Category: Photography

Canon EOS D60

Who would have thought a button the size of a grain of rice could declare this camera defunct and dead. Let’s have a look at it and see if we can get it working again.

What the listing stated:

The Canon EOS D60 DSLR is a digital SLR camera body offered here for parts or repair, ideal for those seeking components or a restoration project.

This digital camera has been tested and does not power on. It is being sold as faulty, for parts or repair only.

Cosmetically, the camera body and battery grip show typical signs of use, such as surface marks and wear. Functionality has not been restored, and no further testing has been performed beyond confirming it does not power up. The battery grip (BG-ED3) is included but requires two batteries for operation; only one battery is supplied. No charger, lens, or additional accessories are included.

Accessories Included: BG-ED3 battery grip, 1x battery (no charger).

EBay

My Canon D60

I’ve purchased this camera kit for the princely sum of £14:24GBP. An absolute bargain, even if it doesn’t work. It’s worth more than that to me, even for spare parts if I can’t get it working, however let’s not go down that route just yet. This camera also comes with a BG-ED3 battery grip that on its own currently retails on the auction platforms for around £20-£30 so before we start I’m on to a winner.

Here’s a little bit about this camera that was released in 2002, don’t get it mixed up with the later EOS 60D that was released in 2010…a different camera entirely:

The Canon EOS D60 is a discontinued 6.3 megapixel digital single lens reflex (DSLR) camera body, announced by Canon on February 22, 2002. It is part of the Canon EOS range, and accepts Canon EF, TS-E and MP-E lenses, but not Canon’s later digital-only EF-S lens range.

The EOS D60 sits in the prosumer (professional-consumer) line of digital SLR cameras. It succeeded the three megapixel EOS D30 and was replaced by the improved, six megapixel EOS 10D.

The EOS D60 features:

  • 22.7 x 15.1 mm CMOS sensor (APS-C)
  • 6.3 megapixel effective (6.3 megapixel total)
  • Max resolution 3072 x 2048
  • FOV crop (1.6x)
  • Canon EF lens mount (excludes EF-S)
  • 3-point auto focus
  • 100, 200, 400, 800, 1000 ISO speed equivalent
  • 30 to 1/4000 s shutter speed and bulb
  • TTL 35 zone SPC metering: evaluative, center weighted, partial
  • Exposure compensation -2 EV to +2 EV in 1/3 EV or 1/2 EV steps
  • Auto White Balance (plus 5 positions & manual preset)
  • Eye-level pentaprism viewfinder
  • 1.8 in (46 mm) color TFT liquid-crystal monitor
  • E-TTL flash mode
  • 3 frames per second continuous shooting (max. 8 frames)
  • Dimensions (WxHxD): 150 x 107 x 75 mm (6.0 x 4.4 x 2.9 in)
  • Weight (body only): 780 gm

Wikipedia

So, as usual let’s await its arrival so we can carry out a full assessment of the camera and related equipment.

Assessment:

The package has arrived, and wow, this is a lot of camera for a very small price.

A lot of camera for little cost

The condition cosmetically is fantastic, I’d call it almost mint but the seller thinks otherwise, he certainly has some high standards, I’m pleased I know him if it means I can purchase items such as this. The only thing that is missing is a small rubber cap that covers the digital and video out ports, not an issue for me, and definitely not detrimental to the operation of the camera, this can be replaced but it really isn’t worth the bother or the extra expense.

The missing rubber port cover

The camera has come attached to the power winder and has a Canon dust cap over the lens mount/body aperture. There is a single battery and this does have some life still in it.

No damage to the CF card reader pins

There is a good quality camera strap attached, and when the battery grip is taken from the body and checked, all battery connections are clean and free of any contaminants. There is no damage to the CF card reader pins within the CF card port. An added bonus is that the body battery cover is tucked away on the power grip handle, and all connections are good, these little battery cover doors normally end up being thrown away so that you end up paying some pirate on the internet an absolute fortune to replace a battery cover door, that in theory is only worth a few pounds. Yes there are many robbing bandits out there! (That’s the polite, non sweary word version)

Battery chamber minus door
Door storage on battery grip
Battery door
Door and chamber reunited

The camera listing stated that the camera grip needs two batteries for operation, this is not technically true as one battery will still operate the camera whilst using the grip. The option for two batteries just extends the usage of the camera, hence saving you the aggro of changing out batteries when you have a longer camera session planned.

And that one battery does have life in it as I stated earlier.

I know this, because I plugged it into the camera grip, I turned the operating switch on and hey presto, there is life

It’s alive!

So to further test I have removed the grip, and gone back to using the camera with its original battery cover, and then…it doesn’t operate. How strange!

So I then go back to the power grip and everything works fine!

Back to the original battery cover. Nothing again.

I won’t ruin your reading at this point, as to be totally honest if I tell you what was wrong here, I will have nothing to put in the repair section below. Just read on, I can assure you that you will not be impressed. It really is that mundane and boring, you will probably just roll your eyes and question why I have even called it a repair. But a repair is a repair, no matter how insignificant and minuscule it may be, and if it gets the camera working then we are on to a winner.

Repair:

Thanks for staying with me.

Have a look at the three pictures below.

A lever on the battery cover….
Activates a tiny blue button (Circled in red)
That tiny blue button (enlarged photo)

The issue was with the tiniest of buttons. It wasn’t working.

A small tab on the inside of the battery door presses this button when you lock the door. If that tab is broken, or if the switch itself is damaged, the camera may act like the battery is dead or not installed.

The tiny blue button (or sometimes black/white) located inside the battery chamber of a Canon EOS camera is a safety micro-switch that detects whether the battery door is properly closed. It ensures the camera has a solid connection to the battery and that the door is closed to prevent damage. It acts as an instant cut-off switch to prevent data corruption (e.g., if the door opens while the camera is writing to the CF card).

If this switch is not engaged, the camera will not turn on.

And this appears to be the problem. The battery cover was not putting enough pressure upon the little blue switch, the switch also appeared to be a little stiff but soon loosened up when it was cleaned with some IPA and activated a number of times using plastic tweezers. It appears that when the grip was installed and fastened into place there was sufficient pressure to operate the switch, hence the issues I experienced when changing from one battery mode to the other, earlier in this post. Now, when either the original battery cover or the power grip is used, power continuity is restored, and the cameras screen and activities all appear to be working as they should be.

However, we need to now install fully charged batteries, a CF card, and need to get a compatible lens on the front to ensure all the dials, and buttons function and do as they should be doing. I know the flash is definitely working, as this popped up and fired when I was testing the battery earlier, I’m fairly confident we have located and dealt with the underlying issue, though it doesn’t hurt to do a full test of the system just to confirm our findings and to ensure that there is nothing else lingering around, just waiting to be found out.

CF card and new battery installed

I’ve now installed a charged battery and a CF card into the camera, no issue here and all systems seem to be operating ok, no error codes or faults showing. I’ve put on one of my test lenses, a Canon EF 28-80 1:3.5 -5.6, and again everything is good, auto focus and manual focus, all works fine and all settings on the function dial are working just as they should. This camera is doing just what it should be. And appears to be working extremely well in all aspects of operation.

Result:

I’ve taken a few pictures in and around the house and everything appears to be working and functioning as expected. I can confidently state that this camera is working perfectly. It’s not the greatest of lenses as it’s just a test one I use for my cameras, but it proves the point though, that the unit is working and communicating well with all points of the camera.

Looking good and now in a working order

This is a fantastic camera, I only paid £14:24 for a lot of camera dating from 2002, less than the cost of a couple of pints of beer or three coffees, and from my point of view it is an absolute bargain. And it was all down to a little button comparative in size to a grain of rice.

Just a few random pics around the house to quickly test

So I am super pleased with how well this repair has gone, such a simple issue that totally killed the functionality of this unit, easily repaired, all it took was a good bit of investigation, probably taking no more than 20 minutes of my time. I must admit it helps to know a little about how these units function. It always amazes me though, that these sellers could make a bigger return on their items if only they had someone to give these units the once over before declaring them dead and fit for spares and repairs only.

