Tag: Slr

Canon AL1 QF

It wouldn’t take a rocket scientist to understand why this camera isn’t working.

What the listing stated:

This camera is untested, I put batteries in but it did nothing but to be honest, I have no idea what I’m doing with this anyway. For that reason I’m selling as spares or repairs. For its age, it is in really good condition, please look at the pictures carefully and message with any questions. 

EBay

The camera I have brought with a large but unknown lens – and the corroded battery area

Hmmm, the seller put batteries in and wondered why it wouldn’t start up…I wonder 🤔

By the way, the QF stands for quick focus. Read on to find out more.

I’ve purchased this camera, paying a measly £12:00GBP, as I move ever closer to collecting the full range of the Canon “A” series cameras. This will be my fourth of the range with only two more to go. As usual I have purchased damaged or faulty candidates to repair via my site. This one is no different, and from what I can see the battery barrel and battery door have been exposed to corrosion and neglect. this will require a lot of attention, and hopefully the corrosion hasn’t made it into the internal components.

I believe it also comes with a yet unidentified large lens, that I very much suspect will be riddled with lens fungus if the battery chamber is anything to go by.

Here’s a little history about this Camera:

The Canon AL-1 was an FD mount, 35mm single-lens reflex camera introduced in March 1982. Its main feature was the “Quick Focus” focus-assist system that was aimed at those who had trouble focusing through the viewfinder – either novices, or those with poor eyesight – and was intended to head off competition from the first full-autofocus cameras from other manufacturers, such as the Pentax ME F.

As a lower-end camera, the AL-1 did not offer a long list of features. Instead, Canon focused on providing core functionality and lowering price. The AL-1 provides focus-confirmation, aperture-priority autoexposure (controlled by a through-the-lens silicon photocell), manual shutter speeds from 1/15 to 1/1000 of a second, and a 10 second self-timer. It also added a larger grip, and the convenience of using of AAA cells for power. However the battery door is one of its weakness as most of the cameras that are found today on the market have a battery door that is broken or has been replaced. Its body was constructed from a special polycarbonate that was then painted to imitate metal. An ISO hotshoe, A-series power winder connections, and cable-release socket provide an acceptable level of compatibility with accessories. It was also the last Canon SLR to use the Canon logo, which resembles the Japanese romaji font used on Canon cameras since the 1960s on a pentaprism.

The camera uses Canon’s breech-lock FD mount, and so users could choose from the wide variety of Canon FD lenses, as well as those from third parties. Users could also utilise Canon R and FL lenses, but with some limitations.

In 1987, Canon abandoned the FD mount in favour of the EF mount along with the EOS camera system, which uses the same concept as the T80 but with a new and incompatible mount designed around an all-electronic interface.

Wikipedia

Assessment:

The camera has arrived. The lens that came with it is a canon mount “Sirius” 28-200mm 1:4.0-5.6. It does have signs of fungal infection and I’m not going to do anything with it at the moment, as I have a few stock 50mm lenses I can use for testing. I may get around to cleaning the lens in the mid to near distant future, if I get the time or to be totally honest, if I can really be bothered. It will probably become another post of the future.

The lens that came with the camera

On opening the battery door you can see that the contacts are quite oxidised, and definitely require a clean. The battery chamber also needs a clean as do the contact springs at the base of the battery chamber, we need to do this as we require electrical continuity to check the cameras operation.

Oxidised door contacts
Dirty battery chamber and oxidised spring contacts

I have tried inserting a couple of AAA batteries after first giving the door contacts a quick rub, however I had no luck, and no power was getting through to the camera, and that’s what we need to be able to attain, just to be able to do the basics on this unit. So it will need quite a considerable clean prior to putting in new power cells.

Inside the lens barrel when you first glance the mirror it looks as if it has shattered, however this is a special etching on the mirror that allows light through to a sensor placed behind the mirror that supplies information to the QF (Quick focus) system built into this camera.

The specially etched QF mirror
The QF sensor behind the mirror

This camera does not have the typical split screen focus you find within most cameras of this age. All it has is a small rectangular two piece shape on a ground screen and that is it. This is where the QF comes in to play. You have to depress the shutter button down half way as you focus. As you focus, the viewfinder will display the exposure ratings to the right hand side of the viewfinder.

Viewfinder display info

At the bottom of the viewfinder screen is where the QF is calculated. As you focus you will see either one of two red arrows indicating that you focus the lens in the direction to which they are pointing. When the arrows extinguish and a green circle illuminates, that means the correct focus has been achieved. If you are happy with this and your shutter speed is not too slow and sits within the correct exposure zone, then go ahead and take your photo. it really is quite simple. A great system for those wearing glasses or for those with eyesight problems.

I have also noticed whilst testing the advance lever and shutter, that the take up sprocket moves freely in either direction, and this shouldn’t be occurring. The sprocket will wind the film onto the film collection point and then remain set, not allowing film to roll back and maintaining a taut film base across the rear of the shutter. It appears the rewind button at the base is pushed in permanently, and this would allow free movement of the sprocket whilst rewinding the film after use. There is an issue here that needs addressing.

Depressed rewind button
Freewheeling take up sprocket

The camera itself is in a good condition cosmetically and considering its age, approx 43 years old, its condition is quite acceptable.

The camera in question

It is however very dusty and dirty and will need quite a deep clean.

I shall be leaving that big lens to one side for the purpose of testing, and will be using a standard 50mm FD stock lens for ease of movement.

Repair:

As we need power before we can do anything, my only option is to head straight for the battery chamber. I’m going to have to take the base off of the camera as there are a couple of issues that require its removal. The first will allow me a good unhindered access into the battery chamber and allow removal of the battery door that is contaminated with either battery acid or oxidisation. The second will allow me to attend to that take up sprocket issue and the depressed rewind button. I may even do some light cleaning and lubrication within this area.

These cameras are notorious for the issue around the battery door failing. It has always been a problem around the latching mechanism, it fails and there are then a number of options to secure it ranging from elastic bands to custom made pieces of metal to sit on the base. There is a German company offering a 3D printed option for a replacement but it comes at a price in the range of three times the amount that I paid for the camera, so I won’t be venturing there. My battery base door does seem to be ok at the moment, the latch appears to be ok, the only issue being that the metal contact plate has come off the plastic door frame, as it was only held on with three plastic welds. It does allow me to clean the plate somewhat, however I now have to consider how I put it back into place, either I reweld, glue or screw. I could always use a Canon power winder that would also solve this issue. If I had the space at home and could set up my own 3D printer that I have had at home since my birthday earlier in November, boxed up in the corner of the living room, then maybe I could print my own? Either way I need the door free from the camera so as not to cause any further damage to it.

The plate has fallen off
Latch and spring needs cleaning
After a good soak
Soaking in a vinegar solution

I have given a clean to the oxidised plate, by soaking it for a few hours in vinegar, that has lifted a lot of the dirt and oxidised material. I have cleaned it with IPA and then tested its continuity with a multimeter and the plate does have a good continuity across most of its surface. I’m going to just give a final buff with some fine sandpaper to improve its appearance and to ensure continuity across its surface is as good as it can possibly be. When I have achieved that, a good clean of the inner door and latch and spring will be carried out prior to its reassembly.

I’ve had the base off of the camera so I can carry out some maintenance to the battery rewind button and the top of the battery chamber. The battery door has been removed, cleaned and will shortly be reassembled and put back into place.

Top of battery chamber removed
Inside the battery chamber
The rewind button highlighted in red
Rubber grip removed for access

The rewind button is confusing me as it looks as if nothing is wrong, but I’m sure it is. I have made some minor adjustments to tension screws and the spool rewind without any improvement. I’ll come back to this later.

Cleaning the battery chamber
The dirt on the cotton buds
A nice clean chamber

I have affixed the metal battery plate to the battery door using a small amount of superglue. I have bent the door latch spring a little to give it a bit more strength allowing the door latch to click into its stop position a lot more securely, hence the batteries will not be able to force the door open as they did previously.

Plate stuck back in place
Attached to the door latch housing
Before door latch housing attached
Assembly attached
Door closed and secure

Next thing is to get the rubber hand grip back in place. For this I have used some contact adhesive.

Hand grip glued
Hand grip now in place

I’ve rechecked what I thought was an issue with the film rewind button, and it isn’t a problem, it is working absolutely fine and as it should be.

Test roll to prove rewind works

I’ve used an old test roll of film and as soon as the film is in place and winding, the bottom button pops out In theory locking the rewind spool so that it only winds towards the take up spool. When the base button is depressed, it clicks and allows you to rewind the film back towards the spool, it is working fine and was never an issue.

So the final job to do on this camera is to replace what is left of the light seals. There are eight pieces that need replacing on this camera, first I will hook the old seals out with a cocktail stick, I will then do this again with IPA to clean and remove the remaining bits, prior to cutting and installing the new seals.

Cocktail stick to remove old seals
Remnants of the old seal material

The light seals have all been replaced.

New light seals installed

To add a little bit of a finish, I have also 3d printed a hot shoe cover and an eyepiece. It tidies things up a bit.

This camera is now repaired.

