No words or trying to speak “Proper” here. 13 of us have just arrived back from four most beautiful days on the east coast at Norfolk. Temperatures up into the high twenties, a phenomenon not often experienced on this coast in the UK. It made for a wonderful break away, and this family bond remains as strong as ever as a result. Here are some photos to chew on, all taken with my trusty iPhone 14.
Have a super day, stay safe and enjoy this wonderful weather.
Yes another one. Anyone that reads what I post will realise that these little cameras have really become popular with the youngsters within our family. I recently posted about a family get together: The garden gathering and in this post I stated that a young member of the family liked these cameras so much, that she went out and purchased a damaged one and asked if I could fix it for her. How could I turn down such an offer?
And here it is. Needs a little clean and immediately I can see an issue, what I’ve noticed is that the little iris lens protectors that close when the lens is retracted are missing, or not operating and opening properly. Everything else seems to be doing what it should, motor, film transport system etc, however the initial issue reported with this camera was that it’s exposure was sometimes hit and miss, it most definitely all related to the lens issue. A good clean wouldn’t go amiss with some extra attention paid to the light sensor area.
Anyway, enough chat, let’s crack on.
A nice tidy camera, needs a little clean, flash fires, film transport mechanism inside is working and the motor runs. It gives the impression that it is working fine, however….
Here’s a reminder from the young family member who made the purchase, regarding its issues:
I’ve just remembered, I think the advert said something about the photos coming out dark no matter what setting it is on! x
I’d already noticed the little iris mechanism on the front of the lens didn’t open and close when the camera was turned on, so I was going to be looking in this area anyway. But when I looked a little closer and moved the aperture ring on the side of the lens, the relative apertures in the lens were only moving to roughly the half way point, off centre, hence there was no corresponding fully positioned aperture, and in relation to the lighting situation that was presented, they were stuck and blocking the incoming light. In a nutshell there was not a sufficient sized aperture “hole” for any light to get through, resulting in the exposure issue stated above. This needs adjusting. You can see what I mean in the photo below. The lens aperture leaf does not sit central in the lens.
Apart from the highlighted problems above, i don’t believe there are any other underlying issues. So I’m going to concentrate on the front of the camera solely in the lens turret area.
Let’s get on with the repair.
The iris issue is within the lens turret so this will need to be dismantled to access the iris.
It was a bit of a head scratcher this one, as I spent a lot of time just staring at the mechanism trying to figure out how it worked. When the iris lids were manually manipulated to the closed position when the turret was retracted all was fine. When the turret was opened up the iris lens did the same, but then if you again retracted the lens the iris remained open exposing the lens. I was thinking it must be missing a spring somewhere and I was about to be proved right.
I found a replacement iris mount that fits within the lens turret. I had this in a spare box and used this as a reference to compare to the old non operating one. Here is where it was confirmed that there was a spring missing and this is why the iris was not operating.
I replaced the old mechanism with the new one and this was installed back in the camera, this now works fine. I have however found a suitable spring for the old iris so I do now have another spare ready should another be needed in the future.
The issue with the aperture positioning has been sorted by ensuring that the aperture ring is correctly positioned in relation to the cog mechanism in the lens turret area. It’s a bit like sorting out the timing belt in a car, it just has to be in the right position to achieve the correct aperture settings.
This sorted, the last thing to do was to give the viewfinder a little clean. You have to be very careful here as the viewfinder is connected to the camera “ready to shoot” indicating light, and there are very fine wires all around this area. Be just a bit too clumsy here and you’d have a difficult soldering project to also add to the original problems. Anyway, no such issues today, the viewfinder was un clipped and prisms and glass cleaned and reassembled. All looking good.
I’m now happy that all the issues have been attended to and I’m just going to reassemble the camera ready for a quick clean. Luckily all the screws that came out went back in with none leftover. Result!
We now have a nice little unit, all aperture settings are working as they should and the lens iris is operating as it was always supposed to do. The viewfinder has also been cleaned and it’s now a nice clear unobstructed view. It just works.
I’m guessing this camera will be coming away with the owner on a family holiday that we are all about to embark on shortly. I’m hoping to run some film through this soon but I am ultra confident it will work as all the issues have now been addressed.
I’ve just got some film and rattled off 4 quick shots, one of them indoors. Exposures are fine so I’m happy this is a perfectly good working camera.
I’m sure there will be one younger member of the family who will be very happy with her new camera. And may she have many years of capturing good times and fantastic memories. This is what these little cameras are made for after all.
Thanks for passing by, it’s always very much appreciated.
I’ve had this camera sitting around since March 2023, when I first wrote about its purchase along with a couple of other cameras here: New old stock 📸
I’m not sure what I paid for these cameras but it wouldn’t have been a great deal. I love the Ful-Vue due to its looks and the kind of Art Nouveau feel it has about it. It’s a very basic mass produced camera of its time and It is an old 120 film camera, and the bonus is that this film type is still readily available, in fact I still have a few rolls in my fridge at home today.
The shutter is an all mechanical, spring loaded system which swings a piece of metal over a hole to create the exposure. The approximate timing is 1/30th of a second and that’s slow. It is understandable when taking in to account that ISO 400 wasn’t that common in the 50s and would have produced very noisy results. It was far more common to use ISO 50-100 film and that would’ve required a slower shutter speed at the approximate f11 of the lens of this unit.
I obviously want to get it back into full working order. And want to do as sympathetic a restoration as possible. It’s a 120 roll film camera with a 6cm x 6cm frame inside, it was a cheap and cheerful camera of its day, sold as, “Easy, even for a child to use.”
In the meantime, here’s some history about this little camera:
Originally released in its initial form in 1939, this version was introduced in 1950 after further improvements were made. The new flash synchronised shutter, the turn-able lens barrel allowing three different distance settings instead of two, an all-plastic front panel, and an optional flashgun. The improved version was called Ful-Vue II. Pictures were 6×6cm on 120 film. It has been stated that colored models (red, white and blue) were sold in 1952-3, to celebrate the coronation of Queen Elizabeth II; However, no other evidence for these cameras has been seen: in particular, the Ful-Vue is not mentioned in a coronation advertising supplement to the BJP Almanac of 1953. Colored Ful-Vues were advertised as ‘Ful-Vue à la Mode’ in late 1952. Examples of the regular Ful-Vue II, repainted and presented as the colored model, have been seen in online auctions.
