hobby – Foxes Den

Olympus OM10

Always liked and wanted an Olympus OM10. 46 years later I now have one. Of course, it needed repair.

Much to the wife’s annoyance, and because I was feeling a little low and in need of some retail therapy, I’ve purchased this lovely little camera from the Barnardos charity. It looks like it’s been stored in a full Hoover bag, it is so dusty. It has a few dents and dinks, this one is going to be a challenge. I like challenges. I’ve paid the grand total of £17:67GBP for the camera and the standard Zuiko 50MM F1.8 Lens. I think that is an excellent price.

These cameras were produced between 1979 and 1987. I’m hoping I’ll be able to date this actual camera more accurately when I receive it.

This is what the original listing stated:

This listing is for a vintage Olympus OM-10 35mm Single-Lens Reflex (SLR) film camera, bundled with a Zuiko 50mm f/1.8 lens and a leather neck strap. This is a single bundle containing the camera body, lens, and strap, ideal for collectors or film photography enthusiasts.

UNTESTED. This sale is for spares/repairs. There are some marks and cosmetic imperfections. Please see images for more detail.

The standard untested post from the auction sites, but I’m not really bothered to be honest. It’s a charity, and I’m happy to pay for these items as the charity always benefits, and that’s all that matters to be honest.

I have some history around this camera and whenever I see one I think of Bruce Springsteen and here’s why.

Born in the USA was released in 1984, so I can kind of pinpoint the first time I’d ever really heard him, courtesy of my friend David K, when I used to live in a small town in Hertfordshire called Bushey. David had been a school friend, we were now in our mid to late teens, he was working in a restaurant whilst I was in a photographic lab. He introduced Bruce to me and for many months after he first purchased that album, we played it non stop and knew it off by heart, beat for beat, and word for word, we were totally smitten with it. It was the Bruce effect. At this time i would have been about 18-19 years old, and had a very basic Russian Zenit camera, it took some great photos. However, David had recently had a bonus payment at work and purchased himself the Olympus OM10. I was envious, who wouldn’t be? What a camera and this is where it all ties in with our hobby, we loved photography and used to always discuss it with Bruce in the background singing his heart out. It all ties in now, fantastic memories, and a single camera can bring back these memories. Amazing isn’t it?

Anyway here’s some pictures where you can see the amount of dirt, and what looks like some bumps on the outer edge of the lens.

Nice camera, few dinks and dents, and a lot of dirt

Here’s some information regarding this camera:

The OM10 was the first consumer OM series body. Launched in 1979 it accepted the full line of OM lenses and most of the OM accessories for a lower price. The lower price was reflected in the construction of this camera and the features available, however, it was still a very competent performer and it reflected the elegant lines established by the compact OM-1 and 2 designs. Early production runs of the OM10 have known malfunction issues with electronics, metering, and shutter magnets. Olympus later changed the shutter to a ‘Type II’ design to correct the latter problem.

In its standard configuration the OM10 offered aperture priority automatic exposure, simple and accurate enough for a consumer camera in most lighting situations. It also offered exposure compensation for more complicated lighting situations and for more advanced users. A small plug-in manual adaptor was available as an accessory to enable manual control of shutter speed. The manual adaptor is possibly not as easy to use as the typical shutter speed ring around the lens bayonet on the OM-1.

While not well known to consumers, the focusing screen for the OM10 is indeed interchangeable, though not as easily as the OM-1. It shares the same focusing screen as the OM-1, but the extra protruding tab needs to be cut off as the OM10 doesn’t have a placeholder for it.

The OM10 can accept all the lenses of the OM system.

The finder screen is fixed, as well as the back. It can accept the winder but not the motor drive. It existed in chrome and in black finish.

In 1980 the OM10 Quartz was released with a fixed databack (equivalent of a Recordata Back 3) to print the time or date on your pictures. The OM10 Quartz was only released in black finish.

The OM10 was sold in large quantities before production ceased in 1987 and many working examples are still being used today. Largely overlooked in favor of its more professional ‘single digit’ siblings, you can easily pick up a working example for $50. Try to find one that includes the manual adaptor though, as this accessory alone can fetch $30 at auction.

Camera-wiki.org

Assessment:

In a perfect world this camera would just need a clean. But this is me and to be honest I’d like a little bit more of a challenge, as a lot of the cameras I have worked with lately did not need a lot of maintenance because they’d been well looked after. This one may be different.

These cameras were renowned for electrical faults especially with their mirror motion magnets, very similar to the issues suffered on Canons earlier EOS cameras such as the 1N. But to be honest I am just surmising at this point as the camera is not yet in my hands. I need to be patient and await its arrival.

Well, it’s arrived so let’s have a look and see what’s good, what’s bad and what’s indifferent. It has dirt, yes, quite a bit of it, so it will require quite a deep clean as we need to get into all those little crevices, where the dust has settled.

Cosmetically it looks really good with no dinks, dents or scratches, so that is very much a positive. It’s in not too bad a shape for being 46 years old.

The capstan to open the camera film door, along with the operation dial are a little loose, so they will require tightening.

Batteries are long dead, this camera requires two LR44 button batteries to do even the basics, I have tested the batteries with a multimeter and they are so low that they hardly register, they are very dead indeed. The good thing however is that they have not leaked in anyway and the battery chamber is clear of corrosion.

The mirror is stuck in the halfway position, this could be purely to do with there being no battery in the camera. It would be good to see with new batteries installed, if the mirror magnets would then kick in, and then they’d be no further issue. However, knowing my luck they are probably inoperable as well, we will just have to wait. And for this same reason the winder is also stuck, again the batteries may well solve this problem 🤞

Good news is though that the mirror and curtain are in really good condition, because the old lens has been kept in place preventing any contamination getting into that area.

Viewfinder looks clear apart from a little dust build up

However the lens, does appear to have fungus in it, and will require a clean at some point along the way.

There are also a number of light seals that need replacing as they have perished.

To be quite honest, the easiest part of this camera to clean will be the standard plastic and rubber neck strap. This can just go in some warm soapy water to rejuvenate it. However, my first priority will be to get some batteries in place and see what occurs. I may have to rethink my approach to this camera dependent on the outcome of this simple action.

