camera – Page 2 – Foxes Den

Sticky, Rubber camera grips

Anyone who has had an 80s/90s/00s camera through their hands would have experienced this at some point. During this time period many if not all camera manufacturers went through the phase of putting rubber hand grips on their cameras. Aesthetically pleasing, and ensuring a good grip of your new “Expensive” toy. I guess, they thought they had got it right. But as with all these good ideas they often come back and bite you right on the bum at a later date.

Ok there were probably no recalls regarding this issue, it’s just affected the price of these goods on the second hand after market, and more than likely a perfectly good unit has most probably gone to landfill for no other reason than “Feeling sticky”

Let’s look into the reasons why this occurs.

It’s pretty much down to a process called Vulcanisation. Vulcanisation is a chemical process that hardens rubber by cross-linking polymer chains, making it more durable and elastic. This process, often using sulfur, heat, and other additives, transforms natural or synthetic rubber into a material with improved properties like resistance to heat, cold, and deformation.

However after many years, the process begins to break down, this causes the rubber to become sticky and in some cases the rubber just breaks down causing traces of rubber dust all over the place. Add to that the normal oils from fingers and palms and the stickiness then becomes highly noticeable, and makes for a very unpleasant experience.

We can’t stop the progress of the degradation, we can however do something about the sticky state, maintain good quality and make the use of the item as pleasurable an experience, just as it was when first purchased. Many believe the stickiness is down to the way the item is stored, and it not being used on a regular basis, as there is plenty of evidence out there of similar aged cameras not suffering from the issue at all, as they are used daily, namely by professional types where these cameras are tools of their trade.

It involves some work, and patience. I am writing this post as I have 8 cameras that i am currently working on, all Nikon D70/D70S and they all have this problem, and they date from 2004.

I use a process that you will easily find on line, the most simple process and it involves using a substance called Isopropyl Alcohol, my one is 99% pure, (also known as rubbing alcohol) I don’t think the purity of 99% is essential but i use it as i have plenty of it around, what with all the circuit board work i do, and the cleaning they also require.

Some people have had results just using a dry cloth and no chemicals, patiently rubbing and rubbing, some for a few hours at a time, until all the mess is removed. If that’s the way you wish to go then fine, i haven’t got the time for all that, i’ll be talking you through the way i do it below, with a chemical.

My technique is simple, lint free cloth and some cotton buds are all that i use, along with a tissue wipe (Such as armoral, or a car cockpit cleaner solution with a dry cloth) and a cocktail stick to finish. The reason for the wipe will become clear at the end.

My Guinea pig for today is a Nikon D70 I have requiring repair. It is a particularly “Sticky” individual and will be a good candidate on how to deal with this sticky situation. This is the process I use on all my equipment that has rubber such as this as part of its structure. It’s worked for me for many years, some people say that it will need doing again after a short while, that’s never been the case for me, and there are a number of documented cases on line where six years after this treatment has been done, there is no repeat of the initial problem. The rubber remains good.

Using a small amount of IPA on a lint free cloth gently wipe the area of concern and you will see the stickiness start to lift, it looks like a glue.

Make your way around the whole camera paying particular attention to those really sticky areas. The IPA evaporates really quickly so you get to see results really quickly. If after one try the stickiness remains then try another application. A good indicator is that when you use a fresh part of the cloth, you see less dirt come off with each application. When you put an application on and come away with a clean cloth, your job is done.

The cotton buds are used for getting into those inaccessible crevices you can’t get into with the cloth. As before as they stay cleaner and pick up less dirt your work is done. All this cleaning and moving about of dirt sometimes transfers the dirt into creases and joins between the rubber and the camera body, this is what the cocktail stick is for, to get into those small gaps and scoop the dirt and debris out. Complete with a final application of IPA in this area and the dirty work is now done.

Now earlier I mentioned about using Amorall wipes or a car cockpit cleaner. Sometimes this process can dull rubber, as you have just removed the layer that was providing the gleaming glory back in the day. You can’t have it all your own way but a good quality interior dashboard cockpit cleaner really does add some shine and life to that old camera and really does do a good job of restoring it. I use Auto Glym interior shampoo on a lint free cloth and apply this by gently applying all over the exterior of the camera. It is now exceptionally clean. A quick rub over with a dry cloth once this is dried and what more can I say? This is a different camera, looks stunning and has lost all trace of stickiness and dirt. Now it has that extra layer of protection as well, it’s now a pleasure to behold.

This little task probably took just over 20 minutes to achieve and gives so much satisfaction to me as you can see a cameras appearance change in front of your very eyes, and anyone can do it. No camera deserves to go to landfill just because it has this sticky exterior, it’s simple to do and can revitalise an old and much loved camera.

The finished item – stickiness now a thing of the past

I hope this has helped with dealing with the stickiness issue, if you ever experience it. I have even heard reports that a good quality window cleaner can also give similar results, but I’ve never tried it, so there really is no excuse if you have a camera in your ownership needing similar attention.

Many thanks for passing by. You legend👍

Nikon 28-100mm AF Zoom Nikkor Lens G AF-D

What the listing stated:

Nikon Nikkor 28-100mm Zoom Auto Focus Lens F3.5-5.6 G

It will autofocus with: Df-D1-D1x-D1H-D2-D2x-D2xs-D3-D3x-D3S-D50-D70-D70s-D80-D90-D7000-D100-D200-D300-D300s-D600-D610-D700-D750-D780-D800-D810-D850-D7000-D7100-D7200-D7500 & Fuji S1, S2, S3,S5

This lens will not autofocus with : D40-D40x-D60-D3000-D3100-D3200-D3300-D3500-D3600-D5000-D5100-D5200-D5300-D5500-D5600 as these cameras do not have integrated autofocus motors in their bodies, but it will still work with manual focus and auto exposure as it has a “chip” mount.

It will also work Nikon 35mm AF film cameras: F80, F90/90x, F75, F70, F65, F60, F55, F50, F80, F90/90x, F101, F100, F401.

Comes with front / rear lens caps

EBay

Anyone that has followed my recent repair of the camera: Fujifilm Finepix S2 Pro will be aware that I purchased a lens as a test lens for working on some stock that required a Nikon mount. I went cheap and purchased a lens that was so badly affected with lens fungus that it will require a deep clean and some TLC. Anyway, it allowed me to test electrical contacts and all the menus, and that was about it, it served a purpose there, but taking a picture was like looking into a deep fog, it was hopeless. Anyway that lens is now set aside and will become one of those projects to dig into on a long winter evening…or two, or three.

As I have a number of Nikon based cameras needing assessment on the horizon, some with sensor issues, i have made the decision to pay a little more for some quality, from a company called AP photographic who specialise in quality used equipment, a company that is based close to where i used to live down in the south. This Lens has cost me £58:95GBP including postage, a fair but good price for some peace of mind. This post will not be a repair post as there is nothing wrong with this lens, it will be more of an assessment of the lens when used with the Fuji S2 pro i featured in a previous post.

Nikon Nikkor 28-100mm Zoom Auto Focus Lens F3.5-5.6

I’ve put this post up to show the difference in the pictures taken on the S2 with both the old lens as well as this lens. I think the results will show quite a noticeable contrast and confirm just how restrictive a lens is when it is infected with a fungus problem.

Assessment:

The lens arrived within a couple of days and is in perfect condition. It has a lens cap and bayonet cap so is perfectly protected against dust dirt and damage from foreign objects. And when the lens cover is removed there is another little surprise, a post it note saying “Filter is a free gift” that just happens to be attached to a daylight filter. Nice little touch 👌

Lens is a perfect fit, no aperture ring on it as it is fully automatic, full autofocus. I’m not sure how the flash will work with this lens though when I use the Fuji S2 Pro, as that body works best with a fully closed lens aperture, but I’m sure I’ll be able to work it all out and get it functioning as it should. And I did, i played with the Aperture settings in “A” mode and it works just fine. It’s faultless.