Camera wiki.org
So I estimate this camera to have been produced sometime between 1950-54 when this particular model had its production run, just prior to yet another version becoming available. Making this particular camera approx 70+ years old. Let’s have a look at the unit that I am now in possession of.
The case is leather and is very dry and brittle, it’s complete, so I may well look at revitalising this one just as I did to an old Kodak camera in this old post: Kodak Brownie reflex. If I do, I will cover its repair in the following section.
The camera itself is in quite a good condition cosmetically, it has chips off the paint and a little wear and tear that will require some attention. There appears to be a screw missing on the front plate, this will be replaced.
The mirror inside the viewfinder seems to have moved and will need reseating, all glass and mirrors appear quite foggy and need a good clean, all workings within the camera inside appear ok. Light seals appear ok but may well need replacing purely due to their age.
The lens barrel and shutter mechanism will be checked over to check correct operation, however at first glance, all seems to be ok. There is a little red window on the rear panel where you can see the film exposure numbers. A little thumbscrew can be turned to blacken this window out, this will be very handy for when we try to install a colour film to prevent any fogging issues.
I want this to be a sympathetic restoration, so I will endeavour to keep the look and feel of the unit as original as possible.
I’m starting with the case as this is probably going to be the most time consuming and will require numerous periods of drying and moisturising, it’s probably about 70 years old now and to be honest has probably had no care taken of it during that time.
Using some mild detergent, but just the soap suds on a cotton pad I have gently wiped all over the case, paying special attention to any old folds in the material. This has had a dual purpose of removing ing a lot of age related dirt (As you can see in the photos above, that show the dirty cotton pads) as well as adding a little bit of moisture but not too much. I want to do this in stages to minimise any more damage. I will now let this dry for 24 hrs and I will then do the same again.
24hrs later I have cleaned the case again, in exactly the same manner. let’s leave it another 24hrs and then apply a little polish to give it back some colour and a little bit more moisture. I’m keeping it as low cost as I can, no doubt a brown shoe polish will suffice for the result I’m looking for.
I’ve treated the leather and polished it twice using a black shoe polish. The third coat I have given is a tan regimental high gloss polish. I’m leaving this for a few hours and then I will buff the case up. I’m not repairing stitching or holes as I want it to retain age and it’s old look. I just want the leather to look healthier, last a while longer and to get some moisture back into what was a very brittle leather case.
I have today buffed the case up after all the treatments of the last couple of days. The case feels lovely and soft and much more pliable than when I first started on it. I’m now going to bring this part of the repair to an end as that’s as far as I wish to take it at this time. I want it to still carry its signs of age. Without further a do, let’s move on to the camera.
I have decided to totally dismantle the camera and work on it bit by bit. In this case there is not a great deal to dismantle.
Firstly I release a retaining clip inside of the main body and this releases the “Viewing head” on top of the camera. This part of the camera contains the mirror that has become detached, and two glass optics that complete the viewer section of the camera. There is a single spring structure that holds both pieces of glass in place, release this and they just fall out. Easy.
I’ve started by placing the three optical items above in a mild warm detergent soak. I will leave these there for about an hour, in hope that a soak will help in cleaning that muck off the back of the mirror. The two other optics are in great condition and I’m sure the soak and then a final rinse will be all that they require. This treatment worked just fine, and now onto the next part.
Next I’ve removed the shutter mechanism from the camera body.
A The mechanism is beautifully simple and is such a lovely piece of work to look at. To think im probably the first person to look in here in the last 70 years is special. All I’m going to do here is very carefully get rid of as much old ingrained dirt as possible and very gently clean the shutter leaf. I will use a minuscule amount of clock oil on the mechanism only, I will use some fine graphite dust on the actual leaf part of the shutter.
The lens and mechanism have been cleaned now and reassembled, all tested, and working as expected.
The body work is fine apart from some small chips and paint flakiness. I’m going to retouch these missing areas with some enamel paint and a bit of thickener to enable me to obtain the stipple effect of the original paint job. Then I will finish with a nice black polish.
Let’s now get the mirror back in place and the head back on the camera unit.
And that’s it. Apart from a little polish we are now done here
I’ve put quite a bit of work into this little camera. Some people will ask why bother as it was only a cheap mass produced camera? Well, I like it, it’s a lovely little camera and it deserves to be displayed. Now, as it’s also working it’s a big bonus. It gives me something to do, and it’s how I relax, as I’ve been shoulders deep in DIY at home recently and doing my shifts at work, so this is a welcome distraction for me.
So that’s another one saved from scrap. This camera will now go into storage where I will vacuum pack it with some silica packets to prevent it from getting damp. I’m surprised just how good this camera “smells” considering its age, there is no mustiness at all compared to some cameras I get from this era.
Many thanks for popping by, you know it is always very much appreciated.
Have a super day.
In a post I put up a few days ago I did mention that the wife had decided to invite some friends and family around for a gathering we usually have at the end of the football season, (Time goes so fast….) to either celebrate our success or to drown our sorrows. This year it was the latter as we were miserably incapable of putting on a decent show as a competitive team this season.
I stated that I had to put up the gazebo, due to the forecast saying there would be rain. I should have known better, as we are in a Bank holiday weekend it was bound to rain, I wasn’t wrong. Everyone had been invited around to help us celebrate/commiserate and to have a drink and something to eat, we also decided to incorporate a darts competition into the evening for a bit of fun.
The gazebo was suitably decorated with some football banners, food was in good supply in the house and a list of people who wanted to take part in the darts competition was drawn up.
The actual competition was a knockout format, and to add a little bit of extra fun I told everyone they had to have their photos taken in the pairs that they would be playing in, for this I had decided to use two of the “instant” Polaroid type cameras that I had recently repaired. My niece that I passed the first one I fixed on to, was more than happy to assist here.
Pictures taken, lots of laughter and a lot of raised voices and joking about the competition began, 18 people took part and it was chaotic to say the least.
We eventually made it to the final with my nephew and cousin in the final, the younger talent shone through and young “J” won the competition.
I now have 38 fantastic little photos that really show the fun and spontaneity of the evening. We are going to get these into either an old style album or put them up on a board displayed somewhere around the house. Good old physical photos, on show just as they should be, not tucked away unseen on someone’s smartphone never to be seen by anyone else. At least people can look at these and say, “that group of people know how to enjoy themselves.”
