Canon power winder “A”

A very corroded Canon power winder “A” from the 70s

This is what it looks like externally, looks fine, but as this post goes on, you will notice a very marked deterioration in quality. It’s a horror story of battery acid contamination.

Looks nice

This unit is part of a bundle that was donated to me by my good friend Jon, see here: Cameras…i need more!

It was part of a Canon AE1 combo, the Camera i have previously posted about here: Canon AE1 35mm SLR, however the batteries within it had been left for such a long time that they had started to dissolve into the unit, leaving quite a restoration project behind. Here’s some history about this unit:

The Canon Power Winder A was originally introduced with the Canon AE-1 camera in 1975 but it also can be used with all the A series models (in fact, it is applicable to use the Winder A with the professional class Canon F-1(n) system SLR camera but without power rewind feature). It is an automatic film winder which greatly increases the automation and mobility of these manual focus cameras. Its exceptional versatility, due to its compact design provided by the principal control circuit built into the electronic circuitry with most of the electronic models such as AE-1, A-1 or AE-1 Program etc, and allows it to be attached to any models mentioned earlier and provides for its use without any special adjustments. 

Winding Speed: Approximately 0.5 seconds.
Operation: When the shutter button on the AE-1 is pressed, the winder will function. 
Shutter Speed Coupling Range: 1/50 to 1/1000 second for continuous photography. “B”, or 2 to 1/1000 second for single frame photography. (When the winder is set at “B”, AE photography cannot be performed).
Film Counting: Is performed by the frame counter on the AE-1.
Automatic Cut off Circuit: When the film roll is completely wound up or if the batteries should run out, the winder will automatically stop and the warning lamp (LED) will light up.
Power Source: Use 4 size AA batteries. (In normal temperatures they can take more than twenty rolls of 36-exposure film).
Attachment: Take off the winder coupler cover on the bottom of the camera, and mount the power winder using the tripod socket.
Size: 141 x 42 x 34mm (5-9/16″ x 1-5/8″ x 1-5/16″) 
Weight: 3009 (including batteries) (10.9/16 ozs.)

Mir.com

I already have one of these winders on my A1 that I am currently repairing, however that’s away in storage at the moment until I get get my workspace back up and running when we eventually move home.

Im aware that these winders can take a max of two exposures per second if the lighting and conditions are right, meaning you could crack out a 36 exposure roll of film in under 20 seconds! They don’t do auto rewind either, you still have to do it manually, it would be a couple of years yet before that option became available. The red light on the case indicates one of two things, the battery is low, or the end of the roll has been reached, time to rewind!

They are quite reasonably priced if I wanted to buy one, but why would I do that? The purpose of this site is to repair and recycle, so that’s what I will attempt to do. It will be quite a task with this one I think.

Assessment:

As stated above, and from the outside, all looks well.

However there are a couple of giveaways that alert you to the immediate issue. Firstly there is an aroma, a kind of metallic musty smell that instantly alerts you to “Corrosion”. Secondly near the switch there are some “blue” granular stains that confirm corrosion.

It’s pointless even putting batteries in here yet as they will not work, the damage is too extensive for the batteries to work. To be honest we now need to do a good clean and decontamination before we can even start to look at the extent of the contamination.

Repair:

First we have no choice but to get rid of the corrosion, this will involve brushes, a pencil grinder, and copious amounts of isopropyl alcohol. Let’s get started.

I attack the contact end of the winder with a sonic brush and some IPA. After about 10 minutes and multiple applications, using a small scraping tool i was able to remove the corrosion that had started to eat away at the chrome on the contacts, a small rub with some fine sanding paper restored the metal as best I could. I’m not going too over the top here as the corrosion could have well gone past this point into the internal workings, I’ll tidy up once I can get it working as it should.

The battery compartment was cleaned using a similar process. However the contact end that used to have springs mounted for the batteries, have all rotted and the springs have had to be removed. I will replace the springs later, it’s not required for testing purposes just yet. All this contamination and blue staining has to be removed completely, if you leave contamination behind, it can start to attack the unit again at a later date, take your time and ensure you get as much off as you can. Clean, clean and clean again. It’s a boring part of the process but essential for long term results.

With everything cleaned and left to dry, I put some power across the winder power contacts and nothing happens. No noise, not any sign of clicking or of any movement at all. Just as previously feared i think the corrosion has gone further. Let’s get it opened.

Leatherette removed to access internally
Corrosion has made it inside

And as expected the corrosion has made its way inside, the picture above shows a wire at the contact point rotted due to corrosion, in fact the second wire fell off just after removal, the contamination has eaten the cables and is rotting the connections. The good news is that it seems that the issue hasn’t gone beyond these contacts.

I’ve now cleaned and polished the contacts at the rear in preparation for being re soldered, the issue here is that I may have to extend the cables slightly as they are quite short. This may aid my testing of the unit prior to reassembly, let’s wait and see.

I have now soldered both contacts back into position, without any extra wire, hell, it was really fiddly and I doubt it would be able to be opened again without these wires being extended a bit further. I have also thoroughly cleaned throughout the internal workings removing all signs of contamination. I have reassembled the unit and it now sits in one piece. I have taken a dentist tool to further scrape down the contact point within the battery barrel area.

Further cleaning of the contact in the battery barrel area

Using a little wire wool and IPA to clean the area I now have two good points of contact. Using the multimeter confirms we have continuity over the contacts that we didn’t have previously.

Reading the section above, you will remember that I had to remove the two springs on the battery case as they had totally corroded and broken away. I have some new ones but they are in storage, so for now I will just have to compromise until I can get to the new ones and solder them in place. Here I just obtained an old spring from a waste metal box, split it in two, added a small washer one end for the positive contact and just left the other as it was. Both springs were put in place, just being held there by the four AA batteries. As I stated this is purely for testing purposes and will be corrected once I have confirmed the unit works.

The battery holder was attached and then switched on. Nothing. Then I remembered I have to simulate the signal from the camera and this can be done by putting a metal short across the two raised pins at the power switch end. This worked, and the motor did its quick burst as expected. See the small video below.

The winder, now working. And shorting the pins to simulate the cameras signal

I’m pleased with this, as all the work I have done has been worthwhile. I just need to get the new springs soldered in place, give the whole unit a thorough final clean, ensure the leatherette that was removed is stuck back down and that the on off indicator is stuck back into place. And then we can put it onto the Canon AE1 to see if it works as it should.

Leatherette now glued back in to place
On / Off switch plate glued back in place

Today I have taken out the battery spring connector and I am about to put the new spring contacts in place. I’ve found even more corrosion behind this plate so this will need to be cleaned before reassembly.

