey. David had been a school friend, we were now in our mid to late teens, he was working in a restaurant whilst I was in a photographic lab. He introduced Bruce to me and for many months after he first purchased that album, we played it non stop and knew it off by heart, beat for beat, and word for word, we were totally smitten with it. It was the Bruce effect. At this time i would have been about 18-19 years old, and had a very basic Russian Zenit camera, it took some great photos. However, David had recently had a bonus payment at work and purchased himself the Olympus OM10. I was envious, who wouldn’t be? What a camera and this is where it all ties in with our hobby, we loved photography and used to always discuss it with Bruce in the background singing his heart out. It all ties in now, fantastic memories, and a single camera can bring back these memories. Amazing isn’t it?

Anyway here’s some pictures where you can see the amount of dirt, and what looks like some bumps on the outer edge of the lens.

Nice camera, few dinks and dents, and a lot of dirt

Here’s some information regarding this camera:

The OM10 was the first consumer OM series body. Launched in 1979 it accepted the full line of OM lenses and most of the OM accessories for a lower price. The lower price was reflected in the construction of this camera and the features available, however, it was still a very competent performer and it reflected the elegant lines established by the compact OM-1 and 2 designs. Early production runs of the OM10 have known malfunction issues with electronics, metering, and shutter magnets. Olympus later changed the shutter to a ‘Type II’ design to correct the latter problem.

In its standard configuration the OM10 offered aperture priority automatic exposure, simple and accurate enough for a consumer camera in most lighting situations. It also offered exposure compensation for more complicated lighting situations and for more advanced users. A small plug-in manual adaptor was available as an accessory to enable manual control of shutter speed. The manual adaptor is possibly not as easy to use as the typical shutter speed ring around the lens bayonet on the OM-1.

While not well known to consumers, the focusing screen for the OM10 is indeed interchangeable, though not as easily as the OM-1. It shares the same focusing screen as the OM-1, but the extra protruding tab needs to be cut off as the OM10 doesn’t have a placeholder for it.

The OM10 can accept all the lenses of the OM system. 

The finder screen is fixed, as well as the back. It can accept the winder but not the motor drive. It existed in chrome and in black finish.

In 1980 the OM10 Quartz was released with a fixed databack (equivalent of a Recordata Back 3) to print the time or date on your pictures. The OM10 Quartz was only released in black finish.

The OM10 was sold in large quantities before production ceased in 1987 and many working examples are still being used today. Largely overlooked in favor of its more professional ‘single digit’ siblings, you can easily pick up a working example for $50. Try to find one that includes the manual adaptor though, as this accessory alone can fetch $30 at auction.

Camera-wiki.org

Assessment:

In a perfect world this camera would just need a clean. But this is me and to be honest I’d like a little bit more of a challenge, as a lot of the cameras I have worked with lately did not need a lot of maintenance because they’d been well looked after. This one may be different.

The camera that has been received

These cameras were renowned for electrical faults especially with their mirror motion magnets, very similar to the issues suffered on Canons earlier EOS cameras such as the 1N. But to be honest I am just surmising at this point as the camera is not yet in my hands. I need to be patient and await its arrival.

Well, it’s arrived so let’s have a look and see what’s good, what’s bad and what’s indifferent. It has dirt, yes, quite a bit of it, so it will require quite a deep clean as we need to get into all those little crevices, where the dust has settled.

Dirt in all the crevices

Cosmetically it looks really good with no dinks, dents or scratches, so that is very much a positive. It’s in not too bad a shape for being 46 years old.

The capstan to open the camera film door, along with the operation dial are a little loose, so they will require tightening.

Loose capstan and controller

Batteries are long dead, this camera requires two LR44 button batteries to do even the basics, I have tested the batteries with a multimeter and they are so low that they hardly register, they are very dead indeed. The good thing however is that they have not leaked in anyway and the battery chamber is clear of corrosion.

Battery chamber is clean

The mirror is stuck in the halfway position, this could be purely to do with there being no battery in the camera. It would be good to see with new batteries installed, if the mirror magnets would then kick in, and then they’d be no further issue. However, knowing my luck they are probably inoperable as well, we will just have to wait. And for this same reason the winder is also stuck, again the batteries may well solve this problem 🤞

Mirror trapped at the halfway point

Good news is though that the mirror and curtain are in really good condition, because the old lens has been kept in place preventing any contamination getting into that area.