Repair:

Straight home and I’ve found a couple of LR44 batteries that had a little more power than the old ones. In they go….and nothing. There is a check position on the main dial that should light up and a buzzer should sound to confirm that there is sufficient power, obviously there isn’t in this case. I run all the other LR44 batteries I have through a tester ( I had a packet of 12 ) and they all show as low power, they’ve died during storage. I then pop over the road to see my brother in law who always has a good supply of batteries and bingo, he has a couple of spare LR44s.

We have the check light, and a little buzz…intermittently

With these in place I get an intermittent buzz and a light, it appears the capstan control and operation dial that I mentioned earlier was loose, and has intermittent contact issues, it will need removing and cleaning then reseating.

If I hold the capstan in place I do get a good signal, with both buzzer and light operating in the check position, and when I move the control to “On” position I can now cock the shutter lever. It will then fire but again only to the half way position as it did earlier. If I gently push the mirror down and let it spring back it will then fire. But you have to do this on every stroke of priming the advance lever. Not good.

This is pointing towards an issue with the magnets and I believe I’m almost there, and that’s when I have a eureka moment.

In the bottom of the mirror and curtain bay on the base of the camera is where the mirror magnets are situated, along with a light sensor that takes a reading off the shutter curtain behind, that is checkerboard coloured. Something here didn’t look quite right for me as it did not look level, the base seemed quite uneven. I just simply put my finger in here, applied some light pressure on this base and it just clicked into position, nice and level and then the stuck mirror fired, just like that. Every single prime of the shutter and actuation since, has worked just perfectly, I wonder if this camera has been dropped at some time just knocking this part out of true configuration? Or has someone been here before me? I’m going to have to remove the base to check a few things anyway, so I can then make sure this issue doesn’t happen again. For now, I’m satisfied that the shutter and winder are working fine. I just need to make the contacts and the electrical continuity a little bit more reliable.

I’ve dismantled the faulty switch. Inside, the old tracks on the camera and the pickups on the switch were showing signs of tarnish so I used some contact cleaner go get these looking better. I’ve re assembled the switch and used a new circlip to hold it all together. It’s a lot more secure and responsive now with no interruption to the check signal. It’s quite solid as it always should be.

Here’s a small video regarding the switch repair.

Switch working as it should

With the switch sorted I’ve now removed the focus screen to give that a bit of a clean.

Focus screen removal, cleaning and replacement

And after this I have gradually started to remove the old light seals in preparation for their replacement. They really are in quite a bad way and creating a lot of dust and dirt as they degrade.

Now to get the remainder of the old seals removed, clean the troughs they sat in, and then put the new seals in place.

With some IPA, and a large bamboo stick it’s time to remove the old seals

I’ve replaced all the seals on the camera body apart from the mirror damper. I need to get some adhesive first, to secure the plastic plate that sits above the damper. Hence I have to wait for this to be in place before I can finally put the damper in situ, i will do this in the next 24hrs.

Now, the plastic piece that covers the focussing screen access is now secured in place and the mirror damper has been installed, all light proofing has now been completed.

The original lens that was suffering with fungus has been dismantled and given a clean, however because the top two optics are a sealed assembly, guess what? The fungus is within the sealed section and is unable to be accessed. Therefore the lens will never be cured of this issue, it has been improved by cleaning the other optics but it’s not in anyway good enough to use with film in the camera, I will therefore use the old lens purely for testing purposes, it works fine for that and will be just fine for testing other Olympus equipment. In the meantime I have purchased two further OM 50mm std lenses, one is an earlier “Silver nose” model with a single lens protective coating whilst the other is a later production “Black” MC (Multi coated) model. Both are in an excellent clean condition conducive for film photography.

The two new lenses – “Silver nose” to the right

I’m happy that the repairs have now been completed, all that is left now to do, is to give the unit a thorough clean, and to clean that original plastic/rubber camera strap with some warm water.

Result:

Here we present a fully cleaned and maintained Olympus OM10 35mm SLR camera from the 1980s looking quite resplendent after all the work on it has been completed.

It’s been a lovely camera to work on. The make of this camera is superb, and back in the 80s Olympus were on a high note with the high end advertising, using many well known celebrities, and their cameras as a result became extremely popular. They are very well made and have stood the test of time. This one camera will go on to continue being used, and has many good years of life ahead of it. Another one saved from the scrap heap. As with all my cameras I have an immense backlog of units all awaiting the time when they have a roll of film run through them, and this one is no different. When I do pass a test roll through it I will post a link to the results here.

As always, thank you for passing by and glimpsing this post. It is always very much appreciated.

Canon EOS 500N

A nice entry level camera, from the mid 90s, now back in working order

Here I have a very basic, entry level camera made by Canon. Produced between 1996-9 this camera is currently between 26 – 29 years old. These cameras don’t have the traditional identification number printed within the film spool holder that the older cameras had, hence the precise manufacturing date is difficult to confirm.

This is a camera passed onto me by a good friend and professional photographer, Jon, as can be seen in this post: Cameras…i need more!

I believe this camera was previously used by a large photographic organisation, to teach staff and students wishing to learn traditional 35mm film photography techniques. It was a training camera, at entry level specs.

It is a very good example of this model of camera, and despite its simplicity, low cost appearance and feel, it is in a very good condition cosmetically.

Here’s a little information about this camera:

The Canon EOS 500N is also known as the EOS Rebel G in the Americas or the New EOS Kiss in Japan. Sometimes it’s referred to as the EOS Kiss 2 as it followed the release of the EOS Kiss in Japan. This camera was released in 1996 and replaced the EOS 500. The Japanese version of the camera had the date back as standard. Its successor was the EOS-300 / REBEL2000 / Kiss III, released in 1999.

The body of the Rebel G is plastic, weighing 370 g (13 oz). The only colors available were black or a mix of silver and black. The Rebel G has an EF lens mount making it compatible with any EF lens. The viewfinder offers a 0.7x magnification, 90% coverage, center auto focus, wide auto focus and many more. The Rebel G shooting modes consisted of 6 basic modes, full auto, portrait, landscape, macro, sports and night scene. It also has 5 advanced modes, P, Av, Tv, M, A-DEP. These modes would continue on in the Rebel G series. The camera features a built in flash, and can shoot at 1 fps. The fastest shutter speed with flash was measured at 1/90 of a second.