Result:

I love the quick focus on this system as there is no split screen focus. Just focus in the direction of the arrows in the viewfinder and when in focus you get a green circle 🟢 brilliant. I just love seeing the development of new systems that were being used in these old cameras that today are just taken for granted. There was so much invested into R&D in those days.

Another old timer from the early 80s given a fresh lease of life. Another one out of landfill and back into use doing what it was built to do. I love these old cameras.

Many thanks for passing by. Always very much appreciated.

Chinon CE-5 35mm SLR and power winder

A heavily damaged Camera from 1981/2 needs some serious care and attention. A Chinon CE-5 35mm SLR.

Here’s what the listing stated:

Please review all photographs carefully as the images form part of the item description and provide the best representation of the items cosmetic condition & any included accessories Any significant flaws or relevant information will be shown below if applicable. Camera, lens and power winder are tested and working. Body and power winder show scuffs, scratches and paint wear to edges and base. Film rewind crank is damaged/loose and sits high on its spindle at a angle Light seal foam around the film door shows ageing and residue. Lens glass is clear with light dust only. Supplied as camera body with fitted 50mm f/1.7 lens and PW-545 power winder only; no caps, strap, batteries, film or manuals included. 

Brand: Chinon

Model: Chinon CE-5 35mm SLR film camera.

Colour: Black metal and plastic body with black leatherette grip panels and matching black power winder.

Type: Manual focus 35mm SLR film camera with pentaprism viewfinder and built-in light meter.

Format: Uses standard 35mm/135 film cartridges loaded via the rear-opening film door.

Lens: Auto Chinon Multi-Coated 50mm f/1.7 prime lens with aperture and focusing rings plus 49mm filter thread.

Focus: Manual focus operation through-the-lens optical viewfinder with focusing aids.

Exposure: Auto exposure and manual exposure modes with selectable shutter speeds and aperture control.

Features: Built-in light meter, hot shoe for external flash, self-timer, ISO/ASA speed dial and compatibility with electric drive units.

Power: Designed to be powered by batteries for the camera electronics and PW-545 power winder (batteries not included).

Included: Chinon CE-5 35mm SLR camera body, Auto Chinon 50mm f/1.7 multi-coated lens and Chinon PW-545 Power Winder S motor drive only; no caps, strap, batteries, film, case or manuals are included.

Country of origin: Camera and lens marked Japan.

Keywords: Chinon CE-5, 35mm SLR film camera, Auto Chinon 50mm f/1.7, PW-545 Power Winder S, manual focus, auto exposure, Japan

EBay

Probably one of the most descriptive listings I’ve encountered on EBay. This alone gave me some confidence in making this purchase, as rather than the standard “Not working” non descriptive listing, I actually have a good idea as to what the problems are here, and they can also be seen in the photos in the listing.

Front
Lens
Scuffs and loose covering
Wonky capstan
The camera I have purchased, showing peeling vinyl and a faulty rewind capstan

These units were on sale between 1981-82 in the Uk via the electrical goods store – Dixons. As a result, sales of this camera were probably not as good as if Chinon had gone out on a limb and promoted their own product. There was a lot of snobbery in the photo trade, and cameras from electrical good stores were looked on as “cheap” alternatives. However, they couldn’t have been more wrong as the quality was very high, maybe just a bit more plastic than some would like, and the lenses were equal or more advanced than a number of other lens brands available at the time.

I was just starting out in photography, I had my first job in 1982 at a colour laboratory in Bushey, Hertfordshire Uk at this time, and saving my money meant I was able to purchase this very combo I have purchased today for a total of £28:00GBP with free postage, after negotiating down the sellers original asking price of £39:00GBP.

Back in 1981-82, i believe the package for the lens and camera was about £110:00GBP with the winder coming in at about £40:00GBP. A total outlay of about £150:00GBP at the time. Considering I was probably only earning about £300:00GBP per month back then, it was closer to the end of 1982 that I purchased my combo, and by that time it was near to the end of its production run in the UK. There were AF lenses that were available as options that were so big they actually dwarfed the camera. The lens in this combo is the standard 50mm lens that it used to ship with. That said I loved the camera, it was easy to use, no fuss and the auto focus on the camera was way ahead of its time, even though I didn’t have the AF lenses to use. So far ahead of its time that it actually beat all the big players to the finish line. The big names caught on though and very soon they were flooding the market, the snobs were happy once again.

I had to offload that camera after I’d given it some good usage. Computers were appearing on the scene and the money I made from selling it went towards my first computer purchase, a Sinclair ZX81.

I wish I’d kept the camera…..

No panic though as I now have another one to revisit those heady days of 1981-82. It just needs some attention.

Here’s some info about the CE-5:

The Chinon CE-5 was a 35mm SLR camera produced by Chinon, that was one of the first cameras to have autofocus-capable lenses produced for it. It was produced for about 12 months between 1981-1982.

Specifications

The camera had a Pentax K mount (addressed to in the specifications as the Chinon “universal mount”) with which its lenses were mounted. 3 autofocus pins were present upon the top-left of the mount, which the autofocus lenses interfaced with. These autofocus lenses were rather heavy and depended upon their own large, lens-mounted motors.

The camera had two modes: aperture-priority and full manual. The shutter speeds ranged from 4 to 1/2000 seconds (stepless) in aperture priority mode and 2 to 1/2000 seconds in manual mode, in addition to a “bulb” mode. The shutter was controlled electronically in both modes; and was a Seiko electromagnetic metal focal plane shutter. A multiple exposure switch was also incorporated into the camera, alongside a 5 or 10 second self-timer. 

The CE-5 was shipped with a full ground glass screen along with a split image range finder and a microprism collar to aid focusing. Other screens were made available.

An “X sync” flash hotshoe was incorporated, with contacts especially for the Chinon range of dedicated flashes.

The camera had the dimensions 135.5mm width x 88mm height x 50.5mm depth and weighed approximately 490 grams without batteries and lens.

Wikipedia

I very much suspect that this camera has been dropped at sometime. Just looking at the sale photos tells me this. It appears the corner where the rewind capstan is situated has a cracked body top, the capstan pin is also bent, the ASA counter also appears to have some damage, its fair to say this camera has suffered impact damage to that very part of the camera.

Ok so I need to now wait for the item to arrive to carry out a full assessment. The good thing is that I do already have a non working donor available in my spares box to carry out a little bit of a Frankenstein operation if I need to, and i think that operation may well be required.

Assessment:

The camera arrived and I must admit I’d forgotten just what a hefty lump it is. It is quite a weighty beast. The camera is pretty much as described apart from missing one major issue. There is an issue with the shutter mechanism timing, but I’ll come back to that later.

The camera received

The top of the rewind crank is out of alignment and there is slight damage to the ASA ring beneath it. There are scuffs and scratches all over as described but in general it is not too bad cosmetically.

Crank and ASA ring damage

When I load two LR44 batteries into the camera base everything appears to work ok, the self timer works in the 5 second and 10 second mode, all indications work through the viewfinder and the shutter fires. However even though it fires it is at a slower, probably 100th of a second speed no matter what setting you have it in, Auto, 1/2000, or B setting it’s all the same. The B setting does not work at all, when the shutter is depressed the shutter springs open as it should, however it doesn’t shut when pushed again as it should, it remains open and you have to move the shutter speed ring to another setting for it to close again. There is a definite shutter speed fault that I suspect is as a result of this camera being dropped on one edge. Hence the damage to the area around the rewind capstan.

The lens is in a fantastic condition, showing no damage, it’s clean and free from mist and fungus.

The power winder is dead. It’s in a good cosmetic condition, but a quick look inside the battery chamber shows signs of battery contamination, hopefully I can resurrect this item.

The top case is cracked.

Repair:

First. I’ll print off a body cap to protect the lens barrel when cleaning, I’ll also print caps for the front and rear of the lens as well, that way everything is protected from any further disturbance.

Lens cap, body cap and rear lens cap printed

I’m going to start with the power winder as I now have it separated from the camera. There is a cartridge that inserts into the winder base that holds 4×1.5v AA batteries. The output therefore should be 6v but when the multimeter is used there is no voltage making its way through the cartridge. One of the cartridge contacts is tarnished and requires a clean. A quick buzz with my grinding tool cleans the contact and then a wipe over with a cotton bud soaked in IPA finished that clean. Batteries re installed and we now have continuity with a healthy 5.97v being supplied at the terminal ends.

Before (top) and after contacts are cleaned

However when installed in the chamber the winder is still non operational. A look into the battery chamber reveals further contamination on the contact inside that would mate with the contact I have just cleaned on the battery cartridge.

Further contamination

The power winder has to be dismantled quite considerably to access the contacts inside. You could probably do a clean without dismantling, however you will never know if any of the contaminants have gone beyond the contact. I tend to get into the machinery of things for piece of mind, and today I’m pleased I did as I was able to confirm that the contamination was only on the battery contacts.

Power winder dismantled
Contacts before and after
All gearing lightly oiled

I cleaned the contamination with a grinding pen and then cleaned the contacts with some IPA. A blow through with an air gun removed some old dust and debris from the handle area, and whilst in here I lightly oiled all the cogs and gears in the handle area.

