Cameras…i need more!

I say more cameras, my wife begs to differ.. my friends agree with me.

Well, my wife would probably disagree with the above comment.

However, i have some very good friends who are quite happy to ignore my wife and her protestations. Some would say they are very brave…others would even say they are foolish. Time will tell.

A couple of beauties – you wouldn’t understand

Jon, is a friend and former work colleague that i have known for many years. We both worked at the same Kodak plant in Harrow, me on the graphics art film production track and Jon was in the training and development area. We rarely met there as the plant was so huge that our paths crossed quite infrequently. However Jon has also been the mainstay and life blood of a local football team since the early 70s, and it’s true to say he is a local legend and pillar of the community. This is how i really met Jon, and we have always discussed issues of photography, he is very much involved with promoting the armed forces and has been fortunate in the subject matter he has been asked to photograph. Needless to say, he has a lot of redundant equipment, and when he became aware of my blog site and the repairs i attempt to do, he very kindly donated a number of items for me to write posts about, and to be quite honest it will keep me busy for quite a long time.

The majority of the items probably just need a little service and a test session, a couple have some battery corrosion issues, but in general cosmetically, they are in good condition. We have a number of old lenses, but as you’d expect from someone who looks after their equipment, there isn’t a sign of haze or fungus in them. They just need a clean up, and very little else.

Here’s a list of what i have received, and observed after a very quick look at the items.

8 cameras:

  • 1 Canon AE1 film camera and user manual, mirror was stuck, now freed up and firing ok but requiring a check over.
  • 1 Canon EOS 30 film camera, a bad case of sticky body.
  • 1 Canon EOS 10 film camera, issues unknown
  • 2 Canon EOS 500N film cameras, issues unknown
  • 1 Canon EOS 3000 film camera, issues unknown
  • Canon EOS 1N film cameras with E1 power drive, beautiful camera, issues unknown.
  • Canon EOS 7D digital camera with BG-E7 battery grip, stunning camera, issues unknown.

7 lenses: all Canon fit

  • 2 x Canon FD 50mm 1:1.8
  • Tokina 300mm 1:5.6
  • Tokina 135mm 1:2.8
  • Tokina 35mm 1:2.8
  • Canon 75-300mm 1:4-5.6
  • Canon 28-80mm 1:3.5-5.6

There is a separate lens that i have been asked to look at and repair for him as it’s his third go to lens, that is a Canon EF 28-200 1:3.5-5.6 USM lens. It doesn’t focus in auto, i notice it has lens wobble and a lens washer appears to be exposed in the zoom section of the lens. It needs investigation.

Other items:

  • Canon Power winder-A. Part of the AE1 camera, you can smell its issue as you hold it, battery corrosion. Batteries inside have seriously corroded, however i believe the issue is salvageable.
  • Canon speedlite 199A flash gun, untested.
  • Metz 45 CT-1 flash, again there is corrosion in the battery pack, you can smell it. Again this should be salvageable.
  • Sangamo Euro master light meter and invercone. In excellent condition, could be that the selenium light cell is dead. Needs investigating.
  • 8 rolls of film, expiry date 2005, may still work..who knows.
  • 3 x 6v lithium batteries, all tested and working.

Add to that the two camera bags and a hard case that they all came in and I’m sure that you will agree that it was a pretty nice package to receive.

I’m extremely confident i can get these all into a good working condition, any cameras that i will not be keeping will either be sold on to benefit charities supported by Jon or donated to local charities for their benefit. Either way nothing will be heading to waste, that is a promise i have made to Jon and thats just how it will be, i do not break promises.

Thanks for passing by, and i will be posting articles on all these products in the coming months. As I already have 13 projects already in draft awaiting a time when i can back to repairing them, you can plainly see I’m going to be very busy for quite a while and should be able to supply quite a regular feed to this blog.

Have a super day. stay safe.

Pancake/Cookie lens

It’s a colloquial term for a flat thin lens assembly that started to emerge from the 60s through to the 80’s, commonly seen in compact SLR cameras of the time. This then developed into a body cap lens, an extreme type of pancake lens that is designed to both protect the camera internals as a body cap normally would, yet still allow the user to take photos. These lenses are manual focus only and generally have no more than a couple of optical lens elements, no image correcting elements, a very-slow fixed aperture, an extremely thin focusing ring (if any at all), and a retractable lens element cover. Due to this compromise in design, body-cap lenses generally suffer from numerous image quality issues such as heavy vignetting and poor image sharpness.