That said on the S2 it not only looks good, it takes good pictures. Compared to the lens I last used this one is crystal clear, not a bit of fungus no aberrations and not a speck of dirt. This is a good lens and will serve me well for the purpose of testing other equipment I have awaiting attention. I think I’ve purchased a good example here.

Result:

I can confirm that the Fuji S2 Pro does not have a thing wrong with it and is working perfectly. All modes, all conditions are performed just as they should be. This lens is gorgeous as it is so clear and has been so well looked after. I believe this whole unit will be the one I wander about with when i go out on my walks. I can’t wait to take some serious photos to post.

A quick comparison fungus lens v clear lens as seen on the camera LCD screen

I took some pictures just randomly around the home setting with the old lens to show how foggy things were with the lens fungus. I have tried to take some more photos of the same locations with the new lens as well to just show how they compare and these can be seen in the pictures grouped below.

Before and after pictures, what a difference the fungus has had on the results.

All these pictures are on an old CF card so it is a bit of a palaver to get them on to new technology, but it is doable, it just takes a little time, and this gadget allows me to load numerous card types even the CF cards direct to my iPhone via a lightning connector. It also has a USB-C connector for other phones. It works really well as you can see in all the pictures in this post.

Multiple media cards direct to my iPhone

And below are a few random photos taken on the S2, it has a good black and white mode but is quite heavy on contrast. Post editing would probably be recommended, but to be honest I really love its moody appearance.

4 random photos in and around the house. And Tabs the feral cat popped by

This camera and this lens have proved fantastic. I know you can get far superior picture sizes and quality on a basic mobile phone, but where the heck is the fun in that? This camera cost me £8:00GBP. Just £8:00. And it is a superb camera that will be going on many trips with me as I just love it and how it looks. I now know it intimately after reading up on it and testing it, and cannot wait to put that knowledge to use.

Cameras are better than mobile phones. Old ones like this are fun, and an absolute privilege to use. It’s not all about the Megapixels, just remember these old cameras were the ones taking high quality professional pictures back in their day. Just because time moves on, and just like an elderly old lady or gentleman, they should not be discarded because they no longer serve a purpose. Respect the older technology, learn from it and you will ultimately become a wiser person yourself. Oldies rule! Never forget it. 👊

Thank you so much for passing by. It’s always very much appreciated.

Fujifilm Finepix S8000fd

What the listing stated:

ALL ITEMS IN THIS LISTING ARE FAULTY
FAULTS MAY VARY BETWEENS ITEMS

SOLD AS IS

NO RETURNS

EBay

I’ve purchased three cameras as a job lot in an auction. All of them have issues but the issues have not been clarified. This is very much a “Suck it and see” auction where I get what I’m given. I’ve paid £24:22GBP for all three and that includes free postage. I’ve purchased from this seller before who is a bonafide Camera business based in South Wales. He has no time for faulty items though, quick in and out is his way of working, no time to fix stuff. I’ve got three good cameras in this bundle and this works out at just about £8:00GBP per camera. And where can you get cameras like this for those prices nowadays.

I really don’t know what the specific issues are with this camera, only that it appears to have the mode selector dial missing from its top. I guess we will just have to wait it’s arrival for a full assessment. In the meantime here is a little bit about it.

With the release of the FinePix S8000fd, Fujifilm brings to market a smart-looking digicam with an 8-megapixel imager, one of the longest zoom lenses in the market plus a compact, and relatively light, camera body. The cheapest of three similarly featured long zoom cameras in the current market (see table below for a feature comparison), the S8000fd has the distinction of being able to use both xD-Picture Card and SD cards (including SHDC), which are fitted in a single dual-format slot. Release date July 2007.

Photo review newsletter

Assessment:

Well, to be honest, for potentially the worst camera in the box of the three that were purchased, it works just fine. Apart from that missing mode selector dial on the top of the camera. You have to use a pair of tweezers to get each mode to appear, but they are all there and the zoom and flash all work and it takes pictures fine, just as it should.

Apart from the issue with the dial, all that is really needed is a little clean up, and even that isn’t that bad.

It does not justify being used as spares and is far too good to just be disposed of. I’m going to try and repair this.

A little bonus was that there was a 1Gb SD card in the memory slot that works. There were also 4 rechargeable batteries in the camera that after a while on my charger, have fully recharged, and this makes the deal an even better one and quite a bargain to be honest with you.

Repair:

I’ve tested all systems, menus and functions on this camera and there really is nothing else wrong with it. It’s far too good to be used as a spares camera and deserves to be repaired.

I have two options here, either buy the mode selector dial on its own from our friends in China, or buy another donor camera in a far worse state and available for about the same price as getting the dial from China. I just have to wait for that donor camera to first become available. I’ll give it a couple of weeks and if nothing comes up then China it is.

In preparation for whatever route I decide to take, I’ve decided to do some prep on the old camera and get the old selector dial mechanism taken out ready for the new dial to be put in place.

I’ve dismantled the camera unit to be able to access what is left of the mode dial switch.

This wasn’t too awkward to dismantle, half a dozen screws and a small plastic prise tool was all that was required to reach this point. There was some protectorate covering the metal frame of the switch housing that was contained by four tiny screws. Once this was loosened the housing came away and I was able to remove what was left of the old mode dial that had originally been in place. There wasn’t a lot left.

The camera now sits in this position of being dismantled whilst I source a new dial to replace. As stated I have two options of buying a new dial either from China, or by getting a damaged camera as a spares source, and I’m currently looking at the latter as this could be purchased for about the same price as the dial from China, and would allow me a few more spares.

I’ve purchased another unit as a donor. The unit in question has a damaged LCD screen. I’m going to use that camera as a donor for the mode dial I require.

The donor camera has arrived. And to be honest it looks ok. It has been dropped at some time as the lens has a scratch on it, and the Rear LCD screen is damaged. That’s about it.

A good looking donor camera, the only issue being the damaged LCD screen

I’ve taken some pictures with this unit and the camera is working fine, as you can still view pictures you have taken through the viewfinder. It works ok, but I need this mode switch to fix another camera, so i’ll probably just use what remains as spare parts due to that scratch on the lens.

Let’s get the donor camera disassembled to harvest that mode switch.

There are only about six screws to get the back of the camera taken from the body, you just have to be careful not to damage the ribbon cable that is connected to the mode dial assembly that we are going to use today.

The two cameras, and the mode dial assembly we need to fix the original camera

I did all the disassembly of the original camera to save time, and it took about 5 minutes to get the donor camera stripped down. Once inside there is some insulating material covering the switch assembly, this has to be removed but cannot be reused as it has lost its adhesion. When reassembled I have used electrical Kapton tape to replace the original insulation. This has worked just fine.

Assembly involves checking that the button settings relate to the markings on the camera body, this is important at this stage as the last thing you want to do is reassemble the camera to find out that you have the dial in the wrong setup. Do it now and save time and reduce the possibility of damaging the connectors and body clips.

Result:

We have a beautifully restored and working and fully functional bridge camera that takes good snapshot photos. It’s not high end, it’s very much a learner camera but good at documenting what’s going on around you. Its mode dial that was missing is now working fine. A little polish and it has come up looking lovely cosmetically. it’s a good little unit.

The camera has come up lovely and is now complete and fully operational

Here are a selection of snapshots from around the home just to prove it’s working as it should. Nothing special, it just does what it was always built to do. Take snap shots.

It works. I’m happy. And another camera has been saved from landfill.

Thank you for passing by, as always it’s most appreciated.

