My role, occasionally requires me getting involved with some old engineering treasures. I sometimes have to go ahead of these trains to areas where there are “pinch points” and ensure that their movements through these areas are without delay or hindrance. The thing is if one of these old girls break down they can cause absolute havoc to timetabled passenger traffic, and passengers, rightly so, don’t take to well to being delayed by what they class as unnecessary big boys toys.
60103 – The flying Scotsman
One such old treasure is the steam train “The flying Scotsman” now I’ve been associated with this train one way or another for many years now, and only recently I was ahead of it as it made its way to a big 200 year train gathering up in Derby. I took the above Picture a few years ago at Tulse Hill station in South London. The bridge at this station is the most frequently hit bridge in the area causing massive delays to trains heading south. Me being there means a bridge exam can be carried out quickly and things can get moving fairly expediently. There is also quite a complex junction nearby, again if points were to fail I could get things running smoothly again, with a small team who work alongside me. This picture has been run through a Matte black mask to give it a vintage type look, it was taken on an old phone and was just snapped whilst I was checking timings with the train crew.
More graffiti- but with humour
Another train hit by the local graffiti artists passed through our patch. Whilst this one was parked up I had to laugh at the message conveyed on an empty stone hopper during the current economic crisis here in the UK . Living La Vida Broke-A! it made me smile.
Wasteland
Just a few months ago this compound next to where I am based was a buzzing hive of activity. Then our government cancelled the electrification of the Midland main line between Leicester and Sheffield, putting an end to the activity in this area. All the men and women laid off, another nail in the coffin of the cities outside of the “One and only London”
This Government really is blinkered and doesn’t really understand that there are communities and businesses north of Watford!
It’s a colloquial term for a flat thin lens assembly that started to emerge from the 60s through to the 80’s, commonly seen in compact SLR cameras of the time. This then developed into a body cap lens, an extreme type of pancake lens that is designed to both protect the camera internals as a body cap normally would, yet still allow the user to take photos. These lenses are manual focus only and generally have no more than a couple of optical lens elements, no image correcting elements, a very-slow fixed aperture, an extremely thin focusing ring (if any at all), and a retractable lens element cover. Due to this compromise in design, body-cap lenses generally suffer from numerous image quality issues such as heavy vignetting and poor image sharpness.
Recently there has been a resurgence in this type of lens culminating in the one that seems extremely popular at this time, a cookie lens.
Cookie lens
It’s not hard to see why it is named so, it looks like a big Oreo cookie, it even looks as if it has the cream between the two biscuit pieces. These current ones are sold as being recycled from old disposable cameras. Original pancake lenses can cost many hundreds of pounds, however these ones are classed as disposable, and are priced at around £30 to £40GBP, being sold by a company called Retropia. But hold it! Don’t waste your money on that one, as they can be purchased for at least half that price from Ali Express of Temu, just make sure you shop around. By looking at the reviews £30 can still be a bit of a hefty outlay for what is basically a cheapo lens out of a disposable camera set in a cookie shaped piece of plastic.
One guys in depth review of the “Cookie” lens
These lenses have risen in popularity, as the new mirror less cameras have become more accessible. This lens allows these cameras to be used as a straight forward point and shoot camera, no focussing or metering. achieving that retro disposable camera look, but in much more modern equipment. It’s a fun item and for an outlay of around £13GBP, which is what I paid for mine, it’s not too big an outlay to do some experimenting with, and if it turns out to be a load of old bilge, then it’s no real loss. Reviews are mixed, but in general it seems people are having fun, and that’s what photography should be.
I’m waiting for mine to arrive, and when it does I shall post some photos below to see how I’ve got on with it. Oh, and I now have a suitable camera to use with this lens and that can be found here Sony A7II Mirrorless camera.
The lens has arrivedLens installed
It’s such a simple thing. It turns a complex camera into a quite basic point and shoot disposable, lomography type of camera. Perfect for street photography and just everyday randomness, yep kind of like you’d now find on your mobile phone. However this is more fun and you actually have a camera into your hand, Perfect.
The lens is 32mm, and the CCD in the camera is full 35mm so there is a kind of small vignette around the edges of each shot, but that just adds to the basic rawness of the lens. it’s a bit of fun.
Angles in the living room
Garden pub
Rusty chair
Across the kitchen early morning
Above are a small selection of some of the scenes around home, taken quite randomly and all I have done in the post process is added some vintage presets. The light has been so poor lately that to be honest this already added to the vintage effect. If we see any sun I suspect the results would be very similar to the hazy 70s effect that the disposables always managed to achieve. Don’t expect too much from these lenses, they are just fun to experiment with, and that’s just what photography should be. Fun.
Now I’m not a Cat person as such and you are not going to find copious amounts of Cat pictures on my pages. However, tonight is different as I required a suitable model to just test the new camera, so here I introduce “Tabs”.