A few new features include compatibility with ETTL type flash. It still has the same 1/90 of a sec sync speed of the previous model, but when equipped with a Canon Speedlight such as the 380EX, 220EX it can be used at 1/2000 of a sec. Focus has improved a bit as as a AF assist light is now available. Auto Exposure Bracketing (AEB) can be use from -2 to ++2 in 1/2 stop increments. The command dial now has an easier to access night scene mode. The body is able to use the BP-8 vertical grip that can also accept four AA batteries.

Camera-Wiki.org / Wikipedia

Assessment:

As Stated, this camera is in a good cosmetic condition with no sign of dents, dinks or wear. Considering this was a camera used in training I can only presume the students were extremely careful and respectful, or it was lightly used. Having worked with some of these students myself, i very much suspect, it’s more than likely going to be the latter option.

There is another such unit I have of this very same camera however that is damaged with a faulty screen that requires replacement and that will be dealt with in a future post. Meanwhile, let’s get back to this one.

There is an old ownership sticker on the rear and this is one of those old vinyl type ones that will be able to be removed, but just may take a little while, as they are brittle and break off into lots of little pieces that go everywhere.

The battery chamber is clean and there are no signs of contamination. The screen is clear and does not show any bleed, though I haven’t powered it up just yet.

The film chamber, back pressure plate and shutter curtain all appear to be in good order. Again I will further test this when I put some batteries in and run a dummy film to check transport.

The unit is quite grubby and dusty, the mirror is dirty and the prism is as well. initially all looks good. Batteries, and the dummy film might tell us something different.

Repair:

Let’s get that sticker off the rear, a little soak in IPA to soften things up, and then using a small plastic modelling spatula to gently get under the label, I was able to remove the sticker relatively easily. If I’d used the metallic option I may well have scratched the casing. I’m happy that this option has worked well for me. A final clean at the end with some car cockpit cleaner should bring the detail out nicely.

Let’s get some power in, and fire this unit up. It takes two CR123A 3v lithium batteries.

Batteries in, and everything lights up, all menus function and as stated earlier their is no bleed from the LCD screen.

I load the film in and it instantly winds the whole film on to the take up spool. Here on the display, you can see that this roll is 24 exp and it has wound fully on to the take up spool. I fire off these 24 exposures to check the shutter and that fires fine, film transport also works well and the final rewind of the film at the end also works. In a nutshell, this camera works!

I clean the prism and the mirror with a soft swab and you can just see the dust and dirt lift. A final brush over with a bulb blower completes this task. The internals are now clean.

It just needs a very thorough exterior clean and polish.

Result:

I’ve cleaned the exterior and used some ceramic cockpit polish to finish it off, I must admit it’s looking very good.

Here I have a nice little camera packed with features that will make a great camera for someone to learn the basics of traditional photography with. However, it’s remaining in my collection for the while.

From all angles a lovely clean example, operating just as it should

I’ve cleaned the camera throughout and used compressed air to finish the clean prior to sealing it from the elements. It’s yet another camera that I need to test, another one that needs to have a film put through it for its final test, however I am 100% confident of it’s capabilities and the fact that it operates just fine and all its settings, buttons and controls are doing exactly what they should. When I do get to put a film through, I will link to it here.

Another successful restoration and return to use of another old camera that had been put to one side. Not that this one really required a lot of attention, just a bit of servicing and tlc.

Thanks for passing by. It’s always very much appreciated.

Bronica SQ-A / The Frankenstein project Pt:4

To find out what I am trying to accomplish with this project please refer to my initial post: Bronica SQ-A Medium format camera

Task:

To build a usable, basic issue, medium format camera (Bronica SQ-A) from damaged items and spare parts, for as little outlay as possible and shoot one black and white, and one colour roll of film as proof of its successful completion.

Getting started:

Building a camera from damaged parts is no easy task when the name happens to be a high end brand and any parts that are available, are being snapped up by others to service their own stock or to break up for sellable parts. I’m going to keep a running total to try and build this as cheaply as possible, and to keep track of this total I’m going to use my trusty Psion Organiser II LZ from 1989 to keep a tally.

Fourth purchases:

Now we have the bulk of the camera, we just need those annoying little bits to finish off. I’m calling them annoying, because if I was just to pay out for the 5 or 6 little finishing touches I need they would cost more than the total amount I have paid so far for the camera itself. I would be paying a premium for items that will in the end have no effect on the result I require to complete this project, that being two properly exposed rolls of film.

So here we go.

Battery:

Probably the cheapest item you will buy for this camera. The camera requires a single 6v alkaline battery and is quite important. Without it the mechanical shutter still works but at only 1/500 second. To obtain all the other available shutter speeds you need the battery to work the system electronically. This has cost me only £3:50GBP. After testing I can confirm that the battery works fine and all shutter speeds are as expected. Perfect.

Winding handle/Crank:

For some reason sellers always remove the crank prior to selling. That’s because the original Bronica crank is currently being sold at between £70-£80GBP and it really isn’t worth it. Everyone is after a quick buck and some people are willing to pay it. I’m not however, and my handle here is a special strength 3D printed version that I have paid the grand total of £11:20GBP for. It will need a couple of small “O” rings just to pad the handle on the spindle as it’s a tiny bit narrower than the original over priced one. It’s more than capable for the job in hand though, looks absolutely fine and has saved me around £65:00GBP of money.

The focussing glass:

This is another item that the sellers withold for individual sale. I wonder why? Yes a standard focussing glass is going to set you back anything up to £150:00GBP and again it’s not worth it. However my one is a “damaged” one in that it has handling and pen marks on it. It looks as if some has sadistically drawn their own frame on the glass, the fool! I’m hoping this will clean up a bit but as long as I can see the focussed image I’m not all that fussed. I only paid £11:75GBP for this so yet again a further saving of around £140:00. See, savings can be made, if you are happy to make the trade for a lower quality item.

Camera aperture covers:

Not really essential at this point, but to be honest you need to protect the fragile equipment you now have so it is really worth investing. I’m not purchasing these just yet, that’s a later purchase, I have a lens cover and hood cover now, so that is all I really need to start the real testing.