However I’m not complaining as i get to add a superb item to my collection for a very reasonable price. Just browsing the sales sites shows that the basic version of this camera without the power grip is commanding a price of between £140-£150.00GBP, I only paid £14:24. I think I’m the winner here.

There are bargains to be struck out there, if you are willing to give a little time and patience into getting them back up and running. Recycling works.

Many thanks for passing by, it is always very much appreciated.

Yashica 35 ME

An old Yashica camera from 1972 with a non functioning light meter. Time to get it back into a working condition.

I purchased two vintage point and shoot cameras, and this post is related to the Yashica 35 ME. Both cameras were purchased for the princely sum of £4:99GBP and that equates to roughly £2:50GBP each. Both cameras were sold with the following sales statement:

This bundle includes a Yashica 35 ME and Ricoh Auto 35, two vintage 35mm film cameras ideal for collectors or those seeking parts for repair projects.

These cameras are being sold as faulty and for parts or repair only. They have not been tested for functionality and may have issues with their mechanical or electronic components.

Cosmetically, both cameras may show signs of wear consistent with age and previous use, such as scuffs, scratches, or dust. No accessories, batteries, or additional items are included, €”only the two cameras as pictured.

EBay

Having purchased from this seller before, I suspect the cameras themselves are in perfect working order mechanically, but as one camera – the Ricoh, is from 1960 and now in its 66th year of existence, I very much suspect the issue would be with it’s Selenium light cell that is more than likely now very dead. The Yashica however is from 1972 and has a CdS light cell that could also be an issue, more than likely related to the old Mercury 1.3v battery that used to supply it. Either way, even without the light sensors both cameras are very capable of doing what they were built for, however you’d just have to use a separate light meter or use the “Sunny 16” rule. Let’s wait their arrival so we can asses the issue. You can read more regarding the types of light metering used on these two cameras by reading a recent post of mine regarding their differences Photographic light sensors in older point and shoot cameras

Both cameras
Yashica 35 ME

Some more photos from the seller:

Yashica 35 ME

Whilst we await their arrival here is a little bit about the Yashica 35 ME:

The Yashica 35-ME is a small, compact 35mm viewfinder camerawith auto exposure, made in Japan by Yashica, introduced c. March 1972. 

It uses a 38mm f/2.8 lens made of 4 elements in 3 groups with a screw-in filter size of 46mm. The film speedis set using a ring around the lens, with the setting window on the bottom face of the lens. The metering system uses a CdS sensor with a sensitivity of 8 to 17 EV. The viewfinder has bright line frames with parallax correction marks for focus distance of 1.5 meters or closer. The shutter display scale is on the right of the finder has speed markings 1/30, 1/60, 1/125, 1/250 and 1/650 of second. Aperture scale is also displayed at 2.8, 4, 5.6, 8 and 14. The setting for the meter uses a pointer type indicator. Correct exposure is assured when the pointer is in the yellow areas of the scales. Also in the finder scale is over exposure, under exposure zones along with symbols of the selected zone focusing settings. The top plate carries the shutter release, hot shoe and frame counter.

Specifications

  • Lens: Yashica 38mm f2.8; zone and feet/metres scales
  • Shutter: Copal auto, speed set by metering, 1/30-1/650 sec.
  • Meter: CdS sensor
  • Film speed: 25 to 400 ASA
  • Flash: hot shoe, flash sync 1/25 of a sec.
  • Power: 1.3v mercury

Camera-wiki.org

It’s arrived, it has that familiar aroma of age old mustiness, but looks a nice item, in good condition for a camera that is now 50+ years old.

Assessment:

The case is quite tatty, but it does the job. The body is dusty but free of any dinks dents or scars. Inside the rear of the camera all is good, it’s clean and the light seals are ok. They will need replacing at some point, but currently they appear to be ok.

Camera looks nice

The winder works fine, the shutter fires and there is no sticking of the shutter leafs.

When you look through the viewfinder it’s a fairly clear view, however the exposure reading needle on the right is sitting firmly on the bottom of the scale. Moving the camera from light to dark makes no difference, the meter is not responsive. Let’s check the battery.

Meter reading does not move

Repair:

The battery that was used is an LR44 cell rather than the old Mercury 1.3v cells that used to be installed on these cameras. They are hard to come by nowadays and people tend to go with the more modern LR44 cells that have a slightly higher voltage of 1.5v. They work, however some have stated that they notice a slight overexposure of about one stop, personally I haven’t really had issues when I have made these battery changes in the past. Each to their own as they say.

The battery currently in place was dead so I tried a new battery to no avail. When I opened the battery chamber again I then noticed some oxidation of the contacts, so a quick clean with some contact cleaner and they looked a lot different.

Before and after battery contacts

A new battery back in place, and hey presto the light meter is now working.

Light meter now working

I’ve given a good disinfectant clean. Buffed up the case to make the best of a bad thing, and it all looks good. The only thing I can do now is run some film through it to give it a final test. I have some old out of date colour film at home, so I will use one of these to run a test roll. As I stated at the beginning there is not really a lot that can go wrong with these point and shoots, and I’m confident that the only issue was with the exposure meter as everything else seems to be fine. let’s get that film run through the camera to check things out.

I’ve taken the film out of the fridge. It’s a roll of Kodak Gold 200ASA film, and it’s only 20 years out of date. I’ve tested a roll of this before, you can see that post here: 20yr old Kodak Gold.

Expired in December……2004

The results won’t be anything spectacular, it will be grainy, it will have a colour cast and in fact might not even work at all. After this period of time the sensitively Will have dropped so I’m going to over expose this roll by one stop to attempt to compensate a bit. This 200ASA film will be exposed on this occasion at 100ASA. When I’ve exposed this it will be off to a local film developer- Classic photo supplies – for them to do the developing and scanning. Read this post regarding my rationale behind using this film: 3..2..1 – 20yrs out of date.

Result:

Well, the scans of the developed film have arrived back and it has proven a couple of things, one that the camera does actually work and two, that the film has definitely reached its limits, as the negatives show immense grain, and a colour cast due to the chemical structure of the film breaking down. I’m glad I only overexposed by one stop, I know that the recommended +2 stops would have been too much for this film. Below I have displayed a selection of pictures from this film, you can see the age related “colour cast” along with grain size if you zoom in. These aren’t the high quality pictures as the originals came back at about 30mpx each, and that would be far too high a resolution to show on this site, and I’d probably use up all of my photo allowance as well. So here are the greatly reduced results of those scans.

Back gate
Forklift
A house view
Driveway
Train passing
Football shelter
But if double exposure
Broken fence
Refreshments
Chat
Graffiti
Storage

To be totally honest if you switch to B/W in editing mode, all the pictures come out fine and are completely presentable and maybe that’s the way to go with the next batch, don’t bother trying to get a good colour balance as that will never be achievable, just display in good old black and white, you can’t go wrong.

So the camera works, and this one will now be put aside until I decide how I’m going to move it on. It’s such a basic camera, the distance selections are questionable, but that’s just a remnant of the 70s technology behind it. It’s a good little point and shoot, but I do believe the likes of the Olympus trip totally outshone all other competitors in the point and shoot category.

Job done. Another old camera saved from the scrap heap, and given a new lease of life, and it probably took no more than 10 minutes to get it back in working order.

Thanks for passing by, it’s very much appreciated.

At last, the new work space takes shape.

The workspace is starting to take shape. Normal service to resume soon. Maybe I can catch up with this backlog now.

I’d pretty much closed down my workspace, when we sold our old house back in August last year. Everything I used the most was pretty much moved into storage as we prepared to make the move to our new home. All I was left with was a few screwdrivers, so needless to say, content on this site dwindled, whilst purchasing continued, hence I currently have 29 posts, in draft, awaiting completion as I don’t have a suitable workspace or the equipment available at the moment to complete any of them. I even purchased a 3D printer in November of last year for my birthday, it has been in storage all this time, I have now brought it home and have now made my first 3D print, that post can be found here: My First 3D print attempt

Things are about to change.