There is a story around Tabs, we purchased our current house about 8 yrs ago and she featured in all the pictures that the estate agents took of the garden. We thought she was the sellers cat but this is not so, she is a Feral soul, and this is in fact her territory and we have moved into it. It’s her property and not ours.
She chases all foxes and other cats from the garden and is an excellent mouser, she had a lovely relationship with our little dog that passed away last year, she likes the hedgehogs and she loves company.
But she will never enter the house, we have all doors wide open and she remains outside, she is more than likely a domestic cat that chose to go feral.
She is fed numerous times a day by us, it’s our way of paying her rent to use her garden. My new camera was purchased as an early present from my lovely wife, and needed a quick test, and Tabs was there in the garden mooching around as she wanted feeding. I therefore just rattled off a few shots to do some basic testing of the camera. I’m really happy with it, but there is still a lot to learn about it.
Not one to give up on a project I have looked at a suitable donor camera and believe I have found one as detailed below. Only difference is that I had to buy two cameras as they came as a bundle. Not a problem as I can always do a separate post on the other one, the two have cost me a total of £15:00GBP bartered down from the original price of £30:00GBP. A bargain! So let’s just call it £7:50GBP per camera.
What the listing stated:
mamiya shutter button is stuck. red light on the right comes on. some external corrosion pictured
ricoh no power at all
EBay
The two cameras
Assessment:
The Mamiya is in quite a poor state, and is the Time Memory version that differs very slightly from the version I originally worked on, it’s essentially the same camera as the Mamiya M, but with an added quartz dating mechanism for imprinting time and date information on the film. This model was the last 35mm camera Mamiya produced before focusing solely on medium format. However the back seems to be a bit rusty whereas mine is in excellent condition, so I will be using a mix of the two units to make the one good one.
Repair:
The Mamiya looks good cosmetically until you open the rear and see the rust around the door, not a problem as I won’t be using this part of the camera. The red light does not come on at all and the shutter button is stuck, that’s for sure. The whole camera is dead.
Let’s get into it.
Once opened all looks ok so I decide to have a search around with the multimeter checking the basic operation. Am I getting 3 volts at the top of the battery barrel? No I’m not. It appears that one of the traces on the positive side of the power input board has lost continuity. For some reason the traces has been damaged, this could be either from corrosion or rubbing on something. The area affected is in the photo with the red ring around it.
The board top rightArea of no continuity
I’ve fixed this immediately using some solder to bridge the gap, I have checked continuity and all seems ok. I put some batteries in and the motor squeals like a banshee and then stops. You can hear the screaming motor below in the short video from its first screaming session through to its proper 80s sounding drone.
The screaming motor through to its repair
I don’t think this motor has run for years and it does not run consistently. I have sprayed it with some contact cleaner and let it soak. I have left it overnight and checked the operation in the morning and it seems to have improved.
I’ve used the original fascia, rear door, focussing beam and flash capacitor from the first failed unit, and apart from a few bits of soldering, plenty of contact cleaner and some silicone grease, I’ve revitalised a failing motor and it is now working as it should. I forgot to mention I used some graphite on the shutter leafs to “lubricate” them. All optics cleaned and camera has been tested without film and is working just fine.
View finder indications are good with light meter operational, motor rewind works, flash and exposure is fine, and the motor advances as well.
Result:
I’m really pleased with this little camera and am pleased I didn’t give up on it. It’s taken two broken cameras to make one good one, and I have a good few spare parts left over to be used at a later date.
Re assembly taking place
The unit looks so smart, the only real issue is the battery door that is notoriously flimsy and lots of references to its poor design can be found on line. A temporary way around this is just to put some tape across it to keep it closed.
That flimsy battery door
Beyond that issue, the camera is a really good looking unit that has cleaned up really well.
The completed camera
I can’t wait to run some film through it to see how it performs. I have a few cameras like this to test so I’m looking for some decent priced film to use, as i do need quite a bit.
As soon as I have some photographs availability I will link to this post accordingly.
Many thanks for following the repair, it’s always very much appreciated.
Today I took the wife to have some dental treatment. Whilst awaiting for her to rise from the chair, I decided to take a walk around the local park and surrounding areas to take some pictures. I only had my iPhone with me, so I snapped away. Whilst back in the surgery waiting for her to exit her temporary “Prison” (Her words, not mine) i was able to do some edits of what I’d seen. A thoroughly enjoyable walk, and a view of the area that on previous walks, has just passed me by.
Strange title. I know. But I had my first experience of it only yesterday. A photographic moment that I’ve never experienced before, but shall be using more of in the future.