Viewfinder looks clear apart from a little dust build up

However the lens, does appear to have fungus in it, and will require a clean at some point along the way.

Visible lens fungus

There are also a number of light seals that need replacing as they have perished.

Some light seals need replacing

To be quite honest, the easiest part of this camera to clean will be the standard plastic and rubber neck strap. This can just go in some warm soapy water to rejuvenate it. However, my first priority will be to get some batteries in place and see what occurs. I may have to rethink my approach to this camera dependent on the outcome of this simple action.

Repair:

Straight home and I’ve found a couple of LR44 batteries that had a little more power than the old ones. In they go….and nothing. There is a check position on the main dial that should light up and a buzzer should sound to confirm that there is sufficient power, obviously there isn’t in this case. I run all the other LR44 batteries I have through a tester ( I had a packet of 12 ) and they all show as low power, they’ve died during storage. I then pop over the road to see my brother in law who always has a good supply of batteries and bingo, he has a couple of spare LR44s.

We have the check light, and a little buzz…intermittently

With these in place I get an intermittent buzz and a light, it appears the capstan control and operation dial that I mentioned earlier was loose, and has intermittent contact issues, it will need removing and cleaning then reseating.

If I hold the capstan in place I do get a good signal, with both buzzer and light operating in the check position, and when I move the control to “On” position I can now cock the shutter lever. It will then fire but again only to the half way position as it did earlier. If I gently push the mirror down and let it spring back it will then fire. But you have to do this on every stroke of priming the advance lever. Not good.

This is pointing towards an issue with the magnets and I believe I’m almost there, and that’s when I have a eureka moment.

Eureka moment

In the bottom of the mirror and curtain bay on the base of the camera is where the mirror magnets are situated, along with a light sensor that takes a reading off the shutter curtain behind, that is checkerboard coloured. Something here didn’t look quite right for me as it did not look level, the base seemed quite uneven. I just simply put my finger in here, applied some light pressure on this base and it just clicked into position, nice and level and then the stuck mirror fired, just like that. Every single prime of the shutter and actuation since, has worked just perfectly, I wonder if this camera has been dropped at some time just knocking this part out of true configuration? Or has someone been here before me? I’m going to have to remove the base to check a few things anyway, so I can then make sure this issue doesn’t happen again. For now, I’m satisfied that the shutter and winder are working fine. I just need to make the contacts and the electrical continuity a little bit more reliable.

I’ve dismantled the faulty switch. Inside, the old tracks on the camera and the pickups on the switch were showing signs of tarnish so I used some contact cleaner go get these looking better. I’ve re assembled the switch and used a new circlip to hold it all together. It’s a lot more secure and responsive now with no interruption to the check signal. It’s quite solid as it always should be.

Capstan needs dismantling
Circlip needs removing
Those tarnished tracks

Here’s a small video regarding the switch repair.

Switch working as it should

With the switch sorted I’ve now removed the focus screen to give that a bit of a clean.

Focus screen removal, cleaning and replacement

And after this I have gradually started to remove the old light seals in preparation for their replacement. They really are in quite a bad way and creating a lot of dust and dirt as they degrade.

Old light seals removed and degraded
Mirror damper seal removed

Now to get the remainder of the old seals removed, clean the troughs they sat in, and then put the new seals in place.

With some IPA, and a large bamboo stick it’s time to remove the old seals
Some seal cut to size
Door seal replaced
Top seal installed
Bottom seal installed

I’ve replaced all the seals on the camera body apart from the mirror damper. I need to get some adhesive first, to secure the plastic plate that sits above the damper. Hence I have to wait for this to be in place before I can finally put the damper in situ, i will do this in the next 24hrs.

Now, the plastic piece that covers the focussing screen access is now secured in place and the mirror damper has been installed, all light proofing has now been completed.

Mirror damper installed

The original lens that was suffering with fungus has been dismantled and given a clean, however because the top two optics are a sealed assembly, guess what? The fungus is within the sealed section and is unable to be accessed. Therefore the lens will never be cured of this issue, it has been improved by cleaning the other optics but it’s not in anyway good enough to use with film in the camera, I will therefore use the old lens purely for testing purposes, it works fine for that and will be just fine for testing other Olympus equipment. In the meantime I have purchased two further OM 50mm std lenses, one is an earlier “Silver nose” model with a single lens protective coating whilst the other is a later production “Black” MC (Multi coated) model. Both are in an excellent clean condition conducive for film photography.