We pretty much have every room in the house now up and running. We are settled now and the final boxes have been attended to within the house, and we are finally getting to the point where regular recycling visits to the tip to get rid of the old cardboard boxes are finally coming to an end.

The next stage in my wife’s own words are, “ we can now get Dave’s room sorted.” The words I’d been waiting for.

My workspace – a wall in a guest bedroom

I’m calling it my room but in theory it’s not a whole room. It’s part of the third bedroom where I am probably just occupying one wall at the end of a guest bedroom, it’s all I need, I have a Garage to do all the blokey stuff in, this space is purely to work upon all my cameras and other more delicate items of work.

Whilst visiting a certain Scandinavian furniture store i have purchased a basic setup for me to begin working on. The good thing about these furniture systems is that you can start with a basic layout and just expand upon it, and that’s the plan.

I have a desk and drawer system arriving today, and quite a bit of construction to do, once this is in place then I can start getting my gear from storage and get it back into place. It will be nice to have all my equipment in a permanent placement, without having to take it all apart and storing everything back in boxes after I have used it. I’m looking forward to this as to be honest, I’ve really missed it. However I have been pre occupied around the house and there has been an awful lot to keep me busy, there’s been no rest really, I must be very wicked 😂

The workspace starting to come together

So as of 10th March, I’m quite pleased to say that my workspace is now ready to use. It’s still a way from being complete as I still have stock to bring from storage along with the last few tools and boxes of components. There are still shelves and storage to put in place, but at long last I can now sit down and finally start to play catch up with my ever expanding backlog.

The workspace….liable to be moved about yet again

I must admit I’ve moved things about, and I’m probably liable to move things about again over the coming days and weeks, even months as I can’t quite decide how the setup should look. It’s probably going to be a few sessions of me not being able to find tools, parts and cameras that will help me decide just what, should be where. In the meantime, it’s good that a kind of normality has been restored, and I can now start to resume where I left off all those months ago.

3..2..1 – 20yrs out of date.

Soon, I will
Post a report I have done of a repair on an old 1972 camera. But first I want to test it with some film that expired 22 years ago.

I recently purchased a 1972 Yashica 35ME. It’s an old point and shoot, from back in the day, similar in looks to an Olympus trip, but an Olympus trip it is not. A very basic 35mm camera, with a CdS light meter that was not working, it is now.

Yashica 35ME

I shall have a post out soon about the camera but the final testing involves running a roll of film through it to test. And all I currently have is a few rolls of old Kodak film that all expired about 22 years ago in 2004. You may recall this post I wrote regarding my last involvement with this film stock a few months ago –20yr old Kodak Gold

As a result of that test you will understand why I am over exposing this film by only 1 stop, even though I’m being told by “Professional dudes” it must be at least 2 stops. I understand their reasoning, but I’ve tested this batch previously and they haven’t, so i’m sticking to my guns on this one. If I’m wrong I’m wrong, but I will have learned. Let me do things my way ok?

I’ve loaded up with Kodak Gold 200ASA that I will be overexposing at 100ASA, it expired in December 2004.

Old Gold…..literally

I’ve locked and loaded a roll into the camera today, but I’m just waiting for some good light. So I can get out and give the camera a real test taking random pictures, in various locations to give the camera a fair test.

Just awaiting some decent light.

I’ll post the repair on here shortly, hopefully with some pictures once the negatives have been processed and scanned.

But as we are waiting some nice conditions, and this is the East Midlands of the Uk, we could be waiting a little while yet.

The repair and photo results can be found here: Yashica 35 ME

Take care, stay safe. Thanks for looking in. 🙏

Toshiba Camileo X400 Camcorder

Let’s have a look at a non functional Camcorder from 2011 that appears to have bathed in molasses as it’s so sticky. Can I get it working once more? Why not?

What the listing stated:

It has not been tested but outside case is sticky. 
Would recommend for spares and repairs only

EBay

Toshiba Camileo X400 Camcorder

Not one of the finest quality camcorder cameras out there, but for £7.00GBP, I’m not really complaining. This camera appears to have a battery included, it has no charging equipment or anything else included, but I’m hopeful there’s not too much badly wrong with it. However as this is a platform for repairing old knackered equipment, hopeful there is something that we can get our teeth into that is sufficiently suited to this platform. All I can currently gather from the listing is that this a bit sticky, and those of you who follow this site will know that stickiness, especially on cameras is not an issue that has caused me any problems previously. Hopefully the issue is a little more than just stickiness, and as this listing has the classic EBay “Get out of jail free – seller not tested” claim, then there could be absolutely anything and everything wrong with it, we will just have to wait and see.

Here’s a little bit of background for this camcorder.

Toshiba’s CAMILEO X400 Full HD camcorder offers 1920 x 1080p video capabilities, 23X optical zoom, and other great features for taking great video and making great memories.

No matter what you’re looking at, the CAMILEO X400 Full HD camcorder takes jaw-dropping video in 1920 x 1080p resolution. You’ll be able to capture all the color and clamor of that Fourth of July parade, or your daughter’s first soccer goal. And with the 23X optical zoom, you’ll see the big smile on her face, too.

Want to follow your baby as she takes her first steps? Follow your friends as they head up that mountain trail? Record your Jeep ride across Africa’s Serengeti plain? Go for it. The image stabilization capabilities on the CAMILEO X400 Full HD camcorder ensure your ensuing creation will be hunky-dory, not herky-jerky.

Video trimming on the CAMILEO X400 Full HD camcorder makes editing easier by letting you cut out a section of the video from the front, back or both–plus start and end the video at any point you wish. What’s more, with a built-in pause button, you can stop wasting storage space and reduce file clutter by recording multiple scenes into a single file.

Your son just learned to surf and caught a nice point break for a good long ride. Want to freeze the frame for pictures you can share in an album, email or hand out to friends? Do it without interrupting the video. Simply press the Photo button* on your CAMILEO X400 Full HD camcorder and your surf dude will be immortalized forever.

Features:

  • 1920x1080p Full HD resolution video
  • 23x Optical zoom
  • 3″ swiveling LCD monitor
  • 5MP CMOS sensor
  • 4.7 x 2.1 x 2.4 inches
  • Weight 300g

Toshiba

Well, to be honest that has to be one of the worst background write ups I’ve read, and in reality the tone of it doesn’t fill me with confidence, all that talk of “Dudes” and “Hunky dory and Herky Jerky” my god, who do they let write this stuff? This camera didn’t stand a chance to be honest right from its release date in late 2011.

So, let’s forget the awful promotional write up, and just like true “Dudes” try to find out what is actually wrong with the damned thing.

Assessment:

It’s arrived and to be totally honest, it’s in a right poor condition cosmetically. Very poorly packaged, I suspect the seller couldn’t wait to get it out of the door. Here are two of the better looking pictures.

The good…

As soon as you pick the unit up, the stickiness the seller wrote about becomes obvious. It’s as if this camera has been immersed in a vat of molasses, it’s super sticky and if you review the close up pictures below you will see this unit has obviously been involved in some sticky situation, in places it is still wet, with liquid clearly visible, however that liquid is in a super sticky state of suspension.

Sticky Liquid
Wet, with protective film still in place
Dirt and stickiness
Just plain filth

…The bad, and the very ugly

The battery is in place, I suspect it is dead but it will need to be tested, thankfully the battery contacts are clean and luckily it appears that no liquid has managed to reach these areas.

Battery – possibly dead
Battery contacts all clean
Somewhere clean..hallelujah!

Before I even start to look at anything with this camcorder, a very thorough clean is the order of the day. It’s not going anywhere, and I’m not doing anything with it, until it is in a more presentable and workable condition.

I like to use a disinfectant spray when taking on a job like this, in fact I use it on most of my old cameras especially those that have an old musty aroma. The disinfectant has cleaned this unit up very well removing all of the old stickiness and residue. I finish off with some polish and a cloth and the beast has now been cleaned and is now in a much better condition to start looking at where the problem may lie.