My dear wife – totally unaware, as was i
I’m currently in the middle of repairing a Nikon Coolpix L820 16mp bridge camera. The camera has a broken rear LCD screen, and this is the only way of seeing the subject as there is no through the lens viewfinder. Whilst testing its limits and finding out about the faulty screen, I became aware that it sounded as if was working, it was making all the right sounds. So I threw an SD card into the camera to give it a try.
I was just pointing anywhere and pushing the exposure button, taking pictures of everything and nothing, I had no control on settings and functions only the exposure button. Anyway, I did this for a few minutes then transferred the SD card to a reader connected to my iPhone.
Nikon Coolpix L820
Wow, I was impressed with this one picture only, of my dear wife just finishing some lunch. She wasn’t aware I had taken it and neither was i.
This is the magic of photography.
The original was colour, I was so impressed with the sharpness, tones and colours in the picture. It’s not a particularly good picture, just a candid one of someone going about their day, totally innocent and unaware.
I love Black and white pictures, so I quickly converted the colour version via my phone.
I was in two minds as to whether I continued with this repair, as the cost of parts were rising the more I delved into it. This picture alone, changed my mind. I am going to finish the repair as this camera is too good to let go.
And I’m just amazed, that a random photo, that the photographer and the subject were both totally unaware of being taken, has come out so well. (All that has been done is a bit of cropping to align the subject)
The post for the camera referred to herein, will be published shortly.
I’ve been after a couple of cameras for quite a while now that hold a great deal of sentimental meaning to me. This will become apparent when i publish the individual posts for them, but for now i just want to share the result of an auction i participated in on the 31st July 2025.
A Canon A1 and an Olympus trip
Today I’ve probably made the best purchase off of an auction site that I have ever made previous. I’ve been following a number of Canon A1s lately and they have all been going in the £120+GBP bracket, some even higher than that. Today I have lost out on two that sold for £93 for a damaged body and one for £121 that was just a body but of a much better quality. This particular auction I was watching was for an untested duo of cameras, a Canon A1 as well as an Olympus Trip 35mm. The Olympus alone normally commands the high £80GBP range and both of these were in this particular auction. I was just watching as this was going to sky rocket in my opinion, two good cameras from a respected seller who I have used before. Two minutes from the auction end, bidding was sat at £39GBP and I thought that any second now the price was going to go crazy, especially in the last 30 seconds. I put in a max bid of £55GBP for the lot, as I pretty much knew it would sail past that amount and go for a price in the £150-£200 price range. I hit the bid button with 20 seconds left on the auction….
You have won – congratulations!
I thought you’re having a laugh, no way. And then it came up with the winning bid being £39:00GBP no one else was bidding, crazy.
The A1 camera consists of the body, a winder, an FD 50 1:1.8 lens, a camera manual as well as a lens manual.
Postage was the grand total of £4:99 so my total for these two cameras was £43:99GBP. That is nuts, and to say I’m pleased about this is the understatement of the century. I have two of the cameras I wish for the most, and I have just landed the bargain of the day, I was in the right place at the right time. Wow. It’s unusual to catch other auction bidders sleeping, it will probably never happen again for me, it’s a very rare occurrence. Two cameras of this magnitude for £22:00GBP each! That’s unheard of.
I don’t know for what reason they are not working, as they both appear to be quite tidy examples. I have used this seller before and the posting above could also be worded such as to imply that the units may well not have been tested. But, that’s what this site is about, repairing old cameras and getting them working again. There’s no fun in talking about a good functional camera, that’s boring. We want the meat and potatoes as they say, we want to see things being fixed, or broken further….you never know with me.
Thanks for sharing my excitement at this purchase. It will all make sense once i’ve assessed the cameras and carried out any repairs.
Thank you for passing by. It’s always appreciated.
Mamiya M point and shoot camera. It’s in fantastic original condition and is cosmetically excellent with original case and lens cap included. The lens appears to be bright and clear from the front. HOWEVER…when batteries are inserted the shutter does not fire and I suspect it is jammed somewhere. The lights come on and it goes “click” but the aperture does not open, nor does the film winding do anything. For spares or repairs only, I’m sure somebody with the know how could get it up and running again. Priced super low as I want it shifted and can’t bring myself to bin it! No returns please
EBay
A well made 80s point and shoot 35mm camera
Here’s a little bit about it:
The Mamiya M is a 35mm autofocus compact from 1982. It has a boxy plastic shape, with a fixed Mamiya Sekor 38mm f/2.8 lens. The lens is four elements in three groups. Exposure is fully automatic, based on the film speed, where the ISO is selected via a dial around the lens. Film speed available is 25 – 800 ISO.
The metering cell is located just under the lens, but within the lens ring. This allows for the metering to take into account any 46mm filter screwed onto the lens. That is assuming it is not a graduated filter. Fastest shutter speed is 1/500thsecond with the slowest at 1/8th. The camera is always on, except when fitted with a specially designed lens cap, which triggers the off state. There is a strategically placed switch it pushes against on the right side of the lens. Most of these caps are lost, including mine.