The two new lenses – “Silver nose” to the right

I’m happy that the repairs have now been completed, all that is left now to do, is to give the unit a thorough clean, and to clean that original plastic/rubber camera strap with some warm water.

Result:

Here we present a fully cleaned and maintained Olympus OM10 35mm SLR camera from the 1980s looking quite resplendent after all the work on it has been completed.

All cleaned
Looking superb with a new lens
Looking fine from all angles

It’s been a lovely camera to work on. The make of this camera is superb, and back in the 80s Olympus were on a high note with the high end advertising, using many well known celebrities, and their cameras as a result became extremely popular. They are very well made and have stood the test of time. This one camera will go on to continue being used, and has many good years of life ahead of it. Another one saved from the scrap heap. As with all my cameras I have an immense backlog of units all awaiting the time when they have a roll of film run through them, and this one is no different. When I do pass a test roll through it I will post a link to the results here.

As always, thank you for passing by and glimpsing this post. It is always very much appreciated.

Canon AV1

I now have a Canon AV1 with a shutter problem. Can I fix it? I’ll have a good go…

What the listing stated:

This camera is in very good overall condition. Some light signs of use but this is generally minor. The light meter is responsive when you press the shutter button down. However, the shutter will not fire. Spares or repairs only.

EBay

I’ve just paid £8:98GBP for this camera, and I believe this is a great price for a piece of camera history. The AV was introduced due to there being a demand for aperture priority at the time, whereas its Sibling, the AE1 was purely shutter priority. Later cameras would come to incorporate both systems. This one has a known problem with a stuck mirror – it won’t fire and I think I can easily sort this problem. Well I hope I can.

The Canon AV1 I have just purchased

Here’s a little information about this camera:

The Canon AV-1 is a 35 mm single-lens reflex camera with an FD lens mount, introduced by Canon Inc. in 1979.

The AV-1 is very similar to the 1976 AE-1 but provides aperture priority autoexposure rather than the AE-1’s shutter speed priority AE. The camera is not capable of fully manual exposure. Canon’s international distributors, particularly in the United States, had clamored for such a camera because competing brands offered mostly aperture-priority cameras and some preferred it. The AV in the name referred to the type of autoexposure; Av (Aperture Value) is a common abbreviation for aperture priority.

When this camera appeared, a new range of FD lenses was introduced, with instant mounting/unmounting of the lens. This is called the New FD mount and does away with the older type of mounting ring which was fitted on to the rear of the lens and was awkward to use and needed two hands, to a newer, easier system whereby the user lined up the red dot on the lens, with the red dot on the camera and simply turned the whole lens clockwise until it clicked into place.

All the other AE-1 accessories fit the AV-1.

Wikipedia

I’ve decided to collect all of the Canon “A”Series of cameras, and this adds to my current collection that consists of an A1 and an AE1. There were I believe, six cameras in this range and this current camera will be my fourth. Here’s a list of the “A” range of cameras below. I have highlighted with an asterisk all that I currently have at the date of this blog post being published:

Assessment:

The original listing description does not match the issues that I have found. It originally stated that the light meter is responsive, it isn’t. It also stated that the shutter does not fire, it does when a battery is installed. The battery level indicator in the viewfinder does work when the check button on the camera is depressed. However when you focus the camera and half depress the exposure button to get a meter reading, the needle in the viewfinder doesn’t respond, this is the only real issue I can see, I guess the seller must have been looking at another camera as he wrote the listing for this camera.

Battery level reading in the viewfinder

All settings appear to be working as they should, the “B”setting allows me to scroll through the “f” stop settings to see the aperture leaves working as they should. All “f” stop settings appear to work on the auto setting.

Camera appears tidy but grubby

It’s a smart little camera, this a tidy example of this version with no dents, dinks and just some very fine scrapes on the base as you’d expect from a camera fast approaching 46 years old (1979-2025). It’s a bit dirty and needs a good clean inside and out, the light seals are in a good state and not requiring replacement or repair just yet, however the mirror bumper has deteriorated and this will need replacement.

Mirror bumper needs replacement

The shutter curtain is in a good and untouched condition.

I’m going to research issues with the exposure indication, and I will incorporate my findings within the repair section.