More corrosion found behind the battery spring contact plate

I’ve now fixed the new permanent springs in place, they wouldn’t solder so I’ve had to use a combination of using the old clips that were originally there and weaving the spring though the holes where some clips used to be but had corroded away. Either way it has worked well and both springs are quite solid, and don’t look out of place at all, they probably look better than the originals.

New springs attached to a clean plate

With the battery pack contamination removed I can now reinstall the battery contact back into place.

I know that the pack works, and now the final touches have been added, this winder is now back into a good working order, and fit to go back to work doing what it was originally designed to do.

Result:

This is an item you can readily buy on the auction sites at a very reasonable, some would say even very cheap price.

Is it worth the repair you say? Well yes, it is. The trouble is, it is so easy to throw stuff away these days, that in reality, can be given an extended life and purpose for pretty much no cost apart from your time and patience. On top of that, getting these items apart and reassembling them is a great learning circle, and you can never stop Learning. You are preserving the past, and that’s always a good thing.

A very brief video showing it working

As you can see above in this small video I have taken today, here I have my Canon AT-1 with the winder attached, doing what it is meant to do and sounding so retro with that motorised winding sound. Don’t you just love it? I most certainly do.

Thanks for passing by. It’s always very much appreciated.

More camera odds & sods

Another bunch of photographic waifs and strays have arrived at my door. Can they be saved or are they beyond redemption?

What the listing stated:

Job lot of 5 slr film camera bodies 

Canon ae-1 program, Olympus om10 x 2, Pentax me super, Fujica stx-1 

Sold as spares and repairs only, all have some sort of fault 

Please see photos for condition

EBay

I’ve just purchased a job lot of old cameras all requiring repair, god knows what the real issue with them is, however they all do seem to have all knobs and buttons available which in many cases is quite a rarity. I’ve paid a grand total of £40:00GBP so if you break it down to a total of £8:00GBP per camera then I’m quite happy with that. Even at this price, i get some good spares, should that be all they are useful for.

The collective purchase

My intentions here are thus. The AE1 program is the only Canon camera I need to complete my “A” series collection so my main focus will be on that. The two Olympus OM10s I will be looking at repairing then selling on as I already have a good example of this camera. The Fujica and the Pentax I will possibly look at adding to my collection as I do not have either of these.

I have my fingers crossed that there’s nothing seriously wrong with this purchase, and i will be featuring their respective repairs over the coming weeks. Firstly I’m going to carry out a very basic assessment on their arrival, just to see whether or not I have purchased a collection of proverbial Christmas Turkeys.

Quick assessment:

Canon AE1- Program:

This is the one I’m most excited about as it could possibly be my last piece of the puzzle for my Canon “A” series collection. Cosmetically it’s ok, it’s grubby, it has a broken battery door and a missing winder cover from the base. All dials, buttons and levers are working as they should, and when a battery is installed everything is as it should be. The battery check audio is fine, all indications in the viewfinder illuminate as they should, the camera fires (with a little camera cough) but other than that all seems well. The mirror and prism need cleaning and there is possibly some ingrained marks on the prism but this will not affect picture quality. All light seals need replacing and a good CLA is required.

Is it a Turkey 🦃 no it isn’t. I’m convinced this camera will soon be back in good working order.

Olympus OM10 – No:1:

Olympus OM10 No:1

In really good condition, battery terminals have a slight corrosion due to old batteries being in place. However new batteries work fine and shutter fires and viewfinder is clean. To be honest, this camera is in a better cosmetic condition than the one I currently have. This is an excellent camera that requires little attention.

Is it a Turkey 🦃 ? Most definitely not.

Olympus OM10- No:2:

As with the first OM10 this is cosmetically a nice camera just a little more grubby, and missing the battery cover on the base. But it has a nice Nikon neck strap – strange. The battery chamber looks as if it has had some minor battery leakage but nothing too serious. Using the battery cover from No: 1 camera I’m able to test all the electricals, and there is no issues here, with the camera displaying the exposure in the viewfinder correctly, and the self timer and battery check all as they should be. Again a good CLA of the camera should have it back and working in no time at all.

Is it a Turkey 🦃 it most definitely isn’t. This is a good camera just needing some TLC.

Pentax ME-Super:

Again, cosmetically in good condition but missing the battery cover on the base. I was able to overcome this and load some batteries and had movement in the metering via the viewfinder. It’s quite dirty and the function dial on the top is jammed, I couldn’t get the shutter to fire. I suspect it needs a good CLA, and will make a good little project .

Is it a Turkey 🦃 ? I’d say not at this stage. It needs attention on the bench. It’s promising.

Fujica STX-1:

Fujica STX-1

The batteries were dead but the chamber was free of any contaminants. New batteries in place and the light meter in the viewfinder is working fine. Everything works, the shutter fires and winder operates without issue. This camera is in a good but grubby condition. Will require new light seals and a good CLA, but nothing beyond that.

Is it a Turkey 🦃? Absolutely not, this is a good sturdy camera just itching to get back to taking photographs again.

Conclusion:

So out of five cameras, I’m exceptionally pleased that every single one of them can be brought back to a working condition, with very little intervention. every single one of them will need a Clean, lubrication and adjustment (CLA) and also new light seals as the majority of them have turned to a dusty residue that gets everywhere. I need to buy some replacement parts, so I will get on with sourcing those items, and then I will also get some body caps to protect the cameras when I’m finished.

I will create individual posts to cover these repairs, and they will be delivered here on this site over the coming month or two. I’m in no real rush and to be honest, time is a rare commodity at the moment as I will be working as one of the “Orange army” (It’s a railway term) over the Christmas and New year periods, and on top of that we may also still be moving home, fingers crossed 🤞 in early January 2026.

Thanks for passing by. It’s most appreciated.

Canon EOS 7D

Can I get this classic EOS 7D operational again? It has damaged card reader pins.

I received this camera from a good friend who is a professional photographer, a few weeks back in a bundle of cameras and photographic equipment he no longer uses, he has kindly donated them to me to get working again. You can see that post, and just what was donated here: Cameras…i need more!

Canon EOS 7D

I’m in a situation where I don’t have my repair gear with me at the moment, as it is all packed and in storage awaiting our impending house move. Hence the reason I am racking up a whole load of draft posts that I can’t complete until I have my workspace back in use. Therefore any work I can do is severely restricted to inspection, cleaning and preparation with the only maintenance being attempted on the outside of the camera.

Let’s have a brief history on the Canon EOS 7D:

The Canon EOS 7D is a high-end APS-Cdigital single-lens reflex camera made by Canon. It was announced on 1 September 2009 with a suggested retail price of US$1,699, and was marketed as a semi-professional DSLR camera.