A good clean and it looks like a different unit

Well, to be totally honest the unit is kind of dead. There is a minimal voltage in the battery and when I find a suitable charging cable and install it, there is not a great deal else occurring. There are some lights, but they are not doing what they should be doing, I’m expecting lights to flash whilst charging, and a solid light when charged. However this isn’t happening, so let’s move on to what we are going to do to try and resolve this issue.

Repair:

For the moment I’m going to focus on the battery. We need power, so we do really have to start here, we can’t diagnose or do anything without some power. It’s a 3.7v Li-ion cell, and the camera can charge via a 5v USB supply. I’ve managed to locate a suitable charging cable from that drawer of collected cables that “may come in useful one day”, that we all seem to have stashed in our homes. When the cable is plugged in you should get some intro music from the camera, and I do. This should then be followed by a flashing light that should remain lit until the battery has sufficiently charged. However I manage to get about two flashes from an amber light and then that’s it… nothing else. So far it’s positive that we have seen some life, however we need to see if we can encourage this battery to take a little more charge.

These batteries though rated at 3.7v usually charge up to 4.2v at full capacity. I’ve just measured this one with a multimeter and it currently sits at 2.64v. In the world of batteries this is severely depleted and to be totally honest looks as if this battery is dead.

A fully charged 3.7V nominal battery typically reads 4.2V, with 3.7V-3.8V being the average voltage during discharge. A 3.7V Li-ion battery is considered “dead” or fully discharged when its voltage drops to 3.0V to 3.2V.

While many protection circuits cut off at 2.5V to 2.75V to prevent damage, discharging below 3.OV frequently will significantly reduce the battery’s lifespan.

2.64v This battery is more than likely dead

And it looks as if this may have occurred here. It’s looking as if the battery is a dead one.

However, I’m going to see if I can rejuvenate this battery by putting a trickle charge through it, just charging it in the camera from a USB 5v power supply. I will monitor regularly for changes in temperature or other issues. I don’t have a spare around at the moment so if I want to do some basic checks on the unit I’ll just have to give it a try.

Dead at 2.6v
After an hour we have 3.5v
After 2 hrs it’s now 3.56v
After 3 hrs it’s now 3.6v
Slow work

So after 3 hrs we’ve only been able to get about another 1v of energy into this battery, and as you can see we are only just into the battery depletion range. We have sufficient power to start the unit up and see a welcome screen, the zoom works. It’s clearly visible that there is a low battery indication on the screen and then it all shuts down again.

Welcome screen
Battery indicators all red

There is just not enough life in this battery to sustain a 30 second video, the battery is just so worn down that I believe it is beyond resurrection. I may have to purchase a new battery to finish off this section of the post. It’s good though that we have tried, rather than just give up, and this has also allowed us to review what we have found out about the process, and the good news is that at this point it, is looking as if it is purely an issue with this battery.

The camera has cleaned up lovely and really looks like a nice piece of kit. For the moment I will put this post on pause whilst I await a replacement battery.

But…. Me being me, and not wanting to spend too much money at this point, I have persisted with leaving this battery on trickle charge. It has been consistently monitored to keep an eye on it, and I must admit neither the battery itself or the charger has been hot or even warm throughout this entire process, that is good.

Four green lights – Fully charged?

Seeing that about 4 hrs ago the battery indicator on the screen was only showing two green bars, it is now showing four bars and that indicates it is now fully charged. Let’s get the multimeter back on, and check to see what the current battery charge is and see if that gives us an indicator to show if the nominal charge has now been achieved, I’m quite excited at this – I’m easily pleased and excitable in equal proportions – I have a feeling that with patience and persistence we may have well just cracked the issue. So what is the current voltage of this battery? Well, here it is….

4.14v

Full charge achieved

Well, I’m very pleased with that, not only has it charged fully it appears to have reached pretty much full charge beyond the nominal charge. I’ve probably saved this battery from the trash heap, but I guess it will be more of a backup battery for me as I will probably purchase a new one, for my main battery, now though, there is no rush as it looks as if this one has been rejuvenated.

I’ve put a 32Gb SD card in and the screen is indicating 5 hours and 54 minutes of recording time, however on a full battery and using the minimum of activity (Not using Zoom and other effects) you can normally squeeze two hours of recording from the battery. But I’m never going to be filming war and peace, and I’m probably never going to get that kind of usage from this battery. My best bet with this battery is to not let it deplete totally, and try to keep it in a charge cycle were it doesn’t dip below about 25% of its capacity if I can help it.

I’ve tested all settings and everything is just fine. The touch screen is responsive and all setting and special effects can be easily accessed. There is nothing else wrong with this camcorder.

Available recording capacity
Touch screen working well

At this point I am now happy that this camcorder is a fully working and very capable little unit, that should serve me well as I use it to make videos for my YouTube channel and WordPress site. Repair is complete and successful.

Result:

This little camera cost me £7.00GBP and it’s been a fantastic restoration as such as it has not cost me a penny more than what I have paid for it. All I have done is invest time, done a lot of reading up about the intricacies of Li-ion power supplies, and done an awful lot of cleaning as this unit was probably one of the filthiest pieces of kit I think I’ve ever worked on.

A video, of me, videoing a video of me videoing

The camcorder is now a totally different looking camera from that which I received in such a sorry state just a few days back.

A nice camcorder, clean and restored

I’m going to use this camera myself for little items that I will be publishing here as well as on YouTube. It is so wonderful to see old unused and unloved items, repurposed and given a new lease of life.

Another one saved from landfill.

Thanks for passing by, as always it is very much appreciated.

Photographic light sensors in older point and shoot cameras

A little explanation of the differences between the light sensors of two vintage point and shoot cameras produced 12 years apart

I’ve recently purchased two old point and shoot cameras as a lot. One was from 1960 and the other one was from 1972 only 12 years apart, but a world away in technology regarding light sensing ability and technology.

Yashica 35 ME & Ricoh Auto 35

These two cameras only cost me £4:99 In total, they were sold as spare parts, and I suspect the issues could be around the light metering, as to be honest there isn’t a great deal else that could go wrong with them. Here’s a quick breakdown of the metering methods on each camera, followed by a more complex explanation around just what each method of metering involves.

Ricoh Auto 35 – Circa 1960

The older camera, the Ricoh, dates from 1960 and just by looking at it, you can see its light sensing system is built around the face of the lens barrel, it’s that glass honeycomb concoction that is so typical of a number of cameras and light meters of this period. Here is a post I previously made regarding Selenium light meters – (Sangamo Weston Master V light meter) The meters were known as selenium meters, there was no electrical components such as batteries, it was a little bit of scientific magic, here we go with a little explanation….

How the Selenium Cell Works in This Camera:

A selenium light cell operates on the photovoltaic effect (similar principle to modern solar panels):

The cell contains a thin layer of selenium coated onto a metal base. A very thin transparent conductive layer (often gold or another metal) is placed on top. When light hits the selenium, it generates a small electrical current. That current directly drives a tiny moving-coil meter needle.

The honeycomb ring is the selenium cell, light hitting it generates a small electrical current of approximately 0.5v. That current directly moves a needle inside the camera, the needle mechanically links to the exposure system. On the Auto 35, the meter is coupled to the shutter/aperture system, meaning that in “Auto” mode, it helps set exposure automatically. In manual mode, you match the indicator.

No battery is used — it is entirely self-powered by light.

Expected life span:

The Ricoh’s selenium cell is now about 60+ years old, so condition varies.

Typical selenium lifespan:

Originally: ~20–30 years

Many survive 40+ years

After 60 years: often weak or dead, this one probably is

Common Conditions Today:

✅ Still accurate (rare but possible)

⚠️ Works but underexposes 1–2 stops

❌ Needle barely moves or is dead

They usually fade gradually rather than fail suddenly.

So that gives an idea of how 1960s light metering works, and to be quite honest it probably means that as this camera is now over 60 years old the metering cell is long dead. It does not mean the camera is useless though, it can be used manually using a third party light meter or you can always use the “Sunny 16” rule.