Waist level viewfinder:

Now this is a real bone of contention for me. Individually it is probably the most overpriced single item you could buy. It’s basically just a flip up hood that acts as a cover for the focussing glass, that affords a bit of light protection, as has been common on old twin lens cameras over the last century. But because the sellers again sell these as “additional items” they control the price and at an average of £150:00GBP (Recent eBay sales data) again the consumer is being ripped off. I’m currently monitoring some damaged ones for repair on the sale sites.

And as of the 4th May 2025 I am now the proud owner of one of these items. I’ve paid a total including postage of £39:75GBP and that’s a very fair price. I’ve been searching the sale sites for quite a time before coming across this one. There is one caveat though, it has some slight damage, but that’s what this site is all about and it ties in nicely with the Frankenstein aspect of this post.

Assessment:

I’m going to be very brief with the assessment, as you will see this project is made from a selection of parts that at time of purchase all had their own faults. Each part that has required repair has been highlighted in the relevant posts associated with this series. Links to those posts can be found in the link supplied in the first paragraph of this post. There are five parts in total. I’m generally pleased that the parts I have obtained have combined to make a very nice “Frankenstein” camera from a brand of camera that is becoming increasingly expensive as an “Antiquity”. Not that it was ever a cheap option for a camera in the first instance. Let’s move on to cover some repairs that have occurred for some of the pieces covered in this particular post.

Repairs:

The focussing glass as you will see above was in quite a poor state on its arrival. This one had some scars and it looks as if someone has used pen to draw their own frame in the glass, to be quite fair it was in quite a state, but it was purchased for a really low price and i believe it can be made to look a lot better. Listen to anyone who is,”in the know” and you will always be told to not handle these screens. A load of tosh, I’ve been handling these ground plane glass screens for years and sometimes you just need to get hands on and this is one of those cases. Yes, if it’s in a pristine condition then cotton gloves would be the order of the day, but this example bypassed pristine conditions many years ago.

Before: How the glass was received with scratches and ingrained ink

I started off with a good clean using IPA and cotton buds, I used about six cotton buds in this process using a new one every time the cotton was overrun with dirt.

Once the IPA clean had been done I then soaked the glass in a detergent solution and then again used cotton buds to get the solution into the scratched areas of the glass.

I’ve finished the clean with a rinse of hot water to remove all the solutions, and left the glass to dry on some paper roll. A light polish with a lint free cloth finishes the job.

After: all ink and dirt removed, only deep scratch remains but does not cause any issue with use

And this is how it all looks in the camera.

All looking fine in position in the camera

I’m extremely happy with the outcome with the glass, it does its job and works really well. With no distractions on the screen apart from a couple of scratches this item has been transformed. Just a little TLC and patience was all that was required.

The Winding handle crank doesn’t really have any issues, it just needs some aesthetic teasing. This crank was 3D printed for the ETRS version of the camera and as such the actual base of the crank shaft is slightly slimmer than that of the SQ model here. It works fine. I’m just being a bit of an OCD freak and want it to look better.

Before and after. “O” rings in place in the winder

Not a problem though as I only have to pack out about 4mm of space and I have just the thing to use. Two perfectly fitting minuscule “O”rings. Job done, let’s move on.

The Waist level viewfinder has one particular issue in that the folding action is slightly affected by an issue with the spring. Again it is fully usable and does not cause any issues operating wise, it is purely an aesthetic issue that I will get around to sorting once the camera has been tested.

This is one of those parts that has signs of age with small signs of wear and tear, however that adds to it’s character and shows it was once a very much loved item that saw some good usage.

I think, we are now ready to get the entire unit assembled and ready for the testing phase of this build.

Total Outlay:

So just how much has this little project actually cost? Over to my trusty Psion Organiser 2 LZ for a final update.

So the total cost of this project is £236.16GBP and I’m very pleased with that considering that sales for fully working similar cameras command prices similar to those seen in the picture below.

So taking this evidence into consideration, the route I have taken of building from damaged stock has saved me between £100-£350GBP. And as it is now a fully operational camera, I could probably command a price that would make a quite nice profit. But I’m not selling. This stays in my collection.

Outcome:

I want to take some pictures with both colour and Black and white film, to prove this camera is capable of this function considering it was constructed with broken or discarded parts.

Now complete, I have restored a beautiful piece of camera history

I will post some sample photos of the tests, and will also produce a couple of galleries to link to within this site. First I will try my luck with the Black and white film, as I have one here currently, though out of date it should suffice as it has been kept refrigerated during my ownership. I also have the chemicals and ability to develop film at home, so this should not be an altogether time consuming process.

This has been a satisfying build making a working piece of camera history entirely with damaged and alternative parts logged throughout all of these posts.

Look out for part 5 of this project that will cover the final testing and the results gained from these tests. Hopefully we will have some good photos and will then be able to wrap this project up.

More Faux Stained glass

In my first foray into this art medium, i chose what were to be two of my first templates. That post can be found here: Faux stained glass painting. This post covers what I will be doing with the second template and a slightly different approach to what I hope to achieve.

I have already traced an outline onto my glass and this time instead of using paint and glue for the lead effect I have used a Pentel permanent marker. I will do the painting on the opposite side of the outline as this will allow me to make amendments to either the outline or the paint without interfering with each other. Because the paint is mixed with glue this can easily be peeled off and re painted. The outline can be amended by using a cotton bud and some IPA. Making changes with the outline and the paint on the same side would require cleaning the whole glass and starting again from scratch. I want to avoid that, so that’s why I’m experimenting.

My second template, drawn with permanent marker

I’ve brought some new Acrylic paints, and will be using slightly more glue in the mix to try and achieve a slightly more translucent effect, to assist with the effect I’m trying to achieve.

As you can see I will be using a box frame for this piece. What I want to do in this example is to put some lights in the frame, but to ensure the light is not too harsh I want to put some opaque tissue immediately behind the glass to act as a diffuser. I’ll get around to this later in this post.

Let’s get painting.