Among its features are an 18.0 effective megapixel CMOS sensor, Full HD video recording, its 8.0 frames per second continuous shooting, new viewfinder which offers 1.0X magnification and 100% coverage, 19-point auto-focus system, movie mode, and built-in Speedlite transmitter.

The EOS 7D remained in Canon’s single-digit APS-C model lineup without replacement for slightly more than five years—the longest product cycle for any EOS digital camera. Its successor was the Canon EOS 7D Mark II, announced on 15 September 2014.

Wikipedia

Structurally and cosmetically this is a beautiful camera in very good condition. However it would not have been donated to me unless it had problems. Let’s now put my detective hat on and go looking for clues.

Assessment:

As stated earlier, cosmetically there is nothing at all wrong with this camera, it even has the plastic screen cover in place. Mirror looks clean and curtain looks fine no issues here. All electrical contacts such as HDMI are in good condition with no visible damage to the ports.

One last place to check and I now believe this is where the problem lies. This is the CF card door, and when opened it reveals one possible big issue.

Bent pins

Bent pins on the CF card reader. These pins are quite small and only millimetres in diameter, in a very restricted space about 8 cms deep and 6cm in width, it really is quite a small aperture. There are two options here, one I try to gently coax these pins back into place with a fine point tool, however the pins are minuscule, and brittle and prone to breaking. I can see potentially 7 pins that are out of position, not an easy or expedient option. But I’ll have to give it a go. Option two is to purchase a new CF card reader replacement, this option carries some expense and quite a complex dismantling of the camera to achieve said replacement. Needless to say I will initially attempt the pin bending procedure. Pending on success or failure, i could venture into step two. Read on to see what occurs.

Repair:

With a fine point set of tweezers, I’ve decided to have the first attempt at seeing if I can straighten the pins. Using a bright LED torch I angle the beam slightly so I get a bit of shadow on the pins, and this allows me to see how many are bent. I can see seven pins in total that are bent, and two of these seem as if they have been forced down to about half their height. This is quite normal when people go in a bit heavy with the CF card, if these pins go down too far there is no option but to go inside the camera and push them out from inside, or replace the card reader completely. I kind of hope that I have been able to pull them out far enough for them to work. I won’t know though until I get the CF card and batteries out of storage.

The camera in question

I’ve spent about an hour, bright lights, little subject matter, and now have very tired eyes. I’ve been breathing slowly just like a surgeon heading into a part of an operation that requires the utmost concentration, and precise and very delicate movements. I think I’ve done a good job. Only testing will tell.

Speaking with my friend Jon, who this camera came from, he has stated that he rather foolishly lent this camera to a ham fisted colleague who hammered the card into the camera, causing the issues that I am dealing with today.

If we have to open up the camera, I will probably be looking at about 3 hours of work, as there is an awful lot of dismantling that has to occur, and I believe there are around 30 screws to remove just to get under the skin of this camera. It’s built like a brick, weighs about the same and is just packed with electronics.

Fingers crossed 🤞 let’s hope option number one has been successful.

Well, today I went to the lock up and dug out a small 2GB CF card and the two Canon batteries and a charger. I came home and Put the batteries in that surprisingly still held a little charge, sufficient to turn the camera on. I gently inserted the CF card only for the following message to appear on the screen, “Card cannot be accessed. Reinsert/change the card or format card with camera.” Aww shucks I thought, it hadn’t worked. I tried to format the card and the format failed, at this point I thought the pin maintenance had not worked. Damn. I was a tad annoyed.

CF card being installed

So I removed the card and checked the pins, they were ok. I reinserted the card and the same fault appeared, however this time when the option came up to format the card it worked. I was so shocked I tried it again and forced another format, again it worked!

Right it was now time to get a lens on the front and test the camera to check to see if it would write to the card, it’s only a stock lens, nothing special but absolutely fine for testing purposes. Just walking around the house I put the unit into auto, the flash popped up and I proceeded to rattle off a few random shots. And it worked, the results all came up on the rear screen.

Random shot 1
Random shot 2
Random shot 3

To say I was pleased at this is an absolute understatement. The work on the pins has worked and I now have a perfectly well working example of quite a top end camera. There’s no doubt that in the future the camera will require a replacement card reader, but for the moment it’s been given a new lease of life, and whilst I remember to be gentle with the removal and placement of the CF card, let’s just enjoy the camera and its capabilities until that time comes. In the meantime here are just a few, “Randoms” taken to test the card and camera in and around my home.

Result:

You little beauty

Time to give this camera a little buff up. (Clean)

This unit only appears to have taken 1,860 pictures. It is completely unused, and in perfect condition. And it now works. To be honest I feel more confident with this camera than I do with the mirrorless Sony that my wife purchased for my birthday. This was going to become my number two camera, however it’s just been promoted to my number one, as long as that card pin issue and repair holds up, and I have no reason to doubt that it should be a long time before any issues arise. I am confident that my repair has longevity as they say.

I want to give it a good test in daylight conditions in all modes rather than auto. I want to get a bigger CF card maybe a couple of 8GB ones, I don’t see the point in going for the bigger cards just in case there is a read/write issue in the future. It’s just an OCD thing for me, you know what I’m like.

So overall I’m really quite happy and satisfied with this camera. Of all the cameras I was gifted by my good friend Jon, all have been repaired apart from one that was beyond economic repair, even that has been broken down into it component parts, every screw recovered and will be used for spare parts. Nothing, and I mean nothing has been disposed of from this collection of cameras and accessories.

That’s what I do, I don’t waste anything. Ask the wife!

Many thanks for passing by, it’s always very much appreciated.

Canon Speedlite 199A flashgun

Can I bring a dead Canon 199a flashgun back to life? You betcha!

I love working with flashguns, but believe me they are highly dangerous and potentially deadly pieces of kit, once you get under the skin otherwise known as its protective casing. I inherited this one from a good friend of mine who is a professional photographer, the post regarding what he passed on to me can be found here: Cameras…i need more!

Now please do not go delving into the back of these things unless you know what you are doing. Yes they might only be powered by 6-9v of power from your batteries, however in the process of getting to the point where they unleash a lightning flash for your photographic opportunity, they have passed through a component called a flash capacitor, this component greatly amplifies the voltage from that measly 6-9v from your batteries up to what is now between 3-400v for the flash. Yes, you read right right, 400 VOLTS.

That can kill, and if it doesn’t, you have been very fortunate, but you will probably bear an entry and exit burn where you made contact with that very component. If it goes across both hands it’s probably going to go right through that pump in your chest that keeps you alive – your heart, and that can be fatal. You have been warned – take heed!

I must admit I’ve done something here I don’t usually do, and that is clean before searching for the problem. This unit had two or three old company stickers on it that I have now removed. I then gave it a quick clean and a buff and I must admit it has come up very well. I will give it another clean when i have finished, as well as a final polish with some cockpit cleaner.