Recently there has been a resurgence in this type of lens culminating in the one that seems extremely popular at this time, a cookie lens.

Cookie lens

It’s not hard to see why it is named so, it looks like a big Oreo cookie, it even looks as if it has the cream between the two biscuit pieces. These current ones are sold as being recycled from old disposable cameras. Original pancake lenses can cost many hundreds of pounds, however these ones are classed as disposable, and are priced at around £30 to £40GBP, being sold by a company called Retropia. But hold it! Don’t waste your money on that one, as they can be purchased for at least half that price from Ali Express of Temu, just make sure you shop around. By looking at the reviews £30 can still be a bit of a hefty outlay for what is basically a cheapo lens out of a disposable camera set in a cookie shaped piece of plastic.

One guys in depth review of the “Cookie” lens

These lenses have risen in popularity, as the new mirror less cameras have become more accessible. This lens allows these cameras to be used as a straight forward point and shoot camera, no focussing or metering. achieving that retro disposable camera look, but in much more modern equipment. It’s a fun item and for an outlay of around £13GBP, which is what I paid for mine, it’s not too big an outlay to do some experimenting with, and if it turns out to be a load of old bilge, then it’s no real loss. Reviews are mixed, but in general it seems people are having fun, and that’s what photography should be.

I’m waiting for mine to arrive, and when it does I shall post some photos below to see how I’ve got on with it. Oh, and I now have a suitable camera to use with this lens and that can be found here Sony A7II Mirrorless camera.

It’s such a simple thing. It turns a complex camera into a quite basic point and shoot disposable, lomography type of camera. Perfect for street photography and just everyday randomness, yep kind of like you’d now find on your mobile phone. However this is more fun and you actually have a camera into your hand, Perfect.

The lens is 32mm, and the CCD in the camera is full 35mm so there is a kind of small vignette around the edges of each shot, but that just adds to the basic rawness of the lens. it’s a bit of fun.

Angles in the living room
Garden pub
Rusty chair
Across the kitchen early morning

Above are a small selection of some of the scenes around home, taken quite randomly and all I have done in the post process is added some vintage presets. The light has been so poor lately that to be honest this already added to the vintage effect. If we see any sun I suspect the results would be very similar to the hazy 70s effect that the disposables always managed to achieve. Don’t expect too much from these lenses, they are just fun to experiment with, and that’s just what photography should be. Fun.

Thanks for passing by. Always appreciated.

Sony A7II Mirrorless camera

Wow. I’m a lucky cuss as Captain Sensible once sung.

The camera

Never really transitioning to digital photography properly, my dear lady wife took it upon herself to arrange an early birthday present for me after discussing technicalities with a photographer friend of ours. As I’m still stuck very much in the past with all my cameras (and anything else to be honest) they have decided to fully bring me over to the dark side and she has purchased me a full, mirrorless camera kit, yes the whole lot as a package apparently from someone similar to me, stuck in the past and not being able to master it. She’s brought me it as in her own words, “it was a bloody bargain, and I’d have been foolish to turn it down” so she thought of me and that was it. It’s a special birthday this year and she wanted to buy something special and this is it. She wanted me to have it now, as there is just too much of it to hide.

It’s going to be a cracking setup allowing me to fully explore the large void I have regarding digital photography properly.

Here is what is included, an extract from the email between her and the seller:

A complete photography essentials bundle built around the superb Sony A7 II. 
Ideal for anyone seeking a high-quality full-frame mirrorless setup, whether upgrading or starting fresh, with everything needed to shoot immediately.
All items were purchased new in 2023, barely used, and are in mint condition throughout. No scratches, scuffs, or marks. Everything has been stored with great care and is fully functioning.
Included in the Bundle:
– Sony A7 II Full-Frame Mirrorless Camera Body:
Renowned for its incredible image quality, excellent dynamic range, and in-body stabilisation, the A7 II is perfect for serious photographers seeking a reliable, high-performance full-frame camera. 
✅ Mint condition.
– Sony OSS FE 28-70mm f/3.5-5.6 Zoom Lens:
A versatile all-rounder lens, ideal for landscapes, portraits, and everyday photography. Equipped with Sony’s Optical SteadyShot stabilisation for sharper handheld shots.
Includes Original lens cap and lens hood plus Spare lens cap and spare lens hood.
✅ Mint condition.
– Samyang AF 35mm f/1.8 FE Prime Lens:
A fast, sharp, and lightweight prime lens, perfect for portraits, street photography, and creative work in lower light thanks to its wide f/1.8 aperture.
Includes:
• Lens cap
• Lens hood
• Lens shell (protective sleeve)
✅ Mint condition.
– Sony F20M Detachable Flash Gun:
Compact and effective external flash gun to elevate your low-light photography.
Includes Sony velvet drawstring storage pouch and Two AAA batteries. 
Note: The only minor point is the missing hot shoe cover on the Sony F20M flash gun — this does not affect performance. The flash can be stored safely either attached to the camera or in the provided Sony velvet pouch.
✅ near mint condition.
– Cleaning Essentials:
• Giottos Rocket Dust Blower — perfect for safely removing dust from lenses and camera sensors.
• A handful of lens wipes for easy on-the-go cleaning.
– Aodelan Wireless Remote Shutter Release Kit:
Ideal for tripod work, long exposures, or remote shooting without touching the camera. Reliable wireless connection. Ideal for starry sky photography and taking solo selfies on a mountaintop! 
– K&F Concept 64-Inch Aluminium Ball Head Adjustable Tripod:
Durable tripod with adjustable height and ball head for precise positioning. Suitable for travel and studio work. Angle and height of legs are adjustable independently of each other which is ideal when resting it on rocky or uneven terrain. It can also be used “upside down” to shoot handsfree at ground level. 
✅ mint condition, never used.
– Vanguard Camera Kit Case:
Sturdy, protective camera bag with organised compartments for carrying and storing your equipment securely. Compartments are adjustable with velcro edges. 
✅ excellent condition
– Sony Alpha Soft Carry Case:
Original Sony-branded protective soft case for carrying and storing the A7 II R camera. This has a velcro lens hammock fitted inside so the camera with lens attached can be carried safely. 
✅ near mint condition
SD card NOT included.
Additional Information:
I paid £**** in total for these items. 
Happy to provide further details or additional photographs on request. Also more than happy to share images I have taken with this kit. 
Serious buyers only, please.

I apologise in advance if I start to show more photos on these pages, but fear not. It is and will always be a site dedicated to traditional photography, its equipment and repair, and that will never change.

I believe my wife is fed up with me carrying around old equipment and wishes for me to just “Get with it”

There is a definite method in her madness, bless her. Such a wonderful and thoughtful gift. As if I could love her anymore ❤️

Have a wonderful day.

Not the lottery, but for me – just as good

I’ve been after a couple of cameras for quite a while now that hold a great deal of sentimental meaning to me. This will become apparent when i publish the individual posts for them, but for now i just want to share the result of an auction i participated in on the 31st July 2025.

Today I’ve probably made the best purchase off of an auction site that I have ever made previous. I’ve been following a number of Canon A1s lately and they have all been going in the £120+GBP bracket, some even higher than that. Today I have lost out on two that sold for £93 for a damaged body and one for £121 that was just a body but of a much better quality. This particular auction I was watching was for an untested duo of cameras, a Canon A1 as well as an Olympus Trip 35mm. The Olympus alone normally commands the high £80GBP range and both of these were in this particular auction. I was just watching as this was going to sky rocket in my opinion, two good cameras from a respected seller who I have used before. Two minutes from the auction end, bidding was sat at £39GBP and I thought that any second now the price was going to go crazy, especially in the last 30 seconds. I put in a max bid of £55GBP for the lot, as I pretty much knew it would sail past that amount and go for a price in the £150-£200 price range. I hit the bid button with 20 seconds left on the auction….

You have won – congratulations!

I thought you’re having a laugh, no way. And then it came up with the winning bid being £39:00GBP no one else was bidding, crazy.

The A1 camera consists of the body, a winder, an FD 50 1:1.8 lens, a camera manual as well as a lens manual.

Postage was the grand total of £4:99 so my total for these two cameras was £43:99GBP. That is nuts, and to say I’m pleased about this is the understatement of the century. I have two of the cameras I wish for the most, and I have just landed the bargain of the day, I was in the right place at the right time. Wow. It’s unusual to catch other auction bidders sleeping, it will probably never happen again for me, it’s a very rare occurrence. Two cameras of this magnitude for £22:00GBP each! That’s unheard of.