We have life

I’ve partially reassembled the winder and put the battery back in place and we have power lights when switched on. I connect the winder to the camera and it works just fine. There are two settings (S) single shot and (C) continuous shot that fires a frame every two seconds approximately. All are functioning well and working as they should. I now clean the outer of the winder of old glue and adhesive, re glue and put all skins and label back into place. This repair is now complete. Onto the camera now.

With the camera the first thing I am doing is checking the rewind capstan. When unscrewed the screw and spindle are straight, the actual damage is with the plastic cap that is bent out of shape and split on one side. As I stated earlier I do have an old donor camera so I have taken the ASA dial and the rewind capstan off of that to replace the damaged items on this side of the camera. I will also replace the cracked top as well. I must admit it looks good and appears to be functioning at this point. I’ll have to have it all off again when I investigate the shutter speed issues. But for the meantime it’s a needed job completed.

How it now looks (left) and how it did look (right)

Now we need to look at the shutter timing issue.

It took a time to get the top off due to there not being a lot of information available about breaking these units down. However I now know how to, and this took the best part of an hour for me to achieve, I’ve replaced the cracked top with the one from the donor camera.

As soon as the top was off there were three issues that welcomed me, I suspect these all occurred as a result of that drop that damaged the ASA dial and the rewind capstan.

Firstly above the prism area there were what appeared to be three detached wires.

Red wires should be one and have been broken. Green wire is a rogue hot-shoe earth

In the photo above, you will see two red arrows. These wires they point to were once upon a time a single wire, somehow this wire has snapped. The wire that is indicated by a green arrow is a rogue earth wire that should be connected to the hot-shoe in the prism roof.

There was no way I was going to be able to route a new wire as it originated deep inside the body, and I just didn’t fancy going there today. Instead I melted the two ends slightly to expose some wire, I then used some multi core solder to tip the ends and as I had some room to move the wire slightly I joined the two ends back together with a solder joint. Once soldered I used some conformal coating to stabilise the joint, then covering it with a small piece of Kapton tape to ensure it was secure and not interfering with any other metal/components.

Soldered together, then conformal coating was used prior to being sealed with Kapton tape.

The rogue earth wire was then soldered back into place in the roof of the prism housing.

The issue with the speed settings appears to be as a result of disturbance, again related to that drop that caused the other issues. When the speed dial is removed you are left with a set of tracks with very fine copper contacts. One of these contacts is specifically for the “B” setting, it should sit shy of a contact point until it is required however from what I could see it was permanently activated, it didn’t look right so I adjusted it to sit properly, now when the dial is operated it switches in and out as it should. I don’t know how this affected the earlier tests that showed we only had one available speed, I can only presume the issue is a culmination of all the issues so far experienced.

At the top permanently on. At the bottom adjusted so it will switch in and out with operation of the dial

I have now commenced reassembly after giving a good blow through and a light clean of the contacts.

Batteries have now been installed and I’m reluctant to switch the camera on. But I have to, so I do. So far so good. I rewind the lever all good. I set the shutter to 2s and activate the shutter, it opens and then it shuts again about 2 seconds later, I move through the shutter settings and all appear to be reacting to their relative speeds, 125 sounds right, 2000 sounds very quick, they all are giving different speeds which is superb. And the “B” setting is now operational. This is fantastic. All indications in the viewfinder are as expected, and with the winder attached all systems are go. I think I’ve fixed it. Wow. I’m shocked.

Let’s get the light seals and bumper felt replaced now.

Bumper and light seals have now been replaced, an awful lot of felt came out of those grooves, I thought it would never stop coming

Shutter curtain covered
A lot of dirt came out after felt removed

I always apply light seals slightly dampened on the adhesive side as this gives you a few minutes to reposition the felt, prior to it setting and drying. I’ve got it down to a fairly quick process now, I’m not perfect but I’m improving with each new set of seals.

So this camera is now complete.

Result:

We now have a perfectly good operating camera and power winder with a nice clean 50mm stock lens for a reasonable layout of £28:00GBP. It had an awful lot wrong with it, but thankfully having a spare unit to harvest parts off has helped with this repair immensely.

The camera and power winder now working

A lovely camera, much maligned from the early 80s now working as good as it did from the box. I just can’t wait to get a roll of film through it to show just how good a camera this was and still is.

It weighs a ton, but that’s how I love and remember my old cameras, they are such beasts but have immense character and original design appeal that modern cameras just don’t have today.

Another camera saved from landfill. A good result.

Many thanks for passing by, you know it is always very much appreciated.

Nikon F50

A learning camera for me, with a fault I’ve never dealt with before. Damaged shutter curtain blades. Can I fix it?

What the listing stated:

NIKON F50 UNTESTED FOR SPARES OR REPAIR. SEE IMAGES. THE REAR SHUTTER RIBBON APPEARS TO BE LOOSE – I AM UNFAMILIAR WITH OLD FILM CAMERAS SO THIS COULD BE A QUICK FIX OR NOT AN ISSUE. ALSO HAVE A FRONT BODY CAP AND STRAP – COULD BE A BARGAIN FOR SOMEONE. SOLD AS SEEN.
+
The “Complete Users’ Guide: Nikon F50/N50” by John Clements is a comprehensive textbook published in 1994 by Newpro UK LTD. This paperback book, with 140 pages, provides detailed information on the Nikon F50/N50 cameras from the 1990s. Written in English, this guide is a valuable resource for photographers looking to enhance their knowledge and skills in using these specific camera models. The author’s expertise and clear instructions make this book a must-have for Nikon enthusiasts.

EBay

My purchase today

As you may have already gathered, and much to the dislike of my wife, I spend a lot of time trawling the sales for cameras. I don’t particularly look for anything high end, one of my main reasons to purchase is purely for learning purposes. So why not buy a lower end mass produced camera and fix it? That’s what I tend to do. It’s a good way to learn, and if you cause even more irreparable damage it’s no problem, you will still have a selection of usable parts. Damage someone’s pride and joy though and not only do you lose reputation, you would probably be severely out of pocket financially.

So I look for cameras with issues that I have not yet dealt with, and this camera has such a fault. It’s shutter blades have become detached from the frame in which they are set, it can be fixed if conditions are met, and one of those conditions are that the blades should not be creased. And I have my fingers crossed that this is the case. I’ve never fixed this issue before, so for me this is a learning camera. The bonus for me is that I get a body cap, a strap and an informative 140 page book on how the camera operates. And I paid the sum of £7:77 for this complete package.

Here’s a little info about the Nikon F50:

The F50 (or N50 as it is known in North America) is a 35mm film SLR camera which was introduced by Nikon in 1994. It was aimed at the lower end of the amateur autofocus SLR market.

The F50 features autofocus, TTL light metering and various “programs” (ranging from manual operation to a highly automated point and shoot mode). It could not however meter with non-CPU lenses.

It was replaced by the similarly-priced F60 (also known as the N60) in 1998.

The F50 body was made from polycarbonate and metal, and available in both “champagne silver” and black.

Notable omissions include depth-of-field preview and any form of remote shutter release.

Wikipedia

I’m now awaiting the arrival of the camera so I can carry out an in depth assessment. And prior to its arrival I’m reading up, and seeking advice on how to deal with such an issue as this shutter curtain damage.

Assessment:

On arrival it is quite clear that prior to its shutter blade damage this camera has been very well looked after. It has no damage, scratches or signs of wear across the entire camera. It has an original Nikon body cap and narrow strap. There is even a DK-5 viewfinder cap that is a rare thing to see on a second hand unit. Battery contacts are clean and contaminant free.

And the users guide that was also received is an absolute gem of information.

The camera I have received

Testing beyond this is not possible at all, as the last thing I want to do is insert a battery and cause further damage. I will have to try to sort the shutter blades before I can test any further.

So let’s get straight on with trying to sort out that mess in the lens barrel.

Repair:

Whilst awaiting the cameras arrival I’ve been seeking advice on how to approach this issue, as this is my first attempt at such a fault. And after a while, looking around I found this video tutorial that first came out in 2014. I have decided to follow the advice within this video.

Fix old cameras – shutter repair

The first thing I have to do is to modify a pair of tweezers that I will be using for this repair. Firstly I have to bend them at an angle.

Bent accordingly

Secondly I have to put some shrink tubing over the points, heat them so they adapt to the outline of the tweezers, and whilst warm just flatten the tips as this will be the surface that handles the blades.

Shrink tubing added and shaped

And to be honest, once I started it took all of less than 20 seconds. Here’s the proof

It worked, and the camera works

You may well be looking and thinking ooh! That looks dodgy, but believe me it works just fine. It’s been severely beaten up and it fell back into place quite easily. It doesn’t look pretty but I have tested the chamber with a very bright light and the front and the rear curtains are working well with each other and there is, or appears to be no light leakage. I will have to run a film through the camera but I am very confident that there will be no further issues.

With the 2CR5 battery in place I have been able to carry out the tests that were not possible earlier, and I’m pleased to report there are no other issues and this shutter blade fault was the only problem. This camera is now working just fine, all settings, buttons, dials and switches are working as they should, as is the self timer.

With a lens connected all focus indicators in the viewfinder are good, the flash operates as it should and the info screen is clear and readable.

This camera is good to go.