Repair:

I thought, perhaps the camera is suffering from lack of use? It certainly is probably some considerable time since this camera was last used. Firstly I’ll try exercising all the controls that affect the exposure reading, including the mode dial, film speed dial, aperture ring, etc. I’ll work them backwards and forwards a few times to see if this helps to clean the variable resistor tracks inside from any surface contamination. When the FD lens is attached you must be mindful that the “A” setting on the lens is not used and that the f stop settings are used in a manual manner, lens auto is not a function on this camera.

Auto shutter on camera
Do not use the “A” setting on the lens. It doesn’t work

To be honest, this did seem to work sort of. The needle has moved off the bottom a bit. The ASA setting was on 100, so I put it up to 1600 as it is quite a dark day and the sensitivity of the light sensor would be reflected better at this setting. It moved a bit but I wasn’t totally convinced that this indication in the viewfinder reflected the true light situation.

I set a higher ASA for testing

There’s also a small, silver push-button just inside the lens mount at about the 4-5 o’clock position. If you press this in and release it a few times for the same reason, as exercising the dials as I did above, it is just like exercising a body part and keeping it supple. Leave items like this, designed for high usage redundant for a while and they soon seize up. it has also been known to assist with getting the needle indication working after a long lay off.

That silver button, highlighted

(A little bit of trivia here – this button is normally used for the lens to inform the body of the lens’s maximum aperture. This information isn’t needed on the AV-1, but Canon included it anyway for some reason, and it doesn’t affect the exposure.)

And combining these actions, moving the settings dial and the button inside the lens mount seems to have revitalised the light meter and I’m now quite confident that it is working as intended. It was just lazy due to low use and needed a bit of non invasive intervention to get it working again. And non invasive intervention is always a good thing. So with the setting back to 200ASA I was able to show the meter working in this very short and basic video below.

A brief video showing the meter needle moving

I’m confident that the metering issue is now sorted so let’s get that new mirror damper installed.

A lot of dirt came off of the area where the replacement damper had to go, it had completely deteriorated and took quite a bit of cleaning.

New damper in place
Dirt that came off, and replacement damper ready to go into place

Now in place it has silenced the mirror movement somewhat, and will provide some longevity as it moves into the twilight of its years. It will be good for many more rolls of film yet. Whilst in the lens area I have cleaned the mirror and prism, and given the area a good blow through and put the lens back in place to seal it all up. It is now clean internally. I have a couple of body caps on order that will assist with storage when the lens is removed.

Just a final clean with some cockpit cleaner, and this camera has come up lovely, I’ve tested it on a Power winder “A” as well and it sounds just so good and “retro”. It’s perfect.

Result:

Well. I now have another lovely example of one of the Canon “A” range of cameras to add to my collection. This brings my current total to four out of the six available, two of which are still currently under repair. For less than £10:00GBP it is so easy to own a piece of photographic history. I have been lucky here that the work that had to be done was non intrusive, and to be quite honest was just basic everyday maintenance. The only real work of sorts was installing some mirror damper felt, of which I have plenty of stock. Cleaning was quite intensive but the overall result is amazing.

Front views after cleaning
Looking amazing compared to what arrived

I will eventually run a roll of film through for a final quality check, however I have such a backlog it will take me a while. When I do however run that test roll I will post a link here:

Really pleased with this repair, and the fact that another lovely old camera has been saved from the scrap heap and been given a new lease of life.

Thanks as always for passing by. It is as always, very much appreciated.

The Canon “A” series of cameras

A small piece regarding the Canon “A” series camera range. Development and technological advancement.

As i seem to be purchasing a number of the old “A” type camera bodies for repair, I have now decided to add the full range of “A” type cameras to my collection. I’m a tad biased as I have used Canon cameras right from the very start of my photographic education, in fact the first one i used was an A1 variant. I’ve put together the following piece to explain why these cameras were so popular, and to highlight their technological advancement along the way, the technology that influenced other manufacturers to up their game and give the consumer just what they wanted out of a camera, options and greater control.

My Canon A1

The Canon A-series of 35mm SLR cameras, produced from the mid-1970s through to the early 1980s, represents one of the most influential periods in Canon’s film-camera history. It began with the groundbreaking Canon AE-1 in 1976, a camera that reshaped the industry by integrating a microprocessor – the first mass-market SLR to do so. This innovation allowed Canon to simplify mechanical complexity and reduce manufacturing costs whilst offering features previously found only in higher-end professional bodies. The AE-1’s shutter-priority auto-exposure, bright viewfinder, and strong reliability made it both approachable for beginners and capable enough for enthusiasts, turning it into one of the best-selling SLRs of all time.