I don’t know for what reason they are not working, as they both appear to be quite tidy examples. I have used this seller before and the posting above could also be worded such as to imply that the units may well not have been tested. But, that’s what this site is about, repairing old cameras and getting them working again. There’s no fun in talking about a good functional camera, that’s boring. We want the meat and potatoes as they say, we want to see things being fixed, or broken further….you never know with me.

Thanks for sharing my excitement at this purchase. It will all make sense once i’ve assessed the cameras and carried out any repairs.

Thank you for passing by. It’s always appreciated.

Mamiya M Autofocus – 35mm point and shoot camera

What the listing stated:

Mamiya M point and shoot camera. It’s in fantastic original condition and is cosmetically excellent with original case and lens cap included. The lens appears to be bright and clear from the front. 
HOWEVER…when batteries are inserted the shutter does not fire and I suspect it is jammed somewhere. The lights come on and it goes “click” but the aperture does not open, nor does the film winding do anything. 
For spares or repairs only, I’m sure somebody with the know how could get it up and running again. 
Priced super low as I want it shifted and can’t bring myself to bin it! 
No returns please

EBay

Here’s a little bit about it:

The Mamiya M is a 35mm autofocus compact from 1982.  It has a boxy plastic shape, with a fixed Mamiya Sekor 38mm f/2.8 lens.  The lens is four elements in three groups.  Exposure is fully automatic, based on the film speed, where the ISO is selected via a dial around the lens. Film speed available is 25 – 800 ISO.  

The metering cell is located just under the lens, but within the lens ring.  This allows for the metering to take into account any 46mm filter screwed onto the lens.  That is assuming it is not a graduated filter.  Fastest shutter speed is 1/500thsecond with the slowest at 1/8th.  The camera is always on, except when fitted with a specially designed lens cap, which triggers the off state.  There is a strategically placed switch it pushes against on the right side of the lens.  Most of these caps are lost, including mine.

Photothinking.com

I don’t know what attracted me to this camera, but the fact the seller just wanted rid of it at a cheap price was a starting point. It was advertised as £4:36 GBP and £2:45 delivery, a total of £6:81GBP. I bartered a bit and got it all in for £5:44GBP so I got it a little bit cheaper, a bargain if you like.

Mamiya has a great reputation for building high quality lenses. They were only in the 35mm autofocus point and shoot sector for a short while before immersing themselves totally into the medium format camera market. This 35mm camera was only in production for about a year or so, even though quite a few were produced, we are looking at the low hundreds of thousands, not the many millions, so the camera itself was not a major mass produced and marketed unit. It is a plastic preformed body unit. Known in polite society back in the day as “A plastic fantastic”.

If a Mamiya camera had a blue ring around the lens, specifically on its other models, it denoted a higher quality lens type, it was never confirmed this was the case with these small autofocus 35mm cameras, though many believe it is still the case. Photo quality with these little units was generally of a very high quality.

Lens caps with these cameras are very rare, this one has one and it is the original, and i suspect (from what I see in the picture) that there may be a small crack on the side of this one, but that is not an issue. This lens cap is integral to this cameras operation, as when it is placed over the lens, it turns off the camera, without it the camera remains live at all times, and would soon lose its power. It is an early power conserving device if you like. The camera looks to be in overall good condition, probably down to being stored in its original case.

You can view a lot more than I could ever tell you, just by watching this review by Mr.50mm that was posted earlier this year.

Excellent recent review

Since reading up a little on these cameras it appears that I may well have bagged a bargain, if it ever works. And I also believe the seller may well again be unaware of the operation of this camera and it may in fact be working just fine? Who knows? I have my suspicions but we will just have to wait until it gets here for assessment.

Below are some sale prices relative to this camera model that are currently selling on EBay, some extremely high prices compared to what I have paid today:

Current selling prices for this model

It’s plastic and so 80’s. And people obviously loved it. I’d like to be able to get this camera working again, and would love to run a roll of film through it to give it a test run. But first I have to assess it and see just what is wrong with it. I have a roll of old film available to test its “faulty” rewind system, and I have all my tools ready to crack it open and get inside, if I have to. So let’s get at it….