I fallen in love again with this style of photo.
An interesting aside came from using these cameras. One other young family member loved these cameras so much she went onto a sale site and brought a broken one before approaching me and asking if i could fix it when it arrives. How could I turn that offer down so I had to agree. My brother in law who was there back in the day of the original Polaroid, wants me to get and fix an original one for him, it’s amazing just how young and old alike were totally impressed by this mode of photography, memories were rekindled, and memories were made….and I’ve got myself some work to do so I’m happy.
Another thing that made the wife and I extremely happy, is when one of the guests, our neighbours to be precise, brought us a gift for our pub which is totally Leicester city football club themed.
Last week i wrote of our captain and greatest player playing his last game for us : Jamie Vardy’s having his final party they brought us a shirt they had got signed by him and labelled up with the numbers he had achieved. I guess it helps that our neighbour actually works for the club, either way it was a superb gift that is very much appreciated.
So why are we looking at leaving this area, I don’t know 🤷♂️ our neighbours are just superb people. It’s going to be hard to match them anywhere else.
It’s been quiet in the vicinity today as I suspect there are a few sore heads as the last couple didn’t leave until about 3am this morning, we’ve spent most of the day cleaning up and had to get the gazebo and extra bits down and put away as they are coming to take the photos on Tuesday. I’m working late shifts so I’m not going to be around so I’ve got to do as much as I can to help prior to the full estate agent process kicking in.
Anyway, a great night was had by all, we have some super memories and meeting up with family and friends is always an enjoyable experience at gatherings such as this.
Have a superb weekend.
What the listing stated:
Untested
EBay
Hmm….EBay untested, the number one way to try and flog knackered crap without accepting any responsibility. Caveat emptor as they say “Buyer beware”. Hey, I’m a rebel it might even work…who knows?
About this camera:
The new Polaroid Snap camera attempts to recapture the fun of instant photography, but with a modern, digital twist.
The Polaroid Snap prints out 2×3 inch photos straightaway using ZINK (Zero Ink) technology, and can even store a back up of the photo you’ve just printed on a memory card. The ZINK paper also has an adhesive backing so you can also use each print as a sticker if you wish.
You don’t however get a rear screen, or an electronic viewfinder. There’s also relatively few changes you can make to settings. The Polaroid Snap is available in four different colours, with one of its unique selling points being a relatively low price (£89 in the UK).
This cost doesn’t take into account the price of supplying it with the paper which you need to print your, er, prints though.
The Polaroid Snap has a 10 million pixel sensor, and a fixed length lens. It was designed by the Ammunition firm, which has made its name working with the likes of Beats by Dre, Square, Lyft and other big brands.
Amy Davies – photography blog
The fact this camera has gone at such a low price speaks volumes to me. I suspect it has numerous issues. I have recently been working on a number of these “Instant” cameras namely the Fujifilm Instax range that are quite good to be honest on a similar photo output size of 3×2 inches. I’ve decided to have a look at the original Polaroid-range and this Snap camera became available. I believe these cameras came out circa 2016. The difference between this and original Polaroid cameras is that this one uses a 10mp camera and uses an additional SD card. With this camera you can also frame your shot using a number of different add ins and print using Polaroids Zink paper. The paper is a thermal type, and the picture quality is not all that brilliant if what I have read is to be believed. This camera is a bit more “advanced” than the basic Polaroid of the 70s, hence there is a bit more that can go wrong with it.
It originally retailed at £89GBP and is now discontinued. Current prices are between £20-£40GBP and I’ve purchased this one with postage for a total outlay of £10:94GBP. Film prices are similar to that of the Instax range.
Now we can do an assessment of what has arrived.
This camera is dated inside as November 2016, so it is currently a youngster at only 8.5 years of age.
It’s arrived and it’s a nice little unit. A little unclean but this will buff up ok. The battery is dead, but once I plug in a micro USB it’s charging ok.
The port looks fine so there is no issue here. I open the back and whoops! There is some film inside but I hope this doesn’t fog! This is a film that uses a thermal printing process, but does still have its sensitivities. And in the SD card slot is an 8GB card, so for the price I’ve paid for this unit the card is a superb bonus.
And as I’m impatient, I switch the camera on after a short charge and I take a photo, after adjusting a few settings the printer kicks into life and a picture starts to appear.
There were only two film pieces inside and I suspect they have been in there a few years as they are yellowed through age and this is noticeable on the rear where they are very yellow. I’ll have to get some new film to test for real.
So, at the moment it’s all looking very promising, the picture isn’t brilliant quality but that has always been an issue with these units, however I believe a copy is saved to the SD card so you’d always have a reference. The printer is a bonus I guess, for printing out those special moments that you want to see instantly just like good old Polaroids. As for repairs I suggest at this point there is very little wrong with this unit. I do though have to explore its functionality and settings and do some reading up on the basics. When I’ve done that I’ll have a better idea.
I’ve checked the SD card and can confirm it is taking pictures without the need for paper and saving to the SD card as it should. It did also contain 110 pictures of what looked like holiday photos from the original owner. I have contacted the previous owner and they have stated the photos aren’t required so i have reformatted the card. There lies the security issues with selling such items and not checking prior to sending off to strangers, it really is basic security folks, delete and format before selling anything to anyone.
The only items that seem to be missing from this unit are the charging/transfer cable of which I have quite a few, and a magnetic lens cover that really isn’t necessary. Other than that it’s a complete unit.
The battery has been left to charge, and this has been achieved with no issues at all. All indications are as expected.
The unit has been cleaned and this has come up lovely, I know the actual camera works as viewing the results on the SD card confirms this, and for a 10mp camera the results aren’t all that bad.
I now just need to get some film to check out all the features that are available, only then can I really say the camera is working.
There are only really six options available here on the camera, via the dial on the top you have the choice of black and white, sepia effect or full colour, and on the next button you have a choice of with or without the Polaroid type frame, hence that is your six possible options. I’ll show some examples of each below.
What a cracking little unit.
As basic as basic can be but a great fun item all the same. Nothing technically wrong with it and sold as untested just because the owner couldn’t be bothered to charge it and check it over. Their loss is my gain to be honest, and I inherited an 8GB Sd card as well, one of those rare occasions that you buy such an item and it falls in your favour. I deserve one of those moments to be honest, most of my purchases are faulty junk. This makes a pleasant change.