Production of this flash unit commenced in 1978 for use with the Canon “A” range of cameras that were being produced around this time. It can also be used with some other camera ranges. Before we get into exactly what is wrong with this specific unit, let’s look at some information regarding the spec of this flashgun:

The Canon Speedlite 199A is a dedicated, thyristorized flash unit designed for operation with Canon “A” series cameras. The Speedlite 199A features a high Guide Number of 98 with ISO 100 film, three automatic flash ranges plus Manual and automatic bounce flash capability. The most powerful shoe-mount Speedlite in the Canon line, the 199A is recommended for use with the Canon A-1 or any “A” series camera with motor drive or Power Winder A due to its high power and very rapid recycling time.

Technical Specification: –

Type: High-powered shoe-mount flash; automatic, thyristor type
Guide Number: 98 (ISO 100, feet), 60 w/wide adaptor
Recycling Time: 10 seconds with Alkaline-Manganese batteries 6 seconds w/Ni-Cd batteries
Number of Flashes: 100- 1000 w/Alkaline-Manganese batteries 50-500 w/Ni-Cd batteries
Auto Flash Ranges: 3
Auto Apertures: (ISO 100) Red-f/2.8 Green-f/5.6 Yellow-f/11
Bounce:Yes
Flash Coverage: For 35 mm format, covers angle of view of 35 mm lens; covers 24 mm w/adaptor
Color Temperature: Daylight
Power Source: 4 “AV size Alkaline or Ni-Cd batteries
Dimensions: 3-1/8 x 3-1/4 x 4-1/2 in.
Weight: 1 lb., 1-5/16 oz.

Mir.com

Asssesment:

As you can see in the photos above, and as I stated at the beginning, I’ve gone arse about face on this one and cleaned it prior to diagnosing what the actual issue is. Please forgive me as I was in a cleaning mood at the time, and if I’m in that mood everything gets cleaned.

It runs off of four AA type batteries that fit in to a cassette that sits in the side of the unit. All contacts are clean and there is no sign of any battery leakage. You can see the cartridge in the photos above. The flash unit comes in a Canon branded leatherette pouch that is in absolutely perfect condition. Inside the pouch is a diffuser / wide angle lens that slides over the actual flash head. The whole unit looks fantastically clean and tidy, with no signs at all of any damage or wear.

Put the batteries in though, and turn on the switch. And nothing. It’s dead. Kaput.

With these old flash units you were always used to hearing that family high pitched whistle when you turned it on. That was the system telling you that the capacitor inside was taking a charge and getting ready for business. Over time, the capacitor can loose its effectiveness, it semi retires if you like, and on occasions it retires fully, it dies a death. I very much suspect this is what could possibly have happened here, I just hope ours is in a deep sleep and can be woken up.

So as we move on to what we are going to do, the only issue here is that it’s simply not accepting a charge, and we will then discuss the two options on how we may now breathe life into this geriatric flash gun.

One thing that always annoys me when I search for possible ways of approaching the repair, is the attitude of people who have grown use to us all being consumer driven, the attitude stinks. These units can be purchased for very small amounts now and they loudly advise,”Just buy a cheap replacement and throw that one away!” This annoys me as you well know, because that’s not what this site is about, if I can repair something, no matter how inexpensive it is, I will. There is no need for this continuous throw away attitude. It’s a good way to learn just how things work.

Rant over, let’s move on….

Repair:

One of the easiest and least invasive, and therefore safest ways to start investigations, to look for a remedy, is to first get a nice fresh batch of alkaline batteries. With these in place within the unit, turn the flash power switch on and just leave it like that for anywhere between 2-8 hours. It has been known in the past, to act like a trickle charge as that flash capacitor has not been active for god knows how many years, it kind of revives it. It sometimes works, more often than not it doesn’t. But it’s worth giving it a try. So here goes. If this doesn’t work then our only other option is to get the unit opened up and to replace that beast of a flash capacitor.

I’m just coming off of a night shift and will shortly be heading off to bed, what better time to try this method out. So I’ll see you in a few hours 👋

And so the wait begins. Fresh batteries in place and turned on at 06:20….

I’ve arisen from my pit about five hours later, and what do you know….

Well, it’s only gone and bloody well worked hasn’t it?

And 5 hours later….it actually works

Sometimes it’s the simplest of procedures that can bring old equipment back to life, and when the fix is non invasive, going no where near those dangerous internal components, it can only be a good thing can’t it? And to think this was just placed in a box for disposal. Well it’s got a new lease of life now.

It really is working

I’m really pleased with this so let’s move on to the final stages and get this little beauty polished and presented.

Result:

And yes it is a result, a result of patience and perseverance and thinking outside of the box as they say, in office inspired corporate management speak.

In a number of these “repairs” it’s best to exhaust all other options prior to getting the screwdrivers out, just like a surgeon explores all options prior to getting the knives out. I’m in no way comparing myself to a surgeon, you wouldn’t want me anywhere near you with a scalpel! I’m just using it as a pretty poor comparison, so I guess it’s best I shut up now and just get on with whatever I’m supposed to be doing.

So that’s another little repair put to bed, and another piece of electrical detritus pulled from the arms of the scrap man. I always feel a great sense of accomplishment when I mange to get these old bits of kit working again. It frightens me to think just how much salvageable tech equipment gets discarded when it could quite easily have its life extended with the minimal amount of intervention.

My plan is to add this flash to my Canon “A” series collection as that is what it was originally designed for. And I may well add a link here, when I get to use it whilst testing any new “A” series cameras that just happen to come my way, as they invariably do, that require my attention.

As always, thanks for passing by. It’s always most appreciated.

Canon Eos 10 test shots

Learnings from testing an old camera with expired film stock

Earlier in November 2025 i repaired a Canon Eos 10 camera from the 1990s and then took it out to test it with a roll of Kodak 400 asa film. You can find the repair here: Canon EOS 10

Canon EOS 10

The caveat is that the film expired in 2005, 20 years ago. As a result I have overexposed it at 200 asa to compensate for the deterioration in sensitivity from such a long storage period. It may work, it may not, previous tests on a 200 asa film showed that a one stop over exposure was quite sufficient. Fingers crossed 🤞 on this one.

I don’t expect anything much, I expect quite a bit of grain and a definite colour hue over the entire roll. Who knows there may be nothing on it at all 🤷‍♂️

I’ve sent the roll off to our local photo guys in Leicester : Classic Photo Supplies and hopefully something will be on the medium res scans that i have requested. If there are pictures below, then there was some success, if not, enjoy the blackness.