Assessment:

It’s arrived and I must say it is in an excellent cosmetic condition, probably down to being kept in its original Mamiya soft case. The lens cap I thought had a crack in, is actually broken, probably beyond reasonable repair, but at the moment that is not important. Let’s put that to one side for now.

The actual camera is partially alive. When batteries are installed there is a red light that appears on the right rear side of the camera, this is the film transport light and should extinguish when transport is complete. The flash switch sticks a little, and when the flash is clicked into position the distance sensor light on the lens activates however the flash does not charge. The winding system is inoperative and does not auto wind at all. The shutter does not operate, despite the shutter leaves being able to move when gently coaxed.

There seems to be partial electricity throughout, this could very well be the issue. There just doesn’t seem to be a uniform continuity throughout the camera. This will need to be looked at. Something very weird is going on inside.

Repair:

I’m really annoyed, closer inspection shows there are 6 screws missing and someone has been inside this camera prior to me. Again I think I’ve been stung by the EBay curse of “Spares and repairs- no returns” will I ever learn?

I’ve removed the remaining screws, and had to peel off the rubber grip to access and expose the motor and associated component board in this area. There will need to be a lot of cleaning here before gluing it all back in place.

I’ve managed to get the flash charging light illuminated, and a current of 214v in the flash confirms that the Flash capacitor is holding a charge and more importantly, receiving a charge from the battery circuit. But I cannot get it to fire. There seems to be an issue with the shutter mechanism and the related electrical circuit in this area. The motor is not working, it’s either dead or not receiving power. I need to look in this area a little more thoroughly.

Front fascia removed

I’ve now removed the front fascia and now have a good view of the overall workings inside the camera.

Ive taken out the lens and the leaf shutter, these seem ok and are working freely when operated. To me it looks as if the mechanism that triggers the leaf shutter is either seized or the variable capacitance system located at the top of the camera, that is basically just a needle on a circuit board connected to the focus light, could be at fault, it does not freely move on each camera actuation as it should, and this is not a readily available part.

That faulty part of the board
Misfiring- faulty

It seems the deeper I delve into this camera that I am finding more issues, and I’ve just found two parts that are incorrectly installed that are on a cog system connected to the motor. I’m fighting a losing battle as it appears the person who has been here before has probably added to the issues of this camera in their attempt to fix the original issue.

On top of the missing screws I’ve now found a missing capstan cog related to the leaf mechanism that would help explain a certain lack of movement in areas. The motor is dead, I’ve taken it out and used the bench power supply and it is non responsive. Even after spraying with some contact cleaning fluid and sitting there spinning the axis to get the solution absorbed, there is still no response. It’s totally dead and will require replacement.

Result:

Well. Once again I have been mislead by incorrect descriptions on the auction sites. It’s a shame really as this is a lovely camera and if it had not been tampered with inside, I’d probably be posting a different review today, one that would be more positive. With screws, cams and cogs missing I was pretty much set up to fail here.

I’ve reassembled the camera and it is now back in its pouch. The positives are that I have learned a lot about how this camera operates, and just dismantling and reassembling the camera allows you to learn a lot about it, and the technology used during that period in time. All the screws that I removed have gone back into place with none leftover, yet another positive.

So it’s a failure I’m afraid, but it will be kept and either used as spares or I will obtain a suitable donor to get this one up and running, it will not be disposed of in any way. It will be reused. I’ve only paid a small amount for this, it’s worth it for the spares alone.

I have already set up a notification on the auction sites for when another suitable camera becomes available. I will update this post or post a new one that incorporates either the repair of this unit or its use as a spare parts donor, when that time comes.

Thanks for passing by. Its appreciated.

Nikon 28-100mm AF Zoom Nikkor Lens G AF-D

What the listing stated:

Nikon Nikkor 28-100mm Zoom Auto Focus Lens F3.5-5.6 G 

It will autofocus with: Df-D1-D1x-D1H-D2-D2x-D2xs-D3-D3x-D3S-D50-D70-D70s-D80-D90-D7000-D100-D200-D300-D300s-D600-D610-D700-D750-D780-D800-D810-D850-D7000-D7100-D7200-D7500 & Fuji S1, S2, S3,S5

This lens will not autofocus with : D40-D40x-D60-D3000-D3100-D3200-D3300-D3500-D3600-D5000-D5100-D5200-D5300-D5500-D5600 as these cameras do not have integrated autofocus motors in their bodies, but it will still work with manual focus and auto exposure as it has a “chip” mount. 