Im keeping this, for the while. There may be another youngster in the family interested in this one. I’m looking at obtaining the next one up in this range to see the differences, and the advancements that they have incorporated. (It must be broken of course 🙂)
Thanks for passing by, as always much appreciated.
What the listing stated:
Fujifilm Instax Mini 7+ Instant Film Camera Not Working Spare/Parts. When batteries are inserted into the machine, lots of clicking noises can be heard from the battery compartment. The camera button functions do not work and therefore I am selling this as spares and repairs.
EBay
I enjoyed my last repair on one of these cameras so much that I just had to buy another. You can read about that repair and the issues I encountered here: Instax Mini 8
Here’s a little about this camera:
With its LED-indicating exposure meter manual exposure controls and automatic flash adjustments the MINI 7+ produces well-lit pocket-sized photographs. Easily shoot in-focus snapshots using the 0.37x real image viewfinder with target spot controls and a 60mm lens with a selfie mirror for in-frame portraits. With a shooting range of 23.6 and beyond the MINI 7+ is ideal for close-up portraits and close environments.
T’internet
I believe this camera was released around 2020 so it’s not that old. This particular unit is also missing the battery cover which is a bit of a pain in the Ass, however cheap replacements are available but not matching the cameras colour. Am I bothered? Of course I’m not, as long as it works I’ll be happy. I could even paint it up, that might be interesting.
This unit has cost me the grand total of £8:69GBP my Mini 8 project cost me £11:45GBP so I’m very happy with this price. The value may rise slightly as I will have to purchase a new battery cover.
Anyway, let’s wait for its arrival.
The camera has arrived and it is in good overall cosmetic condition. A bit of dirt on the back near the film counter, but this should clean off ok. There is a gaping hole where the battery cover should be, a pain yes, but I can always source a new one from somewhere.
The good news is that there is no contamination on the battery contacts, they are absolutely fine. When batteries are inserted the transport runs, but it runs too long, and then a red light shows at the end of it’s movement, and no buttons work, in theory it’s dead at this point.
A little movement of the camera and you can tell that something is rattling around inside, so something has definitely come loose or broken from within.
Let’s get it open and have a look.
I’ve sourced a replacement battery cover however it’s in China and I’m probably not going to see it any time soon, maybe not even until next month. I’m not going to order just yet until I know if this unit is repairable. But as soon as I get an inkling that it might be repairable I’ll order it.
Next I’m going to open the camera up to see what the source of the ratting sound is.
These are the items that are rattling inside once I have opened up.
One of the items i recognise is the spring that comes from the operating button, the other part is broken off of something, i will have to look through the mechanism of a donor camera i have to see if i can find a part that matches. And I’ve found it. It appears to be a film transport mechanism buried deep in the workings that had broken and become jammed.
The part is a right pain in the ass to replace, as it has to be in the absolute perfect position within all the cogs, and there is no reference to how the cogs sit. You have to reassemble most of the camera to test, then open it up again to make fine adjustments.
So far I have done this about four times, and I still have to open it and do it again. Once again I’ve managed to twice make contact with the flash charging circuit giving myself a right quick electric wallop.
I have learned my lesson though and am now employing capacitor discharge probes every time i remove the batteries, as I say in the website intro pages, don’t do as I do. I’m an idiot. These capacitors maintain about 300v to power the flash, believe me it’s a very quick jolt, but it’s a painful one. You certainly know it has happened, be safe, don’t be like me.
I’m holding back on ordering the battery cover at this moment until I can confirm that the cogs and transport system are working in harmony with each other.
On my sixth attempt at lining up the cogs and transport system I believe I have it set correctly. I’ve compared the transport with another similar camera and it duplicates its workings perfectly. It operates well and there are no fault lights showing. The movement is free and unobstructed. I’m happy that the camera is now repaired so I will now go ahead and order the battery cover. The cover has cost a total of £3:12GBP including postage and that puts the total cost of this project up to £11:81GBP compared to my previous project cost for the Instax 8 of £11:45GBP, so I’m pleased with that, as costs are very similar. Oh, and I best get some more film to test it out as well. It isn’t classed as working in my eyes until I see some photographic proof.
This is my second repair of a camera in the Instax range and the most challenging to date. It’s been great to work on and as usual I have learned a lot about how these cameras work inside. I’m glad I had an old camera to call on for spares as that has proved invaluable in this case. In the past I think I just would have given up on a full repair and junked the camera as many people seem to do, however these cameras are very repairable, desired by the younger folk, and worth designating some time to as they can be saved. There are a lot of non working examples available out there at a fraction of the cost you’d pay for a new working unit. (Money to be made in my own personal point of view)
The unit has polished up very well and looks lovely.
And it works….
I’m so pleased with this camera, it’s taken a lot of time and head scratching but we got there in the end, and it is as good as new. I’m still awaiting the battery cover, and we have guests coming around today so I’m going to use this for some random photos. Just got to make sure I don’t let the batteries fall out. Once again we’ve saved another unit from landfill and that is the big win here.
Three weeks later the battery cover has arrived from China. Perfect fit.
Many thanks to my lovely missus for allowing me to take photos. Rare because she hates having photos taken.
Thanks for passing by, as always it is very much appreciated.
What the listing stated:
Sangamo Weston Master V Exposure Light Meter includes Invercone & Cases The exposure meter is not working The invercone will also fit the Weston IV
EBay
I have brought a little item from my past history here, going way back to the days when you had to work out the light levels in photography for yourself. The exact date of this unit is unknown, however it was manufactured between 1963 and 1972. That’s two years prior to my birth and up to the age of when i was 7 years old. And I was using them when I went into photographic work approximately ten years later. These units were made to last and did their job well, hence their longevity. I’ve paid the total cost of £8:40GBP and that includes postage. I’m surprised to be honest as not only is it the light meter, but also an Invercone (I’ll explain later) and two cases. An absolute bargain in my eyes as the Invercone itself, in a case can sell for more than I’ve paid for the entire package today. Oh, and it doesn’t work and to be totally honest I don’t think I will be able to get it working ever again, as the suspected component fault is one of those little things that are only dealt with by specialist craftsmen. Add to that the problem of locating a replacement piece, as they are nigh on impossible to obtain, or in layman’s terms, as rare as hens teeth.