My AE-1

Canon quickly expanded the lineup to address different types of photographers and to test new electronics-driven features. The AT-1 provided a more affordable, all-manual alternative, whilst the AV-1 (1979) offered aperture-priority automation, catering to photographers who preferred creative control over depth of field. The flagship A-1 (1978) pushed the boundaries even further – it became the world’s first SLR to offer full programmed auto-exposure, alongside shutter priority, aperture priority, and manual modes. This versatility foreshadowed the automation and electronic sophistication that would dominate future camera generations.

My AV-1

In the early 1980s, Canon introduced the AE-1 Program, refining the original AE-1 with a more advanced program mode and improved ergonomics. The final notable entry, the AL-1, included an innovative Focus Assist system that used contrast-detection indicators to help users achieve sharp focus – an early technological step toward the autofocus systems that would soon reshape the industry.

Collectively, the Canon A-series brought electronic control, affordability, and ease of use into the mainstream, playing a key role in shifting photography toward the automated, electronically driven era. Decades later, these cameras remain admired for their durability, classic design, and the satisfying, hands-on shooting experience they continue to provide.

At the time of writing, i have in my possession three of the six variants that were produced, and presently I am scouring the sales platforms to acquire suitable candidates for the remaining parts of this collection, to work on. I will update via this site as and when i have another one of this series to feature in a post. My current collection consists of the cameras below marked with an asterisk:

My current cameras in the “A” range marked with an asterisk

I would like to obtain a special mount for this series of cameras so i can display them as a collective sample of this wonderful range. They will all of course, all be fully usable, not museum pieces.

Thanks for passing by. Always appreciated.

Canon EOS 3000

Another entry level camera, unloved, made good

Here I have another basic, entry level camera made by Canon. Produced around 1999? this camera is probably around 26 years old. These cameras don’t have the traditional identification number printed within the film spool holder that the older cameras had, hence the precise manufacturing date is difficult to confirm.

Canon EOS 3000

This is a camera passed onto me by a good friend and professional photographer, Jon, as can be seen in this post: Cameras…i need more!

Here’s a little information about this camera:

The EOS 3000 is an autofocus SLR for 35mm film introduced by Canon in 1999. It was sold as the EOS 88 in Asia. (It was not sold in the US.) The pentamirror viewfinder and manually-activated popup flash helped keep this a lower-cost model; but a full range of autoexposure modes were included, including off-the-film flash exposure setting. Film transport is motorized and the camera requires two 3-volt CR123 lithium batteries to operate.

A compact, lightweight, low-priced SLR camera. Successor to the EOS5000, but with greatly expanded basic functions. The camera incorporates the Mode Dial and most other basic features of the EOS Kiss/EOS REBEL XS/EOS500 and includes six-zone evaluative metering linked to three focusing points. In addition, the flash is linked to the measurement point so that during shooting the flash out-put level is constantly adjusted for optimum exposure control. For reasons of cost, the flash unit is manual pop-up/retractable head type. The EOS3000 is compatible with system accessories for the Kiss and New Kiss. The high-quality design has a feel of genuine elegance.

Canon/ Camera-wiki.org

This camera was pitched at a low cost to attract people into photography, and to encourage those who were just hobbyists to upgrade to something more than the traditional point and shoots/disposables available at the time.

There is not a lot wrong with this camera as far as I can see, let’s have a look and do some tests.

Assessment:

It has a grip that’s starting to develop the sticky issue so that will need cleaning. The mirror and prism are dusty and will need a cleaning.

Sticky grip and dusty internals

Overall the condition is very good, again this was a training camera, and seems to have had a quite low usage, as there is no scratches or marks. And only one dink as such. That dink happens to be the right hand strap holder that has been bent down to a point where the rear case does not open completely, it restricts its full movement.

Strap holder bent, restricting door opening
Door doesn’t open fully

Top and bottom of camera look fine, no bleed on the LCD screen that is always a good sign

No screen bleed
Bottom clean

Battery chamber is clean and there is no contamination. This camera takes two 3v Lithium CR123A batteries. Let’s put two in to see if we have any life.

Clean chamber
Batteries installed

With the batteries installed we have a good display on the screen with no pixelation and it’s nice and clear. I install a roll of test film to see what happens. This camera winds the whole film onto the take up spool and winds back one exposure at a time. The take up when the door is closed works perfectly.