Yashica 35 ME – Circa 1972

Now moving on 12 years to 1972 and the selenium meters have now gone only to be replaced by the CdS system- Cadmium Sulfide sensor, otherwise known as an electrical photocell. The sensor can be seen at the top of the lens ring, a little glass bubble. The downside with these sensors are that they contained Cadmium which is a toxin, replacements are no longer available so modern cameras use photo diodes instead. Here’s the explanation of CdS technology:

Unlike selenium (which generates electricity), CdS works by changing resistance:

In bright light → resistance drops

In dim light → resistance rises

The camera contains:

A CdS photoresistor, A battery, A small electronic circuit, A meter or automatic exposure mechanism

The battery sends current through the CdS cell.

Light changes the resistance, which changes the current.

That signal controls the exposure system, and a 1.3v battery cell is required to power the meter.

Why CdS Was an Improvement:

Compared to selenium cells, the CdS photocell was much better in low light, it was smaller, more accurate and required a battery that could be replaced to extend life whereas the selenium cell in time would naturally just die away.

CdS cells generally last a very long time — often decades — and usually outlast selenium meters.

Hopefully this gives an explanation regarding the two types of metering sensors that were present between the 60s and 70s. It is always worth considering when purchasing such cameras that the light meters may not, and will probably never work again, the camera itself is probably fine, you’ll just have to find other ways to ensure your lighting conditions are sufficient, and that really is no big issue, it’s easy and second nature to most camera users. As stated earlier just use the “Sunny 16” rule. Just enjoy your photography, experimentation is half the fun.

Reviews on these cameras will be following soon.

Thank you for passing by, it’s always appreciated.

Canon power winder “A”

A very corroded Canon power winder “A” from the 70s

This is what it looks like externally, looks fine, but as this post goes on, you will notice a very marked deterioration in quality. It’s a horror story of battery acid contamination.

Looks nice

This unit is part of a bundle that was donated to me by my good friend Jon, see here: Cameras…i need more!

It was part of a Canon AE1 combo, the Camera i have previously posted about here: Canon AE1 35mm SLR, however the batteries within it had been left for such a long time that they had started to dissolve into the unit, leaving quite a restoration project behind. Here’s some history about this unit:

The Canon Power Winder A was originally introduced with the Canon AE-1 camera in 1975 but it also can be used with all the A series models (in fact, it is applicable to use the Winder A with the professional class Canon F-1(n) system SLR camera but without power rewind feature). It is an automatic film winder which greatly increases the automation and mobility of these manual focus cameras. Its exceptional versatility, due to its compact design provided by the principal control circuit built into the electronic circuitry with most of the electronic models such as AE-1, A-1 or AE-1 Program etc, and allows it to be attached to any models mentioned earlier and provides for its use without any special adjustments. 

Winding Speed: Approximately 0.5 seconds.
Operation: When the shutter button on the AE-1 is pressed, the winder will function. 
Shutter Speed Coupling Range: 1/50 to 1/1000 second for continuous photography. “B”, or 2 to 1/1000 second for single frame photography. (When the winder is set at “B”, AE photography cannot be performed).
Film Counting: Is performed by the frame counter on the AE-1.
Automatic Cut off Circuit: When the film roll is completely wound up or if the batteries should run out, the winder will automatically stop and the warning lamp (LED) will light up.
Power Source: Use 4 size AA batteries. (In normal temperatures they can take more than twenty rolls of 36-exposure film).
Attachment: Take off the winder coupler cover on the bottom of the camera, and mount the power winder using the tripod socket.
Size: 141 x 42 x 34mm (5-9/16″ x 1-5/8″ x 1-5/16″) 
Weight: 3009 (including batteries) (10.9/16 ozs.)

Mir.com

I already have one of these winders on my A1 that I am currently repairing, however that’s away in storage at the moment until I get get my workspace back up and running when we eventually move home.

Im aware that these winders can take a max of two exposures per second if the lighting and conditions are right, meaning you could crack out a 36 exposure roll of film in under 20 seconds! They don’t do auto rewind either, you still have to do it manually, it would be a couple of years yet before that option became available. The red light on the case indicates one of two things, the battery is low, or the end of the roll has been reached, time to rewind!

They are quite reasonably priced if I wanted to buy one, but why would I do that? The purpose of this site is to repair and recycle, so that’s what I will attempt to do. It will be quite a task with this one I think.

Assessment:

As stated above, and from the outside, all looks well.

Outside, cosmetically, no signs of a problem

However there are a couple of giveaways that alert you to the immediate issue. Firstly there is an aroma, a kind of metallic musty smell that instantly alerts you to “Corrosion”. Secondly near the switch there are some “blue” granular stains that confirm corrosion.

We start to open up and find signs that all is not well
The old corroded batteries
The contacts, and the battery bay

It’s pointless even putting batteries in here yet as they will not work, the damage is too extensive for the batteries to work. To be honest we now need to do a good clean and decontamination before we can even start to look at the extent of the contamination.

Repair:

First we have no choice but to get rid of the corrosion, this will involve brushes, a pencil grinder, and copious amounts of isopropyl alcohol. Let’s get started.

Using a sonic brush and IPA

I attack the contact end of the winder with a sonic brush and some IPA. After about 10 minutes and multiple applications, using a small scraping tool i was able to remove the corrosion that had started to eat away at the chrome on the contacts, a small rub with some fine sanding paper restored the metal as best I could. I’m not going too over the top here as the corrosion could have well gone past this point into the internal workings, I’ll tidy up once I can get it working as it should.

Before
After
The battery compartment

The battery compartment was cleaned using a similar process. However the contact end that used to have springs mounted for the batteries, have all rotted and the springs have had to be removed. I will replace the springs later, it’s not required for testing purposes just yet. All this contamination and blue staining has to be removed completely, if you leave contamination behind, it can start to attack the unit again at a later date, take your time and ensure you get as much off as you can. Clean, clean and clean again. It’s a boring part of the process but essential for long term results.

With everything cleaned and left to dry, I put some power across the winder power contacts and nothing happens. No noise, not any sign of clicking or of any movement at all. Just as previously feared i think the corrosion has gone further. Let’s get it opened.

Leatherette removed to access internally
Corrosion has made it inside

And as expected the corrosion has made its way inside, the picture above shows a wire at the contact point rotted due to corrosion, in fact the second wire fell off just after removal, the contamination has eaten the cables and is rotting the connections. The good news is that it seems that the issue hasn’t gone beyond these contacts.

I’ve now cleaned and polished the contacts at the rear in preparation for being re soldered, the issue here is that I may have to extend the cables slightly as they are quite short. This may aid my testing of the unit prior to reassembly, let’s wait and see.

I have now soldered both contacts back into position, without any extra wire, hell, it was really fiddly and I doubt it would be able to be opened again without these wires being extended a bit further. I have also thoroughly cleaned throughout the internal workings removing all signs of contamination. I have reassembled the unit and it now sits in one piece. I have taken a dentist tool to further scrape down the contact point within the battery barrel area.

Further cleaning of the contact in the battery barrel area

Using a little wire wool and IPA to clean the area I now have two good points of contact. Using the multimeter confirms we have continuity over the contacts that we didn’t have previously.

Reading the section above, you will remember that I had to remove the two springs on the battery case as they had totally corroded and broken away. I have some new ones but they are in storage, so for now I will just have to compromise until I can get to the new ones and solder them in place. Here I just obtained an old spring from a waste metal box, split it in two, added a small washer one end for the positive contact and just left the other as it was. Both springs were put in place, just being held there by the four AA batteries. As I stated this is purely for testing purposes and will be corrected once I have confirmed the unit works.

Temporary springs
Held in place by batteries

The battery holder was attached and then switched on. Nothing. Then I remembered I have to simulate the signal from the camera and this can be done by putting a metal short across the two raised pins at the power switch end. This worked, and the motor did its quick burst as expected. See the small video below.

The winder, now working. And shorting the pins to simulate the cameras signal

I’m pleased with this, as all the work I have done has been worthwhile. I just need to get the new springs soldered in place, give the whole unit a thorough final clean, ensure the leatherette that was removed is stuck back down and that the on off indicator is stuck back into place. And then we can put it onto the Canon AE1 to see if it works as it should.