But I have read about people reviving these parts and I’m going to give that a try. If I’m unsuccessful it will be a nice piece to get mounted into one of those box frames as a historic photographic memento.
A light meters main purpose is to react to available light and direct the photographer toward making a decision regarding the settings for his camera. Things like ASA, shutter speed and f stop settings.
Therefore it needs something to sense the light. It’s not a solar panel, these were not invented back then, but it was a similar system and it was called a selenium light sensitive cell. When exposed to light, the cell generates a small electric current that deflects the needle of an ammeter coil within a strong magnetic field. The whole system is basically a Selenium cell, a resistor and the ammeter coil. The lightmeter is entirely dependent on the light sensitivity of the selenium cell for accuracy. Over many years the selenium cell ages and degrades to the point that it just stops working. It dies. Its main cause for demise is usually moisture getting into the workings and causing degradation at the contact points on the Selenium cell.
There are a number of posts/sites I have visited that claim you can revitalise these items, however I am sceptical at this. There seems to be only one person in the uk that seems to totally replace these items and that is a guy called Ian Partridge, who I believe charges around £90GBP for a repair and his site can be found Here. A fully working serviced unit can sell for up to £189:00GBP.
I’m not doing that. No way. I’m going to see if I can even get it slightly working, I’m never going to use it seriously again but I’d at least like to see the needle moving without causing any damage to its original design.
No of course not. There is one other potential reason why it is not working and that is related to the ammeter coil, the axis on which the needle moves, sometimes it can become stuck, if this is the issue then happy days, the fix would be a lot easier. However this is me, and things are never that easy for me 😂
There is also a fine tuning screw on the rear that someone may have been a little bit too enthusiastic with, in the past.
And of course. The pointer lock on the side of the unit could have been simply left on. Now wouldn’t that be nice and easy?
It’s that weird shaped piece of plastic with a bit of metal on it, in the pictures above.. it assists greatly in incidental lighting conditions where there is a back lit scenario.
The inverted cone shape is designed so that as the meter is angled to the light source, the readings remain accurate which they would not do if it were a dome. And because backlight effects the exposure, a small part of the invercone sticks-out beyond the top of the meter case to pick any such light up.
Sangamo Weston was a company that made light meters, among much other electrical equipment. It is particularly known for the Weston Master series of selenium meters.
The Weston Master V was produced in the UK from 1963 to 1972. It was Model S461 in the UK and Model 748 in the US
Weston was founded by chemist Edward Weston—no relation to the famous photographer—who held many patents for electrical inventions, from permanent magnets through cellulose manufacturing, dynamos, arc and filament lights and the magnetic-drag speedometer to electrical measurement instruments (and even US 895218 – a fruit box!). Weston’s son, Edward Faraday Weston, applied for a U.S. patent on the first Weston exposure meter, granted as No.2016469 in October 1935. This was a cylindrical case with an electrical meter at one end, and an iris at the other; an adjustable scale around the meter opened and closed the iris, and showed the exposure.
Sangamo was originally “Sangamo Electric Co.”, in Springfield, Illinois. It set up a British subsidiary in 1921. Sangamo acquired the Weston Electrical Instrument Co. in 1936.
Since Weston was one of the first makers of light meters, before film speeds were standardised, Weston had its own film speed scales.
At some point, Weston products were distributed by Ilford in the UK. The company was bought out by Schlumberger in 1976, but still exists, making electrical timers.
The EuroMaster light meter, very close to a Weston design, was later made by a company called Megatron.
For those who have made it this far, well done and thank you. Let’s have a look at what has arrived and assess the overall condition. It’s taken some time to arrive what with there being two recent bank holidays closely placed in proximity to each other in the calendar. Translated that means the UK comes to a halt during this period, whilst everyone gorges on poorly cooked barbecued food in bad weather whilst drinking too much alcohol.
And some of us are just working. Most annoying.
Anyway enough of the whining, here’s the assessment:
The meter has arrived and is in an excellent cosmetic condition, it came in a small leather case with a lengthy string neck strap. It’s all original and is still marked up with the original owners details on a small label. The Invercone is just what it is, a piece of shaped nylon/plastic and not much to rave on about. It is as it is, in good condition and also in a small leather case.
The calculator panel on the front is undamaged and in full working order, the light baffle on the rear is also operating as it should and the info panel under the viewing glass changes as the baffle is operated. The pointer lock is operating as is the fine tuning screw on the rear.
There is a very slight movement when exposed to intense sunlight with the baffle open or closed however it is only very slight. It struggles to move past the zero indicator on the scale, hence as described it is safe to say that it is not operating as it should. We will have to look inside to see if there are any obvious issues, however I strongly suspect it is related to the Selenium cell. I would like to see if we can get this operating, I’m not overly worried about its accuracy as I’d just like to see it move through its entire range. It would be good to see if it is at all possible to revive a “dead” light meter. We can only learn from dismantling and investigating such items.
I’ve left the unit in sunlight for a few days, as this has been known in some rare cases to just kick start it back into life. That doesn’t seem to have worked in this case so let’s have a look inside.
The whole unit came apart quite easily to expose the selenium cell deep in its workings. Using a multimeter on the cell, indicated life in the item as values changed as the cell was moved from the dark into the light and vice versa so I am confident there is some life still present in this cell, but is it sufficient to power the meter? I have then used the lowest Ohms setting available and put the negative lead on the magnetic case (Ground) of the ammeter coil and the positive lead on the wire connected to it and there is no movement at all. This indicates to me that the ammeter coil is at fault and unresponsive to any voltage, I believe this is the problem and at this point the repair is not possible. I have cleaned the cell connecting ring to the point that it is now shining and free of any age related contamination. The contact ring on the cell itself I have revitalised with a metallic silver pen. I have checked continuity and that is also good and acceptable. One thing I did not see in this model was the use of a resistor that is used in most selenium cell light meters between the cell and the ammeter coil, maybe there was never one used within this range of meters, I’ll have to check that out. I have checked this out via numerous sources and it appears the Weston light meters never had a resistor placed in line at any point, so that has cleared that question up. This unit is dead due to a faulty ammeter coil.
The unit is cosmetically very good and I believe the actual selenium cell is functioning but at an exceptionally low level. The tests on the meter ammeter coil have come back negative indicating that there is no life in this part of the meter. I suspect the fine wires on the coil are possibly damaged. The only way I can get a working unit would probably be to obtain another faulty unit to transplant parts, I may well do that in a later post.