Well, the scans are back and to be quite honest this one is a bit of a disaster. As stated the film is over 20 years out of date and there appears to be two problems here. Underexposure is one issue, I over exposed this by one stop but I don’t even think that is enough. If I’d overexposed at 2 stops though I might have improved the brightness, the already heavy grain would have been even more exaggerated. I think it’s fair to say this 400 asa old film stock I have is passed its time and not really fit for use.

Look at the grain at plus one stop overexposure
Hello what’s that line?
Heavy grain and a magenta cast
That shutter sync problem
Slower speed, shutter ok

So. Though the results were not good and I have now realised that this old stock film is probably best for me to use as test film only. There is heavy grain, a distinct cast over the film and a quite obvious shutter curtains sync issue. These frames above a shutter speed of 500 seem to be the issue, and that is where the shutter speed has not synced the curtain, it’s definitely running slow. The film has been beneficial in identifying an issue in this part of the camera. I will now do a CLA on this camera shutter assembly to try to remedy this issue. I wasn’t using flash here, it was a dull cold English Sunday afternoon.

This is an old camera that has been sitting idle for many years, it may sort itself out after a few more rolls of film, however I can do something about it now. And this is really a lesson to be learned for anyone buying old film cameras, they do need that little bit of tender loving care to get them back into a good working condition.

I’m pleased I’ve highlighted this issue, I will get the work done to improve the shutter sync and then run another roll of film through it.

Maybe now is the time to buy a shutter speed optical tester. That may save me a bit of expense on processing costs and will also allow me to make these checks before committing to film.

Canon AV1

I now have a Canon AV1 with a shutter problem. Can I fix it? I’ll have a good go…

What the listing stated:

This camera is in very good overall condition. Some light signs of use but this is generally minor. The light meter is responsive when you press the shutter button down. However, the shutter will not fire. Spares or repairs only.

EBay

I’ve just paid £8:98GBP for this camera, and I believe this is a great price for a piece of camera history. The AV was introduced due to there being a demand for aperture priority at the time, whereas its Sibling, the AE1 was purely shutter priority. Later cameras would come to incorporate both systems. This one has a known problem with a stuck mirror – it won’t fire and I think I can easily sort this problem. Well I hope I can.

Here’s a little information about this camera:

The Canon AV-1 is a 35 mm single-lens reflex camera with an FD lens mount, introduced by Canon Inc. in 1979.

The AV-1 is very similar to the 1976 AE-1 but provides aperture priority autoexposure rather than the AE-1’s shutter speed priority AE. The camera is not capable of fully manual exposure. Canon’s international distributors, particularly in the United States, had clamored for such a camera because competing brands offered mostly aperture-priority cameras and some preferred it. The AV in the name referred to the type of autoexposure; Av (Aperture Value) is a common abbreviation for aperture priority.

When this camera appeared, a new range of FD lenses was introduced, with instant mounting/unmounting of the lens. This is called the New FD mount and does away with the older type of mounting ring which was fitted on to the rear of the lens and was awkward to use and needed two hands, to a newer, easier system whereby the user lined up the red dot on the lens, with the red dot on the camera and simply turned the whole lens clockwise until it clicked into place.

All the other AE-1 accessories fit the AV-1.

Wikipedia

I’ve decided to collect all of the Canon “A”Series of cameras, and this adds to my current collection that consists of an A1 and an AE1. There were I believe, six cameras in this range and this current camera will be my fourth. Here’s a list of the “A” range of cameras below. I have highlighted with an asterisk all that I currently have at the date of this blog post being published:

Assessment:

The original listing description does not match the issues that I have found. It originally stated that the light meter is responsive, it isn’t. It also stated that the shutter does not fire, it does when a battery is installed. The battery level indicator in the viewfinder does work when the check button on the camera is depressed. However when you focus the camera and half depress the exposure button to get a meter reading, the needle in the viewfinder doesn’t respond, this is the only real issue I can see, I guess the seller must have been looking at another camera as he wrote the listing for this camera.

Battery level reading in the viewfinder

All settings appear to be working as they should, the “B”setting allows me to scroll through the “f” stop settings to see the aperture leaves working as they should. All “f” stop settings appear to work on the auto setting.

It’s a smart little camera, this a tidy example of this version with no dents, dinks and just some very fine scrapes on the base as you’d expect from a camera fast approaching 46 years old (1979-2025). It’s a bit dirty and needs a good clean inside and out, the light seals are in a good state and not requiring replacement or repair just yet, however the mirror bumper has deteriorated and this will need replacement.

Mirror bumper needs replacement

The shutter curtain is in a good and untouched condition.

I’m going to research issues with the exposure indication, and I will incorporate my findings within the repair section.

Repair:

I thought, perhaps the camera is suffering from lack of use? It certainly is probably some considerable time since this camera was last used. Firstly I’ll try exercising all the controls that affect the exposure reading, including the mode dial, film speed dial, aperture ring, etc. I’ll work them backwards and forwards a few times to see if this helps to clean the variable resistor tracks inside from any surface contamination. When the FD lens is attached you must be mindful that the “A” setting on the lens is not used and that the f stop settings are used in a manual manner, lens auto is not a function on this camera.

To be honest, this did seem to work sort of. The needle has moved off the bottom a bit. The ASA setting was on 100, so I put it up to 1600 as it is quite a dark day and the sensitivity of the light sensor would be reflected better at this setting. It moved a bit but I wasn’t totally convinced that this indication in the viewfinder reflected the true light situation.

I set a higher ASA for testing

There’s also a small, silver push-button just inside the lens mount at about the 4-5 o’clock position. If you press this in and release it a few times for the same reason, as exercising the dials as I did above, it is just like exercising a body part and keeping it supple. Leave items like this, designed for high usage redundant for a while and they soon seize up. it has also been known to assist with getting the needle indication working after a long lay off.

That silver button, highlighted

(A little bit of trivia here – this button is normally used for the lens to inform the body of the lens’s maximum aperture. This information isn’t needed on the AV-1, but Canon included it anyway for some reason, and it does affect the exposure.)

And combining these actions, moving the settings dial and the button inside the lens mount seems to have revitalised the light meter and I’m now quite confident that it is working as intended. It was just lazy due to low use and needed a bit of non invasive intervention to get it working again. And non invasive intervention is always a good thing. So with the setting back to 200ASA I was able to show the meter working in this very short and basic video below.

A brief video showing the meter needle moving

I’m confident that the metering issue is now sorted so let’s get that new mirror damper installed.

A lot of dirt came off of the area where the replacement damper had to go, it had completely deteriorated and took quite a bit of cleaning.