Result:

In the end this turned out to be a twenty second repair, my first of this type and it went exceptionally well. A camera of this quality for just £7:77GBP with a guide book as well. is exceptional value, and I’m sure someone is going to love and cherish this camera for years to come. I’m going to run a film through it first just out of curiosity, however, I am supremely confident that there are no issues with it.

Looking superb, working

Again we have a classic case that shows just how 30 seconds of activity can bring a camera back to life saving it from the scrap heap. And a lovely looking camera it is too. Once I have run a film through I’m going to pass this on, it’s a good beginner’s camera and I’m sure it will get a lot more use, and that’s always a good thing. If Nikon produced in excess of 150,000 of these units, then I wonder how many others have suffered a similar fault and just been tossed into landfill.

Scary thought… though this one has been given a pardon.

Thank you as always for passing by. It is always very much appreciated.

Nikon F-401 35mm SLR Film Camera

A nice little starter camera from 1987 sold as faulty when actually its operation was just misunderstood. Not so much a fix, just a lesson in why you should read instruction manuals.

What the listing stated:

Nikon F-401 35mm SLR Film Camera Body Only – Spares or Repairs. Unsure why it won’t work, I bought brand new batteries and it doesn’t want to power on. No exterior damage or scratches to suggest it’s been dropped. Battery compartment is nice and clean. Any further queries feel free to ask. Thank you for browsing.

EBay

The camera I have purchased

Known pretty much as a dollar camera, it’s a Nikon but aimed at the entry level, and is of a plastic construction. The dollar tag is generally used to say just how cheaply available it is. I paid a bit more than a dollar, I paid £4:00GBP, after knocking the seller down from the £12:00GBP he was originally requesting. Still a bargain I believe, will be a nice little starter camera for someone if I can get it working.

Here’s a little about this camera:

The Nikon F-401 (N4004 in North America) was a beginner’s level, autofocus, 35mm, single-lens reflex (SLR) film camera built by Nikon and introduced in 1987. The camera represented one of Nikon’s first endeavours into consumer-based autofocus, as a follow-up to their first autofocus SLR in 1986, the Nikon F-501 (known as the N2020 in North America). The camera lacked many of the advanced features that more seasoned amateurs and professionals required, but it was a harbinger of the future as it included a pronounced, built-in grip as well as an integrated TTL Flash that is now commonplace on all but the most high-end SLR cameras.

The F-401 introduced the now common-place feature of using a thumbwheel instead of lens aperture ring to adjust the aperture. Furthermore, the camera’s lack of support for AI lenses meant that while all previous Nikon lenses could be mounted to the camera, none supported automatic exposure TTL metering. 

An upgraded version the F-401S (also known as the N4004S) was released in April 1989. The F-401X (also known as the N5005) followed in September 1991.

By the 1990s, the F-401 was part of a lineup of autofocus consumer SLRs that included the more expensive Nikon F-601 and Nikon F-801.

Wikipedia

Looking on line at other F-401s that are for sale seems to highlight that power issues are a regular point of failure for these cameras. Let’s await its arrival so we can carry out a full assessment of this unit.

Assessment:

Here’s what has arrived today with the postman

The camera that arrived today

I’ve just sat at the kitchen table looking this camera over, and for £4:00GBP it’s a bargain. It’s very clean despite not having a body cap, there is only a tiny bit of paint damage near one of the strap connectors, apart from that this camera is in a very good (cosmetically) condition. A bit of a clean will take it to another level, however we will look at that once the fix has been done.

Fresh batteries installed

I have put 4 x AA batteries into the base of the camera and there appears to be no life in the camera. Contacts appear clean, the batteries are good, let’s take a deeper look into what the issue may be.

Repair:

As I always do with any camera I purchase, I like to ensure the lens barrel, mirror and curtain are protected. In this case I will therefore 3D print a suitable body cap, and a hot shoe cover. If I then have to start any in depth cleaning at least I won’t have to worry about any excess debris intruding into this area.

New body cap and hotshoe cover

The next thing I really study with any new camera that I obtain is the instruction manual. If some of the sellers actually did the same then they’d quickly realise, that sometimes there are no issues with the unit, it can really just be down to the quirkiness of the camera and how its controls work. Each camera brand differs slightly, so if you have no experience with a specific brand, it can quickly come across as the camera is not working. In a lot of cameras I deal with this is not the case. Knowledge really is king here.

And I suspect that this very camera may just well be a case of the sellers lack of operational knowledge.

I really feel like a fraud here, there is a button on the rear of the camera directly behind the shutter button. Here there is also a small slide switch. This combination of slide switch and button allows you to rewind the film when finished. The button appeared depressed, and when pushed a number of times along with moving the switch side to side the button then popped up and the camera kicked in to life.

Rewind slide and button. This was stuck down

A little contact cleaner placed behind the slide and down the side of the button ensured a free and easy operation. When the rewind procedure was used at least six times it has worked perfectly without issue.

When the rear of the camera is opened, the exposure counter resets as it should. When it is closed again and the shutter button is depressed, three quick fire actuations occur forwarding the film to its first exposure. All is working well.

Self timer operational
All indications working

A Nikkor 28-100 lens on the front confirms all indications are working in the viewfinder, and auto focus appears to be just fine. All aspects of operation on the camera have been tested and everything is doing exactly what it should be doing. This camera was never broken. Its operation was just mis-understood.

Result:

£4:00GBP is a very good price to pay for a fully operational camera, even though it was purchased as a faulty item. Every camera i purchase, I always download a .pdf instruction manual file to store on my server. Nine times out of ten a brief read of just the setup information can sort out a myriad of issues, and if the seller had done the same they would have been able to up their sales prices accordingly. I’m not complaining though as I’m able to bag a bargain on many occasions.

Here’s how this little unloved piece of camera looks after I have sorted it out, cleaned it and paired it up with a suitable lens:

Looking fine and in full working order

To think if this camera had not been purchased it would have just been chucked in the waste. Instruction manuals are supplied for a reason, and it’s always wise to refer to one when things start to go wrong, nine times out of ten there isn’t a problem, just a minor misunderstanding.

Take it from me, instruction manuals are good. I have hundreds stored electronically referencing cameras I have had, through my hands over the past years.

Thanks for passing by, and as always it is very much appreciated.

Canon AE1 – Program

I have my final piece of the jigsaw. My sixth, and final camera of the classic Canon “A” series collection

I purchased this camera as part of a job lot of 5 cameras that were faulty, read about that purchase here: More camera odds & sods

Canon AE1 – Program
Broken battery door

I’ve been working towards purchasing the entire range of Canon “A” series cameras, and this is the final piece of the jigsaw for me. I haven’t paid premium prices, I have purchased each and every one of them as damaged items and have had to effect the repairs on them to get them working. It’s a wonderful collection of old cameras, all showing their individual battle scars but each performing without fault in taking photographs. What they were designed to do, growing old gracefully and with a now extended life span.

My complete collection

It works out that this camera has only cost me £8:00GBP, and that is a superb price to pay for one of these cameras, even if it was only for parts it would have been a bargain, however these all have the ability to be revitalised and to be given another crack at life. I have done a very brief assessment and nothing appears to be operating as it should be. Electronically this is potentially a very unstable camera, I just need to run a final test on the electrical system. It has two parts that need replacing. There is a small power winder cover that is missing, it’s not important but I will replace it purely for aesthetic reasons. Secondly the battery cover is broken, I do have a 3D file downloaded so I will see how that prints out.

This camera is currently unloved, very dirty and will require quite a bit of work just to bring it up to usable standards. I don’t wish for it to be pristine and at display standards, I want it to be clean and capable of carrying out what it was originally purposed to do, it will be used and thoroughly loved.

Here’s a little bit about the AE1-Program:

The Canon AE-1 Program is a 35 mm single-lens reflex camera that uses Canon’s FD mount lenses manufactured by Canon Camera (today Canon Incorporated) in Japan and introduced in April 1981 as the successor to the Canon AE-1, five years after that camera’s introduction.  The major difference was the addition of the Program AE mode first seen in the A-1. This mode sets both the shutter speed and aperture automatically—albeit with a slight bias towards the shutter speed setting. The user focuses the camera and then presses the shutter button. For those desiring more control, the AE-1’s shutter priority auto-exposure and full manual modes are still available.

Wikipedia

Repair

The first thing to do is to get the relevant battery in place and to see what does or doesn’t light up or function. These cameras take a standard 6v 4LR44 battery, and I have some more of these arriving later today, these cameras are reliant on that power source to pretty much do everything, so we have to have one in place to carry out an accurate assessment. Once i can see how the electrical system is working I can then make a decision on how to progress.

The battery has arrived and when it is installed, nothing happens. Electrically the camera is dead and requires attention, and that’s not good. The auto, lock, self timer switch under the winder is not moving, and hence the winder won’t wind, and the shutter won’t fire. It’s a very poorly camera. I go to remove the 6v battery and it is extremely hot, I’d suspect very close to exploding, this is not good at all. I’ve put the battery to one side, it’s now obvious that we have a short circuit somewhere causing the battery to overheat.