I hate not getting the fix done, however this unit is in excess of 50 years old and to be honest the odds were stacked against me from the start. I did state that I may actually mount this item in a frame as a photographic art piece, that may still happen but I’d love to prove the original cell is still functional if I can. Maybe I just might buy a donor unit to test my theory on.
I’ve learned a lot from this post on the repair and dismantling of these units so that is a big positive. Knowledge is always king as they say.
It will not go to landfill. It will be reused in some form, you may even yet see a follow up post regarding it.
Thanks for passing by, it is always very much appreciated.
I purchased this item from EBay in April 2024 and have only just got around to finishing what had been a draft post put together all that time ago. I had written about it briefly in this earlier post Fuji Finepix S1500
A little bit about this digital “Bridge” camera
Successor to the S1000FD (at the time the world’s smallest 12x zoom camera), the FinePix S1500 is the latest in a long line of very compact SLR-styled big zoom cameras designed to appeal to those wanting a lot of lens on a tight budget. The big change is the inclusion of optical (CCD shift) image stabilization, making the long zoom a lot more usable in less than perfect light, and for the money you’re getting a lot of features – including full photographic controls and a 7.5fps burst mode (at reduced resolution) – in a lightweight package. Price on the market back in 2009 was £219:00GBP
DP Review
This camera was launched in 2009. The unit has arrived and is cosmetically tidy, however when you open the battery door the issue is obvious, two of the contacts are badly corroded and despite some initial cleaning there is no continuity and no power present. The unit is very much dead and not working.
The issue with these units is that the power chambers are hard to access and to get to the point where the battery connectors are, you have to remove the powerboard assembly and this involves de soldering a number of points. There does not however appear to be any major signs of corrosion on the visible side of the board, when it’s removed it may reveal a darker issue hidden below.
It’s going to be no easy task but I may look at running six volts from the bench power supply to a point on the power board assembly to see if I can breathe life into this camera. I don’t want to waste time in the battery terminal area if there are issues elsewhere on the unit.
Looking at the boards again I am not going to pay them any further attention. The contamination has not reached under them and is isolated to the battery chamber so that’s where I will concentrate on.
I’ve started with the contacts on the battery door, as you can see above, they are particularly bad and have no continuity through them.
When reassembled the door section looks good, it will just need a good clean at the end.
Rather than dismantle the whole camera, and because I know there is no contamination on the main board I was able to get down into the battery chambers with a steel braid pen that I have, that allows me to gradually scrape off the contamination. Followed off with a good chamber clean of Isopropyl alcohol, I was able to get the remaining acid contamination out of the camera.
Once I did all of this I paid some more attention to the exterior using some car cockpit polish, this removed those horrid white sweat marks you see on the faux leather coverings of these older cameras, and it came up quite well and had a lovely vanilla smell to it .
I have turned it on and hey presto we have life. Everything is working as it should. It’s a 10 Megapixel camera and I have a 1Gb Sd card installed and it is taking pictures as expected.
Nothing more really to say about it, it cost me about £6:00GBP spares and repairs as it was totally dead, thankfully we’ve managed to get it working instead of breaking it up for spares that would more than likely never be used anyway.
This unit is of no real use to me, so I will get it up to our local Hospice shop for them to sell on.
Even if they only get a few pounds for it, it will benefit someone who needs the help and assistance.
So another item saved from the scrap heap. Might be of use to someone.
Thanks for passing by.
What the listing stated:
Fujifilm Instax Mini 8 Instant Camera Teal Blue Spares & Repairs
Please see photos for condition this will be the item you will be receiving.
The camera will not turn on.
Thank you for looking!
EBay
It’s about time I started to get back to repairing some cameras, I have a mountain of them to get through but they can wait a little longer. These little Fuji units are really popular with the younger generation, and in my view anything that gets youngsters interested in, and involved with photography is a good move. We have some youngsters in our clan, and I have this earmarked for one of them if I can get it working. We had some conversations during our family gathering over Easter, and the subject of photography, and this particular member of our family came out. Seeing this auction today, I acted and purchased as this is a perfect little starter unit for her. My total outlay for this unit was £11:45GBP and considering the current costs are around £30-£40GBP for a working example, this is not too bad an initial outlay.
Here’s some history on these cameras:
Instax is a brand of instant still cameras and instant films marketed by Fujifilm.
The first camera and accompanying film, the Instax Mini 10 and Instax Mini film, were released on November 10, 1998. The “Wide” film and first accompanying camera were released the following year. The Instax Square film and accompanying camera were released in 2017.
The formats of Instax film give an image size of 46 mm × 62 mm (1.8 in × 2.4 in) for the Mini, 99 mm× 62 mm (3.9 in × 2.4 in) for the Wide and 62 mm× 62 mm (2.4 in × 2.4 in) for the Square. The Instax colour film is available in Mini, Wide, and Square formats and the black and white Instax Monochrome is available in Mini and Wide formats.
Wikipedia
For anyone that was around in the 70s, these cameras are an extension of and an advancement of the then Polaroid instant photography system. Nearly every household back then had access to Polaroid cameras. If you look back at any photo album or collection from that time, you will invariably find some Polaroid photos stored within that collection.
Here is a typically over enthusiastic review produced by a very pleasant chap when it came out about 8 years ago. Sums up in a few minutes just what it can do, and just how easy it is to use.
This unit looks to be in quite a nice condition but as always we will never truly know until it has arrived and can be assessed, never forget, this is EBay that we are purchasing from 😂
Something looks suspicious in the battery compartment. There seems to be contacts missing, they might be fine I just don’t know. They just don’t look right to me. There may well be some minor signs of corrosion as well. Who knows, I’ll just have to wait until the unit arrives. So let’s just be patient until then.
Come on Mr.Postman!
I’ve downloaded the instructions and they consist of just half of one sheet of A4. To be honest they are about as basic as are needed I guess, but in technical quality they are about as much use as an ashtray on a motorbike! And those contacts I mentioned above, look just as they were from the factory. What a strange design.
On arrival the camera appears to be in a really good cosmetic condition, there is even an old film cartridge still inside that I suspect is well fogged by now. However this will be of use if I can get it working, as it will prove if the film transport works.
The battery connectors are exactly as they were when the unit was assembled, so my earlier suspicions have come to nothing. However there are small indications of battery leakage on the outside that are always concerning, because they can always hide a greater issue occurring inside the camera. When batteries are put in place the unit is totally dead, just as advertised.