All lights up fine
Film ready to load
24 exposures loaded on to the take up spool

I then operate the shutter, to fire off the 14 exposures, all viewfinder indicators are good, with my 28-90 EF lens attached it focuses well and fires well. When the last exposure has been taken the film rewinds as expected with no issues. In reality the camera is working very well with no internal issues.

Repair:

First the dirty stuff. Let’s get that goo off of the sticky grip. I use my IPA and lint free cloth method that I posted about in a previous post here: Sticky, Rubber camera grips. This one is actually worse than I thought and has taken four applications to remove the deterioration on the grip. It feels a lot more pleasant though now that it is done.

The dirt from this grip can be seen on the cloth. Each black blob is one application

The issue with the strap lug restricting the door movement. Quite simply, a gentle movement with a pair of pliers was all that was required. Gently does it as these parts are brittle and easily broken. Don’t over do it, give up when it looks right.

A little gentle coaxing was all that was required

I’ve checked the film pressure pad and this is fine, there are no sharp ridges and the light seals are good. I don’t expect them to be bad as in theory they are not that old, they are in a good healthy condition.

I have cleaned the prism and the mirror with a swab and they are now fine. Using a B setting I have opened the mirror and curtain and used some compressed air to clean throughout. A brush blower was used with the curtain closed to clean around the film spool area and back plate. A quick final blow of the mirror and the aperture is then sealed with a cap to insure no further dirt and dust gets into the internal parts of the camera.

The final action is to use some cockpit polish to finish off the exterior of the camera.

Result:

I’ve cleaned the exterior and used some ceramic cockpit polish to finish it off, I must admit it’s looking very good.

Cleaned up lovely
Looking just gorgeous

Here I have yet another nice little camera packed with features that will make a great camera for someone to learn the basics of traditional photography with. However, it’s remaining in my collection for the while.

It’s yet another camera that I need to test, another one that needs to have a film put through it for its final test, however I am 100% confident of it’s capabilities and the fact that it operates just fine and all its settings, buttons and controls are doing exactly what they should. When I do get to put a film through, I will link to it here.

Another successful restoration and return to use of another old camera that had been put to one side. Not that this one really required a lot of attention, just a bit of servicing and tlc.

Thanks for passing by. It’s always very much appreciated

Canon EOS 30

Cleaning, repair and maintenance of an old Canon EOS 30 35mm SLR

I’m calling this camera my EOS Dirty, it really is suffering a bad case of the sticky rubber syndrome that was widely experienced on cameras of this era, where the Vulcanised rubber used in its construction, had a falling out with its own internal polymers, and they then decided to part company. Creating a sticky mess. This camera is currently 25 years old, originally manufactured in the year 2000.

A lovely lump of a camera
My hand, simply after handling this camera for no more than a minute.

That said, it’s a lovely camera with a lot of features, this was pretty much one of the last 35mm cameras that Canon produced, and they threw a lot of R&D into these units prior to producing its “D” Digital offering, hence it was packed with lots of pre “D” technology. It has “Eye” control, the Eye Control focusing feature makes selective focusing quicker for many. It uses IR to detect eye movements to determine focusing areas. Up to 5 eye presets can be stored for different users. I wonder if that still works?

This dirty sticky pup, needs some heavy cleaning

Here is some information, about this camera:

The EOS 30 (or Elan 7 / Elan 7e / EOS 7 / EOS 33 in different global markets) is a Canon autofocus 35mm SLR camera that uses the Canon EF lens mount. The camera was introduced in 2000.

There are three main auto focusing modes. Automatic, manual selection focusing, and Eye Control (EOS 30, EOS Elan 7E). It was given the 7 name because it has 7 auto focus points in manual selection mode. The Eye Control focusing feature makes selective focusing quicker for many. It uses IR to detect eye movements to determine focusing areas. Up to 5 eye presets can be stored for different users. Some users with corrective lenses may experience problems using this feature. The shutter speed ranges from 30 sec. to 1/4000 sec. in 1/2-stop increments with bulb. X-sync at 1/125 sec.

Metering modes use a TTL max. aperture metering with a 35-zone silicon photocell. The included modes are evaluative, partial and center-weighted averaging metering. The measurement range is from 1 to 20 EV (at 20-degree with 50mm f/1.4 lens, at ISO 100). The ISO can be set automatically with DX-coded film at ISO 25 to 5000. Exposure compensation can be adjusted from +/-2 stops in 1/2-steps.