I have printed off a replacement door and catch. It’s not to the original standard but should do the job, until a quality one becomes available. To replace this door the top of the camera has to be removed anyway, so whilst I’m in there I will try to see if I can find the cause of the short circuit.

Top off. Damaged battery door removed

The pin that supports the door has to be pulled up through the mass of electronics to release the old door and the little spring that opens the door.

New replacement door installed after being printed

The printed door has cost me approximately 0.22p to print, and considering that Canon no longer produce the door, the options are limited to auction sites that charge horrendous amounts up to £30:00GBP, or the alternative is a 3D printed option of about £15:00GBP. Seeing this camera has cost me £8:00GBP, a layout of 0.22p will do for me just to get this camera up and running. I can always “tart” it up in the end if I choose to. To be honest, if it does a job, if the camera does what it should, then should I really worry about it? Probably not.

Just for the sake of it I have also 3D printed a speed grip that used to be facilitated on the “A” series cameras. These give a little more security to the battery chamber door, stop the door opening if the catch should fail, and give extra grip to the camera body. And it kind of looks nice so I have printed one out to use. I just need a black M3/8 screw to attach it.

New speed grip printed

I’ve also printed off a eye cap for the camera. Just because I can to be honest, it just finishes it off in my opinion.

New eye cap

I stated that the switch that puts the camera into auto mode, switches it off and operates the self timer was seized. When the top is removed and all the relevant parts are removed the area in question can then be observed. And there was a problem.

Under the film winder is a small Perspex frame with a spring loaded catch. This operates the three settings “A” – auto, “L” – lock or “S” – self timer. The switch must have been forced in the past, as the metal catch had sprung under the Perspex plate and was firmly wedged between the copper contacts underneath causing the short.

The copper traces under the Perspex

The metal catch had to be coerced back into position, lifted slightly to sit comfortably back in the position it had previously occupied. A quick test confirmed that the switch was now behaving how it should, and clicking firmly throughout its range.

The selector switch under the film winder in the correct position

The original battery that overheated was now showing as severely depleted due to the earlier problem, this has had to be disposed of, and so into the battery recycling receptacle it goes.

With the camera now reassembled I can try a new battery, and the result is the polar opposite of what occurred earlier. Straight away the shutter fired, when I put the switch into auto mode, the shutter could be fired again in fact it could be fired repeatedly. The light meter inside the viewfinder is working and showing lights. When in auto mode, and the battery check button is pressed you hear an intermittent sounder showing the electrical circuit is now operational, the more frequent the sound the healthier the battery is. When in self timer mode it didn’t work, it should beep and after ten seconds should fire. Hopefully it’s just dirty contacts, but none the less it will need looking at next time I take the top off. And all the while the new battery has remained cool with no temperature change. We have found the short circuit and the basic camera operation has been restored.

One thing I noticed with the shutter working is that there is quite a “Shutter cough” often heard on these older unloved canon cameras. Not a real issue, this will mean further dismantling of the camera to get to the shutter area for a little clean and some light lubrication.

So, let’s deal with that little “Cough”….open wide now!

I’m going to approach this issue by going in through the base of the camera, here I can deal with two issues at the same time. I suspect someone has been in here before me as there is only one screw securing the base when there should in fact be three. I will get these replaced now as I do have a fairly good supply of spares in stock.

This is the magnet coil, it’s known to get dirty after time causing issues such as a continuous wind with no mirror movement.

Magnet coil

This camera doesn’t have that issue, but because I’m in here it’s a simple case of removing two screws, the casing and then just clean the magnet and coil contacts with some IPA.

Case removed
Contacts cleaned

That done, the plastic case is put back on, and the two screws put back into place. Simple job done, it’s future proofing the camera against this issue ever occurring. A blow through with an air canister and a little light lubrication of moving parts in the area and then we can move onto the next issue I want to address.

I’m going to attempt a shortcut with my oiler pen to see if I can deal with the camera cough without going too deep inside the camera. With the long needle of the oiler I may be able to reach deep enough into the internal workings of the camera to oil up the offending cogs and levers. If it doesn’t work then I will have no option but to open up the camera and get inside. It’s worth seeing if I can get the shortcut to work, it’s not a permanent fix but might buy me a year or so of cough free operation.

I’ve left the camera overnight for the very limited amount of clock oil I used to get into all the nooks and crannies, and I’ve checked when I got back home from work, and I’m pleased to say it’s has worked perfectly. Have a look at this little video below that shows how it sounded with the cough, and then after treatment.

Before and after cough

Now with the cough issue sorted it’s time to go back to see if we can address the self timer issue. With the base now secure with all its screws (I’ve replaced the two missing ones) it’s time to get the top off again and have another look around.

Inside the camera just below the wind on lever is the mechanism that operates the selector lever. There are four tiny copper contacts that connect with the copper circuit just below. One of these four contacts had been crushed to a level where contact was no longer made with the circuit board below.

Copper based circuit board and copper contacts under this acrylic selector

Using a small set of tweezers, I was able to bend the delicate copper contact back into shape allowing it to once again make a connection with the contacts on the circuit board. I’ve also cleaned all points of contact with IPA to ensure all surfaces were clean. A quick test at this point proved the circuit, I was now able to reassemble the camera yet again. Prior to this though I gave a good blow through the circuitry with some compressed air before sealing the top of the camera back in place.

The self timer is now fully operational.

Self timer now working

The major issues have now been addressed. Let’s get on with the bread and butter items.

The light seals including the mirror bumper were in a very poor state and had to be removed. This took a lot of patience as the felt had broken down into dust and clumpy particles. I used IPA to soften the old adhesive and probably used about a dozen cotton buds to remove all the debris. The thing with cleaning these areas is when you think it’s clean, clean it again, and once more for luck. In theory cleanliness here is your friend as it helps you through the next stages immensely.

New felt and light seals

Once all the old felt and seals are removed, and dried, I can cut the new seals to size and get them installed. This has been completed and the new seals have gone into place without issue. Personally for me, this is the most boring but essential task in restoring old cameras. It’s one of those tasks you put off until the end as it is so fiddly and has to be just right.

With the light seals now complete, the last task now is to give the camera a thorough clean.

Result

A buff of the leatherette, and a good polish of the metal work and she is looking resplendent. A new quick grip, hot shoe cover and battery door and the look is complete. My £8:00GBP cast off, dirty, damaged and broken camera is now looking a lot healthier and is now in a good working order.

Looking good working well

I’m awaiting a roll of XP2 black and white film to arrive, and that will be the test film for this camera. I’m probably going to feature it in my weekly 7 days and 7 photos series at some point. I will post a link to that post when it occurs.

It’s been a long time bringing this camera back to life but I’m so pleased at how it has gone. These “A” series cameras will always be my favourite because of the place they have in my photographic past. I have a few that I have been working on, but this was the one that actually completed my collection. I now need to find a suitable way to display them all, rather than leave them packed away in storage.

Thank you for passing by, as always it is very much appreciated.

Stay safe.

Pentax P30 35mm SLR

Another “K” mount camera, this time it’s a Pentax P30. A “Plastic fantastic” from 1985. Can I fixit? Should i fix it?

What the listing stated:

Pentax P30 35mm SLR Film Camera Body – Spares/ Repairs

The camera appears to be unresponsive upon testing.

EBay

Pentax P30

Here’s a little bit about this camera:

The Pentax P3 (US), P30 elsewhere, is a 35mm film SLR released by Pentax in 1985. The plastic body was a departure of the lineage that produced the ME and Super A; with a more amateurish camera. The P3 was a departure of the P5/50 as it returned to a speed dial instead of buttons.

It uses the KA-mount bayonet to convey aperture information and have P mode (Av when M or K series lenses are used) and can use any manual focus lens up to the FA series. 

  • Viewfinder covers 92% of image with 0.82x magnification. Split-image matte focusing screen (horizontal)
  • The P3/30 uses a classic manual film advance lever with 130° throw.
  • It has program, manual, X and B exposure modes on a dial with speeds of 1 to 1/1000 sec. However on P mode exposures up to 8s have been observed. The X mode provides automation with some Pentax flashes. No exposure compensation is available, but the camera has an Exposure Lock button.
  • The meter is a center-weighted type with a range of 1 to 18 EV. A scale of speeds is shown in the viewfinder and LEDs show the selected and recommended (blinking) speeds.
  • Film speeds can’t be set manually, the P3/30 uses DX Encoding film with a ISOrange of 25 to 1600. There is a plastic window in the film door.
  • Self timer is in the main power switch for ~12s.
  • DOF Preview lever is located above the bayonet lock.
  • It uses two 1.5v SR44 or LR44 button batteries.
  • The US version is all black, while in the rest of the world it was dark gray

There are two revisions of the body, early versions can’t use a cable remote release, while late versions can. 

A similar improved Pentax P30n/P3n/P30t became available three years later. This camera incorporated Aperture Priority exposure, and a diagonal focusing screen (P30t)

Camera-wiki.org

Another camera from the 80s – this one was 1985 when the manufacturers went plastic and the styling of the earlier cameras was starting to decline. Cameras were starting to look decidedly cheap and nasty, and this is probably the one that single-handedly punished Pentax, with a totally amateur looking camera, horrendous feedback at the time, and previously happy photographers were deserting Pentax for other manufacturers, who were offering better packages and capabilities at the time.