Fujifilm Finepix S2 Pro

What the listing stated:

ALL ITEMS IN THIS LISTING ARE FAULTY
FAULTS MAY VARY BETWEENS ITEMS

SOLD AS IS

NO RETURNS

EBay

I’ve just read a blog where a guy had one of these cameras from new, and in 2002 he had paid £1550.00GBP for this camera. Wow, and here i am 23 years later paying the grand total of £8:00GBP for one. Even if I don’t get it working, I’m happy with that.

Now this particular camera had two issues in its lifetime that caused concern, and one of them meant it was pretty much game over, and that one was the CCD issue that used to plague this range of cameras. Fuji released a whole bunch of these cameras with a faulty CCD that had to be fixed under a recall. They built sufficient replacement CCDs to cover the recall and that was about it. There were no remaining CCDs left and at that point what was left had become as rare as hens teeth. If you suddenly developed that faulty a later date, then tough…you were stuffed.

Serial numbers affecting CCD problems are listed below:

Model Serial Number Range

FinePix S2 Pro 31A127**~31A143**

32A000**~32A039**

33A000**~33A007**

34A000**~34A004**

Fujifilm

The second issue was with a batch of these models that had a “bad” resistor in the power circuit that prevented lock up if there was a power spike, if this failed then the camera just stopped and you were stuck. There was another recall on the second issue but there is probably a lot of cameras out there that again weren’t part of this recall. And I guess owners were pretty fed up of recalls at this point and were off loading their equipment as quick as they could.

The serial numbers regarding the lock up problem are listed below:

Between serial numbers 24L00441 and 24L00680
Between serial numbers 24L01057 and 24L01256
Between serial numbers 24L01553 and 24L01863
Between serial numbers 24L10257 and 24L10608

Fujifilm

Above you can see the serial number for my camera. Thankfully my number falls outside the range of any of the cameras inflicted with either problem, so it’s fair to say (Fingers crossed 🤞) that I shouldn’t suffer with any of the known issues with this unit. In layman’s terms I think i may well have dodged a bullet here.

I did speak to the seller regarding the fault on this camera and he stated it was just a general error code on the top screen. There is a general error that arises occasionally regarding certain lenses where they have to be locked on their minimum aperture for the camera to work properly, however I’ve not attached a lens yet so this cannot be confirmed.

Here’s some history:

The Fujifilm FinePix S2 Pro is an interchangeable lens digital single-lens reflex camera introduced in January 2002. It is based on a Nikon F80 (N80 in the U.S.) film camera body that was modified by Fujifilm to include its own proprietary image sensor and electronics. Because of the Nikon body, it has a Nikon AF lens mount and so can use most lenses made for Nikon 35 mm cameras. It is autofocusing, with an electronically controlled focal plane shutter with speeds from 30 sec. to 1/4000 sec., built-in exposure metering and pop-up flash. Its ISO film speed equivalents range from 100 – 1600. The S2 Pro also has sound recording capability. The camera is no longer in production, having been superseded by the Fujifilm FinePix S3 Pro in February 2004.

Aside from the Nikon lens mount, the camera’s principal distinction is its 6.17 megapixel photo sensor. Known as the Super CCD, it is unique in having its photodiodes oriented diagonally rather than horizontally and vertically as in all other DSLR cameras. This allows the use of a sophisticated interpolation system that produces an output image equivalent to 12.1 megapixels. The apparent resolution of images in this interpolated mode lies somewhere between 6.17 megapixels and the 12.1 megapixel interpolated output.

A huge number of these cameras were built using a Sony sourced defective CCD that was subject to a recall by Fuji. The recall ended when the stock of these replacement CCD’s was depleted. There is word that no other stockpiles exist of this Super HAD CCD, making these cameras that are found with the purple or black tinted image problems extinct, only usable for parts. The Fuji F700 used a similar defective HAD CCD, but in 3.1/6.2Mp size. That camera has met a similar fate.

Wikipedia

So let’s hope that we can get some pictures out of this unit. We just have to wait and see what arrives.

Assessment:

Well the camera has now arrived, and I must say it is in an absolutely beautiful condition. Cosmetically there isn’t a scrape or scratch, all screens are scuff free and it looks as if this unit has been well cared for. It just needs a wipe over to clean. The package is just the camera body with no extras such as a body aperture cover or neck strap, but who’s worried about that, they can be procured at a later date.

These units are quite power hungry requiring a total of six batteries. 4 AA cells go in the base and two Lithium CR123A batteries go in the grip. These batteries work in unison, one set handling the basic camera functions whilst the other deals with the capture and processing of images. It’s a strange affair, loosely based around the same setup that was originally on their film based camera counterparts.

I’ve had to order the lithium batteries, however I can still get displays and Information using just the AA batteries in the base, basically it is semi functional in this situation.

The lens mount is a standard Nikon F mount, I’m going to have to search through my equipment to see if I have such a lens, I suspect I don’t, so I may well have to purchase a small lens purely for test purposes. I have some other Nikon repairs in the queue, so a lens to have for test purposes wouldn’t really go amiss.

The unit takes either a CF card type II or a Smart-media card (Max size of 2Gb on both) that is located behind a hinged section on the rear of the camera, these work fine and have no bent pins.

With batteries in place I get the full range of menus, and nothing comes across as suspect at all at this stage in the assessment.

The top menu by the exposure button is the only “F” indication showing, I have no lens attached so this might be the reasoning for that, but if I do put the menu into manual mode I get the full range of shutter speeds and can even operate the shutter, the shutter seems to be working at all selected speeds with no issues as far as I can see.

Some of the shutter speeds available in manual mode

All other menus are available and I’m even able to format the CF card via the cameras menu. The picture you see on the screen was taken on another camera. It wiped fine so no issues here.

Various menus and the screen after a format was completed through the cameras menu controls

The camera seems to be working with no apparent communication issues as yet. When you try to use the flash it even informs you that you need to insert the correct batteries to test. As I’m awaiting the CR123A batteries I won’t be able to test the flash functionality until they arrive.

No CR123A batteries installed? – You can’t use the flash

As I have stated the testing can only go so far until I have the missing items in my possession, for me that is the two missing batteries and a suitable lens. I’m currently in the process of procuring both. Physically there is nothing wrong with this camera after spending a good couple of hours going over it. I’m quite comfortable with it and believe it could be a lens communication error or just a failure to read the instructions properly by the previous owner. All I need now is that lens. I’ll let you know what occurs in the repair section.

Repair:

To be quite honest it’s not really been a repair, it’s been more of a “pre flight check” to collar a phrase, going through all of the cameras capabilities and ensuring that they are all functioning correctly. As the camera was listed as faulty, and the fault was not identified, I have had to do many hours of testing and Investigation to get to this point.

I’ve done a bit of shopping and managed to buy a nice little lens from the Southern hospice group. Always happy to help a charity and secured this at a good price of £15:50GBP, and that includes the postage, for a Sigma 28-200 f/3.8-5.6 Ø72 Zoom Lens Nikon F Mount. There looks like a bit of fungus on the outermost optic, however I can always clean this if it’s too bad. If not I’ll just leave as is for the moment and keep it vacuum bagged between uses, I can always do a separate post on cleaning up fungus in a lens at a later date. (I have done a basic fungus clean in the past : Canon EF lens 35-80mm)

I wasn’t looking at spending too much here, as I only wanted a lens to test a number of Nikon repairs I have upcoming as well as this S2 Pro. This lens will fit that role perfectly, and be added to my collection of other lenses that I have that allows me to test a range of different camera products. I have also purchased an “F” mount body cover for the camera to protect the unit when there isn’t a lens attached to it.

The two CR123A batteries have arrived and have been placed in the handle grip. The warning that was there before the batteries were installed (see picture above) has disappeared and when placed in manual mode the flash fires just perfectly, no issues here.