It will also work Nikon 35mm AF film cameras:  F80, F90/90x, F75, F70, F65, F60, F55, F50, F80, F90/90x, F101, F100, F401.

Comes with front / rear lens caps

EBay

Anyone that has followed my recent repair of the camera: Fujifilm Finepix S2 Pro will be aware that I purchased a lens as a test lens for working on some stock that required a Nikon mount. I went cheap and purchased a lens that was so badly affected with lens fungus that it will require a deep clean and some TLC. Anyway, it allowed me to test electrical contacts and all the menus, and that was about it, it served a purpose there, but taking a picture was like looking into a deep fog, it was hopeless. Anyway that lens is now set aside and will become one of those projects to dig into on a long winter evening…or two, or three.

As I have a number of Nikon based cameras needing assessment on the horizon, some with sensor issues, i have made the decision to pay a little more for some quality, from a company called AP photographic who specialise in quality used equipment, a company that is based close to where i used to live down in the south. This Lens has cost me £58:95GBP including postage, a fair but good price for some peace of mind. This post will not be a repair post as there is nothing wrong with this lens, it will be more of an assessment of the lens when used with the Fuji S2 pro i featured in a previous post.


Nikon Nikkor 28-100mm Zoom Auto Focus Lens F3.5-5.6 

I’ve put this post up to show the difference in the pictures taken on the S2 with both the old lens as well as this lens. I think the results will show quite a noticeable contrast and confirm just how restrictive a lens is when it is infected with a fungus problem.

Assessment:

The lens arrived within a couple of days and is in perfect condition. It has a lens cap and bayonet cap so is perfectly protected against dust dirt and damage from foreign objects. And when the lens cover is removed there is another little surprise, a post it note saying “Filter is a free gift” that just happens to be attached to a daylight filter. Nice little touch 👌

Lens is a perfect fit, no aperture ring on it as it is fully automatic, full autofocus. I’m not sure how the flash will work with this lens though when I use the Fuji S2 Pro, as that body works best with a fully closed lens aperture, but I’m sure I’ll be able to work it all out and get it functioning as it should. And I did, i played with the Aperture settings in “A” mode and it works just fine. It’s faultless.

That said on the S2 it not only looks good, it takes good pictures. Compared to the lens I last used this one is crystal clear, not a bit of fungus no aberrations and not a speck of dirt. This is a good lens and will serve me well for the purpose of testing other equipment I have awaiting attention. I think I’ve purchased a good example here.

Result:

I can confirm that the Fuji S2 Pro does not have a thing wrong with it and is working perfectly. All modes, all conditions are performed just as they should be. This lens is gorgeous as it is so clear and has been so well looked after. I believe this whole unit will be the one I wander about with when i go out on my walks. I can’t wait to take some serious photos to post.

A quick comparison fungus lens v clear lens as seen on the camera LCD screen

I took some pictures just randomly around the home setting with the old lens to show how foggy things were with the lens fungus. I have tried to take some more photos of the same locations with the new lens as well to just show how they compare and these can be seen in the pictures grouped below.

Before and after pictures, what a difference the fungus has had on the results.

All these pictures are on an old CF card so it is a bit of a palaver to get them on to new technology, but it is doable, it just takes a little time, and this gadget allows me to load numerous card types even the CF cards direct to my iPhone via a lightning connector. It also has a USB-C connector for other phones. It works really well as you can see in all the pictures in this post.

Multiple media cards direct to my iPhone

And below are a few random photos taken on the S2, it has a good black and white mode but is quite heavy on contrast. Post editing would probably be recommended, but to be honest I really love its moody appearance.

4 random photos in and around the house. And Tabs the feral cat popped by

This camera and this lens have proved fantastic. I know you can get far superior picture sizes and quality on a basic mobile phone, but where the heck is the fun in that? This camera cost me £8:00GBP. Just £8:00. And it is a superb camera that will be going on many trips with me as I just love it and how it looks. I now know it intimately after reading up on it and testing it, and cannot wait to put that knowledge to use.