However this camera did have its fan base, and a lot of amateurs learnt their trade on these units due to their cost, and relatively low price for associated add ons such as lenses and flashes.

I never had one until now. I suspect the guy I usually buy from threw this in my direction, due to knowing he’d probably have issues selling it on. I’ve paid a total of £3:75GBP for this one. I think it’s worth it.

It’s the second “K” mount camera I’ve brought in two days. And guess what? I don’t have one of those lenses. Looks like I’m going to have to purchase one for my collection and for testing purposes.

Anyway, let’s await its arrival so we can assess its issues.

Assessment:

First things first, I’ve printed out a body cap on the 3D printer for when i complete the clean, allowing me to protect the mirror, shutter and lens chamber area.

A new body cap printed to protect the lens chamber

Overall the camera looks used, it’s in one piece meaning that everything is there that needs to be there but it does show signs of being a little bruised, battered and dirty.

Damaged around eye piece
Paint chips
Bumper is ok
Dirty around lens ring
Everything is there
Dirt

All seals appear ok, the mirror bumper felt is in a good condition as well, and the film chamber is clean. Shutter appears to be operating just as it should.

The only real issue I can see is a build up of dust and dirt behind the viewing lens, though this won’t affect any pictures being taken, a clean would help the photographer get a clearer view of what they are focusing on.

Repair:

The description has stated that the camera is unresponsive. Well I’ve put batteries in place, switched the camera on and it is dead. But I can see an issue. The battery cap appears tarnished. A quick attack of the tarnishing with the grinding pen and a good wipe over with a cotton bud soaked in IPA soon sees to the tarnished battery cap. Hey presto, life is restored when batteries are put back into place. The meter inside is fine, and showing lights and indicating as it should, the light that flashes when the self timer operates is also ok. To me everything is indicating just fine. That’s all that was causing the unresponsiveness, the dirty contacts.

The next step didn’t really need to be done, however me being me I just couldn’t let it go. There is quite a bit of build up of dirt behind the viewing glass and I will have to get into the camera to access this. There is no other way.

Removal of the top of the camera requires the removal of six screws, the winder handle and a couple of securing bolts, you can then carefully lift the top clear being careful not to damage the two hot-shoe cables in the prism area.

Top off
Look at the dirt build up

With the top off, a couple of more screws holding the viewer in place require removing to detach the viewer from the prism area. This then reveals a very dirty filtered triangular prism that has collected over forty years of airborne detritus. A simple clean with a swab is sufficient, followed by a good air blast to finish off. The small viewing lens has a similar clean and then the camera can be reassembled.

All electrics good and working

I’ve printed an eye cup to cover up that damages around the eyepiece, again it’s not really needed but just tidies the area up a bit.

New eyepiece printed

Just print a hotshoe cover for the top and that’s it all done.

Hot shoe cover

Finally it’s time for a good cleanup.

Result:

For an outlay of £3:75GBP this is a period and usable camera. Will I use it though? Probably not, I’ll probably pass this on to the hospice to get some money from, as to be quite honest I doubt I’ll be able to sell it on.

Looking tidy, and working

It’s a nice little learning camera, looks smart after a clean up, and has now had its life expectancy extended due to the easiest of repairs. I’ve said it before, how many similar units have just been disposed of due to only requiring a quick clean? Scandalous really.

Anyway, this one lives on. Someone will have a nice little camera what with the resurgence of film stock currently enjoying a second coming.

One more saved from landfill, small goals, small results.

Thanks for passing by, as always it is always very much appreciated.

Chinon CE-4 35mm SLR

I was a snob back in my teenage years and wouldn’t buy anything without a Canon or Nikon name tag. How wrong was I? I now have one needing some TLC, so let’s get it working again.

What the listing stated:

Chinon CE-4 35mm SLR Film Camera Body – Faulty – See Details

I tried testing the camera with batteries and initially it seemed to function and the camera fired at accurate speeds but after a couple of times firing it, it stopped responding and now I can’t get it to function at all.

Please note batteries aren’t included.

EBay

Chinon CE-4

Here’s a little bit about this camera:

The Chinon CE-4 was the model which transitioned away from the 42mm screw mount used in the Chinon CE-3 to the Pentax K-mount. It’s an automatic 35mm SLR compact camera with aperture priority exposure system (AE).

Maker: Chinon

Dates: circa. 1980

Variants: black, CE-4s

Camera Type: 35mm SLR

Focusing: manual

Lens mount: Chinon Universal Bayonet Mount (Pentax K-mount)

Shutter: Seiko MFC electromagnetic focal plane, vertical, metal 
from 8s to 1/1000

Exposure meter: TTL, open aperture,
center weighted by two silicon blue photo cells. EV -2-19

Exposure modes: aperture priority, manual, Bulb

ASA/ISO range: 25 to 3200 ISO

Finder screen: fixed split-screen

Flash shoe: fixed hot shoe, contact for dedicated flash

Flash speed: 1/60

TTL Flash: no

Motor drive: Chinon Power Winder S

Battery: 3 ×1.5V Alkaline (LR44, A76) or 
3 ×1.5V silver oxide (SR44, S76, G-13)

Dimensions: 135.5x85x50.5 mm

Weight: 485g

Camera- wiki.org

A previous seller approached me offering this camera and we settled for a price of £5:00GBP. A fair price for a camera born around 1980 and readily available at nationwide electronic stores around the time. I always avoided them, because as a teenager I had been infected by the snobbery of people around me, if it wasn’t Canon or Nikon it was crap.

I was a snob back then. Now I’ll buy anything, and I like the look of this so I brought it.

My reasoning in a nutshell. If it takes photographs, it’s good. Buy it. Sold!

Let’s await its arrival, and get it assessed.

Assessment:

Cosmetically this camera looks fine, apart from the name plate being detached from the fascia. This is easily remedied with some superglue to hold it in place.

The camera that arrived

As an addition i’ve printed out a body cap on the 3D printer for when i complete the clean, allowing me to protect the mirror, shutter and lens chamber area.

Body cap printed to protect lens chamber

This camera takes three LR44 batteries and with these installed the camera is dead. There is no life, and no indication from the exposure meter in the viewfinder.

The battery holder with its three batteries

The bumper felt in the camera barrel is in excellent condition and does not need replacing. It’s a similar situation with the light proofing around the film chamber, they don’t need replacing just yet.

Mirror bumper felt
Light proofing

All buttons, dials and levers appear to be working just fine. There is no meter reading in the viewfinder due to the electrical issue. Let’s get onto that now, as it looks as if there is not really much else wrong with this camera.

Repair:

So generally with electrical issues it’s always best to start with the simple things first before diving in and opening up the camera for dissection.

First things first, are the batteries any good, yep they have all tested as working fine, let’s move on. Is the power getting through to the camera via the battery holder. No it’s not. Let’s check the battery holder.

Severely tarnished
Tarnished here also

The battery holder showed no continuity when I used the multimeter probes on it, the whole inside of the holder had bad tarnish, preventing power getting through to where it was needed. A quick clean of the area with a grinding pen and some IPA to clean up, and you can now see your face in it. A quick check with the multimeter and continuity is restored. Whilst I’m in the mood for this kind of cleaning I also clean the contacts in the camera base. These weren’t so bad, however a quick blast with the grinding pen and a clean up does not go amiss.

The three batteries are reinstalled and hey presto, the light meter and all functions now appear. All this camera required was a five minute clean to resurrect it.

Lights working
Shutter and light working
Light meter operating ok

To test the camera fully I now need a K mount lens to check its functions. I’m looking for a basic one just to use for testing, just as well really as I also have some other K mount cameras coming up shortly. However, I am supremely confident this camera is working fine, so a lens is not the probity at this stage. I will probably move this on to the local hospice that I have dealings with.

A good clean is all that is now needed. I have cleaned the internals and sealed them by putting the body cap in place. Now I need to give attention to the exterior.

Result:

Sorry It’s a boring one, but hey it’s a win. Following a plan of attack starting with the most basic of checks, can be boring and repetitive, but also extremely beneficial as it’s not always the big issues inside the camera, nine times out of ten the issues are a lot more basic.

It just goes to prove that a lot of the items out there deemed as broken, are just in need of a little maintenance. If only people would just take a little time to look after their stuff, there would be less equipment thrown in to landfill.

Here is the camera after a good clean.

Looking beautiful

A little £5:00GBP camera has been given a reprieve and can live on for a few more years yet. As long as there is film being produced, this camera has a purpose. It’s a basic, but superbly capable camera that will keep its new owner happy for a good few years yet.

Let’s hope they have many happy moments capturing wonderful memories for many years to come.

Thanks for passing by. Always very much appreciated.

Minolta 110 zoom Mk1 SLR

The world’s first SLR 110 format film camera. A strange creation that has its issues, from 1976-79. Can it be resurrected and put back to use?

What the listing stated:

The Untested MK1 1970s Minolta 110 Zoom SLR is a vintage film camera that comes with a case and strap, making it easy to transport and store. This compact camera from Minolta features manual focus and is designed for 110 film in a 13x17mm format. The black-coloured body gives it a classic and timeless look, perfect for film photography enthusiasts looking to experiment with older technology.