So no more to it, I have to open the unit up and see what I can find inside. Before doing that though I have connected a bench power supply to the contacts and there was still no draw on the power at all. It is definitely dead.
On opening. Oh my word. What the heck is that? I have never seen contamination around a battery terminal like that before, the battery contacts have been totally consumed.
I could hear some rattling around inside the case and thought something had worked itself loose. No. It was what looked like broken glass, but it wasn’t, it was crystals of contamination, this camera has more stalagmites than Wookey Hole! The motor was badly contaminated and every part of the working mechanism had signs of this contamination, it was everywhere.
First things first, the issue with the power supply is purely at the point of that big mass of battery contamination on the battery terminal, there is no continuity here and this needs removing and attending to.
Using a combination of alcohol to break down the contamination, and a grinding pen, the offending crust was eventually removed. It had eaten through the wire at the battery terminal and was being held in place by the mass of crust that has built up around it. I was able to cut back the wire and re solder the terminal to make it good. There was contamination everywhere and this all had to be removed, if left in place it would cause more problems in the future. It had to be eliminated completely.
I removed the motor, and used a contact cleaner to free up its motion, I constantly turned it back and forth for about 15 minutes and I could gradually feel it freeing up. A wire had broken off from the led light on the viewfinder, this was soldered back into place and we were now ready to test. I put the batteries in and flipped the switch. I could hear the flash capacitor charging and all lights came on, I switched the unit off and began preparing to re assemble the unit, not before accidentally touching the flash circuit and taking a quick 300v shock in the hand. It’s a big capacitor as all flash units usually are. I’m an idiot, it was a school boy error. And I had a capacitor discharge unit sitting right beside me. Fool!
Ok. I’ve stopped cursing myself and the reassembly continues, and I manage to complete this with no further issues.
I’ve loaded in that old cartridge it came with and can confirm that it was all fogged film. However it has proved that the film transport system and flash are working as you can see in the video above. I’m now going to have to source some fresh film for a true test. Before that I’m going to open up the unit again and give it a good blast with compressed air and a final check to make sure I’ve got all of that contamination. It’s just the OCD coming out in me.
That said, the flash has now ceased working even though I can hear the capacitor charging up. I suspect the flash bulb has failed, so I need to get back inside anyway. Oh well, here we go again!
Like the idiot I am, I realise I have not been using sufficiently powerful batteries and the flash capacitor and flash unit are both in fine working order. I’m just going to make a small adjustment on the shutter opening switch though, and also the power contacts connected to the lens internal focus ring.
I’ve removed an unnecessary spring that was on the aperture ring, it was causing the aperture ring to sit in an opposing position to the light indicator on the side. The two of them have to match to ensure the correct exposure. The spring was pulling down on the ring, and moving it to a lower position on the indicator. Thus causing an exposure issue. I’ve removed it, it is not needed and is now working better. I have also cleaned the circuit board as I found another small patch of crystallised contamination. It’s now cleaner than when it departed the factory.
And here we have a picture where I’ve captured the flash unit working.
Now all back fully assembled I’m confident that the camera unit is in as good a condition as it could be. Fully serviced, clean and operational just as it should be. The next real test will be when I get some film inside of it to carry out some realtime tests. I’m hoping I’ll have the film within the next day or two.
I dont know why but I really love this little camera. I’ve enjoyed the challenge, the issues thrown up by it, and have gained immense satisfaction in getting it back into a working order. I don’t know if it’s the size or just the pure simplicity of having a picture to hand that is fully developed in about 15mins. The excitement of watching a picture form in front of your very eyes and even the fun factor is incredible. It’s what is needed in photography today, a step back to the 70s world of Polaroid, it’s true that back then they really knew they were on to something big, but I bet they didn’t think that it would now be having such a resurgence with the younger generation 50 years later. Instant memories preserved right in front of your eyes. The Japanese photographic industry, are so up there with modern photographic trends and demands. If only some of the now defunct big players such as Kodak who I used to work for, had gleaned such future insight, things may have been very different.
This unit as was stated earlier, is promised to a younger member of the family and that is where it will be going. I think I’m probably going to buy another damaged one to fix for myself, because I just love these little packages of fun and instant memories.
My film arrives within the next 24hrs and I’m really looking forward to getting some pictures taken.
Now all polished and cleaned and looking splendid.
The film is here and I’ve put in new batteries and tested the unit prior to putting the film in. Anyway, film installed let’s take the first picture that will remove the cover off the film cartridge within.
Now to find some subjects without wasting too much film. Picture one was of another Instax camera i am working on, bit close to be honest but there is at least an image, the camera is working. Second one is in the corner of the kitchen this comes out well. Third one is of the feral cat “Tabs” who owns our garden. She wasn’t too happy that I’d disturbed her sleep but that said it was a good photo.
Overall I’m exceptionally pleased with the results. Closer examinations shows some repeating white spots up the right side of the photos, no big deal but this probably points to some contamination on the film roller. I can’t clean this now without fogging the remaining film, so I’m happy to leave this until this cartridge has been used. I’m happy that this is the only minor issue after all the other problems this camera had.
Been a great little project that I have thoroughly enjoyed working on. These little units are great fun and the little lady that is going to get this camera is going to have a great time with it.
Another one of mass manufacturings victims, revived, and repaired and now facing a much longer and rosier future. Another one successfully kept from landfill. A winner in every sense of the word.
Many thanks for passing by, as always it is very much appreciated.
To find out what I am trying to accomplish with this project please refer to my initial post: Bronica SQ-A Medium format camera
To build a usable, basic issue, medium format camera (Bronica SQ-A) from damaged items and spare parts, for as little outlay as possible and shoot one black and white, and one colour roll of film as proof of its successful completion.
Building a camera from damaged parts is no easy task when the name happens to be a high end brand and any parts that are available, are being snapped up by others to service their own stock or to break up for sellable parts. I’m going to keep a running total to try and build this as cheaply as possible, and to keep track of this total I’m going to use my trusty Psion Organiser II LZ from 1989 to keep a tally.
Now we have the bulk of the camera, we just need those annoying little bits to finish off. I’m calling them annoying, because if I was just to pay out for the 5 or 6 little finishing touches I need they would cost more than the total amount I have paid so far for the camera itself. I would be paying a premium for items that will in the end have no effect on the result I require to complete this project, that being two properly exposed rolls of film.