Photothinking.com
I don’t know what attracted me to this camera, but the fact the seller just wanted rid of it at a cheap price was a starting point. It was advertised as £4:36 GBP and £2:45 delivery, a total of £6:81GBP. I bartered a bit and got it all in for £5:44GBP so I got it a little bit cheaper, a bargain if you like.
Mamiya has a great reputation for building high quality lenses. They were only in the 35mm autofocus point and shoot sector for a short while before immersing themselves totally into the medium format camera market. This 35mm camera was only in production for about a year or so, even though quite a few were produced, we are looking at the low hundreds of thousands, not the many millions, so the camera itself was not a major mass produced and marketed unit. It is a plastic preformed body unit. Known in polite society back in the day as “A plastic fantastic”.
If a Mamiya camera had a blue ring around the lens, specifically on its other models, it denoted a higher quality lens type, it was never confirmed this was the case with these small autofocus 35mm cameras, though many believe it is still the case. Photo quality with these little units was generally of a very high quality.
Lens caps with these cameras are very rare, this one has one and it is the original, and i suspect (from what I see in the picture) that there may be a small crack on the side of this one, but that is not an issue. This lens cap is integral to this cameras operation, as when it is placed over the lens, it turns off the camera, without it the camera remains live at all times, and would soon lose its power. It is an early power conserving device if you like. The camera looks to be in overall good condition, probably down to being stored in its original case.
You can view a lot more than I could ever tell you, just by watching this review by Mr.50mm that was posted earlier this year.
Excellent recent review
Since reading up a little on these cameras it appears that I may well have bagged a bargain, if it ever works. And I also believe the seller may well again be unaware of the operation of this camera and it may in fact be working just fine? Who knows? I have my suspicions but we will just have to wait until it gets here for assessment.
Below are some sale prices relative to this camera model that are currently selling on EBay, some extremely high prices compared to what I have paid today:
Current selling prices for this model
It’s plastic and so 80’s. And people obviously loved it. I’d like to be able to get this camera working again, and would love to run a roll of film through it to give it a test run. But first I have to assess it and see just what is wrong with it. I have a roll of old film available to test its “faulty” rewind system, and I have all my tools ready to crack it open and get inside, if I have to. So let’s get at it….
Assessment:
It’s arrived and I must say it is in an excellent cosmetic condition, probably down to being kept in its original Mamiya soft case. The lens cap I thought had a crack in, is actually broken, probably beyond reasonable repair, but at the moment that is not important. Let’s put that to one side for now.
Nice condition Lens cover damage
The actual camera is partially alive. When batteries are installed there is a red light that appears on the right rear side of the camera, this is the film transport light and should extinguish when transport is complete. The flash switch sticks a little, and when the flash is clicked into position the distance sensor light on the lens activates however the flash does not charge. The winding system is inoperative and does not auto wind at all. The shutter does not operate, despite the shutter leaves being able to move when gently coaxed.
Shutter not firingTransport light in top right cornerFocus light illuminates on front
There seems to be partial electricity throughout, this could very well be the issue. There just doesn’t seem to be a uniform continuity throughout the camera. This will need to be looked at. Something very weird is going on inside.
Repair:
I’m really annoyed, closer inspection shows there are 6 screws missing and someone has been inside this camera prior to me. Again I think I’ve been stung by the EBay curse of “Spares and repairs- no returns” will I ever learn?
I’ve removed the remaining screws, and had to peel off the rubber grip to access and expose the motor and associated component board in this area. There will need to be a lot of cleaning here before gluing it all back in place.
That glueMotor exposed The grip gently peeled away
I’ve managed to get the flash charging light illuminated, and a current of 214v in the flash confirms that the Flash capacitor is holding a charge and more importantly, receiving a charge from the battery circuit. But I cannot get it to fire. There seems to be an issue with the shutter mechanism and the related electrical circuit in this area. The motor is not working, it’s either dead or not receiving power. I need to look in this area a little more thoroughly.
Front fascia removed
I’ve now removed the front fascia and now have a good view of the overall workings inside the camera.
Flash circuit board- tested okLens and leaf shutter removed
Ive taken out the lens and the leaf shutter, these seem ok and are working freely when operated. To me it looks as if the mechanism that triggers the leaf shutter is either seized or the variable capacitance system located at the top of the camera, that is basically just a needle on a circuit board connected to the focus light, could be at fault, it does not freely move on each camera actuation as it should, and this is not a readily available part.
That faulty part of the board
Misfiring- faulty
It seems the deeper I delve into this camera that I am finding more issues, and I’ve just found two parts that are incorrectly installed that are on a cog system connected to the motor. I’m fighting a losing battle as it appears the person who has been here before has probably added to the issues of this camera in their attempt to fix the original issue.