The Lens has arrived. Good point is that it fits fine and looks good, and all electrical contacts are good. Bad point is it has severe fungus throughout, and is just like looking through a fog.

I will do a separate post on cleaning this problem up in a later post. However I’m not overly worried at this point, I paid a very low price so it was to be expected, I’m not complaining to the seller who was a Hospice, they need the money and I can fix it so there really is no problem.

That lovely looking lens hides a problem

The excellent news is that the lens does exactly what it should. The camera indications are good, all working exactly as expected . However the pictures via the screen are extremely hazy due to the fungus infection on the lens. There are no black or purple casts on the pictures so I am quite happy that we haven’t inherited the dreaded CCD issue discussed earlier in this post.

If I use the lens wide open and pop the camera into auto mode I do get an “ERR33” code and that is a communication issue between the lens and the camera. As I have stated earlier in this post, you have to have the lens set at its lowest aperture and locked for the error code to go. Fortunately this lens allows you to lock the aperture and once this is done the camera takes over the exposure when it is working in automatic mode. So as I also stated earlier, it appears the seller was probably not aware of this requirement/issue.

Result:

We have a fantastic working camera, it does all it was produced to do, it has its little quirks and oddities, but being familiar with these cameras and at least having some knowledge and awareness of how they operate is always a wise thing. Read the instructions and don’t just throw them in the drawer until you eventually sell the camera on as a damaged item, when in fact you were just lacking the knowledge on how it operates in the first place. Instruction manuals are good, they serve a purpose. Knowledge is king.

This camera cost me £8:00GBP. That is a superb price for a camera of this quality even though it is now 23 years old. It has a lot of life left in it, and I can’t wait to get it out and give it a real test.

It’s a little beauty – And the lens that needs attention

So in theory I’m confident and happy that this camera is now in a fully operational order, it’s needed a clean, it’s needed a lot of research to find out how it works, and I’ve also downloaded the operating instructions and repair pack should they be required.

It’s taking pictures and storing them. It’s just the lens at the moment isn’t performing at its best due to its fungus on the optics issue. I’m keeping the pictures stored on the card to compare them with the new pictures that will be taken once I have another lens to use.

Once the lens clean up is complete, if I ever get around to it, I will link it through this post.

Edit:

As 12/7/25 I have purchased a newer higher quality lens without any of the above issues to be able to get some instantaneous results, and as I have about seven other Nikon cameras requiring testing, some with sensor issues, it was wise to invest in a better quality lens. I have purchased a Nikon 28-100mm AF Zoom Nikkor Lens G AF-d, in perfect condition and the post regarding it can be found here: Nikon 28-100mm AF Zoom Nikkor Lens G AF-D

A newer – old lens, much superior quality

As previously stated I will add photos in this post once the new lens arrives, to show the difference from the fungus infected lens to a decent lens. The old lens is still a work in progress and I will post about it again as a separate post once the clean up is complete. It will probably be a job completed once the long winter nights are back in situ.

Below are comparison photos between the old lens with fungal issues and this new lens:

It’s just typical for me to manage to make another post from an issue that has arisen from fixing a different item. But isn’t that life? Continuous improvement is a factor we come across on an almost daily basis, and if you deal with old items as much as I do, then there is always something else that needs repairing, something that requires your attention and I just love that. The ability to improve or make something better, gives such a feeling of achievement and accomplishment, and total satisfaction. And that’s why I write this drivel. It’s for me, it’s what this blog was originally set up for. It’s my journal of what I do.

Many thanks for following this post. You know it is always very much appreciated.

Fujifilm Finepix S9500

What the listing stated:

ALL ITEMS IN THIS LISTING ARE FAULTY
FAULTS MAY VARY BETWEENS ITEMS

SOLD AS IS

NO RETURNS

EBay

I really don’t know what the specific issue is with this camera only that it is faulty. I guess we will just have to wait it’s arrival for a full assessment. In the meantime here is a little bit about it.

Fujifilm FinePix S9500 or FinePix S9000 is a bridge digital camera released by Fujifilm in 2005 and intended for the enthusiastic amateur. It is a member of the Fujifilm FinePix family and has been superseded by the Fujifilm FinePix S100fs. It has a long list of advanced prosumer features, like combining having wide-angle ability (28 mm equivalent on a 35 mm camera), full range of manual settings, mechanical zoom ring, high ISO-sensitivities, and some of the versatile features of Live-Preview Digital cameras (LPDs) like movie mode, movable LCD panel, and macro mode.

Wikipedia

Assessment:

Wow. Another camera in a fantastic condition as part of this damaged package of three. And I owned one of these when they first came out in 2005.

I really had to look hard to find the issue with this camera, I have checked every menu, mode and function and it is working absolutely perfectly. Then I found the issue when removing the battery.

Loose battery contact under battery door

Unbelievable, the only issue with this camera is a loose battery contact plate under the battery door. These are normally sealed with moulded plastic, but it looks as if this one has come adrift. It just needs fixing back in place, I can’t believe this is all that is wrong with this camera. Apart from needing a little clean.

And an added bonus with this camera was that it came with a 2Gb CF card. This just so happens to be the biggest drive size these cameras take. You can also use TF cards. Again, this was a very welcome bonus.

Repair:

Probably the simplest of repairs you’ll probably see. I really apologise for this being a bit of an anticlimax to anyone wanting to see a technical repair, because you won’t be seeing one. But just sit and think it over for a moment, that someone was prepared to dispose of this perfectly working camera as it was not working in their eyes. We really are a throwaway society. And then there are simple people like me who love these items. And we fix them.

All it took was a hot soldering iron and a pair of tweezers. The metal plate was held down and what remained of the broken plastic welds protruded above the plate. Using the hot iron the welds were melted back to secure the plate in place as it had been when it left the factory. There you go. Job done. Simple.

Result:

For £8:00 I have brought myself a little bargain here. Ok it’s 20 years old now, works perfectly and does what it was built for. Capturing history, your personal history, both good and bad and creating moments for you to treasure forever.

It doesn’t matter what the megapixels are or any of that chuff the “purists” insist you must have in a camera, just push the button and treasure the output for the rest of your days. These cameras are the ones we should be carrying for fun, to learn about photography, the cameras the kids should have now that we had 20 years back, they still have that life in them and the ability to teach and encourage a younger generation to get into photography. And before you say they have phones, that’s not the same. They’ll learn more from one of these on a phone free afternoon, then they ever will by being interrupted by “Soshul Meeja” all day.

Get out there, get your kids recording their world. They’ll thank you one day.

And yes it works well, the Camera is in cracking order and only missing a strap and maybe a lens cap that I may procure later down the line.

The good thing is that it has been saved from disposal, and has years of good honest life left in it.

Thanks for passing by, you know it’s always appreciated.

Fujifilm Instax 100 instant film camera

What the listing stated:

Fujifilm Instax 100 Instant Film Camera – Faulty Untested See Lens Shutter

Otherwise clean,

battery compartment is clean,

unable to test so selling for spares or repair considering the lens shutter

EBay

I’m a tad annoyed at myself here as I had arranged a good price with the seller but because I was too eager I pushed the wrong button and purchased at the original advertised price. The seller must think I am a right plum, and I’d be inclined to agree with him. That said I’ve secured this for a good all in price, and it will be a nice addition to my collection. It’s a 26 year old camera, and i’ve been looking for one of these particular cameras that use the wider format of Instax film for quite a while, but even the damaged ones command hefty prices. I’ve paid an all in price of £28:55GBP here when I should have paid £23:55GBP. Never mind, lesson learned and don’t be so hasty in the future. They can command a good price as can be seen in the photo below:

Here’s some info about this camera:

The Fujifilm Instax 100 was released on May 1st, 1999. It has been replaced by the newer Instax 200, which is very similar except the flash is on one side rather than directly above the lens.