Exposure modes available include Program mode, shutter priority, aperture priority, Depth-of-field, Auto, scene modes with (Portrait, Landscape, Close-up, Sports, Night Scene), manual exposure and bulb mode. Flash exposure includes modes for E-TTL, A-TTL and TTL program flash modes. The motor drive is capable of up to 4 fps. The finder has dioptre adjustments built-in with settings from -2.5 to +0.5 dpt. Two CR123A batteries power the camera.

If equipped, the QD (Quartz Date) / Date back require the use of one CR2025 coin type battery. Imprint display modes include M/D/Y, D/M/Y, Y/M/D, D/H/M and off. The last date the unit can imprint is Dec. 31, 2019

Camera wiki.org

Assessment:

As stated in the sections above, the biggest problem with this camera is its stickiness, and to be honest that is not really a problem. I have cleaned many of these in the past and this one will be no different. Here’s a post I wrote a while back about sticky camera bodies: Sticky, Rubber camera grips

This really does feel like a lot of camera. You can see the digital “thought” that the development guys introduced into this camera in preparation for the arrival of its “Digital” brothers and sisters, I’m going to have to do a bit more reading up on its full operation and capabilities. This camera is in very good condition, no dinks, dents and very few scuffs, all doors are functional and when a battery is installed (a 2CR5 – 6v lithium) everything lights up, and appears to do what it should. I will check this thoroughly though later.

The horrendously sticky areas
Rear
Mode dial
Screen

The battery chamber is clear of any contamination, and looks nice, the mirror will need cleaning and the area within it will need a blow through, the shutter curtain seems to be working well at this stage. I will test it more after the clean.

Clean battery barrel
Dusty mirror and curtain chamber

So. Let’s get on with the repair and maintenance.

Repair:

I’ve started the clean of the rubber and it is filthy. The amount of black that came off on the first clean has required me to get another cloth as it really is that bad. Another two applications and the cloth is a lot cleaner, it has removed a massive amount of goo and dirt and feels a lot better to the touch, and my hands are staying clean and that’s a good sign. I will give a final clean with the car cockpit polish that should finish it off nicely.

Looks beautiful after a proper clean

I’ve cleaned the mirror and prism above using a swab and the effect is instantaneous, there was a lot of dust here. Opening the curtain in a “B” setting I gave the whole interior a good blast with compressed air that has left the chamber as free of dust and contaminants as I can get it. With the curtain back down, a bulb blower and brush is all that was needed to complete the task. A lens mount cover is now in place to prevent anymore dirt getting in.

Transport tested

I’ve put in one of my old test films to check the camera’s function, and it’s transport & rewind, and I’m pleased to say this works just fine. At a shutter speed of 4000 I’ve never heard such a sweet sounding camera. This really feels like a lovely camera that I can’t wait to take out and run a film through.

All functions and options tested via the display screen

Going through the function screen, there are no bad pixels and all options are available. I have tested the eye control function and programmed my own profile into the camera, it does seem to be working, it might be a little hit and miss, I programmed it very quickly so maybe I just have to read up on it more, just to tweak its use as such.

All rear sub menus working, and buttons operable

All sub menus on the rear of the camera are operable and all buttons and dials are doing what they should. This camera is ready to go, and is in a perfect working order.

Result:

She’s a beauty
Canon EOS 30

This camera was probably discarded to one side when the sticky grip problem started to rear its ugly head. It really is a shame that this happens, it’s such a simple problem to eradicate. This is an absolutely superb camera and packed with technology that would eventually have gone on to be incorporated into the soon to appear professional digital offerings from Canon. For 35mm photography this was a perfect swan song, 35mm photography had peaked with this range of cameras and Canon had perfectly produced cameras that in effect had pushed this theme of photography to its highest level. It was the best of the rest at the time.

This camera deserves some respect, it feels superb in the hand, looks good, sounds terrific and performs exceptionally well. There will always be the haters out there, there always will be. But as you will have gathered, I don’t really report badly of any of my cameras as I truly love them all. They are superb items of modern and semi modern technology that have captured history. They just deserve to be preserved and protected and most of all enjoyed.

I will shortly be posting some pictures from this camera that can be found here:

Thank you for passing by, as always it is very much appreciated.