Now in place it has silenced the mirror movement somewhat, and will provide some longevity as it moves into the twilight of its years. It will be good for many more rolls of film yet. Whilst in the lens area I have cleaned the mirror and prism, and given the area a good blow through and put the lens back in place to seal it all up. It is now clean internally. I have a couple of body caps on order that will assist with storage when the lens is removed.

Just a final clean with some cockpit cleaner, and this camera has come up lovely, I’ve tested it on a Power winder “A” as well and it sounds just so good and “retro”. It’s perfect.

Result:

Well. I now have another lovely example of one of the Canon “A” range of cameras to add to my collection. This brings my current total to four out of the six available, two of which are still currently under repair. For less than £10:00GBP it is so easy to own a piece of photographic history. I have been lucky here that the work that had to be done was non intrusive, and to be quite honest was just basic everyday maintenance. The only real work of sorts was installing some mirror damper felt, of which I have plenty of stock. Cleaning was quite intensive but the overall result is amazing.

I will eventually run a roll of film through for a final quality check, however I have such a backlog it will take me a while. When I do however run that test roll I will post a link here:

Really pleased with this repair, and the fact that another lovely old camera has been saved from the scrap heap and been given a new lease of life.

Thanks as always for passing by. It is as always, very much appreciated.

The Canon “A” series of cameras

A small piece regarding the Canon “A” series camera range. Development and technological advancement.

As i seem to be purchasing a number of the old “A” type camera bodies for repair, I have now decided to add the full range of “A” type cameras to my collection. I’m a tad biased as I have used Canon cameras right from the very start of my photographic education, in fact the first one i used was an A1 variant. I’ve put together the following piece to explain why these cameras were so popular, and to highlight their technological advancement along the way, the technology that influenced other manufacturers to up their game and give the consumer just what they wanted out of a camera, options and greater control.

My Canon A1

The Canon A-series of 35mm SLR cameras, produced from the mid-1970s through to the early 1980s, represents one of the most influential periods in Canon’s film-camera history. It began with the groundbreaking Canon AE-1 in 1976, a camera that reshaped the industry by integrating a microprocessor – the first mass-market SLR to do so. This innovation allowed Canon to simplify mechanical complexity and reduce manufacturing costs whilst offering features previously found only in higher-end professional bodies. The AE-1’s shutter-priority auto-exposure, bright viewfinder, and strong reliability made it both approachable for beginners and capable enough for enthusiasts, turning it into one of the best-selling SLRs of all time.

My AE-1

Canon quickly expanded the lineup to address different types of photographers and to test new electronics-driven features. The AT-1 provided a more affordable, all-manual alternative, whilst the AV-1 (1979) offered aperture-priority automation, catering to photographers who preferred creative control over depth of field. The flagship A-1 (1978) pushed the boundaries even further – it became the world’s first SLR to offer full programmed auto-exposure, alongside shutter priority, aperture priority, and manual modes. This versatility foreshadowed the automation and electronic sophistication that would dominate future camera generations.

My AV-1

In the early 1980s, Canon introduced the AE-1 Program, refining the original AE-1 with a more advanced program mode and improved ergonomics. The final notable entry, the AL-1, included an innovative Focus Assist system that used contrast-detection indicators to help users achieve sharp focus – an early technological step toward the autofocus systems that would soon reshape the industry.

Collectively, the Canon A-series brought electronic control, affordability, and ease of use into the mainstream, playing a key role in shifting photography toward the automated, electronically driven era. Decades later, these cameras remain admired for their durability, classic design, and the satisfying, hands-on shooting experience they continue to provide.

At the time of writing, i have in my possession three of the six variants that were produced, and presently I am scouring the sales platforms to acquire suitable candidates for the remaining parts of this collection, to work on. I will update via this site as and when i have another one of this series to feature in a post. My current collection consists of the cameras below marked with an asterisk:

My current cameras in the “A” range marked with an asterisk

I would like to obtain a special mount for this series of cameras so i can display them as a collective sample of this wonderful range. They will all of course, all be fully usable, not museum pieces.

Thanks for passing by. Always appreciated.

Canon EOS 3000

Another entry level camera, unloved, made good

Here I have another basic, entry level camera made by Canon. Produced around 1999? this camera is probably around 26 years old. These cameras don’t have the traditional identification number printed within the film spool holder that the older cameras had, hence the precise manufacturing date is difficult to confirm.

Canon EOS 3000

This is a camera passed onto me by a good friend and professional photographer, Jon, as can be seen in this post: Cameras…i need more!

Here’s a little information about this camera:

The EOS 3000 is an autofocus SLR for 35mm film introduced by Canon in 1999. It was sold as the EOS 88 in Asia. (It was not sold in the US.) The pentamirror viewfinder and manually-activated popup flash helped keep this a lower-cost model; but a full range of autoexposure modes were included, including off-the-film flash exposure setting. Film transport is motorized and the camera requires two 3-volt CR123 lithium batteries to operate.

A compact, lightweight, low-priced SLR camera. Successor to the EOS5000, but with greatly expanded basic functions. The camera incorporates the Mode Dial and most other basic features of the EOS Kiss/EOS REBEL XS/EOS500 and includes six-zone evaluative metering linked to three focusing points. In addition, the flash is linked to the measurement point so that during shooting the flash out-put level is constantly adjusted for optimum exposure control. For reasons of cost, the flash unit is manual pop-up/retractable head type. The EOS3000 is compatible with system accessories for the Kiss and New Kiss. The high-quality design has a feel of genuine elegance.

Canon/ Camera-wiki.org

This camera was pitched at a low cost to attract people into photography, and to encourage those who were just hobbyists to upgrade to something more than the traditional point and shoots/disposables available at the time.

There is not a lot wrong with this camera as far as I can see, let’s have a look and do some tests.

Assessment:

It has a grip that’s starting to develop the sticky issue so that will need cleaning. The mirror and prism are dusty and will need a cleaning.

Sticky grip and dusty internals

Overall the condition is very good, again this was a training camera, and seems to have had a quite low usage, as there is no scratches or marks. And only one dink as such. That dink happens to be the right hand strap holder that has been bent down to a point where the rear case does not open completely, it restricts its full movement.

Strap holder bent, restricting door opening
Door doesn’t open fully

Top and bottom of camera look fine, no bleed on the LCD screen that is always a good sign

Battery chamber is clean and there is no contamination. This camera takes two 3v Lithium CR123A batteries. Let’s put two in to see if we have any life.

With the batteries installed we have a good display on the screen with no pixelation and it’s nice and clear. I install a roll of test film to see what happens. This camera winds the whole film onto the take up spool and winds back one exposure at a time. The take up when the door is closed works perfectly.