Cameras are better than mobile phones. Old ones like this are fun, and an absolute privilege to use. It’s not all about the Megapixels, just remember these old cameras were the ones taking high quality professional pictures back in their day. Just because time moves on, and just like an elderly old lady or gentleman, they should not be discarded because they no longer serve a purpose. Respect the older technology, learn from it and you will ultimately become a wiser person yourself. Oldies rule! Never forget it. 👊

Thank you so much for passing by. It’s always very much appreciated.

Another Fujifilm Instax mini 8

Yes another one. Anyone that reads what I post will realise that these little cameras have really become popular with the youngsters within our family. I recently posted about a family get together: The garden gathering and in this post I stated that a young member of the family liked these cameras so much, that she went out and purchased a damaged one and asked if I could fix it for her. How could I turn down such an offer?

Another Instax mini 8 and that Iris should be closed

And here it is. Needs a little clean and immediately I can see an issue, what I’ve noticed is that the little iris lens protectors that close when the lens is retracted are missing, or not operating and opening properly. Everything else seems to be doing what it should, motor, film transport system etc, however the initial issue reported with this camera was that it’s exposure was sometimes hit and miss, it most definitely all related to the lens issue. A good clean wouldn’t go amiss with some extra attention paid to the light sensor area.

Anyway, enough chat, let’s crack on.

Assessment:

A nice tidy camera, needs a little clean, flash fires, film transport mechanism inside is working and the motor runs. It gives the impression that it is working fine, however….

Here’s a reminder from the young family member who made the purchase, regarding its issues:

I’ve just remembered, I think the advert said something about the photos coming out dark no matter what setting it is on! x

I’d already noticed the little iris mechanism on the front of the lens didn’t open and close when the camera was turned on, so I was going to be looking in this area anyway. But when I looked a little closer and moved the aperture ring on the side of the lens, the relative apertures in the lens were only moving to roughly the half way point, off centre, hence there was no corresponding fully positioned aperture, and in relation to the lighting situation that was presented, they were stuck and blocking the incoming light. In a nutshell there was not a sufficient sized aperture “hole” for any light to get through, resulting in the exposure issue stated above. This needs adjusting. You can see what I mean in the photo below. The lens aperture leaf does not sit central in the lens.

Incorrect aperture settings and positioning in the lens

Apart from the highlighted problems above, i don’t believe there are any other underlying issues. So I’m going to concentrate on the front of the camera solely in the lens turret area.

Let’s get on with the repair.

Repair:

The iris issue is within the lens turret so this will need to be dismantled to access the iris.

It was a bit of a head scratcher this one, as I spent a lot of time just staring at the mechanism trying to figure out how it worked. When the iris lids were manually manipulated to the closed position when the turret was retracted all was fine. When the turret was opened up the iris lens did the same, but then if you again retracted the lens the iris remained open exposing the lens. I was thinking it must be missing a spring somewhere and I was about to be proved right.

I found a replacement iris turret in my spares box for instax cameras

I found a replacement iris mount that fits within the lens turret. I had this in a spare box and used this as a reference to compare to the old non operating one. Here is where it was confirmed that there was a spring missing and this is why the iris was not operating.

I replaced the old mechanism with the new one and this was installed back in the camera, this now works fine. I have however found a suitable spring for the old iris so I do now have another spare ready should another be needed in the future.

Iris mechanism installed and now working

The issue with the aperture positioning has been sorted by ensuring that the aperture ring is correctly positioned in relation to the cog mechanism in the lens turret area. It’s a bit like sorting out the timing belt in a car, it just has to be in the right position to achieve the correct aperture settings.

This sorted, the last thing to do was to give the viewfinder a little clean. You have to be very careful here as the viewfinder is connected to the camera “ready to shoot” indicating light, and there are very fine wires all around this area. Be just a bit too clumsy here and you’d have a difficult soldering project to also add to the original problems. Anyway, no such issues today, the viewfinder was un clipped and prisms and glass cleaned and reassembled. All looking good.

Viewfinder and lots of little wires

I’m now happy that all the issues have been attended to and I’m just going to reassemble the camera ready for a quick clean. Luckily all the screws that came out went back in with none leftover. Result!

Result:

We now have a nice little unit, all aperture settings are working as they should and the lens iris is operating as it was always supposed to do. The viewfinder has also been cleaned and it’s now a nice clear unobstructed view. It just works.