Technical Specifications

Type: Instant camera

Film: Fujifilm Instant Color Film “instax“

Picture Size: 62x99mm (based on the golden ratio, closer to the naked eye)

Lens: Move in/out type Fujinon Lens 2 components, 2 elements, 95mm

Aperture: f/14

Shutter: Programmed electronic shutter 1/64 ~ 1/200

Viewfinder: Real image viewfinder 0.45x

Focusing: Motor-driven 2-range switching (0.9 to 3m/3m to infinity)

Power supply: 4 LR6/AA-size 1.5V alkaline batteries for around 10 film packs.

Dimensions: 171.5 x 91.5 x 119.5 mm

Weight: 650 gr (without batteries, strap and film pack).

Camera-wiki.org

Now this one is being sold with what looks like only one fault that the seller is concerned with and that being a shutter problem. From experience and as can be seen in this recent post of mine: Another Fujifilm Instax mini 8 I know that this is not a “Lens” issue it is in fact an issue with the iris that protects the lens, and is probably as a result of a small spring being disturbed in that area. It’s quite a simple fix and if it is the only fault then that would be quite some result. However, this is EBay that we are talking about and there could be a number of further faults we haven’t been informed of. Now I will just have to be patient until it arrives, there is no other choice.

Assessment:

It’s a big one. Compared to the other Instax mini cameras this one is very big. It’s probably 1.5 times bigger than your standard SLR. It’s big. And weighty!

It’s clean…ish. And there seems to be a strip of plastic, a gate as such missing from the top of the camera near the exit slot. This wasn’t mentioned and I’m quite annoyed about that. When batteries are put inside it makes all the noises, but the action isn’t smooth in the lens extension range. This probably ties in with the advertised issue of the lens iris operation. I’m thinking I paid well over the odds for this particular camera, I’ve been conned here, lesson learned.

There could well be multiple problems here, and if that missing piece on the top is anything to do with light proofing, then we could have an issue. Anyway we will cross that bridge when we come to it. Initially I’m going to stick with the original fault, so let’s attack that and worry about any other issues if and when they crop up.

Repair:

The more I get into this camera the more I find wrong with it. The main issue of the faulty lens iris is a fiddly one. You prise off the last section of the lens turret and the iris mechanism comes away fairly easy.

But then three tiny springs just fall out and this is why the iris didn’t work. Trying to get them in place is a puzzle itself, as no sooner do you have one connected then another drops off. It’s a fine balancing act to get them all back into place. When they are all reconnected it’s a very delicate operation to get them back into place. And even then you have to go to the inside of the camera to ensure that the lever inside that operates the iris, is aligned to the iris mechanism that is being installed back in the lens turret. It’s a fiddly time consuming job.

Iris now working

At this point the rear fascia and associated ribbon cable need to be removed to facilitate this repair. That’s when a piece of broken plastic falls out, it just so happens that one of the posts putting tension on the print rollers has broken. Great. Another problem. I’ve quickly fixed this by using some wire to act as a retention point. Bodge? Yes, but there really is nothing else that can be done here as the plastic case is thin and brittle. I have used some silicone grease to lubricate the cogs and the whole movement is now a lot smoother. It Will work. of that I am confident.

Result:

Well it works but it remains one of my most disappointing fixes due to the dishonesty of the seller. I know, if you buy off auctions it’s Caveat Emptor as they say, I preach it enough but this time I was caught off guard. Lesson learned. But I remain disappointed. Multiple faults, sold as just the one when in fact it also had bits missing that were not declared, very misleading in my opinion. Maybe in future I need to look deeply into these purchases before I give any feedback, i need to change my operation as I was truly shafted here.

It does everything that it should, the motor and transport system work, the iris now works, shutter is good, and flash operates. I’m confident that the camera is working fine but I haven’t tried any film through it yet as it uses a bigger format film and is quite expensive, and I’m not forking out for any just yet. Maybe when I get another wider format model to look at I will pay out. Just not yet though. When I do get some film through it I will amend this post accordingly.

I’m off to calm down a bit now, thanks for passing by, I really do appreciate it. Have a great day.

Fujifilm Instax Mini 40 instant camera

What the listing stated:

Fujifilm Fuji instax mini 40 instant camera . Functional, but flash NOT working .

LISTED REPAIR OR SPARES . NO RETURN .

THE CAMERA IS TESTED AND WILL,POWER UP AND TAKE A SHOT AND EJECT A SLIDE CORRECTLY. Please watch uploaded video .

HOWEVER THE CAMERAS FLASH IS NOT WORKING . This is the reason I have listed the cameras as repairs or spares.

Hopefully someone knows about these cameras and knows whether the flash unit just needs replacing or if it is an electronic fault that needs sorting out can fix it . Otherwise the parts will be useful to someone who repairs these .

No batteries or film is included .

The camera body is in very good cosmetic condition. There are only light surface marks in terms of signs of use . . Please see images as they are part of the description.

The red light to show the camera has powered up lites up when the button is pressed to extend the lens and turns the camera on .

When you close the lens down it locks securely into place .

The frame counter is working .

The film compartment is clean and the rear door shut correctly and securely.

Battery compartment is clean and the battery cover locked into place securely.

The camera is powered by to easily available AA batteries ( not included) .

EBay

Now that’s what I call a great descriptive sales pitch. And that’s because the guy is a professional seller of photographic equipment. I’ve seen the video he posted and all the above is true, it really is just a problem around the flash. Maybe it’s an easy fix? I suspect not but either way it will be an interesting project.

Here’s a little info on this camera:

Hitting the market in April 2021, the Fujifilm Instax Mini 40 takes the updates the Fujifilm Instax Mini 11 introduced but wraps them up in a cooler, more retro-styled instant camera body. Instant film fans will probably love it and with its improved design, there’s a chance that those who aren’t instantly drawn to this form of photography may just want to have a play around with the Fujifilm Instax Mini 40, too. It does cost more than the Fujifilm Instax Mini 11, though, so you’ll have to decide if the cooler design is worth an extra £20.

+ Pros

It’s fun

Great party camera

Easy to use

Looks cool

– Cons

Film is expensive

Viewfinder could be better

Powered by AA-batteries

Ephotozine.com

I first of all went in with a cheeky bid of £15:00GBP that the seller originally turned down, so I then put in a high bid of £18:00 and as no one else was wanting it, it actually sold for £16:00, just £1:00 more than I’d originally offered. All in all the cost with the postage was £19:45GBP and I’m really pleased with this. Im surprised though that there are flash issues in a unit that is only just four years old. As you can see in the photo below recent sale prices have been strong and a great deal higher priced than what I have just paid. These are certainly popular little camera’s with the younger generation.

I guess we will just have to await its arrival to assess the flash issue. I’m very confident that I will be able to get this camera up and running again.

Assessment:

Out of all the Instax cameras I have dealt with lately, this has got to be one of the best ones I have had my hands on. This is a mid range instax camera that is more sober in colour aimed at those who enjoy their lomography or better quality instant photography. It certainly looks good, and to be honest I’d rather carry this one around rather than a bright pink one.

As posted in the description above it is in near perfect condition and a quick Look at the flash head shows that the flash bar within the unit is broken.

Let’s get on with replacing this damaged flash unit.

Repair:

Let’s get it opened up.

People laugh at me when i tell them that playing around inside these units could kill you. I can understand the contempt aimed at me for such a statement, when I’m carrying a bright pink camera that hardly looks dangerous. Just look at the voltage still in the flash capacitor though once I have opened it. Savage.