Today i’m using a small light box under the glass so i can get a good idea of how the paint is going down. It also saves me from constantly having to lift the glass to the light to see how it is looking. The glass is very thin and the less it is handled the better.

When dry I just flip the glass over and go over the out lines once again, this time I’m going to add a small sting of lights into the box for display at night.

Mounted in a box frame. I have hot glued some lights into the inside of the frame

I’m a tad unsure about the lights but I’ll have to wait until it’s dark before I make my mind up about this one. Been fun, I’ve enjoyed it but I’m sitting on the fence regarding the lights, but you never know what’s liable to happen unless you give it a try. I may try the foil trick on this one as I think it may be more effective.

My original three frames i purchased, to use as templates for this particular Art medium

Thanks for passing by, it’s always appreciated.

Faux stained glass painting

I’m new to this art medium, I don’t really know what I’m doing, but like everything I do on this site, I’m willing to give it a go, always willing to learn. So here we go.

I was watching a program on TV a week or so back and was watching a stained glass window being repaired. I was fascinated with the expertise and commitment these guys put into repairing these pieces of art. I thought to myself that this is something I would love to try but obviously I just don’t have the expertise, space or ability these guys have.

So I had a look around for simpler alternatives and that’s where I found out about Faux stained glass painting. It’s a whole lot easier, less expensive, and I have most of the tools required already.

I’ve attached a video of the technique that I’m interested in, this video has kind of sold the process to me.

Faux stained glass – Emily Seilhamer

I’m going to give this a go now, let’s get started.

My Subject:

I’ve chosen two simple potential templates that were free to download from the internet. As this is my first attempt I’ve chosen a couple of design templates that will be good for a first attempt at this type of art. I’ve chosen a bird and a simple flower.

The two templates I will be choosing from for my first attempt at this medium

What do I need?

Not a lot to be honest, below is the minimal requirements.

Craft PVA glue
Craft clear glue
Paints – I use acrylic, you can use pretty much whatever paint you have around.
An old cheap frame, with glass
Brushes, or sponge applicators, some tape and cleaning materials

And that’s basically all you need.

Ive been out and purchased some supplies including some shadow box frames that were on offer. These will be my guinea pigs for the purpose of this post.

I’ve chosen the flower template for my first attempt as it is slightly less involved. I’ve mixed some black acrylic paint in with some PVA as this is what you use to form the black “Lead” type outline. I’ve done some samples on plain A4 paper to perfect the technique as it was coming out all blobby and runny, I think I’ve now perfected how much the nozzle needs opening and now I’m quite happy with the outcome.

Let’s go:

Next i tape the template to the rear of the frames glass, i then clean the front of the glass getting rid of finger prints and anything greasy that might stop the ink bonding to the glass.

Using a steady hand you then just add the glue/paint to the top of the glass following the template underneath. Don’t worry too much if you get some blobs and bubbles, the bubbles can be burst by using a needle and the blobs can be dealt with when the solution dries, because the glue can be easily cut or peeled back. Don’t worry too much about little mistakes, just go with it. Don’t worry about making straight lines perfect as the irregularities just add to the authenticity of the piece. You don’t see perfect lines on old stained glass windows, so don’t worry. I use some small paper tortillons just to remove some small smudges and they work fine.

Now we just need to wait for the outline to dry and I’d suggest leaving this for a good eight hours or so.

Whilst I’m waiting for this one to dry I’ve done another small one with just some random geometric shapes. I love the way this one has just spread out and gained a great scruffy edged look. Can’t wait to paint it.

There are many ways to do this technique and the video at the top of the page gives yet another two ways to obtain this outcome. These are my first two attempts and I’m going to try the techniques in Emily Seilhamers videos at a later date. Meanwhile back to my two attempts.

For painting you need some clear school glue and whatever your preferred paints are. I’m using some acrylic paints as I have plenty of them around. Using a tiny spot of paint you then add some glue at a slightly greater ratio than the paint, the thinner it goes on the more translucent it will be, if thicker it will be more opaque. Don’t t worry about paint strokes, it will happen as you are painting with glue. The good thing is if you are not happy with the outcome you a can always use a craft knife and just peel the offending colour off. It’s easy.

Here I’m painting, probably a little to thickly, and I’d probably be better with some glass or enamel paint. Lesson learned.

The good thing is that this paint dries really quick and in a warm room it’s probably dry in just over one hour.

I’ve placed my two attempts in box frames. I’ve got one final thing I want to do before they are finished.

I’m quite happy with my first attempts, there are little mistakes and many things I have learned from trying this medium. I’m not going to make any changes to what I have done as I want to display them as battle scars. You know, a snapshot of what I did at the time and how I have learned from it. The next examples will be better, I have a third one of these box frames and that will incorporate all I have learned from doing these little prints. It will be just like a journey into Faux stained glass in three parts, and they will all be on display.

This project isn’t quite finished yet though, there is one other thing to do. The perfect place to display these items of course is right up against a window just the bare glass, allowing the sun to come through and show off all those lovely colours. However you can also display these pictures within frames and this finishing touch courtesy of Emily Seilhamer, completes that look.

You just need some kitchen foil. Yes you heard correctly. Kitchen foil.

Cut a piece of foil just slightly bigger than the backing cover of your frame. Now scrunch it all up but not too tightly. Just move it around in your hands until it appears to have an even amount of creasing as this is to be come your light refracting layer.

Attach this to the frame back and then secure it back in the frame against the glass you have painted, trim and tidy the foil using tape at the rear of the frame.

Now turn it over

Look at the difference with the foil effect

See how that tin foil now reflects all the available light and makes your picture look totally different. The refraction appears to help cover up the brush strokes we discussed earlier, and you can now display your pictures in any area of the house, and any available light will be reflected on to and will enhance your pictures.

I hope you have enjoyed this post, as much as I have putting it together. Thanks as always for passing by. It’s always very much appreciated.

Peace to you all.

Bronica SQ-A / The Frankenstein project Pt:1

To find out what I am trying to accomplish with this project please refer to my initial post: Bronica SQ-A Medium format camera

Task:

To build a usable, basic issue, medium format camera (Bronica SQ/SQ-A) from damaged items and spare parts, for as little outlay as possible and shoot one black and white, and one colour roll of film as proof of its successful completion.