I then operate the shutter, to fire off the 14 exposures, all viewfinder indicators are good, with my 28-90 EF lens attached it focuses well and fires well. When the last exposure has been taken the film rewinds as expected with no issues. In reality the camera is working very well with no internal issues.

Repair:

First the dirty stuff. Let’s get that goo off of the sticky grip. I use my IPA and lint free cloth method that I posted about in a previous post here: Sticky, Rubber camera grips. This one is actually worse than I thought and has taken four applications to remove the deterioration on the grip. It feels a lot more pleasant though now that it is done.

The dirt from this grip can be seen on the cloth. Each black blob is one application

The issue with the strap lug restricting the door movement. Quite simply, a gentle movement with a pair of pliers was all that was required. Gently does it as these parts are brittle and easily broken. Don’t over do it, give up when it looks right.

A little gentle coaxing was all that was required

I’ve checked the film pressure pad and this is fine, there are no sharp ridges and the light seals are good. I don’t expect them to be bad as in theory they are not that old, they are in a good healthy condition.

I have cleaned the prism and the mirror with a swab and they are now fine. Using a B setting I have opened the mirror and curtain and used some compressed air to clean throughout. A brush blower was used with the curtain closed to clean around the film spool area and back plate. A quick final blow of the mirror and the aperture is then sealed with a cap to insure no further dirt and dust gets into the internal parts of the camera.

The final action is to use some cockpit polish to finish off the exterior of the camera.

Result:

I’ve cleaned the exterior and used some ceramic cockpit polish to finish it off, I must admit it’s looking very good.

Cleaned up lovely

Here I have yet another nice little camera packed with features that will make a great camera for someone to learn the basics of traditional photography with. However, it’s remaining in my collection for the while.

It’s yet another camera that I need to test, another one that needs to have a film put through it for its final test, however I am 100% confident of it’s capabilities and the fact that it operates just fine and all its settings, buttons and controls are doing exactly what they should. When I do get to put a film through, I will link to it here.

Another successful restoration and return to use of another old camera that had been put to one side. Not that this one really required a lot of attention, just a bit of servicing and tlc.

Thanks for passing by. It’s always very much appreciated

Canon EOS 500N

A nice entry level camera, from the mid 90s, now back in working order

Here I have a very basic, entry level camera made by Canon. Produced between 1996-9 this camera is currently between 26 – 29 years old. These cameras don’t have the traditional identification number printed within the film spool holder that the older cameras had, hence the precise manufacturing date is difficult to confirm.

Canon EOS 500N

This is a camera passed onto me by a good friend and professional photographer, Jon, as can be seen in this post: Cameras…i need more!

I believe this camera was previously used by a large photographic organisation, to teach staff and students wishing to learn traditional 35mm film photography techniques. It was a training camera, at entry level specs.

It is a very good example of this model of camera, and despite its simplicity, low cost appearance and feel, it is in a very good condition cosmetically.

Here’s a little information about this camera:

The Canon EOS 500N is also known as the EOS Rebel G in the Americas or the New EOS Kiss in Japan. Sometimes it’s referred to as the EOS Kiss 2 as it followed the release of the EOS Kiss in Japan. This camera was released in 1996 and replaced the EOS 500. The Japanese version of the camera had the date back as standard. Its successor was the EOS-300 / REBEL2000 / Kiss III, released in 1999.

The body of the Rebel G is plastic, weighing 370 g (13 oz). The only colors available were black or a mix of silver and black. The Rebel G has an EF lens mount making it compatible with any EF lens. The viewfinder offers a 0.7x magnification, 90% coverage, center auto focus, wide auto focus and many more. The Rebel G shooting modes consisted of 6 basic modes, full auto, portrait, landscape, macro, sports and night scene. It also has 5 advanced modes, P, Av, Tv, M, A-DEP. These modes would continue on in the Rebel G series. The camera features a built in flash, and can shoot at 1 fps. The fastest shutter speed with flash was measured at 1/90 of a second.

A few new features include compatibility with ETTL type flash. It still has the same 1/90 of a sec sync speed of the previous model, but when equipped with a Canon Speedlight such as the 380EX, 220EX it can be used at 1/2000 of a sec. Focus has improved a bit as as a AF assist light is now available. Auto Exposure Bracketing (AEB) can be use from -2 to ++2 in 1/2 stop increments. The command dial now has an easier to access night scene mode. The body is able to use the BP-8 vertical grip that can also accept four AA batteries.

Camera-Wiki.org / Wikipedia

Assessment:

As Stated, this camera is in a good cosmetic condition with no sign of dents, dinks or wear. Considering this was a camera used in training I can only presume the students were extremely careful and respectful, or it was lightly used. Having worked with some of these students myself, i very much suspect, it’s more than likely going to be the latter option.

There is another such unit I have of this very same camera however that is damaged with a faulty screen that requires replacement and that will be dealt with in a future post. Meanwhile, let’s get back to this one.

A sticker on the rear

There is an old ownership sticker on the rear and this is one of those old vinyl type ones that will be able to be removed, but just may take a little while, as they are brittle and break off into lots of little pieces that go everywhere.

The battery chamber is clean and there are no signs of contamination. The screen is clear and does not show any bleed, though I haven’t powered it up just yet.

The film chamber, back pressure plate and shutter curtain all appear to be in good order. Again I will further test this when I put some batteries in and run a dummy film to check transport.

The unit is quite grubby and dusty, the mirror is dirty and the prism is as well. initially all looks good. Batteries, and the dummy film might tell us something different.

Repair:

Let’s get that sticker off the rear, a little soak in IPA to soften things up, and then using a small plastic modelling spatula to gently get under the label, I was able to remove the sticker relatively easily. If I’d used the metallic option I may well have scratched the casing. I’m happy that this option has worked well for me. A final clean at the end with some car cockpit cleaner should bring the detail out nicely.

Sticker now removed

Let’s get some power in, and fire this unit up. It takes two CR123A 3v lithium batteries.

CR123A batteries
We have power

Batteries in, and everything lights up, all menus function and as stated earlier their is no bleed from the LCD screen.

I load the film in and it instantly winds the whole film on to the take up spool. Here on the display, you can see that this roll is 24 exp and it has wound fully on to the take up spool. I fire off these 24 exposures to check the shutter and that fires fine, film transport also works well and the final rewind of the film at the end also works. In a nutshell, this camera works!

Film in and film out

I clean the prism and the mirror with a soft swab and you can just see the dust and dirt lift. A final brush over with a bulb blower completes this task. The internals are now clean.

It just needs a very thorough exterior clean and polish.

Result:

I’ve cleaned the exterior and used some ceramic cockpit polish to finish it off, I must admit it’s looking very good.

Here I have a nice little camera packed with features that will make a great camera for someone to learn the basics of traditional photography with. However, it’s remaining in my collection for the while.