Residual voltage of 267v still in the flash capacitor

270v would quite easily send you across the room, if you had a heart condition it would probably be game over. I’ve learned my lesson in the past so I ensure I use a capacitor bleed probe before I go anywhere near one of these flash capacitors. The capacitor on this camera is rated at 320v, not to be messed with. Beware. What’s more impressive is that all this energy is supplied from two 1.5v AA batteries. Clever stuff.

I have a donor flash bar in an old spare unit. I have carefully unsoldered its connections and gently removed the very thin glass tube from the donor unit and placed this in the one situated on the new camera.

Carefully, once inserted into the flash reflector, i have soldered it back onto the board. All looking good. However I need to test the flash so I temporarily put the case on, bung in two batteries and turn the camera on. Press the exposure button and the flash fires perfectly. Happy days. I now can confidently reassemble the camera back together, and I’m pleased that when this is done there are no screws left over. All small wins.

I have some film available so there is no better time than the present to give it a try.

Result:

Nice flash – working

I’ve loved doing this repair, this is a good quality, great condition, and now in perfect working order camera, brought back to life with many more years of use left in it.

But it could have been just chucked in the waste. I’m keeping this one for my collection as it’s a fantastic example acquired at a very good price. Thirty minutes of attention is all it took.

Another one kept from landfill.

Many thanks for passing by. Always appreciated.

Kodak printomatic digital instant camera

I’ve just purchased three of these cameras for a total of £24:98GBP. All non working of course but when healthy they normally command a price around £35:00GBP each. Here is what the listing said for each one:

Camera one:

Kodak Printomatic Digital Instant Print Camera

Camera does not print

Can be repaired or used for parts

EBay

Camera two:

Camera is in good cosmetic condition.

Camera doesn’t charge. Battery charging light flashes but it doesn’t hold battery.

It hasn’t been tested further.

EBay

Camera three:

Please look at the photos carefully, as they make up the majority of the description.

It has two faults

The springs on the back are broken, meaning the rear metal plate is bent , and it often doesn’t push photo paper through correctly.

The shutter button is also depressed.

EBay

This third one might be a longer term repair as I’ve never known a quick fix for a depressed button, that requires a psychiatrist… (That’s me just trying to be humorous, I’ll grab my coat and leave now 😂🤦‍♂️)

To be honest the issue with the third camera seems to be a regular problem based around the design of this camera. Too much pressure on the button normally results in the switch inside detaching from the main board, it’s poorly positioned at an angle and usually not soldered in place too well. The springs should be an easy fix.

I’ve brought these cameras from three different sellers. if I’m lucky I’ll be able to get all three up and running, worst case scenario is that I use one for spares and have two good working examples.

Anyway I’ll just have to wait for their arrival to assess them all, and decide what repairs are required. In the meantime here’s a little bit about these cameras that are again very similar to the Polaroid “Snap” camera range, that also use zink paper. And seeing what is quoted below, the Polaroid “Snap” and this Kodak Printomatic are in all aspects one and the same camera.

Well, since Kodak doesn’t really make its own consumer cameras anymore, the Printomatic is actually being produced by a company called C+A Global, which is just licensing the Kodak name and branding. C+A also licenses Polaroid, and was behind the two-year-old Snap. Both cameras were designed by Silicon Valley firm Ammunition Group, which confirmed to The Verge that the Printomatic is basically the same camera as the Snap, though simplified and rebadged. (The cherry on top of this corporate synergy sundae is that C+A also works with Zink.)

Released 2017

The PRINTOMATIC camera instantly and automatically prints high-quality, full color photos with point-and-shoot ease. It uses KODAK ZINK Photo Paper, so no ink cartridges or toners are needed. The photo prints are durable, water resistant, and adhesive backed for extra fun. The camera’s speed allows you to shoot a new photo while printing the previous shot. The KODAK PRINTOMATIC is fast, fun, and easy to use.

Features

5MP image sensor

Prints automatically when image is captured

Vibrant 2″ x 3″ photo prints are durable, water resistant, and adhesive backed

Built-in flash

Optical viewfinder

microSD™ card slot

Kodak Ltd & The Verge

The reviews all vary, from very good to downright diabolical, I’m not really surprised since Kodak “Hoared” out its brand name to the lowest bidder many years ago. Am I bitter? A little, as I used to work for Kodak in the days when they were a world leader, the mistakes they made, the decisions and leadership were absolutely awful. And the fact that their demise has lowered my pension pot by about 40% due to their financial mismanagement is another axe that I regularly grind. Yes I am bitter, and since I’ve recently repaired and reviewed their competitors cameras I thought I’d give these a try. Will I be impressed or disappointed? Who knows but I do have an inkling on which way this may swing. But for what I’ve paid for three cameras I’m not really that fussed, it’s just pocket money.

Assessment:

Camera one:

Apparently doesn’t print. Well I’ve put a couple of sheets of Zink paper inside and two pictures were produced. The sd card slot is fine, the charging port is in good condition. Transport is working perfectly. It certainly does print. Just needs a bit of a clean. To be totally honest there is nothing wrong with this camera and for an outlay of £8:00GBP in total I have a working bargain. Kerching – a rare EBay win.

Nothing more to do on this one. So on to camera two.

Camera two:

It’s a bit grubby cosmetically but nothing that a light clean wouldn’t sort. This particular one cost £8:99GBP all in. It was dead on arrival so I’ve checked that the charging port was ok, and then put it straight on charge.

I’ve also given it a light clean whilst charging and the overall appearance has greatly improved. I must just be patient and wait and see if the unit does take a charge, or the original fault appears.

Whilst on charge the originally mentioned fault appears. The charging light was showing a steady red, it is now a rapidly flashing white light with the occasional steady red indication for all of a few seconds and then it’s back to the rapid white indication and it then all repeats. I’ll leave it for a while to see if there is an improvement, the battery just might be so dead that the inbuilt battery management system may just well be refusing to cooperate.the on/off button on the front doesn’t work as well, this might be also related to the battery issue.

Camera three:

Looking very nice and cosmetically very clean.

This one cost £7:99GBP all in. This one is reported to have two issues, a damaged paper pressure pad and a button stuck in the depressed position.

Paper pressure pad is bent and missing two springs

But first I’ve put it on charge to see that it charges, I’m pleased to report that everything is alright in that aspect, and I’m pleased to say it charged fully with the correct lights illuminated. The white light on the top by the exposure button is flashing as a result of the button being stuck in the depressed position, I believe.

This one will need the paper pressure pad repairing as well as the button that is stuck in the depressed position.

Repair:

Camera one:

See above. No repair required. Just a light clean and some TLC. Why did they sell it as damaged? Who knows just what goes on, in the mind of an EBay seller.

Camera two:

This will need to be opened to get near the battery. We may well be able to get the battery to accept a small charge and this may be just enough to fool the battery management system in the camera to take over and continue charging.

Cover off I’ve checked the battery readings and it’s reading a healthy 6.5v and as it’s a 7.5v rated battery I believe this to be healthy, it holds a steady charge the battery is fine. Looking at the led lights they are capable of two indications, red or white and that’s it. I believe the charging light flashes when it’s charged as it cannot possibly show a green light as there isn’t one. This is confusing as normally a flashing white/red light normally indicates that the battery needs charging. Everything that is happening goes against what the producer has published regarding the led indications. But I am convinced the battery is good despite it not turning on. Hold on, I think I’ve found out the problem here…..

It appears that someone has been here before me or that the on/off button ribbon connector has disconnected itself over time. Either way it’s not where it should be. I’ve put the connector back in place and secured it. I now have power and control of the camera.

All lights working, transport whirring away let’s put some paper in to give it a try.