On top of the missing screws I’ve now found a missing capstan cog related to the leaf mechanism that would help explain a certain lack of movement in areas. The motor is dead, I’ve taken it out and used the bench power supply and it is non responsive. Even after spraying with some contact cleaning fluid and sitting there spinning the axis to get the solution absorbed, there is still no response. It’s totally dead and will require replacement.
Result:
Well. Once again I have been mislead by incorrect descriptions on the auction sites. It’s a shame really as this is a lovely camera and if it had not been tampered with inside, I’d probably be posting a different review today, one that would be more positive. With screws, cams and cogs missing I was pretty much set up to fail here.
Reassembled Back in its case
I’ve reassembled the camera and it is now back in its pouch. The positives are that I have learned a lot about how this camera operates, and just dismantling and reassembling the camera allows you to learn a lot about it, and the technology used during that period in time. All the screws that I removed have gone back into place with none leftover, yet another positive.
So it’s a failure I’m afraid, but it will be kept and either used as spares or I will obtain a suitable donor to get this one up and running, it will not be disposed of in any way. It will be reused. I’ve only paid a small amount for this, it’s worth it for the spares alone.
I have already set up a notification on the auction sites for when another suitable camera becomes available. I will update this post or post a new one that incorporates either the repair of this unit or its use as a spare parts donor, when that time comes.
ALL ITEMS IN THIS LISTING ARE FAULTY FAULTS MAY VARY BETWEENS ITEMS
SOLD AS IS
NO RETURNS
EBay
Fujifilm Finepix S8000fd
I’ve purchased three cameras as a job lot in an auction. All of them have issues but the issues have not been clarified. This is very much a “Suck it and see” auction where I get what I’m given. I’ve paid £24:22GBP for all three and that includes free postage. I’ve purchased from this seller before who is a bonafide Camera business based in South Wales. He has no time for faulty items though, quick in and out is his way of working, no time to fix stuff. I’ve got three good cameras in this bundle and this works out at just about £8:00GBP per camera. And where can you get cameras like this for those prices nowadays.
I really don’t know what the specific issues are with this camera, only that it appears to have the mode selector dial missing from its top. I guess we will just have to wait it’s arrival for a full assessment. In the meantime here is a little bit about it.
With the release of the FinePix S8000fd, Fujifilm brings to market a smart-looking digicam with an 8-megapixel imager, one of the longest zoom lenses in the market plus a compact, and relatively light, camera body. The cheapest of three similarly featured long zoom cameras in the current market (see table below for a feature comparison), the S8000fd has the distinction of being able to use both xD-Picture Card and SD cards (including SHDC), which are fitted in a single dual-format slot. Release date July 2007.
Photo review newsletter
Assessment:
Well, to be honest, for potentially the worst camera in the box of the three that were purchased, it works just fine. Apart from that missing mode selector dial on the top of the camera. You have to use a pair of tweezers to get each mode to appear, but they are all there and the zoom and flash all work and it takes pictures fine, just as it should.
Tidy unit – workingFlash operates All menus available Mode dial – missing
Apart from the issue with the dial, all that is really needed is a little clean up, and even that isn’t that bad.
It does not justify being used as spares and is far too good to just be disposed of. I’m going to try and repair this.
What a bonus!
A little bonus was that there was a 1Gb SD card in the memory slot that works. There were also 4 rechargeable batteries in the camera that after a while on my charger, have fully recharged, and this makes the deal an even better one and quite a bargain to be honest with you.
Repair:
I’ve tested all systems, menus and functions on this camera and there really is nothing else wrong with it. It’s far too good to be used as a spares camera and deserves to be repaired.
Missing mode selector dial
I have two options here, either buy the mode selector dial on its own from our friends in China, or buy another donor camera in a far worse state and available for about the same price as getting the dial from China. I just have to wait for that donor camera to first become available. I’ll give it a couple of weeks and if nothing comes up then China it is.
In preparation for whatever route I decide to take, I’ve decided to do some prep on the old camera and get the old selector dial mechanism taken out ready for the new dial to be put in place.
I’ve dismantled the camera unit to be able to access what is left of the mode dial switch.
Back is off Switch unit and ribbon cableSwitch removed It’s basically a two piece potentiometer type setup
This wasn’t too awkward to dismantle, half a dozen screws and a small plastic prise tool was all that was required to reach this point. There was some protectorate covering the metal frame of the switch housing that was contained by four tiny screws. Once this was loosened the housing came away and I was able to remove what was left of the old mode dial that had originally been in place. There wasn’t a lot left.