Getting started:

First purchase:

The first purchase has been made and it is for a 6×6 120 roll film back unit with dark slide. I think I’ve paid quite a good price for this item. This is the back piece that fits on the rear of the camera. Here is what the listing stated:

ZENZA BRONICA SQ 6X6 120 ROLL FILM BACK WITH DARK SLIDE Signs of wear, untested.
Uk Buyers Only Please

EBay

And the total paid including all postage is £20:94GBP. Let’s now start the running total in the Psion II LZ.

All I can really check at the moment is cosmetic condition and this looks a little beat up, however I don’t really care how it looks externally, as long as it’s light tight, that is all that matters and I won’t even be able to check that until later on in the build. Cosmetically I will attend to it, if I feel so inclined at the end of the project, for now it’s ability to be light tight will be my major concern.

Assessment:

The unit has arrived and yes it has seen use, but not in a few years I suspect. The old smell hit me the second the package was opened, it’s kind of a reminiscent pong from the past, however I’ve got to see beyond this.

The light slide seems fine, however the surrounding frame has been bashed and a small bit of frame has gone missing. There is also a screw missing and I suspect the area that is missing the screw may well have been glued down. there are some slight rust spots on the exterior framework, however everything inside appears to be fine apart from some light seals that will probably need replacing. The rollers inside are grubby so a good overall clean is in order.

Annoyingly the ASA markings on the dial atop of the roll holder are missing. I will make something basic up to remedy this issue. Again it’s an exterior issue and I’m not too fussed at the moment.

Yes there is some work required, but there is no rush. And thankfully I don’t see anything that really scares me about it. I won’t really know how it stands mechanically until I find a suitable body to attach it to. I have that to look forward to in a future post.

Repairs:

The ASA dial. Simple solution here, until one becomes available sometime in the distant future, is to use some very small dymo labels I have printed. I will cut these down to size and put them in place where they should be on the dial. Quick and temporary solution a’la Frankenstein. No need to over manufacture things, this will do fine.

The old asa wheel has been cleaned to remove the original glue, and temporary stickers have now been applied. This completes this fix for the ASA dial, for now.

Edit: I’ve managed to obtain a damaged roll back for a grand total of £5:76GBP, absolute bargain and it also has a working ASA dial. So I’m hoping I’ll be able to use this donor to help in the repair of this item. I’ve used a combination of parts from this and the earlier roll back and I’m happy I have a good working unit. We now have a proper ASA dial off of the spare unit transplanted onto the old unit.

Front frame:

I’m taking this off to give the whole area underneath it a good clean. There are some film guides under this frame that are contaminated and that could cause a scratch on the film, I’m going to clean this whole area under the frame and will then reassemble. The cartridge slide is in a good condition and has just required a polish. Apparently this front frame is prone to breaking and the screw holes splitting, as it gets quite brittle. This has happened to this unit, and I’ve found a guy that 3D print’s replacement front frames and I have ordered one of these to ensure that the whole frame is secure and light tight, as currently one corner can be lifted and this could cause a fogging issue. At a cost include postage of £12:75GBP it’s a small price to pay seeing the only way to get one nowadays is by purchasing a donor unit at cost far exceeding what I have paid here.

There are a couple of screws missing of which I have plenty of spares so these will be simply replaced. I’m happy now that this portion of the camera is in a good condition and will soon be ready to be put to use.

There was a lot of contamination under the plate when it was removed, I was quite amazed just how bad it was. This has since been cleaned prior to the new frame and seals being put back into place. When everything is re assembled there will be another clean, I will also be using compressed air to finally clear any remaining debris from the roll back. Edit: the 3D printed frame has arrived and to be totally truthful it’s not much good. The part where the slide goes in is not usable and I’m not confident this will be as light tight as first thought.

Good front frame from the donor spare unit

However the spare unit I purchased has a good front frame that just needed a tiny bit of adjustment to work, I’m now confident the roll unit will work as it should.

Light seals:

To be honest there are only two immediate areas of concern that I can see. All other light seals seem to be sufficient. I already have plenty of light seals material from where I fix other cameras so this should be simple enough to replace.

There were only two pieces that needed replacing, these were both on the roll film back. All other light seals were fine.

Rust spots:

These are purely external and there are no issues inside the cartridge. However I may just give them a very fine rub down and a quick spray with a black gloss to just make them look better. Then again I may not, and then I’ll attend to the cosmetics once I have completed the project. Edit: I’ve decided to leave this for the moment and will attend to this sometime in the future as it is not affecting anything at this stage.

Film cartridge:

Again this has just been cleaned and some contamination has been removed from all rollers and guides within. I have adjusted the back plate pressure pad for the film and also given this a good clean to remove any contaminants. I’m happy the internal cartridge is in a good condition and only requires a light clean. This cartridge is superior to the one I have obtained as a spare so this will be the one i work with. I have replaced all the exterior screws to replace the original ones as they were all a little crusty and contaminated.

New screws. I will touch the heads up with black dye

The whole roll section has been cleaned with tack cloths and compressed air to ensure all contaminants have been removed.

I’m going to store the whole roll film back, in a sealed plastic bag with some Silica gel packs to try and remedy the mustiness that I mentioned at the beginning of this post, though I must admit after all the cleaning and replacement of parts, the issue has reduced immensely. Some exposure to sunlight on a window seal usually helps immensely. That’s where it’s sitting for the moment. It’ll go in the bag with some silica gel, during the more inclement weather.

Outcome:

This part has been the most demanding part of this project so far. I’ve looked into the possibility of using 3D made parts, but I must admit defeat here. The items are about 80% ok, there are holes missing that should be there and as it’s a two piece fix you are then introducing glues, and potentially increasing the chances of light accessing the one area you want dark. Maybe in time they may perfect it. I was exceptionally lucky to obtain a spares unit for literally one pence. Yes one whole pence. It cost £5:75 to post making a total of £5:76GBP, but in many aspects some of its parts were far superior to what I already had. I am happy that this part of the build is now complete.

All good to go. Please keep an eye on the other blog posts that are coming regarding this project.