Well it prints ok, all pictures appear to have a “blue tint” to them, however there are big tramlines across the print as you can see, this indicates a dirty roller. What I’m going to do here is peel half the backing of a sheet of Zink paper as the back is adhesive allowing you to stick photos on whatever takes your fancy. By running a half sheet of exposed adhesive, upside down through the camera with the adhesive being the trailing edge, it should allow any debris and dirt to be collected on its way through. I will do this three or four times and even though I will no doubt get error lights appear I can just reset the camera with no further issues.

And that worked. The tramlines have gone.

Tramlines on bottom left picture as a reference. All other pictures now clear.

I’ve also tried the black and white mode as you can see above. I’m very confident, in fact I am positive this camera is now working as it should. I have also put an sd card in the base and all pictures are being recorded as expected. A quick clean and we now have a perfectly good working example of this camera. Let’s move on to camera three.

Camera three:

We have to open up the camera to get to the issue with the button.

The paper pressure pad needs to be dismantled, straightened up and two compatible springs need to be found to keep the required pressure in place on the paper pad. I’ve dismantled the pressure pad and straightened it out, just needs a couple of springs to complete, I’ll sort these out later.

On opening the camera it was as clear as day that the depressed button was as I first thought, the three solder points below it had come loose, no longer making contact.

It’s plain to see in the pictures above that the button that is damaged has all three points of contact broken. these need re soldering to strengthen them. You can see this issue in the microscope pictures I took below.

The switch has been tested and it clicks and operates as expected, this is a known weak point with these cameras and a design fault as well, although the manufacturer would probably deny this. It’s a given fact that the manufacturer wants to sell as many as these units cheaply to the throw away consumer, you only have to look at the main board below to see this…

It really saddens me to see the levels the Kodak name has sunk to, these units are just replicas of the Polaroid touch/snap range, but even at this stage in the repair the Polaroid versions are far superior. Quality control and the cheap design of these Kodak units is borderline awful.

This unit is proving to be a right pain in the ass. The original fault with the exposure button has been repaired and the paper pressure pad is all but repaired, but it seems that being hidden by these two faults is a totally different issue. I have had this camera completely dismantled and have also separated the printer from the motherboard, but this issue of the permanently flashing white light still exists, so the fault is definitely only being carried on the motherboard.

I’ve checked the motherboard thoroughly using my microscope and there is nothing glaringly obvious at fault. I have checked for shorts on the board of which there are none. The only issue I found was that the lens ribbon cable was sitting off centre, however I corrected this but the flashing light issue still remains.

There are two faults that are connected with this flashing white light. One is that the light occurs whilst printing, this is not the case with this unit as it even occurs as stated with the printer disconnected. The other possibility is that it flashes when doing a firmware update, I have attempted to update with the latest firmware and the only difference is that I cannot turn the lights or camera off at all, I have to crash it by removing the battery.

It’s looking as if this could be the issue. The previous owner has probably bricked the unit by interrupting a firmware update and it has corrupted the system. I’m going to have one more attempt at updating the camera with a clean unused sd card to see if there is any possibility of recovery. If this cannot be done then this unit will become a spares unit that to be honest I’d rather not have as I don’t really want to purchase any more of these cameras. But you never know, someone may want one repairing.

Result:

Well in the wise old words of Meatloaf, I guess “Two out of three ain’t bad”. The grey one is bricked, as after numerous attempts of updating the firmware it just isn’t having it. It is just a brick. However there are numerous spare parts that can be used including a good battery, lens mechanism and a number of other pieces. I just didn’t want that though as i don’t really see myself going out of the way to obtain another one, they are as cheap and nasty as you could possibly find. The Polaroid versions are of a far better quality in my opinion, and they are hardly high class.

The positive here is that 3 cameras, quite obviously built for the throwaway generation have been saved from landfill and can be used again. What I’m going to do with the two I have is probably put them both back on to eBay to recover my out goings. If not, I will pass them onto our local hospice to sell on.

Been an interesting fix, but I’m not venturing back to these Kodak models anytime soon.

Thanks for passing by. Always appreciated.

Another Fujifilm Instax mini 8

Yes another one. Anyone that reads what I post will realise that these little cameras have really become popular with the youngsters within our family. I recently posted about a family get together: The garden gathering and in this post I stated that a young member of the family liked these cameras so much, that she went out and purchased a damaged one and asked if I could fix it for her. How could I turn down such an offer?

Another Instax mini 8 and that Iris should be closed

And here it is. Needs a little clean and immediately I can see an issue, what I’ve noticed is that the little iris lens protectors that close when the lens is retracted are missing, or not operating and opening properly. Everything else seems to be doing what it should, motor, film transport system etc, however the initial issue reported with this camera was that it’s exposure was sometimes hit and miss, it most definitely all related to the lens issue. A good clean wouldn’t go amiss with some extra attention paid to the light sensor area.

Anyway, enough chat, let’s crack on.

Assessment:

A nice tidy camera, needs a little clean, flash fires, film transport mechanism inside is working and the motor runs. It gives the impression that it is working fine, however….

Here’s a reminder from the young family member who made the purchase, regarding its issues:

I’ve just remembered, I think the advert said something about the photos coming out dark no matter what setting it is on! x

I’d already noticed the little iris mechanism on the front of the lens didn’t open and close when the camera was turned on, so I was going to be looking in this area anyway. But when I looked a little closer and moved the aperture ring on the side of the lens, the relative apertures in the lens were only moving to roughly the half way point, off centre, hence there was no corresponding fully positioned aperture, and in relation to the lighting situation that was presented, they were stuck and blocking the incoming light. In a nutshell there was not a sufficient sized aperture “hole” for any light to get through, resulting in the exposure issue stated above. This needs adjusting. You can see what I mean in the photo below. The lens aperture leaf does not sit central in the lens.

Incorrect aperture settings and positioning in the lens

Apart from the highlighted problems above, i don’t believe there are any other underlying issues. So I’m going to concentrate on the front of the camera solely in the lens turret area.

Let’s get on with the repair.

Repair:

The iris issue is within the lens turret so this will need to be dismantled to access the iris.

Lens top cover removed exposing the iris mechanism below

It was a bit of a head scratcher this one, as I spent a lot of time just staring at the mechanism trying to figure out how it worked. When the iris lids were manually manipulated to the closed position when the turret was retracted all was fine. When the turret was opened up the iris lens did the same, but then if you again retracted the lens the iris remained open exposing the lens. I was thinking it must be missing a spring somewhere and I was about to be proved right.

I found a replacement iris turret in my spares box for instax cameras

I found a replacement iris mount that fits within the lens turret. I had this in a spare box and used this as a reference to compare to the old non operating one. Here is where it was confirmed that there was a spring missing and this is why the iris was not operating.

I replaced the old mechanism with the new one and this was installed back in the camera, this now works fine. I have however found a suitable spring for the old iris so I do now have another spare ready should another be needed in the future.

Iris mechanism installed and now working

The issue with the aperture positioning has been sorted by ensuring that the aperture ring is correctly positioned in relation to the cog mechanism in the lens turret area. It’s a bit like sorting out the timing belt in a car, it just has to be in the right position to achieve the correct aperture settings.

Springs and levers everywhere, and the “Timing” cog on the right that is in the turret area

This sorted, the last thing to do was to give the viewfinder a little clean. You have to be very careful here as the viewfinder is connected to the camera “ready to shoot” indicating light, and there are very fine wires all around this area. Be just a bit too clumsy here and you’d have a difficult soldering project to also add to the original problems. Anyway, no such issues today, the viewfinder was un clipped and prisms and glass cleaned and reassembled. All looking good.

I’m now happy that all the issues have been attended to and I’m just going to reassemble the camera ready for a quick clean. Luckily all the screws that came out went back in with none leftover. Result!

Result:

We now have a nice little unit, all aperture settings are working as they should and the lens iris is operating as it was always supposed to do. The viewfinder has also been cleaned and it’s now a nice clear unobstructed view. It just works.