I’m guessing this camera will be coming away with the owner on a family holiday that we are all about to embark on shortly. I’m hoping to run some film through this soon but I am ultra confident it will work as all the issues have now been addressed.

I’ve just got some film and rattled off 4 quick shots, one of them indoors. Exposures are fine so I’m happy this is a perfectly good working camera.

4 quickly produced shots

I’m sure there will be one younger member of the family who will be very happy with her new camera. And may she have many years of capturing good times and fantastic memories. This is what these little cameras are made for after all.

Thanks for passing by, it’s always very much appreciated.

A Deep Dive Into Canon Autofocus Lenses

Although taken for granted these days, autofocus (AF) used to be a premium feature on film- and digital cameras, with taking us through an …

A Deep Dive Into Canon Autofocus Lenses

Bronica SQ-A / The Frankenstein project Pt:2

To find out what I am trying to accomplish with this project please refer to my initial post: Bronica SQ-A Medium format camera

Task:

To build a usable, basic issue, medium format camera (Bronica SQ-A) from damaged items and spare parts, for as little outlay as possible and shoot one black and white, and one colour roll of film as proof of its successful completion.

Getting started:

Building a camera from damaged parts is no easy task when the name happens to be a high end brand and any parts that are available, are being snapped up by others to service their own stock or to break up for sellable parts. I’m going to keep a running total to try and build this as cheaply as possible, and to keep track of this total I’m going to use my trusty Psion Organiser II LZ from 1989 to keep a tally.

This may be a strange situation where Pt:2 and Pt:3 of this project gets published before Pt:1, quite simply Pt:1 needs a fair bit of work still doing to it.

Second purchase:

The lens. Probably the most important purchase of this project. Looking for a “cheap” lens is normally not the thing to do when exploring lenses as you do really get what you pay for. You want good clarity? You need a good lens. However this lens came on offer and what sold it to me was that there were no scratches and fungus in the lens, and that was music to my ears. It is a duplicate of a lens the owner already has and was surplus to his requirements. He has also supplied recent proof of photos taken on this lens and i believe he has sold me a little diamond to be honest. Everything about it seems good. There is nothing really to do to it, so no maintenance apart from maybe a light external clean and that will be it until everything else comes together.

Here is what the listing stated:

This is the S version of the 80mm lens and although there’s a slight difference in the lens design on the PS version, I’ve compared the two and couldn’t see any real difference other than a slightly more modern colour rendering. The T mode is also working without issue. This lens has been my main user lens and has never let me down. Glass is clear of fungus, haze and scratches. Aperture and shutter blades are snappy and clear of any oil. Shutter speeds are accurate and the lens produces just delightful images and is massively underrated. I’ve included several shots taken recently with this lens mounted on an SQ-A as per the examples. Focusing is smooth, apertures have a nice smooth click and the lens focuses just fine all the way through the range. I will include the origin box as well as the front and rear lens cap with the lens

EBay

I’ve paid the total cost including postage of £56:25GBP and I think that this is an absolute bargain for what I am getting. It’s an 80mm f2:8 Zenzanon-S lens in its box with two end caps. I’m really pleased with this purchase and there is not a lot else I can say.

So here we have the scores after two purchases, the 120 roll film back and this lens. Over to my old mate the Psion II LZ for the running total.

Running total

So the total for two items currently sits at a comfy total of £77:19GBP so far, with an average per item price of £38:60GBP. And in Bronica terms that is quite reasonable!

Assessment:

The lens has arrived and to be honest it has surpassed anything I could ask for, for the price I have paid. For this project it is in perfect condition with nothing required regarding any repairs. It’s good to go.

And out of the box the lens is lovely and clear. Just a few bits of dust but that is nothing at all.

Repairs:

None: I know this is boring on a repair front, but for this project it is the perfect result.

Outcome:

All good to go. Please keep an eye on the other blog posts that are coming regarding this project.

Weir-y

Weir – Sunnyhurst brook

Taken whilst attending a wedding in Darwen Lancashire.

Sunnyhurst brook has some lovely weirs on the stretch near the olde kiosk. However like many rivers in the Uk its water is brown and lifeless. A shame as it is a beautiful feature and would look glorious if it had a restored habitat.

Such a shame.

Taken on an iPhone 14 Pro Max