Looking clean and presentable

I’ve cleaned the camera throughout and used compressed air to finish the clean prior to sealing it from the elements. It’s yet another camera that I need to test, another one that needs to have a film put through it for its final test, however I am 100% confident of it’s capabilities and the fact that it operates just fine and all its settings, buttons and controls are doing exactly what they should. When I do get to put a film through, I will link to it here.

Another successful restoration and return to use of another old camera that had been put to one side. Not that this one really required a lot of attention, just a bit of servicing and tlc.

Thanks for passing by. It’s always very much appreciated.

Canon EOS 30

Cleaning, repair and maintenance of an old Canon EOS 30 35mm SLR

I’m calling this camera my EOS Dirty, it really is suffering a bad case of the sticky rubber syndrome that was widely experienced on cameras of this era, where the Vulcanised rubber used in its construction, had a falling out with its own internal polymers, and they then decided to part company. Creating a sticky mess. This camera is currently 25 years old, originally manufactured in the year 2000.

My hand, simply after handling this camera for no more than a minute.

That said, it’s a lovely camera with a lot of features, this was pretty much one of the last 35mm cameras that Canon produced, and they threw a lot of R&D into these units prior to producing its “D” Digital offering, hence it was packed with lots of pre “D” technology. It has “Eye” control, the Eye Control focusing feature makes selective focusing quicker for many. It uses IR to detect eye movements to determine focusing areas. Up to 5 eye presets can be stored for different users. I wonder if that still works?

This dirty sticky pup, needs some heavy cleaning

Here is some information, about this camera:

The EOS 30 (or Elan 7 / Elan 7e / EOS 7 / EOS 33 in different global markets) is a Canon autofocus 35mm SLR camera that uses the Canon EF lens mount. The camera was introduced in 2000.

There are three main auto focusing modes. Automatic, manual selection focusing, and Eye Control (EOS 30, EOS Elan 7E). It was given the 7 name because it has 7 auto focus points in manual selection mode. The Eye Control focusing feature makes selective focusing quicker for many. It uses IR to detect eye movements to determine focusing areas. Up to 5 eye presets can be stored for different users. Some users with corrective lenses may experience problems using this feature. The shutter speed ranges from 30 sec. to 1/4000 sec. in 1/2-stop increments with bulb. X-sync at 1/125 sec.

Metering modes use a TTL max. aperture metering with a 35-zone silicon photocell. The included modes are evaluative, partial and center-weighted averaging metering. The measurement range is from 1 to 20 EV (at 20-degree with 50mm f/1.4 lens, at ISO 100). The ISO can be set automatically with DX-coded film at ISO 25 to 5000. Exposure compensation can be adjusted from +/-2 stops in 1/2-steps.

Exposure modes available include Program mode, shutter priority, aperture priority, Depth-of-field, Auto, scene modes with (Portrait, Landscape, Close-up, Sports, Night Scene), manual exposure and bulb mode. Flash exposure includes modes for E-TTL, A-TTL and TTL program flash modes. The motor drive is capable of up to 4 fps. The finder has dioptre adjustments built-in with settings from -2.5 to +0.5 dpt. Two CR123A batteries power the camera.

If equipped, the QD (Quartz Date) / Date back require the use of one CR2025 coin type battery. Imprint display modes include M/D/Y, D/M/Y, Y/M/D, D/H/M and off. The last date the unit can imprint is Dec. 31, 2019

Camera wiki.org

Assessment:

As stated in the sections above, the biggest problem with this camera is its stickiness, and to be honest that is not really a problem. I have cleaned many of these in the past and this one will be no different. Here’s a post I wrote a while back about sticky camera bodies: Sticky, Rubber camera grips

This really does feel like a lot of camera. You can see the digital “thought” that the development guys introduced into this camera in preparation for the arrival of its “Digital” brothers and sisters, I’m going to have to do a bit more reading up on its full operation and capabilities. This camera is in very good condition, no dinks, dents and very few scuffs, all doors are functional and when a battery is installed (a 2CR5 – 6v lithium) everything lights up, and appears to do what it should. I will check this thoroughly though later.

The battery chamber is clear of any contamination, and looks nice, the mirror will need cleaning and the area within it will need a blow through, the shutter curtain seems to be working well at this stage. I will test it more after the clean.

So. Let’s get on with the repair and maintenance.

Repair:

I’ve started the clean of the rubber and it is filthy. The amount of black that came off on the first clean has required me to get another cloth as it really is that bad. Another two applications and the cloth is a lot cleaner, it has removed a massive amount of goo and dirt and feels a lot better to the touch, and my hands are staying clean and that’s a good sign. I will give a final clean with the car cockpit polish that should finish it off nicely.

I’ve cleaned the mirror and prism above using a swab and the effect is instantaneous, there was a lot of dust here. Opening the curtain in a “B” setting I gave the whole interior a good blast with compressed air that has left the chamber as free of dust and contaminants as I can get it. With the curtain back down, a bulb blower and brush is all that was needed to complete the task. A lens mount cover is now in place to prevent anymore dirt getting in.

Transport tested

I’ve put in one of my old test films to check the camera’s function, and it’s transport & rewind, and I’m pleased to say this works just fine. At a shutter speed of 4000 I’ve never heard such a sweet sounding camera. This really feels like a lovely camera that I can’t wait to take out and run a film through.

Going through the function screen, there are no bad pixels and all options are available. I have tested the eye control function and programmed my own profile into the camera, it does seem to be working, it might be a little hit and miss, I programmed it very quickly so maybe I just have to read up on it more, just to tweak its use as such.

All rear sub menus working, and buttons operable

All sub menus on the rear of the camera are operable and all buttons and dials are doing what they should. This camera is ready to go, and is in a perfect working order.

Result:

She’s a beauty

This camera was probably discarded to one side when the sticky grip problem started to rear its ugly head. It really is a shame that this happens, it’s such a simple problem to eradicate. This is an absolutely superb camera and packed with technology that would eventually have gone on to be incorporated into the soon to appear professional digital offerings from Canon. For 35mm photography this was a perfect swan song, 35mm photography had peaked with this range of cameras and Canon had perfectly produced cameras that in effect had pushed this theme of photography to its highest level. It was the best of the rest at the time.

This camera deserves some respect, it feels superb in the hand, looks good, sounds terrific and performs exceptionally well. There will always be the haters out there, there always will be. But as you will have gathered, I don’t really report badly of any of my cameras as I truly love them all. They are superb items of modern and semi modern technology that have captured history. They just deserve to be preserved and protected and most of all enjoyed.

I will shortly be posting some pictures from this camera that can be found here:

Thank you for passing by, as always it is very much appreciated.