Leatherette now glued back in to place
On / Off switch plate glued back in place

Today I have taken out the battery spring connector and I am about to put the new spring contacts in place. I’ve found even more corrosion behind this plate so this will need to be cleaned before reassembly.

More corrosion found behind the battery spring contact plate

I’ve now fixed the new permanent springs in place, they wouldn’t solder so I’ve had to use a combination of using the old clips that were originally there and weaving the spring though the holes where some clips used to be but had corroded away. Either way it has worked well and both springs are quite solid, and don’t look out of place at all, they probably look better than the originals.

New springs attached to a clean plate

With the battery pack contamination removed I can now reinstall the battery contact back into place.

All cleaned
Reinstalled
Batteries in place

I know that the pack works, and now the final touches have been added, this winder is now back into a good working order, and fit to go back to work doing what it was originally designed to do.

Result:

This is an item you can readily buy on the auction sites at a very reasonable, some would say even very cheap price.

The complete, cleaned and reassembled, working winder

Is it worth the repair you say? Well yes, it is. The trouble is, it is so easy to throw stuff away these days, that in reality, can be given an extended life and purpose for pretty much no cost apart from your time and patience. On top of that, getting these items apart and reassembling them is a great learning circle, and you can never stop Learning. You are preserving the past, and that’s always a good thing.

A very brief video showing it working

As you can see above in this small video I have taken today, here I have my Canon AT-1 with the winder attached, doing what it is meant to do and sounding so retro with that motorised winding sound. Don’t you just love it? I most certainly do.

Thanks for passing by. It’s always very much appreciated.

More camera odds & sods

Another bunch of photographic waifs and strays have arrived at my door. Can they be saved or are they beyond redemption?

What the listing stated:

Job lot of 5 slr film camera bodies 

Canon ae-1 program, Olympus om10 x 2, Pentax me super, Fujica stx-1 

Sold as spares and repairs only, all have some sort of fault 

Please see photos for condition

EBay

I’ve just purchased a job lot of old cameras all requiring repair, god knows what the real issue with them is, however they all do seem to have all knobs and buttons available which in many cases is quite a rarity. I’ve paid a grand total of £40:00GBP so if you break it down to a total of £8:00GBP per camera then I’m quite happy with that. Even at this price, i get some good spares, should that be all they are useful for.

The collective purchase
Canon AE-1 program
Pentax ME- Super
Olympus OM-10 No:1
Olympus OM-10 No:2
Fujica STX-1
All with external buttons and dials

My intentions here are thus. The AE1 program is the only Canon camera I need to complete my “A” series collection so my main focus will be on that. The two Olympus OM10s I will be looking at repairing then selling on as I already have a good example of this camera. The Fujica and the Pentax I will possibly look at adding to my collection as I do not have either of these.

I have my fingers crossed that there’s nothing seriously wrong with this purchase, and i will be featuring their respective repairs over the coming weeks. Firstly I’m going to carry out a very basic assessment on their arrival, just to see whether or not I have purchased a collection of proverbial Christmas Turkeys.

Quick assessment:

Canon AE1- Program:

Canon AE-1 program

This is the one I’m most excited about as it could possibly be my last piece of the puzzle for my Canon “A” series collection. Cosmetically it’s ok, it’s grubby, it has a broken battery door and a missing winder cover from the base. All dials, buttons and levers are working as they should, and when a battery is installed everything is as it should be. The battery check audio is fine, all indications in the viewfinder illuminate as they should, the camera fires (with a little camera cough) but other than that all seems well. The mirror and prism need cleaning and there is possibly some ingrained marks on the prism but this will not affect picture quality. All light seals need replacing and a good CLA is required.

Is it a Turkey 🦃 no it isn’t. I’m convinced this camera will soon be back in good working order.

Olympus OM10 – No:1:

Olympus OM10 No:1

In really good condition, battery terminals have a slight corrosion due to old batteries being in place. However new batteries work fine and shutter fires and viewfinder is clean. To be honest, this camera is in a better cosmetic condition than the one I currently have. This is an excellent camera that requires little attention.

Is it a Turkey 🦃 ? Most definitely not.

Olympus OM10- No:2:

Olympus OM10 No:2

As with the first OM10 this is cosmetically a nice camera just a little more grubby, and missing the battery cover on the base. But it has a nice Nikon neck strap – strange. The battery chamber looks as if it has had some minor battery leakage but nothing too serious. Using the battery cover from No: 1 camera I’m able to test all the electricals, and there is no issues here, with the camera displaying the exposure in the viewfinder correctly, and the self timer and battery check all as they should be. Again a good CLA of the camera should have it back and working in no time at all.

Is it a Turkey 🦃 it most definitely isn’t. This is a good camera just needing some TLC.

Pentax ME-Super:

Pentax ME-Super

Again, cosmetically in good condition but missing the battery cover on the base. I was able to overcome this and load some batteries and had movement in the metering via the viewfinder. It’s quite dirty and the function dial on the top is jammed, I couldn’t get the shutter to fire. I suspect it needs a good CLA, and will make a good little project .

Is it a Turkey 🦃 ? I’d say not at this stage. It needs attention on the bench. It’s promising.

Fujica STX-1:

Fujica STX-1

The batteries were dead but the chamber was free of any contaminants. New batteries in place and the light meter in the viewfinder is working fine. Everything works, the shutter fires and winder operates without issue. This camera is in a good but grubby condition. Will require new light seals and a good CLA, but nothing beyond that.

Is it a Turkey 🦃? Absolutely not, this is a good sturdy camera just itching to get back to taking photographs again.

Conclusion:

So out of five cameras, I’m exceptionally pleased that every single one of them can be brought back to a working condition, with very little intervention. every single one of them will need a Clean, lubrication and adjustment (CLA) and also new light seals as the majority of them have turned to a dusty residue that gets everywhere. I need to buy some replacement parts, so I will get on with sourcing those items, and then I will also get some body caps to protect the cameras when I’m finished.

I will create individual posts to cover these repairs, and they will be delivered here on this site over the coming month or two. I’m in no real rush and to be honest, time is a rare commodity at the moment as I will be working as one of the “Orange army” (It’s a railway term) over the Christmas and New year periods, and on top of that we may also still be moving home, fingers crossed 🤞 in early January 2026.

Thanks for passing by. It’s most appreciated.

Canon EOS 7D

Can I get this classic EOS 7D operational again? It has damaged card reader pins.

I received this camera from a good friend who is a professional photographer, a few weeks back in a bundle of cameras and photographic equipment he no longer uses, he has kindly donated them to me to get working again. You can see that post, and just what was donated here: Cameras…i need more!

Canon EOS 7D

I’m in a situation where I don’t have my repair gear with me at the moment, as it is all packed and in storage awaiting our impending house move. Hence the reason I am racking up a whole load of draft posts that I can’t complete until I have my workspace back in use. Therefore any work I can do is severely restricted to inspection, cleaning and preparation with the only maintenance being attempted on the outside of the camera.

Let’s have a brief history on the Canon EOS 7D:

The Canon EOS 7D is a high-end APS-Cdigital single-lens reflex camera made by Canon. It was announced on 1 September 2009 with a suggested retail price of US$1,699, and was marketed as a semi-professional DSLR camera.

Among its features are an 18.0 effective megapixel CMOS sensor, Full HD video recording, its 8.0 frames per second continuous shooting, new viewfinder which offers 1.0X magnification and 100% coverage, 19-point auto-focus system, movie mode, and built-in Speedlite transmitter.

The EOS 7D remained in Canon’s single-digit APS-C model lineup without replacement for slightly more than five years—the longest product cycle for any EOS digital camera. Its successor was the Canon EOS 7D Mark II, announced on 15 September 2014.

Wikipedia

Structurally and cosmetically this is a beautiful camera in very good condition. However it would not have been donated to me unless it had problems. Let’s now put my detective hat on and go looking for clues.

Assessment:

As stated earlier, cosmetically there is nothing at all wrong with this camera, it even has the plastic screen cover in place. Mirror looks clean and curtain looks fine no issues here. All electrical contacts such as HDMI are in good condition with no visible damage to the ports.