Grandstand Invaders from space game

What the listing stated:

Can’t get to turn on unfortunately. No battery cover. Any questions please ask

EBay

I know, there is no battery cover, however I have already sourced a seller of one if needed. This item looks quite dirty so a good soak might be the order of the day to get started. I’ll wait for its arrival before I jump to order any other bits for it.

Now as I’ve said in the past these units fall into that crazy price category on the selling platforms as the “New Antiques” of today. For an item that was low cost, somewhere between £25-40GBP when it came on the market, they can certainly command a wide range of crazy prices, here is an example of price ranges from today:

The massive range in prices for these units

This one I purchased today only came up for sale about 3 hrs ago and I thought it would have been snapped up by now, it hadn’t so I didn’t hang around any longer and purchased it for a total of £16:38GBP including its delivery. I’m not going to get too smug yet, as for all I know I may have just purchased an empty shell. Let’s wait until it arrives.

Here’s a little history of this unit:

Grandstand “Invader from Space” is a tabletop LED game dating back 45 years to 1980. Four ‘AA’ batteries power the unit or, alternatively, the Grandstand 5.5V@300mA power adapter (or an equivalent power pack) sold separately. The game, licensed to Grandstand, is a copy of Epoch’s “Invader from Space”

The company initially behind the “Grandstand” label was Adam Imports Ltd., (from 1980 Adam Leisure Group Ltd. and by 1983 Adam Leisure Group PLC) founded in 1973 by Chris Rycroft and Les Kenyon of Harrogate, UK. The company initially started as a mail order company and was the single largest supplier of calculators in the UK by 1974. By August 1978, George Bassett had acquired a 75% holding in the capital of Adam Imports for £750,000 cash, plus 60p in the pound of profits before tax in excess of £500,000 for year to December 31, 1978. Adam Imports was re-acquired from George Bassett by Chris Rycroft in 1980. It chiefly imported electronic products from other manufacturers such as VTech, Epoch, Tomy & Entex, selling them in the UK re-branded under the Grandstand name.

Wikipedia and others

So that’s the history

There is a good link to a similar repair on YouTube from a guy I follow named Stez Stix Fix, it’s very much worth a look and he has a great if not sometimes crazy way of diagnosing and repairing items. A cool guy though.

The Grandstand invaders from space game

Anyway back to my own purchase.

Assessment:

I must admit the unit doesn’t look as dirty as in the original pictures. The battery cover is missing and there is a crack in the side and a deep scar at the bottom, this won’t be too much of an issue if I can weld it all back together. I will still give it a good soak to clean it all up though. I’ve put four batteries in place, and the unit is definitely dead. There are no loose wires, voltages are getting around the board according to the multimeter and nothing is getting hot. There appears to be no short circuits, and then I notice this, capacitor CO7, slight bulge on top and what looks like leakage from the bottom. We have a candidate as to why this unit is not working.

CO7 looking unhealthy to me, you can see the component to the left that looks like it’s covered in a fur ball. The result of the old capacitor “coughing”

I’ll whip this out and see what we have but I suspect this old capacitor has failed and is causing an issue, heres hoping I have a suitable replacement.

Repair:

This little beast is a 330uf 10v electrolytic capacitor. I have none available so have had to purchase a pack of ten. These should be here in the next few days. There are three other old electrolytic capacitors that I will also change whilst I’m in there, as these are all likely to fail at some point soon. These components are now all around 45 years old, it’s a wise move to change them out.

I’ve ordered a 3D printed battery cover to replace the one that is missing. This should be here in a couple of weeks.

Whilst waiting I have cleaned the inside and outside of the casing as best I can. I still have a piece of broken surround to repair, however this is just a simple glue and a little bit of support job.

The surround that was broken has been repaired and secured with some nylon soaked in a superglue compound inside the casing. It’s rock solid. Outside the break is hardly noticeable. The break is secure and much stronger now.

I’ve replaced all the offending capacitors and the unit remains dead. I’ve reflowed most of the board as there were some dry solder joints. I’ve also rewired the bridge from the control panel to the main board as one of the wires here had broken.

After using the multimeter to check some traces and components it’s now pointing to this component (a power transistor D882) being the cause of this catastrophic breakdown as its readings are all over the place. I suspect this item has overheated, the capacitor has blown and then it’s just died itself. I’m probably wrong, but I know what I mean. Probably just a catastrophic chain of events that all contributed to the units demise.

And as usual I have none available so will have to send for some new ones. The new components have arrived and the new power transistor has taken its place on the board. Now reassembled I place some new batteries in and the unit comes to life. It was the power transistor at fault, I should have really checked here first after seeing that damaged capacitor at the beginning.

All old components removed and replaced in this unit

Not to worry though as it’s had a good overhaul and has been totally recapped as a precaution. I’ve used some conformal coating on a few tracks that had some copper exposed after a good clean, to ensure they don’t deteriorate any further.

It has life

The unit is looking really good and these items were traditionally very loud and this certainly is. It’s working well just as it should do and I’m exceptionally happy with this repair. I’m still awaiting the battery cover that I have had 3D printed and this should be here in the next week to complete the fix.

So with that I will bring this build to a conclusion. It has been a fun project, I’ve learned a number of things about this circuit board and gained valuable knowledge.

But best of all we have rescued another item and saved it from landfill.

Winner 🥇 👍

Thanks for passing by

Mountain view – Abstract

Another production on an iPad from my 2012 era. God knows what I was on at the time as I was doing some right old tripe. But hey ho, it’s done and it covers a particular time of my life so it has to go out there. Not just showing the good stuff (not that I do any good stuff….). I guess if I had a name such as Picasso or Banksy it would be worth an absolute fortune. But I don’t, and it’s not. Enjoy, laugh, critique, slap your forehead. At least it’s got a reaction 👍

Bronica SQ-A / The Frankenstein project Pt:3

To find out what I am trying to accomplish with this project please refer to my initial post: Bronica SQ-A Medium format camera

Task:

Getting started:

This may be a strange situation where Pt:2 and Pt:3 of this project gets published before Pt:1, quite simply Pt:1, the film back. needs a fair bit of work still doing to it.