With its retro charm and unique capabilities, this Minolta 110 Zoom SLR offers a glimpse into the photographic world of the 1970s. Untested

EBay

Yes you did read right, this is a 110 format camera with SLR. Now, I have had this camera sitting amongst my backlog for a few months now, it was purchased towards the end of 2025. I believe I paid the sum of £14:00GBP for it, and considering current prices on the sales sites it’s quite the bargain I think.

Minolta 110 zoom Mk1

The reason I’m looking at this one is because I have been approached by someone to repair their one, now before I look at their issue (a stuck mirror) that seems to be a standard issue with this model, I want to look at my own one that I believe may well have the same issue. It’s best to learn how to deal with the issue on your own unit, before being let loose on someone else’s.

However, saying that, the listing was a little vague with only the standard “Untested” EBay catch all quote meaning it could be anything between a total wreck, to working perfectly.

Here’s some information regarding this camera:

The Minolta 110 Zoom SLR is a 110 format single-lens reflex (SLR) camera produced by Minolta of Japan between 1976 and 1979. It was the first SLR in 110 format. It has an unusual, flattened shape. Other 110 SLRs were shaped like SLRs in larger formats, but the 110 Zoom SLR took the flat format of the typical 110 pocket camera and added a larger lens and prism hump to it. 1979’s replacement, the Minolta 110 Zoom SLR Mark II, has a more conventional shape.

The 110 Zoom SLR provides aperture priority autoexposure; fully manual exposure is not available.  Light metering is with a CdS meter mounted on the front of the camera. An exposure compensation dial allows the photographer to compensate for unusual lighting situations; it also allows the use of film speeds other than the ISO 100 and 400 auto-selected by the cartridge tab, by applying the appropriate compensation factor.

The lens is a fixed 25–50 mm f/4.5-16 manual focus zoom with macro focusing down to 11 in (280 mm). This gives a field of view range approximately equivalent to a 50–100 mm zoom lens on a 35 mmformat camera. There is a built-in, pop out lens shade. The filter thread diameter is 40.5 mm. Minolta sold UV, yellow and 1B filters.

Available shutter speeds are 1/1000 second through 10 seconds, with a 1/150 second X-sync speed and support for bulb exposure. There is no built-in flash, but a hot shoe on the top allows an external flash to be attached. A tripod socket is provided.

Wikipedia

Let’s get the assessment out of the way.

Assessment:

The camera has arrived. And the most annoying thing about it, is that it appears to be working just fine. I have been through every possible combination of settings available, hoping to get the mirror to stick up (as is common with these cameras) but to no avail. Everything appears to be working just fine. Damn that’s annoying as the “untested” EBay get out clause used so often by questionable sellers, has on this occasion gone in my favour. If you refer to the opening paragraphs, you will see I wanted to work on this one to diagnose an issue that a potential customer has asked me about. I may well just send him this working one in exchange for his knackered one, how’s that for service!

Anyway, here is what I received, in a black Minolta case, it has been well looked after and is just a bit dirty and in need of a clean.

All in a good, just dirty/dusty condition

Lovers of lomography really rate these cameras, the 110 film cartridge is quite an expensive outlay these days and from what I can see with film costing about £9:00GBP for a roll and then about £18:00GBP for developing and scans only, you are looking at quite an outlay of almost £30:00GBP for the results. I don’t think I will be attempting this unless I come across a less expensive option, as I’m sure there will be one out there….somewhere.

So, with not much more to tell, let’s move on to getting it repaired….or should that be cleaned?

Repair:

Closer inspection of the lens when I’m cleaning shows me that there is a small area on the outer optic of the lens that has a solitary spore of fungus. It’s nothing too much, however a quick clean of the exterior of the optic, confirms the issue is inside. I’ve now got to dismantle the lens barrel to get to it.

Exterior of barrel dismantled
Fungus under the lens in the 11pm area

The fungus is on the rear, not the front of the outer optic.

Viewed from outer
Viewed inner
Light dust off
The fungus spore magnified

The bad news is that on close inspection and using a soft plastic pick, a tiny indentation at the point of the fungus can be felt, this shows that the fungus has eaten into the optic coating and no amount of cleaning will ever eradicate it. Two options here are a new optic, or to get the optic ground down, both totally beyond the value of the camera and to be honest totally unnecessary. The good news is that there is no fungus on the inner optics, and luckily this needs no cleaning or attention.

Inner optics clean and clear

To be totally honest, the negatives in these cameras are so small, and the outer lens magnification is probably sufficient enough to make this aberration appear as nothing more than a slight blur, if it even shows up at all! I’ll give it a good clean to prevent any further growth, and just put it back together again. There is a good possibility that a film will never be run through this camera again, even so I would like it to look as good as possible, and operate as it should, if there is even the remotest chance of a film being used in it, sometime in the distant future.

Result:

The camera has been reassembled and is looking quite nice. It’s a really weird camera. So weird that someone has offered to take it off my hands, as they believe it’s quite a novel item, so as soon as I’ve posted this report it will be winging its way to its new owner.

It’s probably best that I pass this on to someone who will either use it, or at least make a use of it should it become a display item.

Minolta 110 zoom

A nice little camera, but to be honest it’s more than likely more of a display piece rather than a working camera. It is fully operational though and has been nice to work on. I’m pleased someone else will eventually benefit from it.

Thanks for passing by, always appreciated.

Nikon F90x 35mm SLR Film Camera and MB10 battery grip

This camera influenced the partnership between NIkon and Kodak to produce one of the most expensive prosumer cameras of the 1990s. However this one is a lot less expensive but with some issues. Let’s have a look at it:

What the listing stated:

THIS UNIT IS FAULTY
SUTIBLE FOR SPARES / REPAIRS ONLY
SOLD AS SEEN

FAULTS INCLUDE BUT ARE NOT LIMITED TO,
MIRROR STICKS


COMES WITH EVERYTHING SEEN IN IMAGES

NO WARRANTY PROVIDED

EBay

Nikon F90X with MB10 battery grip

Just couldn’t let this one go. Whilst browsing the sites for my next challenge last evening, this little bundle of joy just popped from one of my preferred sellers for a quick sale, it was about 11pm and was just posted at a sale price of £30:00GBP, however with a voucher I had, I was able to secure it at £27:00GBP. Considering this is a good quality camera of the mid 90s it also comes with the added bonus of an MB10 battery grip, superb value in my eyes. A lot of camera for a very low price.

Here’s a little bit about this camera:

The Nikon F90x is a 35mm autofocus SLR using Nikon’s F lens mount. It was targeted toward the advanced amateur or prosumer; its feature set is comparable to that of Nikon’s current D100/200/300 SLRs. The name N90s was used for marketing in the United States; everywhere else, the camera was called the F90x. This camera was also used as the base for the Kodak DCS 400 series of digital SLRs.

The N90s/F90x was introduced in 1994 and discontinued in 2001. The camera’s predecessor, the N90/F90, was introduced in 1992 and discontinued in 1994. The successor to the N90s, the F100, was introduced in 1998.

Features & Specifications

Nikon N90s global naming N90S adapted into Kodak’s DCS460, a 6 Mp Digital SLR

  • Bright viewfinder with 92% coverage, .78x magnification
    • Current settings are displayed at the bottom of the finder; information area is automatically backlit in dark conditions
  • Top LCD displays current settings and facilitates changes
    • Backlit for use in dark conditions; the backlight switch is near the left die of the viewfinder
  • Cross-Type Wide Area AF System
    • Choice of wide-area or spot AF
    • One CAM246 AF sensor
    • Continuous AF mode with release priority in addition to standard AF with focus priority
  • 4.1FPS capable with continuous AF; 4.3FPS with standard AF
    • 2FPS mode available
  • 3D Matrix Meter when used with a D or G-type Nikkor lens
    • Center-weighted and spot metering are also available and usuable with AI lenses
  • 3D Multi-Sensor Balanced Fill-Flash capability (with Nikon Speedlights SB-800/80DX/28DX/28/27)
  • Seven Vari-Programs: Portrait, Portrait with Red-Eye Reduction, Hyperfocal, Landscape, Silhouette, Sports, Closeup
    • Explained in detail in the instruction manual
  • Four exposure modes: Program, Shutter-priority, Aperture-priority, Manual
  • Shutter speeds of 1/8000 – 30 seconds + Bulb
  • Flash sync speed of 1/250
    • Flash sync modes: normal, slow, rear, red-eye, FP high-speed
  • Self-timer: 2-30 seconds
  • ISO/ASA Range 6-6400
  • DX-enabled (automatically reads speed information from film canisters)
  • Eyepiece shutter stops excess light from entering the viewfinder and interfering with metering
  • Overall strong build throughout (comparable to Nikon’s current D100/200/300SLRs)
    • Stainless steel lens mount
  • Requires 4 AA Batteries
  • Extensive system compatibility & accessories; see below

Accessories & Compatibility

F90X with MB-10 grip

The N90s/F90x is compatible with nearly all Nikkor F-mount lenses as well as all Nikon SB series speedlights.