Remains of previous dial
The camera now sits in this position of being dismantled whilst I source a new dial to replace. As stated I have two options of buying a new dial either from China, or by getting a damaged camera as a spares source, and I’m currently looking at the latter as this could be purchased for about the same price as the dial from China, and would allow me a few more spares.
I’ve purchased another unit as a donor. The unit in question has a damaged LCD screen. I’m going to use that camera as a donor for the mode dial I require.
The donor camera has arrived. And to be honest it looks ok. It has been dropped at some time as the lens has a scratch on it, and the Rear LCD screen is damaged. That’s about it.
A good looking donor camera, the only issue being the damaged LCD screen
I’ve taken some pictures with this unit and the camera is working fine, as you can still view pictures you have taken through the viewfinder. It works ok, but I need this mode switch to fix another camera, so i’ll probably just use what remains as spare parts due to that scratch on the lens.
Let’s get the donor camera disassembled to harvest that mode switch.
There are only about six screws to get the back of the camera taken from the body, you just have to be careful not to damage the ribbon cable that is connected to the mode dial assembly that we are going to use today.
The two cameras, and the mode dial assembly we need to fix the original camera
I did all the disassembly of the original camera to save time, and it took about 5 minutes to get the donor camera stripped down. Once inside there is some insulating material covering the switch assembly, this has to be removed but cannot be reused as it has lost its adhesion. When reassembled I have used electrical Kapton tape to replace the original insulation. This has worked just fine.
New Kapton tape insulation
Assembly involves checking that the button settings relate to the markings on the camera body, this is important at this stage as the last thing you want to do is reassemble the camera to find out that you have the dial in the wrong setup. Do it now and save time and reduce the possibility of damaging the connectors and body clips.
Before and after
Result:
We have a beautifully restored and working and fully functional bridge camera that takes good snapshot photos. It’s not high end, it’s very much a learner camera but good at documenting what’s going on around you. Its mode dial that was missing is now working fine. A little polish and it has come up looking lovely cosmetically. it’s a good little unit.
The camera has come up lovely and is now complete and fully operational
Here are a selection of snapshots from around the home just to prove it’s working as it should. Nothing special, it just does what it was always built to do. Take snap shots.
It works. I’m happy. And another camera has been saved from landfill.
Thank you for passing by, as always it’s most appreciated.
ALL ITEMS IN THIS LISTING ARE FAULTY FAULTS MAY VARY BETWEENS ITEMS
SOLD AS IS
NO RETURNS
EBay
The Finepix S2 Pro
I’ve purchased three cameras as a job lot in an auction. All of them have issues but the issues have not been clarified. This is very much a “Suck it and see” auction where I get what I’m given. I’ve paid £24:22GBP for all three and that includes free postage. I’ve purchased from this seller before who is a bonafide Camera business based in South Wales. He has no time for faulty items though, quick in and out is his way of working, no time to fix stuff. I’ve got three good cameras in this bundle and this works out at just about £8:00GBP per camera. And where can you get cameras like this for those prices nowadays.
I’ve just read a blog where a guy had one of these cameras from new, and in 2002 he had paid £1550.00GBP for this camera. Wow, and here i am 23 years later paying the grand total of £8:00GBP for one. Even if I don’t get it working, I’m happy with that.
Now this particular camera had two issues in its lifetime that caused concern, and one of them meant it was pretty much game over, and that one was the CCD issue that used to plague this range of cameras. Fuji released a whole bunch of these cameras with a faulty CCD that had to be fixed under a recall. They built sufficient replacement CCDs to cover the recall and that was about it. There were no remaining CCDs left and at that point what was left had become as rare as hens teeth. If you suddenly developed that faulty a later date, then tough…you were stuffed.
Serial numbers affecting CCD problems are listed below:
Model Serial Number Range
FinePix S2 Pro 31A127**~31A143**
32A000**~32A039**
33A000**~33A007**
34A000**~34A004**
Fujifilm
The second issue was with a batch of these models that had a “bad” resistor in the power circuit that prevented lock up if there was a power spike, if this failed then the camera just stopped and you were stuck. There was another recall on the second issue but there is probably a lot of cameras out there that again weren’t part of this recall. And I guess owners were pretty fed up of recalls at this point and were off loading their equipment as quick as they could.
The serial numbers regarding the lock up problem are listed below:
Between serial numbers 24L00441 and 24L00680 Between serial numbers 24L01057 and 24L01256 Between serial numbers 24L01553 and 24L01863 Between serial numbers 24L10257 and 24L10608
Fujifilm
My camera serial number
Above you can see the serial number for my camera. Thankfully my number falls outside the range of any of the cameras inflicted with either problem, so it’s fair to say (Fingers crossed 🤞) that I shouldn’t suffer with any of the known issues with this unit. In layman’s terms I think i may well have dodged a bullet here.