So here we go.
Battery:
Probably the cheapest item you will buy for this camera. The camera requires a single 6v alkaline battery and is quite important. Without it the mechanical shutter still works but at only 1/500 second. To obtain all the other available shutter speeds you need the battery to work the system electronically. This has cost me only £3:50GBP. After testing I can confirm that the battery works fine and all shutter speeds are as expected. Perfect.
Winding handle/Crank:
For some reason sellers always remove the crank prior to selling. That’s because the original Bronica crank is currently being sold at between £70-£80GBP and it really isn’t worth it. Everyone is after a quick buck and some people are willing to pay it. I’m not however, and my handle here is a special strength 3D printed version that I have paid the grand total of £11:20GBP for. It will need a couple of small “O” rings just to pad the handle on the spindle as it’s a tiny bit narrower than the original over priced one. It’s more than capable for the job in hand though, looks absolutely fine and has saved me around £65:00GBP of money.
The focussing glass:
This is another item that the sellers withold for individual sale. I wonder why? Yes a standard focussing glass is going to set you back anything up to £150:00GBP and again it’s not worth it. However my one is a “damaged” one in that it has handling and pen marks on it. It looks as if some has sadistically drawn their own frame on the glass, the fool! I’m hoping this will clean up a bit but as long as I can see the focussed image I’m not all that fussed. I only paid £11:75GBP for this so yet again a further saving of around £140:00. See, savings can be made, if you are happy to make the trade for a lower quality item.
Camera aperture covers:
Not really essential at this point, but to be honest you need to protect the fragile equipment you now have so it is really worth investing. I’m not purchasing these just yet, that’s a later purchase, I have a lens cover and hood cover now, so that is all I really need to start the real testing.
Waist level viewfinder:
Now this is a real bone of contention for me. Individually it is probably the most overpriced single item you could buy. It’s basically just a flip up hood that acts as a cover for the focussing glass, that affords a bit of light protection, as has been common on old twin lens cameras over the last century. But because the sellers again sell these as “additional items” they control the price and at an average of £150:00GBP (Recent eBay sales data) again the consumer is being ripped off. I’m currently monitoring some damaged ones for repair on the sale sites.
And as of the 4th May 2025 I am now the proud owner of one of these items. I’ve paid a total including postage of £39:75GBP and that’s a very fair price. I’ve been searching the sale sites for quite a time before coming across this one. There is one caveat though, it has some slight damage, but that’s what this site is all about and it ties in nicely with the Frankenstein aspect of this post.
I’m going to be very brief with the assessment, as you will see this project is made from a selection of parts that at time of purchase all had their own faults. Each part that has required repair has been highlighted in the relevant posts associated with this series. Links to those posts can be found in the link supplied in the first paragraph of this post. There are five parts in total. I’m generally pleased that the parts I have obtained have combined to make a very nice “Frankenstein” camera from a brand of camera that is becoming increasingly expensive as an “Antiquity”. Not that it was ever a cheap option for a camera in the first instance. Let’s move on to cover some repairs that have occurred for some of the pieces covered in this particular post.
The focussing glass as you will see above was in quite a poor state on its arrival. This one had some scars and it looks as if someone has used pen to draw their own frame in the glass, to be quite fair it was in quite a state, but it was purchased for a really low price and i believe it can be made to look a lot better. Listen to anyone who is,”in the know” and you will always be told to not handle these screens. A load of tosh, I’ve been handling these ground plane glass screens for years and sometimes you just need to get hands on and this is one of those cases. Yes, if it’s in a pristine condition then cotton gloves would be the order of the day, but this example bypassed pristine conditions many years ago.
I started off with a good clean using IPA and cotton buds, I used about six cotton buds in this process using a new one every time the cotton was overrun with dirt.
Once the IPA clean had been done I then soaked the glass in a detergent solution and then again used cotton buds to get the solution into the scratched areas of the glass.
I’ve finished the clean with a rinse of hot water to remove all the solutions, and left the glass to dry on some paper roll. A light polish with a lint free cloth finishes the job.
And this is how it all looks in the camera.
I’m extremely happy with the outcome with the glass, it does its job and works really well. With no distractions on the screen apart from a couple of scratches this item has been transformed. Just a little TLC and patience was all that was required.
The Winding handle crank doesn’t really have any issues, it just needs some aesthetic teasing. This crank was 3D printed for the ETRS version of the camera and as such the actual base of the crank shaft is slightly slimmer than that of the SQ model here. It works fine. I’m just being a bit of an OCD freak and want it to look better.
Not a problem though as I only have to pack out about 4mm of space and I have just the thing to use. Two perfectly fitting minuscule “O”rings. Job done, let’s move on.
The Waist level viewfinder has one particular issue in that the folding action is slightly affected by an issue with the spring. Again it is fully usable and does not cause any issues operating wise, it is purely an aesthetic issue that I will get around to sorting once the camera has been tested.
This is one of those parts that has signs of age with small signs of wear and tear, however that adds to it’s character and shows it was once a very much loved item that saw some good usage.
I think, we are now ready to get the entire unit assembled and ready for the testing phase of this build.
So just how much has this little project actually cost? Over to my trusty Psion Organiser 2 LZ for a final update.
So the total cost of this project is £236.16GBP and I’m very pleased with that considering that sales for fully working similar cameras command prices similar to those seen in the picture below.
So taking this evidence into consideration, the route I have taken of building from damaged stock has saved me between £100-£350GBP. And as it is now a fully operational camera, I could probably command a price that would make a quite nice profit. But I’m not selling. This stays in my collection.
I want to take some pictures with both colour and Black and white film, to prove this camera is capable of this function considering it was constructed with broken or discarded parts.
I will post some sample photos of the tests, and will also produce a couple of galleries to link to within this site. First I will try my luck with the Black and white film, as I have one here currently, though out of date it should suffice as it has been kept refrigerated during my ownership. I also have the chemicals and ability to develop film at home, so this should not be an altogether time consuming process.
This has been a satisfying build making a working piece of camera history entirely with damaged and alternative parts logged throughout all of these posts.
Look out for part 5 of this project that will cover the final testing and the results gained from these tests. Hopefully we will have some good photos and will then be able to wrap this project up.
Foxes Den 
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