Additional, camera-specific accessories available are:

  • MF-26 Multi-Control Back
    • Long Exposures to 100 hours
    • Freeze Focus: triggers the shutter as soon as a subject comes into focus
    • Custom Reset: customizes which settings are affected by the green-button reset
    • Date Imprinting: can also imprint shutter speed and aperture information
    • World Clock
    • Flash exposure compensation
    • Interval timer: up to 100 hours between pictures for 99 frames
    • Limit frame count in continuous shooting mode
    • Multiple exposures
    • Customize which settings are affected by AE-L and AF-L (auto-exposure lock and autofocus lock)
  • MF-25 Data Imprint Back
  • MB-10 Vertical Grip
    • Takes 4AA batteries or, with the MS-11 battery holder, two CR123 lithium batteries
  • Interchangeable focusing screens
    • E screen provides grid lines in the viewfinder

with 28-80mm, 20mm and 80-200mm

Lens Compatibility

  • All functions, including autofocus, work properly with Nikkor AF, AF-I, AF-D, and AF-S lenses.
  • AI and AI-S lenses are usable, with the loss of these functions:
    • Autofocus
    • Shutter-priority exposure mode
    • Programmed exposure mode
    • Vari-program exposure modes
    • 3D Matrix metering (though center-weighted and spot metering remain functional)
  • The camera does not use VR with any lens.
  • G-type lenses (lenses without aperture rings) can be used with the loss of some functionality: only the lens’ smallest aperture can be used in manual or aperture-priority exposure modes.

Camera-wiki.org

Now my experience with this seller is that unless it is absolutely perfect he will not even entertain it. He doesn’t take the time to check and fettle, if it isn’t working from the start he will just get rid of. This attitude of his has meant I’ve had some right bargains in the past with very little wrong with them. I refer you to a recent purchase Canon EOS D60 that had very little wrong with it, but was also a lot of camera for a very low price.

Now I’ve always wanted a Kodak DCS 400 series camera, especially a 460 version as it takes me back to my days when I was working at Kodak in Harrow, I remember when the DCS 400 series came out and back then they were introducing such a new technology that they were commanding a huge price of around $35,000 at the time. These cameras were basically digital versions of the film camera I have purchased above. So whilst I’m on the lookout for a reasonably priced DCS 400 series camera, I guess I will just have to do with the camera that started it all off. And for £27:00GBP I’m not complaining.

I think I may know why this mirror is sticking, and if it is what I believe it to be it could be quite an easy fix. (Famous last words)

So let’s stop all the reminiscing, and wish list writing and get on with this camera’s assessment.

Assessment:

It’s arrived, and as expected it’s a beautiful looking item in an extremely good condition.

Stunningly good condition

The mirror appears to be in a semi raised position, the battery pack is clean with no signs of contamination and battery leakage, so now seems a good time to put in four AA batteries and slide the battery pack into place and secure it.

Battery pack clean and contamination free

Turn the battery on and the mirror clicks back into its closed position. And here I am, probably 40 or 50 actuations later and I can’t recreate the sellers fault of a sticking mirror. The mode the camera is set in, is indicating long exposure times, maybe this has given the impression of the mirror sticking when in fact it’s just doing what it should relative to the light it is seeing. I need to check in clear daylight, but I’m sure this is part of the issue….if there is one.

With a 28-100 lens added

I have a 28-100 lens mounted that I use for testing, the autofocus is working really well and all seems good.

However, take a look at the picture below. It contains two photos of the LCD screen on the top of the camera. What do you see in the top photo that would make you think there is an error?

Is that an error?

For the un-informed, those who are not familiar with this camera or its operation, you will instantly see the letter “E” that is commonly known as an error indicator, in later models it is shown as “ERR”. I do believe the seller has possibly mistaken this for an error code, but if you refer to the bottom photo where I have now installed a test film, it becomes clear that the “E” on this camera represents the word “empty”. No film installed, a simple and easy to make mistake. The bottom picture indicates a film is installed and that 4 exposures have been taken.

As these cameras have in the past been known to have a mirror sticking issue, I will replace the mirror bumper felt. It is well known that when the felt has deteriorated to such a level, the felt becomes sticky, and the mirror just sticks to the felt when it opens. It’s an age related issue that is easy to repair. Even though I have not experienced it with this unit, I will replace it as it will probably fail at some point. I will also check the light seals and replace them if I deem this necessary.

Repair:

The light seals do not need replacing. In fact there are only two small spots of light seals on this camera and both are in good condition.

The two areas where there is light seal – with no issues

However the bumper seal was showing signs of degradation, so this has been replaced.

Old seal
Removed

The old seal peels out but leaves a sticky residue behind, this has to be removed with some IPA prior to cutting new foam to size and reinstalling. Whilst I was in the lens are I also removed the focussing screen to clean it and remove the old ingrained dust and dirt.

New bumper foam installed
Focus screen removed to clean
Some of the dirt and debris from inside

The area within the mirror area is now clean and dust free after I have used a small air blower to get the last of the debris out of the barrel area. Mirrors have been cleaned and polished and the body cap has been put back on the front of the camera to ensure no further dirt or contamination gets in there whilst I work on the outside.

I’ve printed a hot shoe flash cover purely for aesthetic reasons, I’ve also printed a sync cable cover, for similar reasons, but generally just to ensure any open and exposed areas are covered up. It does make it look a lot nicer.

Hotshoe connector
Hotshoe cover in place

The sync cable cover also helps keep the exterior tidy as well as protecting the connector.

Without
With

All I need to do now is clean the exterior of the camera where there is some light dust and dirt. When this is done I will use my usual car cockpit polish to finish the camera off.

When that’s done I will do a quick fly through of all the settings to check if they are all functioning as they should.

Result:

The camera has cleaned up very well and looks glorious. All settings are functioning as expected, and there have been no issues with a sticky mirror or any other issues. The camera is just working well and doing exactly what it should be doing.

A lovely looking, fully functional camera

I’m using a G type lens so I’m restricted on the type of photography I can do, it stays on its lowest aperture (F:32) but that’s perfectly fine In bright sunlight conditions. I need to purchase myself another lens for testing to allow me the use of the full spectrum of apertures on this unit. That said, my lens has performed perfectly on this unit.

As I’ve stated before, this seller is one of my favourite suppliers as his cameras are always in a good condition, he doesn’t like anything unless it’s absolutely A1 perfect, so this is where i benefit as every unit I have purchased from him is perfect in my eyes, and in many cases need very little doing to them to bring them back into a working condition. This is one such unit.

So, I have yet another lovely piece of 90s “Big” tech restored and working perfectly. The next thing I need to do is to put some film through it. I’ll let you all know when I’ve done that.

Thank you for passing by, have a wonderful weekend, I really appreciate your being here.

Take care.

Canon Eos 10 test shots

Learnings from testing an old camera with expired film stock

Earlier in November 2025 i repaired a Canon Eos 10 camera from the 1990s and then took it out to test it with a roll of Kodak 400 asa film. You can find the repair here: Canon EOS 10

Canon EOS 10

The caveat is that the film expired in 2005, 20 years ago. As a result I have overexposed it at 200 asa to compensate for the deterioration in sensitivity from such a long storage period. It may work, it may not, previous tests on a 200 asa film showed that a one stop over exposure was quite sufficient. Fingers crossed 🤞 on this one.

I don’t expect anything much, I expect quite a bit of grain and a definite colour hue over the entire roll. Who knows there may be nothing on it at all 🤷‍♂️

I’ve sent the roll off to our local photo guys in Leicester : Classic Photo Supplies and hopefully something will be on the medium res scans that i have requested. If there are pictures below, then there was some success, if not, enjoy the blackness.

Well, the scans are back and to be quite honest this one is a bit of a disaster. As stated the film is over 20 years out of date and there appears to be two problems here. Underexposure is one issue, I over exposed this by one stop but I don’t even think that is enough. If I’d overexposed at 2 stops though I might have improved the brightness, the already heavy grain would have been even more exaggerated. I think it’s fair to say this 400 asa old film stock I have is passed its time and not really fit for use.

Look at the grain at plus one stop overexposure
Hello what’s that line?
Heavy grain and a magenta cast
That shutter sync problem
Slower speed, shutter ok

So. Though the results were not good and I have now realised that this old stock film is probably best for me to use as test film only. There is heavy grain, a distinct cast over the film and a quite obvious shutter curtains sync issue. These frames above a shutter speed of 500 seem to be the issue, and that is where the shutter speed has not synced the curtain, it’s definitely running slow. The film has been beneficial in identifying an issue in this part of the camera. I will now do a CLA on this camera shutter assembly to try to remedy this issue. I wasn’t using flash here, it was a dull cold English Sunday afternoon.

This is an old camera that has been sitting idle for many years, it may sort itself out after a few more rolls of film, however I can do something about it now. And this is really a lesson to be learned for anyone buying old film cameras, they do need that little bit of tender loving care to get them back into a good working condition.

I’m pleased I’ve highlighted this issue, I will get the work done to improve the shutter sync and then run another roll of film through it.

Maybe now is the time to buy a shutter speed optical tester. That may save me a bit of expense on processing costs and will also allow me to make these checks before committing to film.