Everything is fine, cosmetically, externally.

One last place to check and I now believe this is where the problem lies. This is the CF card door, and when opened it reveals one possible big issue.

Bent pins

Bent pins on the CF card reader. These pins are quite small and only millimetres in diameter, in a very restricted space about 8 cms deep and 6cm in width, it really is quite a small aperture. There are two options here, one I try to gently coax these pins back into place with a fine point tool, however the pins are minuscule, and brittle and prone to breaking. I can see potentially 7 pins that are out of position, not an easy or expedient option. But I’ll have to give it a go. Option two is to purchase a new CF card reader replacement, this option carries some expense and quite a complex dismantling of the camera to achieve said replacement. Needless to say I will initially attempt the pin bending procedure. Pending on success or failure, i could venture into step two. Read on to see what occurs.

Repair:

With a fine point set of tweezers, I’ve decided to have the first attempt at seeing if I can straighten the pins. Using a bright LED torch I angle the beam slightly so I get a bit of shadow on the pins, and this allows me to see how many are bent. I can see seven pins in total that are bent, and two of these seem as if they have been forced down to about half their height. This is quite normal when people go in a bit heavy with the CF card, if these pins go down too far there is no option but to go inside the camera and push them out from inside, or replace the card reader completely. I kind of hope that I have been able to pull them out far enough for them to work. I won’t know though until I get the CF card and batteries out of storage.

The camera in question

I’ve spent about an hour, bright lights, little subject matter, and now have very tired eyes. I’ve been breathing slowly just like a surgeon heading into a part of an operation that requires the utmost concentration, and precise and very delicate movements. I think I’ve done a good job. Only testing will tell.

LED light and some fine tweezers
Pins straightened as best as can be externally

Speaking with my friend Jon, who this camera came from, he has stated that he rather foolishly lent this camera to a ham fisted colleague who hammered the card into the camera, causing the issues that I am dealing with today.

If we have to open up the camera, I will probably be looking at about 3 hours of work, as there is an awful lot of dismantling that has to occur, and I believe there are around 30 screws to remove just to get under the skin of this camera. It’s built like a brick, weighs about the same and is just packed with electronics.

Fingers crossed 🤞 let’s hope option number one has been successful.

Well, today I went to the lock up and dug out a small 2GB CF card and the two Canon batteries and a charger. I came home and Put the batteries in that surprisingly still held a little charge, sufficient to turn the camera on. I gently inserted the CF card only for the following message to appear on the screen, “Card cannot be accessed. Reinsert/change the card or format card with camera.” Aww shucks I thought, it hadn’t worked. I tried to format the card and the format failed, at this point I thought the pin maintenance had not worked. Damn. I was a tad annoyed.

CF card being installed

So I removed the card and checked the pins, they were ok. I reinserted the card and the same fault appeared, however this time when the option came up to format the card it worked. I was so shocked I tried it again and forced another format, again it worked!

Right it was now time to get a lens on the front and test the camera to check to see if it would write to the card, it’s only a stock lens, nothing special but absolutely fine for testing purposes. Just walking around the house I put the unit into auto, the flash popped up and I proceeded to rattle off a few random shots. And it worked, the results all came up on the rear screen.

Random shot 1
Random shot 2
Random shot 3

To say I was pleased at this is an absolute understatement. The work on the pins has worked and I now have a perfectly well working example of quite a top end camera. There’s no doubt that in the future the camera will require a replacement card reader, but for the moment it’s been given a new lease of life, and whilst I remember to be gentle with the removal and placement of the CF card, let’s just enjoy the camera and its capabilities until that time comes. In the meantime here are just a few, “Randoms” taken to test the card and camera in and around my home.

Just a few random test shots. It works.

Result:

You little beauty
A perfectly fine working unit

Time to give this camera a little buff up. (Clean)

This unit only appears to have taken 1,860 pictures. It is completely unused, and in perfect condition. And it now works. To be honest I feel more confident with this camera than I do with the mirrorless Sony that my wife purchased for my birthday. This was going to become my number two camera, however it’s just been promoted to my number one, as long as that card pin issue and repair holds up, and I have no reason to doubt that it should be a long time before any issues arise. I am confident that my repair has longevity as they say.

I want to give it a good test in daylight conditions in all modes rather than auto. I want to get a bigger CF card maybe a couple of 8GB ones, I don’t see the point in going for the bigger cards just in case there is a read/write issue in the future. It’s just an OCD thing for me, you know what I’m like.

So overall I’m really quite happy and satisfied with this camera. Of all the cameras I was gifted by my good friend Jon, all have been repaired apart from one that was beyond economic repair, even that has been broken down into it component parts, every screw recovered and will be used for spare parts. Nothing, and I mean nothing has been disposed of from this collection of cameras and accessories.

That’s what I do, I don’t waste anything. Ask the wife!

Many thanks for passing by, it’s always very much appreciated.

Olympus OM10

Always liked and wanted an Olympus OM10. 46 years later I now have one. Of course, it needed repair.

Much to the wife’s annoyance, and because I was feeling a little low and in need of some retail therapy, I’ve purchased this lovely little camera from the Barnardos charity. It looks like it’s been stored in a full Hoover bag, it is so dusty. It has a few dents and dinks, this one is going to be a challenge. I like challenges. I’ve paid the grand total of £17:67GBP for the camera and the standard Zuiko 50MM F1.8 Lens. I think that is an excellent price.

These cameras were produced between 1979 and 1987. I’m hoping I’ll be able to date this actual camera more accurately when I receive it.

This is what the original listing stated:

This listing is for a vintage Olympus OM-10 35mm Single-Lens Reflex (SLR) film camera, bundled with a Zuiko 50mm f/1.8 lens and a leather neck strap. This is a single bundle containing the camera body, lens, and strap, ideal for collectors or film photography enthusiasts.

UNTESTED. This sale is for spares/repairs. There are some marks and cosmetic imperfections. Please see images for more detail.

The standard untested post from the auction sites, but I’m not really bothered to be honest. It’s a charity, and I’m happy to pay for these items as the charity always benefits, and that’s all that matters to be honest.

I have some history around this camera and whenever I see one I think of Bruce Springsteen and here’s why.

1984, Bruce released this Album

Born in the USA was released in 1984, so I can kind of pinpoint the first time I’d ever really heard him, courtesy of my friend David K, when I used to live in a small town in Hertfordshire called Bushey. David had been a school friend, we were now in our mid to late teens, he was working in a restaurant whilst I was in a photographic lab. He introduced Bruce to me and for many months after he first purchased that album, we played it non stop and knew it off by heart, beat for beat, and word for word, we were totally smitten with it. It was the Bruce effect. At this time i would have been about 18-19 years old, and had a very basic Russian Zenit camera, it took some great photos. However, David had recently had a bonus payment at work and purchased himself the Olympus OM10. I was envious, who wouldn’t be? What a camera and this is where it all ties in with our hobby, we loved photography and used to always discuss it with Bruce in the background singing his heart out. It all ties in now, fantastic memories, and a single camera can bring back these memories. Amazing isn’t it?

Anyway here’s some pictures where you can see the amount of dirt, and what looks like some bumps on the outer edge of the lens.

Nice camera, few dinks and dents, and a lot of dirt

Here’s some information regarding this camera:

The OM10 was the first consumer OM series body. Launched in 1979 it accepted the full line of OM lenses and most of the OM accessories for a lower price. The lower price was reflected in the construction of this camera and the features available, however, it was still a very competent performer and it reflected the elegant lines established by the compact OM-1 and 2 designs. Early production runs of the OM10 have known malfunction issues with electronics, metering, and shutter magnets. Olympus later changed the shutter to a ‘Type II’ design to correct the latter problem.

In its standard configuration the OM10 offered aperture priority automatic exposure, simple and accurate enough for a consumer camera in most lighting situations. It also offered exposure compensation for more complicated lighting situations and for more advanced users. A small plug-in manual adaptor was available as an accessory to enable manual control of shutter speed. The manual adaptor is possibly not as easy to use as the typical shutter speed ring around the lens bayonet on the OM-1.