Third purchase:

And the third purchase is for an SQ body. This appears to be well used, but appears to be in a working condition. Here’s what the listing stated:

Zenza Bronica SQ Body Only / Medium Format 6×6 Camera

Condition:

Used but still in good usable condition with usual signs of use – see photos for details please. Fully tested and in perfect working order.
Supplied with: Camera body as pictured.

EBay

Now I’m happy with this purchase as well. Not quite the SQ-A I wanted but to be honest the only difference is mirror lock up and metering that I don’t really need so I can live with that, we all managed prior to the metering being done for us, I’m sure we will all survive now . (Oh how we have been pandered over the years)

I’ve paid the grand total if £73:75GBP for this body including the postage. There are some bits I will require to complete the body, namely a focus screen and waist level finder that could be a bit pricey, and a winder for the body. Now, the winders are pathetically expensive at around £60 for a bit of plastic. I know a guy who 3D prints a good alternative for a fraction of the price. And that will be the route that I take.

So over to my trusty old Psion II LZ for the running total for these first three items.

So the total for these three items comes in at a total of £150:94GBP, and in Bronica terms this is extremely reasonable!

Assessment:

The parcel has arrived and yet again I’m really happy with this purchase. Very well packaged, a very faint age related mustiness that I guess should only be expected on an item that is now 45 years old. It seems to work just fine. I have connected the lens and that seems to be working ok, I just need to verify the shutter speeds are all correct. There is no battery in the base and this needs replacing as this is what controls the shutter speeds. Without the battery the mechanical shutter works, but only at a speed of 1/500 of a second. (Edit: the battery has arrived and after testing i can confirm that all speeds are operating as expected). The film back fits fine but I still have some work to do on that before I can say that this part is working ok. Overall I’m satisfied with what I have for the price I have paid.

A selection of covers for the sides, top and bottom are required

Repairs:

Not so much repairs but additions that are required, such as a crank winder arm and a focus screen, a new battery and a selection of covers to protect the central unit in transport. All horrendously over priced and i will deal with these items in Pt:4 of this project.

Outcome:

Current situation, looking good, smelling old. Not me, the camera 😂

We are almost there. The lens is fine, the main body is fine and just needs some final testing. The film cartridge is the item that needs the most attention and this will hopefully be finished when I have the new front plate that is being 3D printed. The next instalment will be just a tidy up with all the little bits I need to complete the build. These small pieces in Bronica terms are so bloody expensive, or should I say extortionate, can be obtained at a fraction of the cost elsewhere, you just need to shop around, if you are happy to have a non named spare part as a stand in. I’m happy with that as these parts have absolutely no effect on how the camera performs, and what we want to achieve at the end of this project, that being a well exposed two rolls of negatives that will produce a number of well presented photographs.

All good to go. Please keep an eye on the other blog posts that are coming regarding this project.

Bronica SQ-A / The Frankenstein project Pt:2

To find out what I am trying to accomplish with this project please refer to my initial post: Bronica SQ-A Medium format camera

Task:

Getting started:

This may be a strange situation where Pt:2 and Pt:3 of this project gets published before Pt:1, quite simply Pt:1 needs a fair bit of work still doing to it.

Second purchase:

The lens. Probably the most important purchase of this project. Looking for a “cheap” lens is normally not the thing to do when exploring lenses as you do really get what you pay for. You want good clarity? You need a good lens. However this lens came on offer and what sold it to me was that there were no scratches and fungus in the lens, and that was music to my ears. It is a duplicate of a lens the owner already has and was surplus to his requirements. He has also supplied recent proof of photos taken on this lens and i believe he has sold me a little diamond to be honest. Everything about it seems good. There is nothing really to do to it, so no maintenance apart from maybe a light external clean and that will be it until everything else comes together.

Here is what the listing stated:

This is the S version of the 80mm lens and although there’s a slight difference in the lens design on the PS version, I’ve compared the two and couldn’t see any real difference other than a slightly more modern colour rendering. The T mode is also working without issue. This lens has been my main user lens and has never let me down. Glass is clear of fungus, haze and scratches. Aperture and shutter blades are snappy and clear of any oil. Shutter speeds are accurate and the lens produces just delightful images and is massively underrated. I’ve included several shots taken recently with this lens mounted on an SQ-A as per the examples. Focusing is smooth, apertures have a nice smooth click and the lens focuses just fine all the way through the range. I will include the origin box as well as the front and rear lens cap with the lens

EBay

Two pictures shot on the sellers SQ-A with this lens (pics: pooface76)

I’ve paid the total cost including postage of £56:25GBP and I think that this is an absolute bargain for what I am getting. It’s an 80mm f2:8 Zenzanon-S lens in its box with two end caps. I’m really pleased with this purchase and there is not a lot else I can say.

So here we have the scores after two purchases, the 120 roll film back and this lens. Over to my old mate the Psion II LZ for the running total.

So the total for two items currently sits at a comfy total of £77:19GBP so far, with an average per item price of £38:60GBP. And in Bronica terms that is quite reasonable!

Assessment:

The lens has arrived and to be honest it has surpassed anything I could ask for, for the price I have paid. For this project it is in perfect condition with nothing required regarding any repairs. It’s good to go.

And out of the box the lens is lovely and clear. Just a few bits of dust but that is nothing at all.

Repairs:

None: I know this is boring on a repair front, but for this project it is the perfect result.

Outcome:

All good to go. Please keep an eye on the other blog posts that are coming regarding this project.

Assessment:

Repair:

Result:

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Assessment:

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Task:

Getting started:

Fourth purchases:

Assessment:

Repairs:

Total Outlay:

Outcome:

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My Subject:

What do I need?

Let’s go:

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Task:

Getting started:

First purchase:

Assessment:

Repairs:

Outcome:

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Assessment:

Repair:

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Task:

Getting started:

Third purchase:

Zenza Bronica SQ Body Only / Medium Format 6×6 Camera

Condition:

Used but still in good usable condition with usual signs of use – see photos for details please. Fully tested and in perfect working order.Supplied with: Camera body as pictured.

Assessment:

Repairs:

Outcome:

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Task:

Getting started:

Second purchase:

Assessment:

Repairs:

Outcome:

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Used but still in good usable condition with usual signs of use – see photos for details please. Fully tested and in perfect working order.
Supplied with: Camera body as pictured.