I did speak to the seller regarding the fault on this camera and he stated it was just a general error code on the top screen. There is a general error that arises occasionally regarding certain lenses where they have to be locked on their minimum aperture for the camera to work properly, however I’ve not attached a lens yet so this cannot be confirmed.
Here’s some history:
The Fujifilm FinePix S2 Pro is an interchangeable lens digital single-lens reflex camera introduced in January 2002. It is based on a Nikon F80 (N80 in the U.S.) film camera body that was modified by Fujifilm to include its own proprietary image sensor and electronics. Because of the Nikon body, it has a Nikon AF lens mount and so can use most lenses made for Nikon 35 mm cameras. It is autofocusing, with an electronically controlled focal plane shutter with speeds from 30 sec. to 1/4000 sec., built-in exposure metering and pop-up flash. Its ISO film speed equivalents range from 100 – 1600. The S2 Pro also has sound recording capability. The camera is no longer in production, having been superseded by the Fujifilm FinePix S3 Pro in February 2004.
Aside from the Nikon lens mount, the camera’s principal distinction is its 6.17 megapixel photo sensor. Known as the Super CCD, it is unique in having its photodiodes oriented diagonally rather than horizontally and vertically as in all other DSLR cameras. This allows the use of a sophisticated interpolation system that produces an output image equivalent to 12.1 megapixels. The apparent resolution of images in this interpolated mode lies somewhere between 6.17 megapixels and the 12.1 megapixel interpolated output.
A huge number of these cameras were built using a Sony sourced defective CCD that was subject to a recall by Fuji. The recall ended when the stock of these replacement CCD’s was depleted. There is word that no other stockpiles exist of this Super HAD CCD, making these cameras that are found with the purple or black tinted image problems extinct, only usable for parts. The Fuji F700 used a similar defective HAD CCD, but in 3.1/6.2Mp size. That camera has met a similar fate.
Wikipedia
So let’s hope that we can get some pictures out of this unit. We just have to wait and see what arrives.
Assessment:
Well the camera has now arrived, and I must say it is in an absolutely beautiful condition. Cosmetically there isn’t a scrape or scratch, all screens are scuff free and it looks as if this unit has been well cared for. It just needs a wipe over to clean. The package is just the camera body with no extras such as a body aperture cover or neck strap, but who’s worried about that, they can be procured at a later date.
Front viewRear viewFlash openNikon type F mount
These units are quite power hungry requiring a total of six batteries. 4 AA cells go in the base and two Lithium CR123A batteries go in the grip. These batteries work in unison, one set handling the basic camera functions whilst the other deals with the capture and processing of images. It’s a strange affair, loosely based around the same setup that was originally on their film based camera counterparts.
AA batteries CR123A batteries
I’ve had to order the lithium batteries, however I can still get displays and Information using just the AA batteries in the base, basically it is semi functional in this situation.
The lens mount is a standard Nikon F mount, I’m going to have to search through my equipment to see if I have such a lens, I suspect I don’t, so I may well have to purchase a small lens purely for test purposes. I have some other Nikon repairs in the queue, so a lens to have for test purposes wouldn’t really go amiss.
The unit takes either a CF card type II or a Smart-media card (Max size of 2Gb on both) that is located behind a hinged section on the rear of the camera, these work fine and have no bent pins.
Media card ports at the rear
With batteries in place I get the full range of menus, and nothing comes across as suspect at all at this stage in the assessment.
The top menu – no lens attached to test
The top menu by the exposure button is the only “F” indication showing, I have no lens attached so this might be the reasoning for that, but if I do put the menu into manual mode I get the full range of shutter speeds and can even operate the shutter, the shutter seems to be working at all selected speeds with no issues as far as I can see.
Some of the shutter speeds available in manual mode
All other menus are available and I’m even able to format the CF card via the cameras menu. The picture you see on the screen was taken on another camera. It wiped fine so no issues here.
Various menus and the screen after a format was completed through the cameras menu controls
The camera seems to be working with no apparent communication issues as yet. When you try to use the flash it even informs you that you need to insert the correct batteries to test. As I’m awaiting the CR123A batteries I won’t be able to test the flash functionality until they arrive.
No CR123A batteries installed? – You can’t use the flash
As I have stated the testing can only go so far until I have the missing items in my possession, for me that is the two missing batteries and a suitable lens. I’m currently in the process of procuring both. Physically there is nothing wrong with this camera after spending a good couple of hours going over it. I’m quite comfortable with it and believe it could be a lens communication error or just a failure to read the instructions properly by the previous owner. All I need now is that lens. I’ll let you know what occurs in the repair section.
Repair:
To be quite honest it’s not really been a repair, it’s been more of a “pre flight check” to collar a phrase, going through all of the cameras capabilities and ensuring that they are all functioning correctly. As the camera was listed as faulty, and the fault was not identified, I have had to do many hours of testing and Investigation to get to this point.