While not well known to consumers, the focusing screen for the OM10 is indeed interchangeable, though not as easily as the OM-1. It shares the same focusing screen as the OM-1, but the extra protruding tab needs to be cut off as the OM10 doesn’t have a placeholder for it.

The OM10 can accept all the lenses of the OM system. 

The finder screen is fixed, as well as the back. It can accept the winder but not the motor drive. It existed in chrome and in black finish.

In 1980 the OM10 Quartz was released with a fixed databack (equivalent of a Recordata Back 3) to print the time or date on your pictures. The OM10 Quartz was only released in black finish.

The OM10 was sold in large quantities before production ceased in 1987 and many working examples are still being used today. Largely overlooked in favor of its more professional ‘single digit’ siblings, you can easily pick up a working example for $50. Try to find one that includes the manual adaptor though, as this accessory alone can fetch $30 at auction.

Camera-wiki.org

Assessment:

In a perfect world this camera would just need a clean. But this is me and to be honest I’d like a little bit more of a challenge, as a lot of the cameras I have worked with lately did not need a lot of maintenance because they’d been well looked after. This one may be different.

The camera that has been received

These cameras were renowned for electrical faults especially with their mirror motion magnets, very similar to the issues suffered on Canons earlier EOS cameras such as the 1N. But to be honest I am just surmising at this point as the camera is not yet in my hands. I need to be patient and await its arrival.

Well, it’s arrived so let’s have a look and see what’s good, what’s bad and what’s indifferent. It has dirt, yes, quite a bit of it, so it will require quite a deep clean as we need to get into all those little crevices, where the dust has settled.

Dirt in all the crevices

Cosmetically it looks really good with no dinks, dents or scratches, so that is very much a positive. It’s in not too bad a shape for being 46 years old.

The capstan to open the camera film door, along with the operation dial are a little loose, so they will require tightening.

Loose capstan and controller

Batteries are long dead, this camera requires two LR44 button batteries to do even the basics, I have tested the batteries with a multimeter and they are so low that they hardly register, they are very dead indeed. The good thing however is that they have not leaked in anyway and the battery chamber is clear of corrosion.

Battery chamber is clean

The mirror is stuck in the halfway position, this could be purely to do with there being no battery in the camera. It would be good to see with new batteries installed, if the mirror magnets would then kick in, and then they’d be no further issue. However, knowing my luck they are probably inoperable as well, we will just have to wait. And for this same reason the winder is also stuck, again the batteries may well solve this problem 🤞

Mirror trapped at the halfway point

Good news is though that the mirror and curtain are in really good condition, because the old lens has been kept in place preventing any contamination getting into that area.

Viewfinder looks clear apart from a little dust build up

However the lens, does appear to have fungus in it, and will require a clean at some point along the way.

Visible lens fungus

There are also a number of light seals that need replacing as they have perished.

Some light seals need replacing

To be quite honest, the easiest part of this camera to clean will be the standard plastic and rubber neck strap. This can just go in some warm soapy water to rejuvenate it. However, my first priority will be to get some batteries in place and see what occurs. I may have to rethink my approach to this camera dependent on the outcome of this simple action.

Repair:

Straight home and I’ve found a couple of LR44 batteries that had a little more power than the old ones. In they go….and nothing. There is a check position on the main dial that should light up and a buzzer should sound to confirm that there is sufficient power, obviously there isn’t in this case. I run all the other LR44 batteries I have through a tester ( I had a packet of 12 ) and they all show as low power, they’ve died during storage. I then pop over the road to see my brother in law who always has a good supply of batteries and bingo, he has a couple of spare LR44s.

We have the check light, and a little buzz…intermittently

With these in place I get an intermittent buzz and a light, it appears the capstan control and operation dial that I mentioned earlier was loose, and has intermittent contact issues, it will need removing and cleaning then reseating.

If I hold the capstan in place I do get a good signal, with both buzzer and light operating in the check position, and when I move the control to “On” position I can now cock the shutter lever. It will then fire but again only to the half way position as it did earlier. If I gently push the mirror down and let it spring back it will then fire. But you have to do this on every stroke of priming the advance lever. Not good.

This is pointing towards an issue with the magnets and I believe I’m almost there, and that’s when I have a eureka moment.

Eureka moment

In the bottom of the mirror and curtain bay on the base of the camera is where the mirror magnets are situated, along with a light sensor that takes a reading off the shutter curtain behind, that is checkerboard coloured. Something here didn’t look quite right for me as it did not look level, the base seemed quite uneven. I just simply put my finger in here, applied some light pressure on this base and it just clicked into position, nice and level and then the stuck mirror fired, just like that. Every single prime of the shutter and actuation since, has worked just perfectly, I wonder if this camera has been dropped at some time just knocking this part out of true configuration? Or has someone been here before me? I’m going to have to remove the base to check a few things anyway, so I can then make sure this issue doesn’t happen again. For now, I’m satisfied that the shutter and winder are working fine. I just need to make the contacts and the electrical continuity a little bit more reliable.

I’ve dismantled the faulty switch. Inside, the old tracks on the camera and the pickups on the switch were showing signs of tarnish so I used some contact cleaner go get these looking better. I’ve re assembled the switch and used a new circlip to hold it all together. It’s a lot more secure and responsive now with no interruption to the check signal. It’s quite solid as it always should be.

Capstan needs dismantling
Circlip needs removing
Those tarnished tracks

Here’s a small video regarding the switch repair.

Switch working as it should

With the switch sorted I’ve now removed the focus screen to give that a bit of a clean.

Focus screen removal, cleaning and replacement

And after this I have gradually started to remove the old light seals in preparation for their replacement. They really are in quite a bad way and creating a lot of dust and dirt as they degrade.

Old light seals removed and degraded
Mirror damper seal removed

Now to get the remainder of the old seals removed, clean the troughs they sat in, and then put the new seals in place.

With some IPA, and a large bamboo stick it’s time to remove the old seals
Some seal cut to size
Door seal replaced
Top seal installed
Bottom seal installed

I’ve replaced all the seals on the camera body apart from the mirror damper. I need to get some adhesive first, to secure the plastic plate that sits above the damper. Hence I have to wait for this to be in place before I can finally put the damper in situ, i will do this in the next 24hrs.

Now, the plastic piece that covers the focussing screen access is now secured in place and the mirror damper has been installed, all light proofing has now been completed.

Mirror damper installed

The original lens that was suffering with fungus has been dismantled and given a clean, however because the top two optics are a sealed assembly, guess what? The fungus is within the sealed section and is unable to be accessed. Therefore the lens will never be cured of this issue, it has been improved by cleaning the other optics but it’s not in anyway good enough to use with film in the camera, I will therefore use the old lens purely for testing purposes, it works fine for that and will be just fine for testing other Olympus equipment. In the meantime I have purchased two further OM 50mm std lenses, one is an earlier “Silver nose” model with a single lens protective coating whilst the other is a later production “Black” MC (Multi coated) model. Both are in an excellent clean condition conducive for film photography.

The two new lenses – “Silver nose” to the right

I’m happy that the repairs have now been completed, all that is left now to do, is to give the unit a thorough clean, and to clean that original plastic/rubber camera strap with some warm water.

Result:

Here we present a fully cleaned and maintained Olympus OM10 35mm SLR camera from the 1980s looking quite resplendent after all the work on it has been completed.

All cleaned
Looking superb with a new lens
Looking fine from all angles

It’s been a lovely camera to work on. The make of this camera is superb, and back in the 80s Olympus were on a high note with the high end advertising, using many well known celebrities, and their cameras as a result became extremely popular. They are very well made and have stood the test of time. This one camera will go on to continue being used, and has many good years of life ahead of it. Another one saved from the scrap heap. As with all my cameras I have an immense backlog of units all awaiting the time when they have a roll of film run through them, and this one is no different. When I do pass a test roll through it I will post a link to the results here.

As always, thank you for passing by and glimpsing this post. It is always very much appreciated.