All cleaned and now working, a lovely little camera

I’m guessing this camera will be coming away with the owner on a family holiday that we are all about to embark on shortly. I’m hoping to run some film through this soon but I am ultra confident it will work as all the issues have now been addressed.

I’ve just got some film and rattled off 4 quick shots, one of them indoors. Exposures are fine so I’m happy this is a perfectly good working camera.

I’m sure there will be one younger member of the family who will be very happy with her new camera. And may she have many years of capturing good times and fantastic memories. This is what these little cameras are made for after all.

Thanks for passing by, it’s always very much appreciated.

Ensign Ful-Vue II

I’ve had this camera sitting around since March 2023, when I first wrote about its purchase along with a couple of other cameras here: New old stock 📸

I’m not sure what I paid for these cameras but it wouldn’t have been a great deal. I love the Ful-Vue due to its looks and the kind of Art Nouveau feel it has about it. It’s a very basic mass produced camera of its time and It is an old 120 film camera, and the bonus is that this film type is still readily available, in fact I still have a few rolls in my fridge at home today.

The shutter is an all mechanical, spring loaded system which swings a piece of metal over a hole to create the exposure. The approximate timing is 1/30th of a second and that’s slow. It is understandable when taking in to account that ISO 400 wasn’t that common in the 50s and would have produced very noisy results. It was far more common to use ISO 50-100 film and that would’ve required a slower shutter speed at the approximate f11 of the lens of this unit.

I obviously want to get it back into full working order. And want to do as sympathetic a restoration as possible. It’s a 120 roll film camera with a 6cm x 6cm frame inside, it was a cheap and cheerful camera of its day, sold as, “Easy, even for a child to use.”

In the meantime, here’s some history about this little camera:

Barnet Ensign Ross Ful-Vue II

Originally released in its initial form in 1939, this version was introduced in 1950 after further improvements were made. The new flash synchronised shutter, the turn-able lens barrel allowing three different distance settings instead of two, an all-plastic front panel, and an optional flashgun. The improved version was called Ful-Vue II. Pictures were 6×6cm on 120 film. It has been stated that colored models (red, white and blue) were sold in 1952-3, to celebrate the coronation of Queen Elizabeth II; However, no other evidence for these cameras has been seen: in particular, the Ful-Vue is not mentioned in a coronation advertising supplement to the BJP Almanac of 1953. Colored Ful-Vues were advertised as ‘Ful-Vue à la Mode’ in late 1952. Examples of the regular Ful-Vue II, repainted and presented as the colored model, have been seen in online auctions.

Camera wiki.org

So I estimate this camera to have been produced sometime between 1950-54 when this particular model had its production run, just prior to yet another version becoming available. Making this particular camera approx 70+ years old. Let’s have a look at the unit that I am now in possession of.

Assessment:

The case is leather and is very dry and brittle, it’s complete, so I may well look at revitalising this one just as I did to an old Kodak camera in this old post: Kodak Brownie reflex. If I do, I will cover its repair in the following section.

The old leather case, very dry and brittle

The camera itself is in quite a good condition cosmetically, it has chips off the paint and a little wear and tear that will require some attention. There appears to be a screw missing on the front plate, this will be replaced.

A little wear and tear, nothing too worrying

The mirror inside the viewfinder seems to have moved and will need reseating, all glass and mirrors appear quite foggy and need a good clean, all workings within the camera inside appear ok. Light seals appear ok but may well need replacing purely due to their age.

The lens barrel and shutter mechanism will be checked over to check correct operation, however at first glance, all seems to be ok. There is a little red window on the rear panel where you can see the film exposure numbers. A little thumbscrew can be turned to blacken this window out, this will be very handy for when we try to install a colour film to prevent any fogging issues.

Repair:

I want this to be a sympathetic restoration, so I will endeavour to keep the look and feel of the unit as original as possible.

The case:

I’m starting with the case as this is probably going to be the most time consuming and will require numerous periods of drying and moisturising, it’s probably about 70 years old now and to be honest has probably had no care taken of it during that time.

Mild soap sud wash to clean and introduce some moisture – see the dirt on the used cotton pads

Using some mild detergent, but just the soap suds on a cotton pad I have gently wiped all over the case, paying special attention to any old folds in the material. This has had a dual purpose of removing ing a lot of age related dirt (As you can see in the photos above, that show the dirty cotton pads) as well as adding a little bit of moisture but not too much. I want to do this in stages to minimise any more damage. I will now let this dry for 24 hrs and I will then do the same again.

24hrs later I have cleaned the case again, in exactly the same manner. let’s leave it another 24hrs and then apply a little polish to give it back some colour and a little bit more moisture. I’m keeping it as low cost as I can, no doubt a brown shoe polish will suffice for the result I’m looking for.

I’ve treated the leather and polished it twice using a black shoe polish. The third coat I have given is a tan regimental high gloss polish. I’m leaving this for a few hours and then I will buff the case up. I’m not repairing stitching or holes as I want it to retain age and it’s old look. I just want the leather to look healthier, last a while longer and to get some moisture back into what was a very brittle leather case.

I have today buffed the case up after all the treatments of the last couple of days. The case feels lovely and soft and much more pliable than when I first started on it. I’m now going to bring this part of the repair to an end as that’s as far as I wish to take it at this time. I want it to still carry its signs of age. Without further a do, let’s move on to the camera.

The camera:

I have decided to totally dismantle the camera and work on it bit by bit. In this case there is not a great deal to dismantle.

Firstly I release a retaining clip inside of the main body and this releases the “Viewing head” on top of the camera. This part of the camera contains the mirror that has become detached, and two glass optics that complete the viewer section of the camera. There is a single spring structure that holds both pieces of glass in place, release this and they just fall out. Easy.

I’ve started by placing the three optical items above in a mild warm detergent soak. I will leave these there for about an hour, in hope that a soak will help in cleaning that muck off the back of the mirror. The two other optics are in great condition and I’m sure the soak and then a final rinse will be all that they require. This treatment worked just fine, and now onto the next part.

Next I’ve removed the shutter mechanism from the camera body.

Here is a very small video showing the simplicity of this shutter mechanism

A The mechanism is beautifully simple and is such a lovely piece of work to look at. To think im probably the first person to look in here in the last 70 years is special. All I’m going to do here is very carefully get rid of as much old ingrained dirt as possible and very gently clean the shutter leaf. I will use a minuscule amount of clock oil on the mechanism only, I will use some fine graphite dust on the actual leaf part of the shutter.

The lens and mechanism have been cleaned now and reassembled, all tested, and working as expected.

The body work is fine apart from some small chips and paint flakiness. I’m going to retouch these missing areas with some enamel paint and a bit of thickener to enable me to obtain the stipple effect of the original paint job. Then I will finish with a nice black polish.

Touching up missing paintwork, mechanism now attached to body

Let’s now get the mirror back in place and the head back on the camera unit.

And that’s it. Apart from a little polish we are now done here

Result:

I’ve put quite a bit of work into this little camera. Some people will ask why bother as it was only a cheap mass produced camera? Well, I like it, it’s a lovely little camera and it deserves to be displayed. Now, as it’s also working it’s a big bonus. It gives me something to do, and it’s how I relax, as I’ve been shoulders deep in DIY at home recently and doing my shifts at work, so this is a welcome distraction for me.

All done, just needs a polish once the paint is dry

In its 70 year old leather jacket – nice

So that’s another one saved from scrap. This camera will now go into storage where I will vacuum pack it with some silica packets to prevent it from getting damp. I’m surprised just how good this camera “smells” considering its age, there is no mustiness at all compared to some cameras I get from this era.

Many thanks for popping by, you know it is always very much appreciated.

Have a super day.

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Barnet Ensign Ross Ful-Vue II

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