I’ve done a bit of shopping and managed to buy a nice little lens from the Southern hospice group. Always happy to help a charity and secured this at a good price of £15:50GBP, and that includes the postage, for a Sigma 28-200 f/3.8-5.6 Ø72 Zoom Lens Nikon F Mount. There looks like a bit of fungus on the outermost optic, however I can always clean this if it’s too bad. If not I’ll just leave as is for the moment and keep it vacuum bagged between uses, I can always do a separate post on cleaning up fungus in a lens at a later date. (I have done a basic fungus clean in the past : Canon EF lens 35-80mm)
My new – old test lens
I wasn’t looking at spending too much here, as I only wanted a lens to test a number of Nikon repairs I have upcoming as well as this S2 Pro. This lens will fit that role perfectly, and be added to my collection of other lenses that I have that allows me to test a range of different camera products. I have also purchased an “F” mount body cover for the camera to protect the unit when there isn’t a lens attached to it.
The two CR123A batteries have arrived and have been placed in the handle grip. The warning that was there before the batteries were installed (see picture above) has disappeared and when placed in manual mode the flash fires just perfectly, no issues here.
The Lens has arrived. Good point is that it fits fine and looks good, and all electrical contacts are good. Bad point is it has severe fungus throughout, and is just like looking through a fog.
Severe fungus in the lens
I will do a separate post on cleaning this problem up in a later post. However I’m not overly worried at this point, I paid a very low price so it was to be expected, I’m not complaining to the seller who was a Hospice, they need the money and I can fix it so there really is no problem.
That lovely looking lens hides a problem
The excellent news is that the lens does exactly what it should. The camera indications are good, all working exactly as expected . However the pictures via the screen are extremely hazy due to the fungus infection on the lens. There are no black or purple casts on the pictures so I am quite happy that we haven’t inherited the dreaded CCD issue discussed earlier in this post.
Hazy days – Lens fungus
If I use the lens wide open and pop the camera into auto mode I do get an “ERR33” code and that is a communication issue between the lens and the camera. As I have stated earlier in this post, you have to have the lens set at its lowest aperture and locked for the error code to go. Fortunately this lens allows you to lock the aperture and once this is done the camera takes over the exposure when it is working in automatic mode. So as I also stated earlier, it appears the seller was probably not aware of this requirement/issue.
Result:
We have a fantastic working camera, it does all it was produced to do, it has its little quirks and oddities, but being familiar with these cameras and at least having some knowledge and awareness of how they operate is always a wise thing. Read the instructions and don’t just throw them in the drawer until you eventually sell the camera on as a damaged item, when in fact you were just lacking the knowledge on how it operates in the first place. Instruction manuals are good, they serve a purpose. Knowledge is king.
The complete camera with lens
This camera cost me £8:00GBP. That is a superb price for a camera of this quality even though it is now 23 years old. It has a lot of life left in it, and I can’t wait to get it out and give it a real test.
It’s a little beauty – And the lens that needs attention
So in theory I’m confident and happy that this camera is now in a fully operational order, it’s needed a clean, it’s needed a lot of research to find out how it works, and I’ve also downloaded the operating instructions and repair pack should they be required.
It’s taking pictures and storing them. It’s just the lens at the moment isn’t performing at its best due to its fungus on the optics issue. I’m keeping the pictures stored on the card to compare them with the new pictures that will be taken once I have another lens to use.
Once the lens clean up is complete, if I ever get around to it, I will link it through this post.
Edit:
As 12/7/25 I have purchased a newer higher quality lens without any of the above issues to be able to get some instantaneous results, and as I have about seven other Nikon cameras requiring testing, some with sensor issues, it was wise to invest in a better quality lens. I have purchased a Nikon 28-100mm AF Zoom Nikkor Lens G AF-d, in perfect condition and the post regarding it can be found here: Nikon 28-100mm AF Zoom Nikkor Lens G AF-D
A newer – old lens, much superior quality
As previously stated I will add photos in this post once the new lens arrives, to show the difference from the fungus infected lens to a decent lens. The old lens is still a work in progress and I will post about it again as a separate post once the clean up is complete. It will probably be a job completed once the long winter nights are back in situ.
Below are comparison photos between the old lens with fungal issues and this new lens:
It’s just typical for me to manage to make another post from an issue that has arisen from fixing a different item. But isn’t that life? Continuous improvement is a factor we come across on an almost daily basis, and if you deal with old items as much as I do, then there is always something else that needs repairing, something that requires your attention and I just love that. The ability to improve or make something better, gives such a feeling of achievement and accomplishment, and total satisfaction. And that’s why I write this drivel. It’s for me, it’s what this blog was originally set up for. It’s my journal of what I do.
Many thanks for following this post. You know it is always very much appreciated.
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